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Pewter Live
2011
THE WORSHIPFUL COMPANY OF PEWTERERS
COPYRIGHT 2011
The Worshipful
Company of Pewterers
No part of t his work may be
reproduced, stored in a retrieval
system or transmitted in any form
or by any means, including copyrighting and recording,
without written permission from the copyright owner, application
for which should be addressed to The Worshipful Company of
Pewterers – Pewter Live. Whilst every effort has been made
to verify statements of fact by contributors, including the Students and professional designer entering the competition, no
responsibility is accepted for errors or omissions by them.
Editor - The Clerk, Captain Paddy Watson RN
Designed and produced by Eleanor Mason Brown - emc@pewterers.org.uk
Printed by Splash Printing
- www.splashprinting.co.uk
Front cover: ‘Geo Light Sconce’ by Yoyala
Luiklham. 2nd place - Open Competition,
Pewter Live 2009
CORRESPONDENCE
The Worshipful Company of Pewterers,
Pewterers’ Hall, Oat Lane, London, EC2V 7DE
CF DAY Ltd.
Property Management
Experts
705 High Road, North Finchley
London , N12 0BT
Tel: 020 8492 7770
Wish The Worshipful Company
of Pewterers every success for
Contact the National Association of Goldsmiths on:
Email: nag@jewellers-online.org
Tel: 020 7613 4445
Web: www.jewellers-online.org
Pewter Live 2011
Pewter Live
2011
Contents
Introduction 4
Sponsors 6
Master and Company 7
Shop at Pewter Live 11
Judges 13
The Open Competition 15
Student Competition:
Interior, Architectural & Furniture 22
Decorative Arts 26
Fashion 35
Past Winners 41
Association of British Pewter Craftsmen 45
Statement of Design Rights
& Entrants Index 49
ITRI Ltd wish the
Worshipful Company of Pewterers every success for
Pewter Live 2011
Delivering the Future of Tin
global co-operation for long term success
www.itri.co.uk
Pewter Live 2 0 1 1
Introduction
The Worshipful Company of Pewterers has been actively involved with the pewter trade since
the Middle Ages. Today, one of the principal examples of this involvement is Pewter Live, which
has become a noted and influential event held in the very heart of the City in the impressive
surroundings of Pewterers’ Hall.
Pewter Live showcases exciting and innovative work of both established and student designers. This
year we are delighted to announce that Sheriffs of the City of London, Alderman and Sheriff Fiona
Woolf and Sheriff Richard Sermon will formally open Pewter Live on Tuesday 7 June and that David
Nicholls, Design Editor for the Daily Telegraph, will present the Prizes on Thursday 9 June.
There are two competitions: the Student and the Open. The Student competition has three
categories: Decorative Arts, Interior, Architectural and Furniture and Fashion - the Total Look. With
almost 80 students and 19 professionals (7 going through to the final) the standard has been
extremely high. This year, for the Open competition, the Company is looking for a piece of fine
pewter to be presented to the Royal Scots Dragoon Guards, who have recently become
affiliated to the Company. This is a fantastic opportunity for aspiring designers to gain not only a
valuable commission but a huge amount of publicity.
Pewter Live is all about encouraging innovation in design in order to exploit pewter to its fullest
potential and to produce ideas which will stretch the boundaries of this marvellous metal. We
wanted the entrants to bring pewter alive; to demonstrate an understanding of its inherent qualities
and contemporary appeal to consumers of all ages and tastes.
The Pewter Live Committee works closely with the Association of British Pewter Craftsmen and its
members to achieve a high standard that will inspire designers and manufacturers to produce the
very best of British pewter.
Pewter Live could not be run without the colleges and universities which take part. Once again, our
thanks go to the tutors and students for their support and the tremendous effort and enthusiasm
that goes into the competition.
Buckinghamshire Chilterns University College
South Devon College
www.bcuc.ac.uk
www.southdevon.ac.uk
University College Falmouth
Sussex Coast College Hastings
Tutor: Trish Woods
www.falmouth.ac.uk
University College for the Creative Arts at Farnham
Tutor: Andreas Fabian
Tutor: Jason Cleverly
www.ucreative.ac.uk
www.hastings.ac.uk
Tutor: Rebecca Skeels
Tutor: Ashley Heminway
Faculty of Art & Design - Manchester Metropolitan University
www.artdes.mmu.ac.uk Tutor: David Grimshaw
London Metropolitan University
www.londonmet.ac.uk
University College for the Creative Arts at Rochester
Staffordshire University
Truro College
Camberwell College of Arts
Central St Martins
Tutor: Beaulagh Chapman Brooks
www.ucreative.ac.uk
www.staffs.ac.uk
www.trurocollege.ac.uk
Tutor: John Grayson
Tutor: Martin Page
www.camberwell.arts.ac.uk
www.csm.arts.ac.uk
Tutor: Brian Hill
Tutor: Karen Richmond
Tutor: Caroline Broadhead
Pewter Live 2 0 1 1
LEIGH CARR
Wishes the Worshipful Company of
Pewterers every success for
Pewter Live 2011
www.leighcarr.co.uk
Working with you to achieve growth
Quite simply, we are committed to helping you grow your
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Leigh Carr, 72 New Cavendish Street, London W1G 8AU
tel: 020 7580 7788
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fax: 020 7580 8877
email: enquiries@leighcarr.co.uk
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John Ward - Head of Private Client
Tel: +44 (0)20 7427 6643
john.ward@speechlys.com
or visit our website at
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CADMAN
FINE WINES
Sponsors
The Worshipful Company of Pewterers would like to thank
- www.cadmanfinewines.co.uk
- www.cityandguilds.com
- www.ga-uk.org
www.itri.co.uk
- www.leighcarr.co.uk
- www.jewellers-online.org
- www.procom.uk.com
- www.rathbones.com
- www.richmondcaterers.com
- www.speechlys.com
- www.splashprinting.co.uk
- www.teamworkexhibitions.co.uk
- www.utilityfunding.ocm
Pewter Live 2 0 1 1
Master &
It is a great pleasure to welcome you to
Pewter Live and to show you the great
variety and versatility of pewter.
The earliest examples of use of the alloy date
from ancient Egypt in about 1500BC, but it
only became popular in Britain during the
late Roman period. With the collapse of
Roman Britain and the ensuing chaos,
pewter production virtually ceased and was
not revived until the Ninth Century when it
was confined mainly to ecclesiastical articles
and jewellery. After the Norman conquest
and with the general increase in wealth
during the Middle Ages, the use of pewter
steadily became widespread throughout
English society.
Although gradually eclipsed by the
introduction of porcelain in the Eighteenth
Century, pewter remained in use as
domestic ware and by craftsmen and
designers, notably during the Arts & Crafts
and Art Nouveau periods.
The beauty and wide utility of pewter has an enduring appeal and it is a privilege to
show you the work of the designers and craftsmen of today.
Professor John Donaldson
Master of the Worshipful Company of Pewterers
Company
The Pewterers’ Company is an ancient and continually evolving foundation with
medieval origins as a City Guild. The earliest documented reference to it is in the
records of the Corporation dated 1348. The Company’s own records date from 1451.
It is ranked sixteenth in the order of civic precedence among over a hundred Livery
Companies.
The first charter, granted by King Edward IV in 1473, empowered the Company
to regulate the trade throughout the kingdom, unlike the powers granted to the
majority of other companies, whose jurisdiction was limited to the City and its environs.
It could seize and destroy pewter below a certain standard, and also impose fines and
other penalties on its members for failing to uphold the Craft. From 1503, an Act of
Parliament required Members of the Company to register their ‘Touchmarks’, which
were ‘to be recorded on Tablets of Pewter’ and kept at the Hall of the Company. The
use of a Maker’s Touchmark served not only to safeguard the Craftsman, but also to
enable the public to have confidence in the quality of the product.
.
Today, the Company has an active and
diverse membership, drawn from a wide
range of backgrounds. The Company’s
principal activities are the support of
the pewter trade in this country, the
management of its charities, supporting
the government of the City of London
and the Armed Forces of the Crown and
maintaining a lively and enjoyable
corporate social life, meeting regularly in
Pewterers’ Hall.
The first Hall, completed in 1496, was
destroyed in the Great Fire. The second
Hall, on the same site in Lime Street,
which is still owned by the Company, was
demolished in 1932. The present Hall
was opened in 1961.
Pewter Live 2 0 1 1
Glover & Smith
Inspired by nature, created by us!
All of our tableware,
jewellery and gift designs
are handmade by us in our
Wiltshire studios.
www.gloverandsmith.co.uk
Pewter Live 2 0 1 1
Shop @
There will be an impressive range of contemporary pewter
for sale at pewter Live 2011.
Glover and Smith
sales@gloverandsmith.com
www.gloverandsmith.co.uk
Fleur Grenier
design@fleurgrenier.co.uk
www.fleurgrenier.co.uk
Gill Clement
shop@gillclement.com
www.gillclement.com
Pewterlive
AE Williams
info@pewtergiftware.com
www. pewtergiftware.com
Steve Corless
Partners in Pewter
www.partnersinpewter.com
Public opening times: 10.00 - 17.00 Wednesday 8 June
go to www.pewterers.org.uk for more details
Pewter Live 2 0 1 1
Guest of Honour
The Worshipful Company of Pewterers is delighted to welcome
David Nicholls as guest of honour and presenter of prizes
for Pewter Live 2011. He will be accompanied by past judge
Annabel Freyberg.
David Nicholls is the design editor of the Telegraph Magazine where
he has worked for the last seven years. Although Canadian has lived
in London since 1994 and since then has developed a great passion
for the preservation of British craft and manufacture. David writes a
weekly ‘Made in Britain’ column in the Telegraph Magazine and in 2010
he curated the Britain (can still) Make It exhibition at Liberty London
where he teamed together British designers and manufacturers to
produce an original body of work. He works with Clarion Events for whom
he has devised the Product GB Trail, which highlights exhibitors who
manufacture their collection in the United Kingdom. Over the course of his career, David has written for
publications including Elle Decoration, GQ, the Independent, Crafts magazine and Livingetc and served as a
judge at events including 100% Design and New Designers.
Judges
.
Sebastian Conran’s career began in 1977 working as a designer for The
Clash, designing record sleeves, posters, stage sets, and clothing. In 1979,
Sebastian joined leading branding consultancy Wolff Olins; and in 1981
became Head of Merchandise Design at Mothercare; before setting up his own
design studio in 1986.
With specific focus on innovative merchandise development and user
experience design, Sebastian Conran Associates is known for ingenious and
elegant design solutions. The studio’s work has received many design and
innovation awards as well as dozens of patents in a variety of industries.
Sebastian is also visiting Professor of Design Against Crime at Central St Martins; Leader of the UK Home
Office ‘Design and Technology Alliance against Crime’; Chairman of the ‘Creative Industries Knowledge Transfer
Network’ for the Technology Strategy Board; founding Trustee of the Design Museum; ‘Designer in Residence at
Sheffield University Science Faculty’ ;Member of the Design Council, Britain’s strategic body for design.
.
Sue Bonham graduated with Distinction at the London College of
Fashion in 1981 and her graduation collection was purchased by Harrods. In
the 1980s Sue worked with Simon Napier-Bell making clothes for his bands
such as Wham! and Japan as well as with Terence Donovan styling for some
of his photo shoots. Following this, She was also a part time lecturer at the
London College of Fashion as well as showing both at London Fashion Week
and Paris Fashion Week under her own label. Since the late 1990s Sue has
been a couture designer for both women and men with her own shows in
London’s West End. She has an expanding list of high profile clients,
including HRH the Countess of Wessex, designing and making stylish outfits
for all occasions.
.
Mark Bond is currently Head of Design for Home & Furniture at Tesco. Graduating from the RCA in 1994, Mark established his own design consultancy working
with high profile companies such as Hermes fashion house, the Design Museum,
the Barbican Centre, the Design Council, the British Council, WGSN and Habitat
UK. Mark has curated exhibitions, co-authored books, lectured internationally, trend
forecasted, and judged design competitions.
Mark has also worked with the Home Retail Group, Marks & Spencer, ran the
design team at Conran & Partners and designed for SCA. He has travelled
extensively and collaborated with manufacturers globally, developing designs in
most product areas.
.
Laila Zollinger is a Director of Wildshaw Limited, the worldwide sales agent
for Minsur SA, Peru, (which produces about 35,000 tonnes of tin metal annually).
Laila has been involved in the metal industry all her working life and takes a keen
interest in all things tin related, from the mine to finished products.
Pewter has always held a particular fascination for Laila, due to its versatility and
beauty, and the Viking’s metal of choice can be found in numerous guises in her
family home. The promotion of pewter is an ongoing challenge and Laila would
dearly like to see pewter regain its prestige and be seen by the public as an equal
to gold and silver.
.
Marc Meltonville - Food Historian, Historic Royal Palaces, England
Marc trained in Ceramic history, form and construction. After college he went to work
in the media, firstly in advertising and then the writing of children’s books. To date he
has over twenty books in print.
Never losing his love of history he also worked as a volunteer at the Chiltern Open Air
Museum and later worked for his County as a Museum Education Officer. Marc was
first commissioned to work for Hampton Court in 1991 for the reconstruction of the
Tudor kitchens and then for the first attempt at using that space for experimental work.
In 2003 Marc took over the project co-ordination of the Historic Kitchens of Hampton
Court Palace. In 2006 the current project was born; an experiment to look at the three
centuries of occupation of the Royal kitchens. His work at the Royal Palaces has seen
him lecture all over England, America and Canada, along with countless TV and Radio
appearances.
.
Nick Munro started his career in 1987 by turning bedsprings into eggcups – an
instant hit which won him the accolade of UK Young Entrepreneur of the
Year. Soon afterwards he invested all the money he’d made from this initial
venture into his first collection of pewter, including teapots, cafetieres and
pepper mills, manufactured by ARWentworth in Sheffield.
More latterly, Nick has gone on to work with companies all over the world
including Royal Selangor Malaysia and his portfolio ranges from tea pots
to wristwatches, crystal to porcelain. He opened his first independent shop
last year and is presently expanding his own brand into China, Korea and
Japan. But it all started with Sheffield made pewter (albeit by way of a bedspring or two!).
Pewter Live 2 0 1 1
Open Competition
Pewter Live’s mission is to encourage innovation in design in order to exploit
pewter to its fullest potential and produce ideas that will stretch the
boundaries of this marvellous material. The object is to bring British pewter
alive; to demonstrate an understanding of its inherent qualities and its
appeal and relevance to contemporary consumers of all ages and tastes.
Open Category Brief 2011 – Gift for the Royal Scots Dragoon Guards
The Royal Scots Dragoon Guards are Scotland’s senior Regiment and have
a history dating back to 1678; they are also regarded as Scotland’s cavalry
and are equipped with the Challenger 2 Main Battle Tank. The Regiment has
recently become affiliated to the Worshipful Company of Pewterers and, to
commemorate that occasion, the Company wishes to commission a piece of
pewter as a suitable gift. Alternatively, entrants are asked to design an item
suitable for presentation to one of the Company’s other Service affiliations (HMS
Liverpool or 3 (F) Squadron RAF). Over the next few pages you will see the final
designs chosen from the preliminary judging.
Design Brief
The brief of the Open Competition is to design a suitable piece of pewter finished
to a standard of excellence, which the Company could purchase to present to
the Royal Scots Dragoon Guards. Initially, we are looking for designs that will be
subjected to preliminary judging; those candidates selected will then be asked to
make their designs for the final judging at Pewter Live. The design will need to incorporate elements of the history and traditions both of the Company and Regiment; the
actual object can be decided by the competitor, it may be sculptural, a centrepiece,
a charger or candelabrum, chandelier, lectern or some other object of inspiration.
Judging Panel
The Master of the Company will chair the panel of judges that will be drawn from
all sections of the Company.
Prize - If awarded, the first prize will be the purchase of
the finished work by the Company for presentation to the
Regiment; the second prize will be £1,000.
Open Competition
Alfred Pain -
alfred.pain1@gmail.com
Chandelier
The design is for a twelve lamp chandelier (1) with an enamelled frieze, and symbols
and emblems of the Pewterers and the Regiment. These include references that will
only be apparent to the Regiment, as the Officers’ Mess is a private place. There will
be images (2) of Bluidy Tam and Sergeant Ewart on two of the arms.
Images on the arms:
Bluidy Tam raised the Regiment. He is held in regard by the officers and enjoyed a
robust career, and served as a General in the Russian Army. In my sketch, which
is taken from his portrait in the National Gallery of Scotland, he is observed holding
a hand of cards, as he is reputed to have played a game with the Devil. On the
opposite arm of the chandelier will be an image of Sergeant Ewart, who scarcely needs
introduction, but was the man who seized the Eagle which is seen with the Prince of
Wales’ feathers on the body of the chandelier.
.
Pewter Live 2 0 1 1
Melanie Guy -
melguy@onetel.com
Table Centre Piece
A modelled pewter casting 32cm diameter, set
on a burr wood base, an oak burr, The whole
piece will be appox. 18cm high. An appox 6.5cm
depression in the centre holds a small vase for a
few blooms. Emblems
chosen are the hat
emblem of The Royal
Scots Dragoon Guards
and The Worshipful
Company of Pewterers’
crest.
Michael Hurley -
Oatcake & Cheese Board
This cheese board is designed specifically
around the oat cake, oats having a long
association with both the Scots and horses.
The wooden insert is carved with a novelty
‘Allied v’s Enemy Cheese ‘design.
m.hurley@camberwell.arts.ac.uk
Open Competition
Shannon O’Neil -
shannononeilsilver@hotmail.com
Punch Bowl
The Punch Bowl and lid would be
cast and turned to a thickness of
between 3-5mm and I have proposed having a cast polyurethane insert into the base of the punch bowl
to lower the centre of gravity and
ensure stability when in use.
The ‘chased’ camouflage motif is created using outlines of some of the 790 Scottish Isles
and echoes The Royal Scots Dragoon Guards’ global influence. The Regiment’s and
Company’s coats of arms are engraved on the lid and their mottoes on the rim of the bowl.
The finial, which suggests the offering of a gift, is taken from the crest of the Pewterers’
Coat of Arms, as is the base of the Punch Bowl, which is drawn from the fish tails of the two
‘seahorse supporters’. The Piper’s Ladle is inspired by the Royal Scots Dragoon Guards’
haunting and incredibly moving music that has touched the lives of generations across the
globe; as it is music that is surely one of the truly great unifiers.
.
Pewter Live 2 0 1 1
Sam Williams -
samwilliams@pewtergiftware.com
Scots Dragoon Guards Flagon
and Bowl
A magnificent Traditional Thistle shaped Drinking Flagon. Original design dates from the
1600s when the predecessor regiments of the
Royal Scots Dragoon Guards were first raised.
There are 3 handles shaped into thistles (the
guardian symbol of Scotland) which attach to
the jug and they are to be set with amethysts or
heather. 3 handles represents a Stirrup cup, which
is a traditional drinking cup used amongst the
cavalry and is a symbol of trust. At the top of
the Flagon the crest can be found mounted on
top of the lid. The crest represents the charge at
Waterloo.
The bowl is a 20 inch Broad rim bowl, a unique piece
which cannot be made anywhere else. Around the
Broad Rim there will be an inscription “The Royal
Scots Dragoon Guards” along with their motto. At
the bottom of the rim there will be engraving of all
of their honours and Victoria Cross Winners. Inside
the Bowl there will be an embossed circular crest
which will be a platform for the Jug to be placed
on. On the side of the Bowl there will be intricate
engravings of the charge at Waterloo. The other
side of the bowl will feature the new Challenger 2
Main Battle Tank,
Open Competition
Laura Carnell -
laura@rara-design.co.uk
Quaich
Based on the traditional Scottish
quaich. This communal drinking
vessel celebrates the bond of
brotherhood between the Worshipful Company of Pewterers’
and Royal Scots Dragoon Guards
and the camaraderie of the
soldiers.
With a central spun pewter bowl
it is encased in wood with pewter
inlaid using a laser technique.
Therefore it utilises the techniques
of spinning, turning and casting.
Pewter Live 2 0 1 1
Karen Richmond -
k.richmond@camberwell.arts.ac.uk
Eagle Wings Bowl
Inspiration: The eagle within the Royal Scots
Dragoon Guards cap badge.The ‘Eagle Wing
Bowl’ is intended as a bold centrepiece; a
three-dimensional layering of eagle wings. The
manufacturing context is as a bespoke gift.
The making process would
be the casting or pressing
of individual wing-forms
then soldering the pieces
together, alternatively a
construction of a multi-part
mold with soldering. With
the upcoming bicentenary
of the Battle of Waterloo the
thoughts behind the piece
are based on the symbolic
strength of the eagle. I am
also aiming for a visual
lightness within the work
with a polished surface of the
vertical wing structure. With
the addition of the appropriate badge it would
also be suitable for HMS Liverpool or 3(F)
Squadron Royal Air Force.
Interior, Architectural & Furniture
Pewter offers students tremendous potential to design contemporary interior
fixtures and fittings - from handles and hooks, shelves and brackets, to light
fittings, lamp bases, and bathroom accessories. Today’s homes adopt a
variety of ‘looks’ - minimalist urban loft-living, country-style utility, revivalist
or traditional - and most successful businesses have a corporate look which
inspires confidence through its professionalism. Pewter fixtures and fittings
can enhance them all.
The students were asked to design a one-off item or a range of pieces which
show originality and take into account today’s trends in interior design.
Prizes: First £500, Second £300 and Third £150
Alberto Deleze-Castro adelezecastro@students.ucreative.ac.uk
Buckinghamshire Chilterns University College
3-Dimensional Design - Ceramics
Repoussé & Embossed Free
Standing Mirror
I took an antique pine free standing mirror,
acquired through Ebay. The idea was a mixed
media object using wood, pewter and ceramic
tiles. The mirror has been coated/wrapped
with very low calibre (thin) sheets of pewter,
embossed with erotic imagery/patterns.
Pewter Live 2 0 1 1
Melina Xenaki m_xenaki@homtail.com
Buckinghamshire Chilterns University College
3-Dimensional Design - Ceramics
Chessboard Table
I am very intrigued by the way people
communicate and interact with each other.
Picasso’s “Guernica” is my main inspiration
for the design of these pieces. I have used
techniques such as oxidation, hammering,
soldering and casting to achieve the chess
set and the pewter rim. The tabletop is
ceramic with a crackle glaze applied on the
surface .
Debbie Leane debbieleane@gmail.com
Camberwell College of Arts
BA Hons 3 Dimensional Design
Wishbone Lamp
This prototype utilises the conductive
property of pewter to eliminate wires, as the
pewter wishbone conducts the electricity from
the base to the bulb. The sandcast wishbone
is coated in a resin which ensures safety to the
user. The base and shade are hand carved
sapele hardwood. Connotations of luck from
the wishbone make it an ideal wedding gift.
Yosuke Kondo yosuke_kc@yahoo.co.jp
Camberwell College of Arts
BA Hons 3 Dimensional Design
Pliant
A single sheet of pewter cut in circle
was utilised. Not an inch was wasted.
The edges were manipulated by hand to
create the corrugated effect. At one end
of this fan-like shape a spout is formed.
At the other end, a handle made of teak
wood is attached. A lid is made of the
same teak.
Interior, Architectural & Furniture
Chloe Sherwin c.sherwin@hotmail.co.uk
University College Falmouth
Ba (Hons) Contemporary Crafts
‘The Knocking Pin’
‘Place your hands lightly on
each end of the pin and begin
to roll’....Delia Smith. Pewter
door handles to replicate a rolling pin, accentuating the handles much more than if on an
everyday rolling pin. Moulded
and casted door knob handles,
such easy every day objects
often over looked, but often it
is much needed in every scenario of a building.
Anna Pearson talktoanna@gmail.com
London Metropolitan University
Silversmithing & Jewellery Design FDA
LED Wall Lights
.
This design was inspired by Fibonacci and natural spirals. The Calla Lily
was broken down to its simplest form and rebuilt in pewter. The clean, flowing lines of the wall lights would compliment any setting, be it corporate or in
the home. The design was made by hand but would lend itself to large scale
production easily.
Pewter Live 2 0 1 1
Tyra-Jane Ward - tyraward@hotmail.com
University for Creative Arts at Rochester
BAHons, Silversmithing, Goldsmithing and Jewellery
The Magnetic Key Keeper
Fun for all the family, this innovative
magnetic key keeper solves that everlasting problem of ‘Where are my keys’
Just throw your keys at the pewter dome
and watch them stick to the metal surface, you’ll never have to look for your
keys again. Pewter is the ideal metal for
this stylish, minimalist and contemporary design as the keys will continually
texture the surface and will also themselves, be an important decorative feature of the design.
Alpine Succulent Art
This modular set of units are specifically designed
for alpine succulents, they are versatile and would
befit any type of garden, whether it is a veranda,
patio,rockery, or even by the window sill. Of additional
interest and adaptability, these distinctive units are
also designed to be mounted on a wall to create
living succulent art of a striking nature.
Sanni Falkenberg - sakafa@gmail.com
University for Creative Arts at Rochester
BAHons, Silversmithing, Goldsmithing and Jewellery
Decorative Arts
Decorative Arts
The students were asked to design a pewter item for the gift market. The design
could be either functional, fun or merely decorative. We wanted them to look at the
current market, bearing in mind retailers such as John Lewis or Heal’s.
The judges are seeking originality and beauty but also innovation. Students were
asked to bear in mind what people need/want at the moment and to think about lifestyle trends. More and more people are entertaining at home: a wine chiller, a table
centre piece, a modern take on the traditional vase, etc.
They also had to consider the visual benefits derived from the integration and use
of colour to complement and enhance the pewter, using additional materials as
appropriate. The final item had to be made predominantly of pewter. We also asked
that consideration should be given to the possibility and practicality of large-scale
production.
An additional theme which students were offered was to take a more architectural/
interior approach. This could include accessories for interior decoration or pewter
fixtures and fittings.
Prizes: First £350, Second £250 and Third £100
Tripti Samal - callistaneoni@hotmail.com
Buckinghamshire Chilterns University College
BAHons, Silversmithing, Goldsmithing and Jewellery
Candlestick Jigsaw Tower
I styled this piece to become an
elegant and modern addition to any
home environment. The wood and
pewter design is based on the idea of
a jigsaw; giving it a playful, interactive
nature, and the reversibility will attract
both candle and tea light lovers.
Charlotte Duckworth funky_hedgehog@hotmail.co.uk
Buckinghamshire Chilterns University College
BAHons, Silversmithing, Goldsmithing and Jewellery
‘The Floating Bowl’
When I was designing my piece, I was aiming for a target
audience used to life in the countryside. My research was based
on nature, which led onto twigs and branches. I wanted to create
an exquisite piece that has a certain unique feel to it, but
is aesthetically pleasing.
Pewter Live 2 0 1 1
Joanna Williamson jwilliamson12241@hotmail.co.uk
Buckinghamshire Chilterns University College
Three Dimensional Design, Glass
Modern Wine Decanter
A modern twist on a traditional decanter. A
contemporary pewter design based on wine
vines and leaves which is then wrapped
around a recycled wine bottle. The bottle
itself has a vine design sandblasted on the
surface to add texture and depth
Marie de Boissezon mdbz@hotmail.fr
Camberwell College of Arts
Three Dimensional Design
More than a mirror, this is
Pewter
Of all objects the mirror is deemed the
most unlucky. Used intensively but never
seen. Indeed, looking into the mirror is not
looking at it. Here, gaze carefully, this is
pewter naturally both rough and soft, matt
and shiny
Joseph Begley joebegs@hotmail.com
Camberwell College of Arts
Three Dimensional Design,
Tilt
Inspired by Fuller’s geodesic dome, this
deceptively delicate pewter fruit bowl
perfectly compliments a traditional table
setting giving it a playful, interactive ‘slant’
whereby it tips with the shifting weight of its
contents on its pentagonal pyramid base.
Manufacturing consists of spinning and
press moulding.
Decorative Arts
Dionne Cole - dionnecoledc@aol.com
Camberwell College of Arts
Three Dimensional Design
‘Pewter Business Card Holder
My design is a Pewter business card holder. This idea
came from experimentation into different hinge mechanisms,
resulting in part of the hinge being used to support the cards,
allowing it to have 3 functions… Opening, Closing, Supporting
- This product is aimed at the gift market for people to hold a
collection of business cards.
Sophie Botsis -sophiebotsis@hotmail.com
London Metropolitan University
Silversmithing & Jewellery Design FDA
Napkin Ring
The skyline of London City is the influence for this napkin
ring and the layer finishes. Each layer of this piece represents a part of London, shiny towers, old architecture,
rough estates, dirty pavements and even the grey sky.
The pewter has been finished accordingly, highly finished,
hammered, lightly and heavily brushed pewter with the
addition of grey perspex will represent the sky.
Nadia Medani - nadiamedani@hotmail.com
University College Falmouth
BAHons, Contemporary Crafts
Squid Ink
Squid Ink is a free standing, cast pewter inkwell. It is a comic look
at the quirks of nature and the fact that squid produce ink, combining functionality and contemporary humour. The ink well and
pen are suspended in the body of the squid whilst the tentacles
hold the piece upright.
Laura Beer - Lorlabeer88@aol.com
University College Falmouth
BAHons, Contemporary Crafts
‘Duck Cup’ Earthenware Ceramic Cup with
Cast Pewter Duck’s Feet
‘Duck Cup’ is a comical yet functional vessel for drinking that
brings a hint of the surreal to everyday life. The feet have been
hand modelled and cast using the Lost Wax Process, and finished by hand.
Pewter Live 2 0 1 1
Anna Pearson talktoanna@gmail.com
London Metropolitan University
Silversmithing & Jewellery Design FDA
Segmented Fruit Bowl: Raised
then pierced by hand.
Fruit Bowl: The inspiration for the bowl came from
both nature and architecture; the segments of citrus fruit and the Chrysler Building in New York. I
was struck by how the top of the building looked
like a slice of lemon. Rearranging the segments
brought the form into being. The bowl was then
raised and pierced by hand.
Silke Helga Espinet silke.espinet@yahoo.co.uk
London Metropolitan University
Silversmithing & Jewellery Design FDA
Lotus Flower Incense burner
Incense burners were used by ancient
civilisations for worship, communication
with spiritual beings and assurances of immortality. In Buddhist symbolism the lotus
flower represents purity of body, speech
and mind. The scent of the incense will
bring the lotus flower alive.
Rosie Brewer roseebee@hotmail.co.uk
Camberwell College of Arts
Three Dimensional Design
Seaspoon
This double ended pewter spoon is a
contemporary take on how shells have
had such a long history of being used by
humans for various purposes, evidence
of which dates back to Paleolithic times.
The spoon has been made as one piece
from casting two different sized seashells
in sand.
Decorative Arts
Jessica Swallow twistedlogic3@hotmail.co.uk
Faculty of Art & Design Manchester Metropolitan University
Three Dimensional Design
Ripple Vase
A smart and simple vase; defined by the
aesthetic juxtaposition of mahogany and
pewter. A ripple effect cascades down
the vase and this subtle design feature
ensures the contrasting materials are
married together. The pewter element
is watertight, and for convenience and
maintenance purposes the two parts are
detachable.
Kieron Mayall kieronmayall@gmail.com
Faculty of Art & Design Manchester Metropolitan University
Three Dimensional Design
Dishful
Dishful is a centre piece object that invites a
variety of functions. It is designed to be the focal
point of entertainment within the home, uniting
families and friends.
It is an ideal gift or gesture for all occasions.
Rory Thompson rorzthompson@hotmail.co.uk
Faculty of Art & Design Manchester Metropolitan University
Three Dimensional Design
Matryoshka bowl
Matryoshka is the Russian word
to describe their famous dolls that
sit inside each other. It is from this
concept I have created my bowls.
Three beautifully crafted bowls that
sit with each other to appear as one
unique functional object.
Pewter Live 2 0 1 1
Rory Thompson rorzthompson@hotmail.co.uk
Faculty of Art & Design - Manchester Metropolitan University
Three Dimensional Design
Double Ended Flask
A new take on a traditional item. The double ended
flask is unique as you are able to carry both your
favourite spirits in your pocket. The elliptical shape sits
comfortably in your hand and is beautiful to hold as
well as visually pleasing. An item truly to behold.
Imogen Clarkstone immyrc@hotmail.co.uk
Faculty of Art & Design Manchester Metropolitan University
Three Dimensional Design
Cake Dish
I created this cake stand with tea parties in mind. I designed the hand-turned wooden handle so that the cakes
can be handed out easily.
Taking inspiration from traditional cake stand decorations,
I created the geometric floral pattern and acid etched the
design onto the pewter, before having the dish spun.
Vincent Ratcliff 08978794@stu.mmu.ac.uk
Faculty of Art & Design Manchester Metropolitan University
Three Dimensional Design
“Moon” Fruit Dish
‘Moon’ is a spun fruit dish which takes
advantage of the malleable material.
With its symmetrical indentations, the
form keeps the fruit in place as well as
dispersing light differently from every
angle. The name relates to the cratered
and reflective surface of the moon.
Decorative Arts
Elizabeth Mooney - biff@biffmooney.com
Sussex Coast College Hastings
FdA Contemporary Crafts Practice
Sleep
Don’t the marks of a stretching hammer remind you of the
creases in a poppy? In this decorative ornament, I let the
process of hammering dictate the undulations of each petal. The result is a pewter poppy, a flower which represents
sleep and oblivion.
Harriet Lewin - harriet_lewin89@hotmail.com
Sussex Coast College Hastings
FdA Contemporary Crafts Practice
My Found Objects
This body of work has allowed me to explore new materials
and techniques. Pewter has inspired me to create many
pieces through the method of sand casting. I have used a
collection of natural objects: Wood, Stones, Shells and Drift
Wood to cast and pour Pewter through, creating different
patterns into sand below. I am taking enjoyment in the way
the metal can so easily transform and pick up detail within
the cast.
Clair Archer
- clairarcher@hotmail.com
University for Creative Arts at Rochester
BA Silversmithin, Goldsmithing & Jewellery
Decorative Key Fobs
Fun and topical key fobs based on any visual subject matter like Alice
in Wonderland, Harry Potter, Films, TV and animations etc. This every
day and popular product is suitable for everyone who uses keys and
seeks fun and a design identity. My universal concept has a wide appeal and exciting potential for domestic, business and commercial considerations relating to manufacture, marketing and sales.
Wendy Dorn - WendyDorn3@aol.com
Sussex Coast College Hastings
FdA Contemporary Crafts Practice
Decorative Book
Inspired by the Book of Kells that I saw at Trinity College in Dublin, I will create an old fashioned cover for
a book. This will be made in several sections and riveted together to create a layered surface. I will put
individual designs on each of the pieces.
Pewter Live 2 0 1 1
Richard Gamester - Thegamester47@gmail.com
University for Creative Arts at Rochester
BA Silversmithin, Goldsmithing & Jewellery
Suomalaiset Kaatimet - Condiment Pourers
A trinity of pewter condiment pourers supported, decorated and strengthened with
Finnish soapstone. My contemporary
and functional design will fit into many
domestic settings and dining scenarios.
Their visual purity and generic appearance endorses the simplicity of the design allowing the contrasting materials to
highlight and compliment their attractive,
flowing and striking qualities.
Alexandra Kublickas - Alexandra.kublickas@gmail.com
Sussex Coast College Hastings
FdA Contemporary Crafts Practice
Pewter Ceramic Flowers Ceramic petals held together by pewter acting
as the centre of the flower. Brooches / sculptural pieces. Inspired by the petal shapes of
gerberas and daisies, these delicate ceramic
and pewter flowers can be worn as statement
brooches or used as simple ornamental pieces.
The pewter in the centre effectively contrasts
against the different combinations of porcelain
and coloured glazes. As they are handmade
each piece will always be unique.
Truus Schlangen - truus_schlangen@yahoo.com
Sussex Coast College Hastings
FdA Contemporary Crafts Practice
Collection Box for Kew Gardend
Seed Bank
Model of Collection Box with the idea to display
it in prestigious establishments, supporting the
work of the Millennium Seed Bank, Wakehurst
Place, and finance the preservation of plants
worldwide. Perspex box covered in pewter foil,
inscribed with seeds from the book by Kesseler, Rob & Stuppy Wolfgang, 2nd ed. Seeds,
Time Capsules of life. 2009, Winterbourne, Papadakis in collaboration with the Royal Botanic
Gardens, Kew.
Decorative Arts
Margaret Bowden maggie@teetyme.eclipse.co.uk
South Devon College
FdA Contemporary Crafts Practice
Two cone shaped vessels, one pewter,
one ceramic on a wooden plinth
A pewter spiral cone like shape, embossed with an image
of Harts Tongue ferns, and a delicate ceramic vessel with a
related pattern and similar structure are set into an oak plinth.
Common plants of the Devon hedgerow, and their seasonal
changes inspire the design.
Kari Furre
- kari@furre.co.uk
South Devon College
FdA Contemporary Crafts Practice
Pewter Salt
One main dish, with a separate spoon and
an ancillary dish for other salt or pepper.
Two cone shaped vessels, one pewter, one
ceramic on a wooden plinth
PEWTER SALT – is an organic dish, made
by fold forming and anticlastic raising, in a
boat form with organic tendrils supporting
the dish and a small ancillary bowl. With a
cast pewter spoon which follows the contours of the main dish. The ancilliary bowl
could hold specialist salt, or pepper.
Rachel Bletcher rachelbletcher@hotmail.co.uk
South Devon College
FdA Contemporary Crafts Practice
Porcelain and pewter
desk tidy.
The textured porcelain vase with
pewter rim holds pens etc. and
sits in a pewter stand, which is
also the letter holder.
Pewter Live 2 0 1 1
Fashion – From Jewellery to the Total Look
Today’s high street is awash with jewellery and accessories, few of which are made
of pewter. We challenged the students to come up with designs which could promote pewter either as an accessory or part of the total look. Taking this into account, they were asked to design a piece, or range of jewellery, which would appeal
to young people to compliment today’s free-form fashion. Similarly to the Decorative
Arts category Students were encouraged to keep the commercial price relative to
the intended buyer.
Prizes: First £350, Second £250 and Third £100
Fenella Osborne fenella.osborne@gmail.com
University College for Creative Arts at Farnham
Three Dimensional Design, Glass
Water Cycle Bangle
The cyclical movement of water is represented by
the form of this bangle. Uneven areas represent
the unevenness of water distribution across the
world. The hammered and textured pewter sits
beneath or on top of the glass depending on how
the bangle is worn. The pewter beneath the glass
gives the effect of rippling water when it catches
the light and is reminiscent of sun kissed waves.
When the bangle is worn the other way the texture
becomes the focal feature depicting raindrops on
a window.
Grace Johnson storm_0801@hotmail.com
University College for Creative Arts at Farnham
Three Dimensional Design
Bracelet with crocheted flower and
pewter button & Fingerless gloves
with crocheted flowers and pewter
buttons
These handmade knitted bracelets and fingerless
gloves with pewter button detail are warm and
comfortable to wear. The crocheted flowers
give the accessories a feminine appeal and are
suitable for a wide range of ages. The bright wool
and contrasting metal buttons make these pieces
truly unique and interesting garments.
Fashion – From Jewellery to the Total Look
Raha Ansari raha_ra@yahoo.com
Camberwell College of Arts
Three Dimensional Design
Pewter Amulet - A
necklace to hold small
objects with emotional
value within
Worn around the neck the “Pewter
Amulet” protects and secures precious keepsakes; with emotional
value such as a luck charm, a love
note or lock of hair etc.
The top flap folds and locks when
the disk is inserted into the slot. To
reopen the string needs to be cut
and replaced.
Sylia Panayiotidou silioua_23@hotmail.com
Camberwell College of Arts
Three Dimensional Design
Nostalgia Necklace
The beginning of these drawings goes way
back, when around 5 years ago a very good
friend and I started sketching on the same
piece of paper and created a single drawing together. By wearing this necklace, I
cease feeling nostalgic and homesick as
it takes me back home. In order to turn
these into an actual three-dimensional
object, and in particular jewellery, a very
fine outcome is desired. After a lot of
experimentation, I ended up choosing
rubber moulding, which is more precise and
detailed. Each piece is a different shape
and pattern, but all the pieces are linked like
a jigsaw, one fitting into the other.
Pewter Live 2 0 1 1
Holly Sears
- hsears@hotmail.co.uk
University College for Creative Arts at Farnham
Three Dimensional Design
3 Pairs of mens cufflinks made
from pewter and leather.
I am making 3 pairs of mens cufflinks out
of pewter and leather. They are made of
different colours of leather which will be dark
red, black, dark green or brown, The design
on the end could be different by distorting the
guitar plectrum on the end of the cufflink.
Marie de Boissezon mdbz@hotmail.fr
Camberwell College of Arts
Three Dimensional Design
Let Pewter Be
In this world, more than humans, nature
knows about beauty.
So deal with the setting only:
75g of pewter, a brick under water.
Heat the metal, pour it onto the brick,
Let Pewter be.
These handmade necklaces are unique
pieces of jewellery, thanks to a process
which allows pewter to react freely.
Virginie Stubi v.stubi@gmail.com
Camberwell College of Arts
Three Dimensional Design
Fragments (Necklace. Acid
treated pewter stitched onto
leather)
Fragments explores the idea of waste. The triangles are recovered from cutting the circle and
become part of a unique pattern. Every piece
is acid treated individually and hand stitched to
leather. The necklace not only adorns the body,
it becomes a decorative piece when it is not
worn.
Fashion – From Jewellery to the Total Look
Jing Jing Cao michelle_caojingjing@hotmail.com
Central St Martins
BA (Hons) Jewellery Design
‘Memento Mori’ Pewter Bangle
The lacy bangle formed by a matt surface
pewter ‘crown’ and an acrylic ‘shadow’ base,
throughout with black beads, highlighted
with round brilliant cut crystals, circumference 19.50cm. The bangle is designed as a
dedicated medium to connect the dead and
the living for we who need it to remember.
noihsaF - noititepmoC tnedutS
‘Memento Mori’ Pewter Necklace
The lacy necklace formed by pewter with a polished
surface and a rose gauze wreathe, throughout with
black beads, highlighted with round brilliant cut crystals,
diameter 30.00cm. The necklace is in memory of the
Royal Scots Dragoon Guards, some of those who had
lost their life in a war and those who are still serving.
Hannah Batstone thesilentbee@hotmail.co.uk
University College Falmouth
BA Contemporary Crafts
’Out Flew The Cuckoo’ Pendants
Inspired by cuckoo clocks and their connotations of childhood, and innocence,
these pendants combine the use of cast
pewter, nylon cord, resin and feathers
to create a contemporary range that
represents the happy bird that lives in the
house.
Pewter Live 2 0 1 1
Fatima Usman fatima_is_da_best@hotmail.com
London Metropolitan University
FDA Jewellery and Silversmithing
Fold Formed Basket
Earrings
These are beautiful fold formed earrings made from
pewter, they are in a unique style and resemble small
baskets. The texture appears inside of the earrings
as a natural result of the forming process. The wire
is purposely long to accentuate their light weightless
elegance.
Frances Stanwyck frances@stanwyck.info
London Metropolitan University
FDA Jewellery and Silversmithing
Gothic Melted Bow
I have designed a head piece in a gothic style. It
is a melted pewter bow influenced by wax dripping
down a candle. The bow is mounted on a contrasting background of red organza fabric which ties in
with the gothic style. The piece connects to the
head with an alice band making it easy to wear.
Victoria Freeman vikkifreeman@hotmail.com
University for Creative Arts at Rochester
BA Hons, Silversmithing, Goldsmithing and Jewellery
‘Seductive Secrets’ – An Intricate Masquerade Mask
Inspired by Victorian decorative arts,
specifically looking at the intricate and visual statements as seen in wallpaper patterns, my design captures and promotes
many visual qualities from this period. My
Face Mask offers a range of reactions
and responses such as intrigue, emotion,
mystique and seduction and will befit any
special event, enabling the wearer to feel and
look distinctive, unique and bespoke.
Fashion – From Jewellery to the Total Look
Nicola McLean nicola-1987@hotmail.com
University for Creative Arts at Rochester
BA Hons, Silversmithing, Goldsmithing and Jewellery
The Peacock’s Wing Fascinator
A new take on a fascinator, my inspiration comes from the
repetitive movements of waves caressing the shore. The shimmer
and the shapes of the feathers on a peacock’s body is captured
through the decorative process of etching pewter where an
effective contrast can be created between the polished and matt
etched surface areas. The introduction of different leathers both
creates a colour contrast and emulates the texture of the pewter
pieces. This combination creates a captivating interactive piece
where both the design and wearer stand out from the crowd in a
unique and distinctive way.
Rachel Bletcher rachelbletcher@hotmail.co.uk
South Devon College
FdA 3 Dimensional Design
Porcelain & Pewter Daisy
Necklace & Porcelain &
Pewter Fuchsia Pendant
Daisy necklace and earrings are made
from fine white porcelain with pewter
centres and strung together with
pewter beads, aiding delicacy of the
design. Fuchsia pendant. The fuchsia
is made from fine white porcelain with
pewter stamens inner petals hanging
from a fine silk thread.
Bryony Gill Hopping_madfrog@hotmail.co.uk
Truro College
FdA Silversmithing and Jewellery
Organic Bobble Bracelet
My design compromises of several
cast pewter elements as well as semi
precious stone beads finished with
a specially designed clasp. Mainly
influenced by nature
Pewter Live 2010
Pewter Live 2010- Last year’s winners and highlights
There was a wonderfully diverse range of entries in Pewter Live
2010. Over 50 students and 27 professionals entered the Student
and Open categories respectively.
Last years winners with Past Master Nicholas Bonham, Isabel Martinson & Sebastian Conran
Nicholas Bonham & guest of honour, David Linley, admiring a piece by Sam Williams (right)
Last year’s winners
OPEN COMPETITION (above from left)
First Prize
Second Prize
Third Prize
Highly Commended
Commended
Laura Carnell, for ‘Olympic Vase’
Sam Williams, for ‘Olympic Tokens’
Fleur Grenier, for ‘Olympic Torch’
Jayne Abdy ‘London Bowls’
Laura Carnell, for ‘Olympic Underground Napkin Ring Set’
STUDENT COMPETITION - DECORATIVE ARTS (above from left)
First Prize (£500) Second Prize ( £350)Third Prize (£150)Highly Commended Commended -
Sarah Jones, South Devon College for ‘Pewter Cups’
Malin Ohlsson, Bucks. Chilterns U C for “Tea for Two” Pewter cake stand
Siobhan Wood, Bucks. Chilterns U C for “Holly Leaf” Christmas Decorations
Suzi Fuller, Sussex Coast College Hastings for “Letters from Afghanistan”
Sue Harvey, Truro College for ‘Pewter Teapot’
Pewter Live 2010
FASHION - JEWELLERY AND ACCESSORIES, THE TOTAL LOOK (Clockwise from top)
First Prize (£500) Second Prize (£350)Third Prize (£150)Highly Commended -
Olivia Pountney, Truro College for “Parasite, Stacking, Rings”
Emily Charlotte Betson, Sussex Coast C.Hastings for ‘Handbag Books’
Sophie Jinks, Staffordshire University for ‘Shoe Embellishment’
Alicia Head, South Devon College for ‘Lace Bracelet’
Isabel Martinson, Chief Executive of the Giftware Association, presented an award on behalf of the Giftware
Association. This is in the form of publicity for the piece as well as entry to the Giftware Association Gift of
the Year Award. This year it was presented to Emily Charlotte Betson, Sussex Coast College Hastings for
‘Handbag Books’ with Highly Commended given to Malin Ohlsson, Bucks Chilterns U C for “Tea for Two” (See
Fashion and Decorative winners for images).
Mr Alex and Mrs Patricia Neish presented a prize of £600 to Alicia Head of South Devon College for ‘Pewter
Book & Rose’. (above left)
Katherine Buckley presented the City & Guilds prize to Maxine MacIntosh , South Devon College for ‘Long
Dress incorporating a pewter and plastic constructed textile ’. (Above right)
GA ADVERT FINAL AW.pdf
22/3/10
13:13:24
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If you want to find out more about The Giftware Association Membership
Call Heather Truepenny on 0121 237 1104 or email: heather.truepenny@ga-uk.org
www.ga-uk.org
Pewter Live 2 0 1 1
The Association of British Pewter Craftsman
The resurgence in trade can, in the main, be attributed to the formation in 1970 of the
Association of British Pewter Craftsmen (ABPC).
The initiative was taken by a group of manufacturers, the metal suppliers and the
Worshipful Company of Pewterers. By promoting high standards, raising awareness of
pewter and encouraging innovation and excellence in manufacturing, the ABPC has
achieved impressive results and together with the Pewterers’ Company, has helped to
establish British pewter firmly in both domestic and international markets.
enquiries@abpcltd.co.uk
www.britishpewter.com
A. E. Williams - www.pewtergiftware.com
A.R.Wentworth - www.wentworth-pewter.com
Alchemy Carta Ltd. - www.alchemygroup.com
Ancestors of Dover Ltd. - www.pewteruk.com
Benchmark Woodworking Ltd. www.benchmarkwoodworking.com
Blyde Edwin & Co. Ltd. - www.edwinblyde.co.uk
Chimo Holdings - www.chimoholdings.co.uk
DJH Engineering Ltd. - www.djhpewterworks.co.uk
Keith Tyssen - www.keithtyssen.co.uk
Pinder Brothers Ltd .- www.pinder.co.uk
Fleur Grenier - www.fleurgrenier.co.uk
St Justin Cornwall Ltd. - www.stjustin.co.uk
For more details of members and Associate members of the APBC go to
our manufacturers’ gallery:
www.pewterers.org.uk -manufacturers gallery
Or directly to the ABPC’s website: www.britishpewter.co.uk
The Company is pleased to offer for hire parts of its imposing Hall in the City of London for special occasions.
Few venues in the capital can rival a Livery Hall for prestige, splendour and an atmosphere of heritage.
It is only a few minutes walk from three underground stations in the heart of the City.
MEETINGS, CONFERENCES AND PRESENTATIONS
Ideally situated in the heart of the City and with its flexible suite of air conditioned rooms, Pewterers’ Hall is a wonderful backdrop
for meetings, conferences and presentations. Audio Visual equipment can be arranged and our Beadle will be pleased to organise
whatever support services you require to ensure your event runs smoothly.
PEWTERERS’ HALL
Conference & Banqueting
CATERING AT PEWTERERS’ HALL
Richmond Creative Event Catering are in-house
caterers at Pewterers’ Hall.
Richmond is one of London’s leading independent
catering companies, drawing on 30 years of
experience in corporate and private entertaining to
provide mouth watering food, innovative drinks and
exceptional service.
‘perfect parties, prestigious places, professional people’
Richmond Creative Event Catering
www.richmondcaterers.com
Contact at Pewterers’ Hall:
Events Team
020 7397 8198
sales@pewterers.org.uk
Whether your event is large or small, simple or elaborate, Richmond will help you
achieve your vision.
Richmond understand how important your
event is and the need to enjoy the experience and impress your guests. They will
work closely with you to design the cuisine
and service you require.
Pewter Live 2 0 1 1
Statement of Design Rights
The works shown in the exhibition and in this catalogue are required by the Worshipful Company of Pewterers to be
original works, but the Company does not make any warranty in this regard.
Unregistered Rights. All the works shown in this catalogue and exhibited at Pewter Live 2011 at Pewterers’ Hall,
London EC2V 7DE on 7th June 2011 may be protected automatically by Unregistered Design Right for 10 years in the
UK as provided by the Copyright, Designs and Patents Act 1988 and for 3 years in Europe as provided by EC Council
Regulation No. 6/2002 on Community Designs, subject to fulfilment of the requirements for qualification for UK Design
Right protection and/or EU Unregistered Design protection. Unregistered Design rights protect only against copying by
a third party.
Registered Rights. EC Council Regulation No. 6/2002 also provides that an application for EU Registered Design may
be submitted for any of these designs so exhibited that fulfil the requirements for EU Registered Design protection within
12 months of the date of first exhibition of the design, as long as the exhibition was the first disclosure of the design
otherwise than in confidence. The application would receive the filing date of the actual date of submission of the
application but the exhibition disclosure will not be taken into account for the purpose of assessing qualification for
Registered Design protection. Registered Design protection is also available in the UK only.
Further Details. Advice regarding asserting Unregistered Design Rights and the procedure involved in applying for the
Registered Design Rights can be obtained at no charge by the authors of the designs (or with their written permission)
by application to The Clerk, The Worshipful Company of Pewterers, Pewterers Hall, Oat Lane, London EC2V 7DE by
post or email to clerk@pewterers.org.uk . These details are kindly provided by Kilburn & Strode, 20 Red Lion Street,
London WC1R 4PJ.
Copyright A Rurhmann 2008
Index of Entrants
Ansari, Raha -FASHION 36
Archer, Claire -DEC. ARTS 32
Batstone, Hannah -FASHION 38
Beer, Laura -DEC. ARTS 28
Begley, Joseph -DEC. ARTS 27
Bletcher, Rachel -DEC. ARTS 34
Bletcher, Rachel -FASHION 40
Botsis, Sophie -DEC. ARTS 28
Bowden, Margaret -DEC. ARTS 34
Brewer, Rosie -DEC. ARTS 29
Cao, Jing Jing -FASHION 38
Carnell, Laura -OPEN 20
Clarkestone, Imogen -DEC. ARTS 31
Cole, Dionne -DEC. ARTS 28
de Boissezon, Marie -DEC. ARTS 27
de Boissezon, Marie -FASHION 37
Deleze-Castro, Alberto -ARCHITECTURAL 22
Dorn, Wendy -DEC. ARTS 32
Duckworth, Charlotte -DEC. ARTS 26
Espinet, Silke Helga -DEC. ARTS 29
Falkenberg, Sanni -ARCHITECTURAL 25
Freeman, Victoria -FASHION 39
Furre, Kari -DEC. ARTS 34
Gamester, Richard -DEC. ARTS 33
Gill, Bryony -FASHION 40
Guy, Melanie -OPEN 17
Hurley, Michael -OPEN 17
Johnson, Grace -FASHION 35
Kondo, Yosuke -ARCHITECTURAL 23
Kublickas, Alexandra -DEC. ARTS 33
Leane, Debbie -ARCHITECTURAL 23
Lewin, Harriet -DEC. ARTS 32
Mayall, Kieron -DEC. ARTS 30
McLean, Nicola -FASHION 40
Medani, Nadia -DEC. ARTS 28
Mooney, Elizabeth -DEC. ARTS 32
O’Neil, Shannon -OPEN 18
Osborne, Fenella -FASHION 35
Pain, Alfred -OPEN 16
Panayiotidou, Sylia -FASHION 36
Pearson, Anna -ARCHITECTURAL 29
Pearson, Anna -DEC. ARTS 24
Ratcliff, Vincent -DEC. ARTS 31
Richmond, Karen -OPEN 21
Samal, Tripti -DEC. ARTS 26
Schlangen, Truus -DEC. ARTS 33
Sears, Holly -FASHION 37
Sherwin, Chloe -ARCHITECTURAL 24
Stanwyck, Frances -FASHION 39
Stubi, Virginie -FASHION 37
Swallow, Jessica -DEC. ARTS 30
Thompson, Rory -DEC. ARTS 30
Thompson, Rory -DEC. ARTS 31
Usman, Fatima -FASHION 39
Ward, Tyra-Jane -ARCHITECTURAL 25
Williams, Sam -OPEN 17
Williamson, Joanna -DEC. ARTS 27
Xenaki, Melina -ARCHITECTURAL 23
utility funding
Utility Fun
17 Glass
Fryern Co
Fordingb
Hampsh
Hugh
Mullens
Utility Funding is pleased to support
Chief Executive
Pewter Live 2011
Congratulations and good luck to all participants
t: 07966 395836
Utility Funding
e: hugh.mullens@utilityfunding.com
enables smart metering of electricity and gas
w:
www.utilityfunding.com
supplies to monitor and control energy consumption
and to reduce carbon dioxide emissions
www.utilityfunding.com
Utility Funding Limited
Brewery House
34 -44 Gigant Street
Salisbury, Wiltshire
SP1 2AP
The Worshipful Company of Pewterers
Pewterers’ Hall, Oat Lane, London, EC2V 7DE
Telephone 020 7397 8190
£5.00
emc@pewterers.org.uk
www.pewterers.org.uk