Download Report

Acoustic Room
Treatment Guide
Rev 2
2 Contents
Contents
Who Are Universal Acoustics?
Why You Need Acoustic Treatment
How to Treat Your Room
Room Kits
3
4-6
8
9-13
Frequently Asked Questions
12
Product Line Up
14-17
Home Cinema Treatment
18-19
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Who Are
Universal Acoustics?
Absorption Tiles
The team behind Universal Acoustics has been a driving force in
the pro-audio industry for many years. And it’s this expertise which
goes into the wide range of products we offer to acoustically treat
Room Kits
your control room / studio / home cinema room; including speaker
isolating Vibro-Pads, Absorption Tiles, Diffuser Tiles, Bass Traps
and pre-configured Room Kits.
Cut in striking contemporary designs from high density flame
retardant polyester foam, our studio products are perfect for use in
Architectural
recording, post production and broadcast studios, music rehearsal
rooms, audio and language labs, boardrooms, offices, staff rooms,
gymnasiums - in fact any open space which requires efficient
sound absorption to improve the audio integrity, intelligibility and
sonic performance of the room. Plus, we now offer our Eclipse
Eclipse Home Cinema
range of Home Entertainment products which are available in a
variety of finishes and fabrics to satisfy any Interior Designer.
This handy guide ‘walks’ you through how acoustic treatment
works, why you need it and the process of treating a room.
3
4 Why You Need Acoustic Treatment
Acoustic Primer
We live in a world where high quality sound systems are
now relatively inexpensive but few people realise how
much the performance of even the very best system
can be compromised by poor room acoustics. You might
think you’re just listening to your loudspeakers but what
actually arrives at your ears is a mix of the direct sound
from the speakers plus countless sonic reflections from all
the hard surfaces in the room, including the walls, ceiling
It is also important to understand the difference between
acoustic treatment and soundproofing as they are two
quite separate disciplines. Filling wall cavities with mineral
wool or adding layers of plasterboard to a partition wall
may improve sound isolation but will have little or no
effect on the room acoustics. Conversely, applying acoustic
treatment to a room with a view to improving the listening
environment will do nothing to prevent sound leaking in or
out of that room.
floor and furniture. Some sound reflection is required to
stop a room from sounding unnaturally dead, but unless
it is carefully controlled, you will experience problems
such as bass notes sounding muddy, different notes in
the bass line sounding louder or quieter than they should,
a lack of focus in the mids and highs and vague stereo
imaging where it becomes difficult to tell where a sound
is supposed to be coming from.
Sound Absorbers
There are several approaches to designing sound
absorbers, some requiring precise calculations in order to
tailor them to specific room problems and others designed
to be applied in a more intuitive way. At mid and high
frequencies, sheets of porous absorber are very effective,
suitable materials include mineral wool, glass fibre and
Some people take what seems like an intuitive approach
acoustic foam. All these work by allowing the air to pass
and stick carpet to the walls, a problem often encountered
through the material, losing vibrational energy as it does
in ‘enthusiasts’ recording studios. Carpet seems to
so. Essentially the sound energy is converted to heat
dry up the sound so why not? The reality is that the
via frictional losses in the material, though the amount
effectiveness of a ‘porous’ acoustic absorber is linked
of heat generated is vanishingly small. As a significant
to its physical thickness where greater thicknesses are
proportion of the sound energy is absorbed, little reflects
needed to treat low frequency (bass) reflections than high
back into the room. A porous absorber of 50mm thickness
frequencies. Carpet will dry up the very high frequencies
will be effective against high and upper mid frequencies
but does little in the mid range and nothing at all at low
while a 100mm thickness will cover the high end plus
frequencies, so what you end up with is a room dominated
most of the mid range. Spacing the foam away from
by mid and low frequencies resulting in a boxy, oppressive
the wall by between 25 and 100mm, leaving an air gap
sound. The ideal situation is where the acoustic treatment
behind, also improves the ability of the foam to absorb
works well at all frequencies so that the room reflections
at lower frequencies. As the frequency gets lower, the
can be controlled without throwing the overall sound out
amount of energy absorbed by these porous panels
of balance.
becomes progressively less, so a different approach has to
be taken to remedy low frequency problems.
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Experience has shown that in rectangular rooms less than
as little as 100mm can make a significant difference and
around four metres wide, the bass end is least problematic
it costs nothing to try.
when the speakers are directed down the length of the
room rather than across it. Speakers should also not be
sited too close to corners, otherwise the reflected bass
energy combines additively with the direct bass energy
causing peaks in the bass response. While this may sound
like ‘free bass’, the differing wavelengths of different bass
notes means that the amount of added bass due to wall
reflections varies from note to note resulting in a very
uneven bass response.
If you use a system with a sub, one effective way of
finding the best position for it is to temporarily place the
sub where you normally sit, then listen to a record from
a position low down and close to the front wall. As you
move along the wall, you should notice that the bass end
becomes more or less even, so find the spot where the
sound is most even in level, then place you sub there.
This will normally be off to one side of the centre of the
Bass frequencies are reflected most effectively by solid
brick or concrete walls, so these are the most difficult
rooms to treat effectively. Partition walls made from
plasterboard and wood studding allow some bass to
pass through rather than reflecting it all back into the
room, but they also tend to vibrate in sympathy with
low frequencies, which sucks some energy out of the
sound and again reduces the amount reflected back into
the room. The same is true of doors and windows; these
lose bass energy by allowing it to pass through and also
by frictional losses when they are forced into vibration.
Losing bass energy in this way in no way detracts from
front wall. Once you’ve done the best you can with the
the quality of bass perceived in the room though - it
speaker positioning, it’s time to think about adding some
simply makes the low end sound more even and less
bass trapping.
boomy.
To check if you have any serious bass end problems, play
a record with a busy and well defined bass line, then listen
to see if any of the notes are excessively loud or quiet
compared with the others. If you can hear a variation, first
try moving the speakers (or sub if your system has one)
to a slightly different location and see if that improves
matters or makes them worse. Even a position change of
5
6 Why You Need Acoustic Treatment
Low frequencies pose a particular problem as the
that generate room modes - there are also more complex
wavelengths are very long - around 7 metres at 50Hz.
modes that involve the sound re-reflecting from two or
A porous absorber needs to be around a quarter of a
more walls - the so-called tangential and oblique modes,
wavelength deep to be really effective at any given
and these also contribute to the end result.
frequency so a conventional foam panel would need to
be over 1.5 metres thick, which is not entirely practical.
While the much shorter wavelengths of high and mid
frequencies allow them to reflect in a naturally chaotic
The best sounding rooms are ones where the room modes
are fairly evenly spread out so that the average bass
response is reasonably consistent. Larger rooms are better
than small rooms in this respect as they can support
more room modes and rooms where no two sets of wall
spacings are identical or exact multiples of each other
fare best. The worst case is a small, cube-shaped room
as there are few room modes and they all occur at the
same frequency, whether due to wall-to-wall reflections
or floor-to-ceiling reflections. If you sit at the exact centre
of such a room with your head mid-way between floor
and ceiling, you’ll notice the amount of audible bass drops
significantly as there’s a lot of cancellation going on at
that position. Move closer to the walls and you’ll hear a lot
of bass but it is unlikely to sound very even.
way, very low frequencies behave more predictably, just
So, what can be done about these low frequency problems
like water sloshing around in a large tank. The distances
if a conventional absorber would need to be impractically
between pairs of walls and between the wall and ceiling
deep? The most effective place to treat tangential room
dictate how the bass end will behave. At frequencies
modes is in the corners of the room where one practical
where the distance between the walls is a multiple of
and space-saving option is to use large foam wedges to
the half wavelength of the bass note, the reflected
fill the corner space all the way from floor to ceiling or,
sound will be ‘in-phase’ with the direct sound causing
if you prefer, the length of the wall/ceiling boundary.
peaks & dips in level at various positions throughout the
Depending on how much bass trapping is needed, you
room. These resonant peaks and dips are known as room
may be able to treat only the front or rear two corners
modes and all rooms exhibit them to some extent. It isn’t
or, in more problematic rooms, as many corner junctions
necessary to follow the maths but just to be aware that
as possible. The reason these wedges don’t have to be
room dimensions result in room modes, which in turn
incredibly thick is that many of the reflections approach
cause peaks and dips in the bass response. What’s more,
them at an angle rather than head-on, so the effective
it isn’t only the basic ‘between walls’ lateral reflections
depth of foam encountered by the sound wave varies
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from its actual thickness to the full height (or length)
of the room depending on the angle of approach. It is
virtually impossible to add too much bass trapping so err
on the side of too much rather than too little.
Where to put the Absorbers
In practice bass traps can go in any corners where you
have space to fit them, though keeping the layout as
symmetrical as possible around the axis of the speaker
system is always good practice.
To work out the position of the panel absorbers, think of
the speakers as light sources and the walls as mirrors.
You can use a real mirror held flat against the wall to find
out where the main reflection points are; if you can see
a speaker in the mirror from your normal sitting position,
that’s the place you need to put an absorber. The main
places to treat are the side walls between yourself and
the speakers but it also helps to put more absorption
behind and between the speakers as well. Unless you
have a high ceiling, try the mirror test there too as you’ll
find a spot that bounces the sound right back to your
listening position.
If the rear of the room is very reflective (such as bare
painted plaster), covering some of that space with
absorbers will help to dry up and focus the sound but
irregular-shapes also help break up the reflections so partfilled bookshelves and wine racks are useful allies as are
soft furnishing, which act as mid/high absorbers by virtue
of their porous construction.
‘Cheat’ Sheet
Acoustic treatment controls
sound reflections
Acoustic treatment is NOT
sound proofing
Sound Absorbers are
scientifically designed to
precise calculations
A room with solid brick or
concrete walls is the most
difficult to treat
‘In-phase’ resonant peaks &
dips are known as ‘modes’
The best sounding rooms
are ones where ‘modes’ are
fairly evenly spread
You can’t have too many
Bass traps in a small room
The sound in an acoustically
treated room will be more
focused, more punchy with a
‘tighter’ bass
7
8 Application & Universal Room Kits
How to Acoustically Treat Your Room
Step 1: Corner Bass Trapping
Step 2: Early Reflection
Low frequencies build up in the corners of your room - so
Reflections that arrive at your ears within 80 milliseconds
that is the best place to attack them with Mercury Bass
of the direct sound are summed by your brain and
Traps! Placing 600mm Mercury Bass Trap in each vertical
cannot be distinguished as a separate source. This can
corner is recommended - starting at the ceiling. The
be problematic during recording or critical listening
300mm Mercury Bass Traps should be placed between
applications. While sitting at your listening position, have
wall/ceiling horizontal junction, on the front wall (i.e. the
someone move a mirror along the front wall, side walls
wall you face while mixing) and on the rear wall. If you
and ceiling. Anywhere you see the speaker’s reflection is a
have doors or windows near your vertical corners that
good location for Mercury Wedge Tiles. The halfway point
prohibit you from placing Mercury Bass Traps as described,
between the speakers and your listening position on the
simply place them horizontally along the junctions
side walls and ceiling will be crucial along with the front
between the walls and the ceiling as best as possible.
wall located behind the speakers.
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Mercury-6
Universal Room Kits
Universal Acoustics Room kits are made up from the
Step 3: Ambience Control
Mercury range of tiles, based on the size of the room to
be treated. There are currently nine kits available and
The rear portion of the room should be treated as well
the table on page 11 shows what comes with each kit,
to control ambience and late reflections. Place Mercury
including all the required glue. Kits can be purchased
Wedges on the rear wall to absorb the direct sound from
the speakers.
as all Charcoal or a mix of Charcoal and Purple or
Charcoal and Burgundy tiles.
The rear portion of the side walls should have staggered
treatment - i.e. the pattern that is used for the left
wall should be inversed for the right wall. Imagine a
checkerboard - red squares on the left wall, black squares
on the right wall. Additional panels should be placed on
the ceiling in the rear portion of the room.
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10 Universal Room Kits
All Mercury Room Kits are available as Charcoal,
Charcoal/Burgundy or Charcoal/Purple
Mercury-6 Room Kit
40 x Mercury Wedges 50mm-300x300
40 x Mercury Wedges 50mm-600x600
4 x Mercury 300 Bass Traps
8 x Mercury 600 Bass Traps
5 x Space Mist 500ml
Mercury-5 Room Kit
40 x Mercury Wedges 50mm-600x600
4 x Mercury 300 Bass Traps
8 x Mercury 600 Bass Traps
3 x Space Mist 500ml
Mercury-4 Room Kit
20 x Mercury Wedges 50mm-300x300
30 x Mercury Wedges 50mm-600x600
2 x Mercury 300 Bass Traps
4 x Mercury 600 Bass Traps
3 x Space Mist 500ml
Mercury-3 Room Kit
20 x Mercury Wedges 50mm-600x600
4 x Mercury 600 Bass Traps
2 x Space Mist 500ml
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Mercury-2 Room Kit
40 x Mercury Wedges 50mm-300x300
4 x Mercury 300 Bass Traps
2 x Space Mist 500ml
Mercury-1 Room Kit
20 x Mercury Wedges 50mm-300x300
2 x Mercury 300 Bass Traps
1 x Space Mist 500ml
Pluto-1 Room Kit
24 x Mercury Wedges 50mm-300 x 300
1 x Space Mist 500ml
Neptune-2 Room Kit
10 x Neptune Wedges 30mm-600x600
2 x Neptune 600 Bass Traps
2 x Space Mist 500ml
Neptune-3 Room Kit
20 x Neptune Wedges 30mm-600x600
4 x Neptune 600 Bass Traps
2 x Space Mist 500ml
11
12 Frequently Asked Questions
Q: Will a Room Kit stop sound from leaving or
entering my room?
A: No. Acoustical treatment is not designed to stop
Q: Universal Acoustic foam products come in a
choice of colours but none of them suit my
room. Can I cover them in fabric?
sound. A construction process is needed to block
A: Yes as long as the fabric will allow sound to pass
sound from travelling from one space to another.
through (test it by blowing through it) and it
Universal Room kits will improve the quality of
meets any applicable fire safety regulations.
the sound within the room, but will not block it
from leaving.
Q: What should I expect to hear after the Room
Kit is installed?
Q: The spray adhesive used to fix these panels
looks somewhat permanent. How else
can I fix up the panels so that they can be
removed without damaging the walls?
A: You should expect a more accurate sound -
A: You can hang the flat panels on the wall much
more consistent low frequency response, less
like picture frames. Using the spray glue, you
reflected energy. Your recordings should sound
can stick a thin strip of wood (or even an old
more controlled and professional and your mixes
CD) to the back of the panel, near the top edge,
should translate better to other systems.
then simply hang this on a picture hook. The
Q: I like what I hear. Is there anything else I can
do to improve my setup?
A: Yes. The next step would be to place additional
Mercury Bass Traps to the vertical and horizontal
corners of the room. You cannot have too many
bass traps in a small room, so adding bass traps
will only improve your low frequency response.
If you desire more control, additional Mercury
Wedges could be added as well. Also, it would
be beneficial to install Universal Acoustics VibroPads - specially formulated anti-compression
pads designed to improve the accuracy of your
near field monitors by isolating and de-coupling
them from the surface they are resting on.
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bass corner traps are heavier so the best nonpermanent solution would be to screw some
thin plywood, hardboard or MDF to the wall
where the traps need to be glued. You can then
glue the traps directly to the plywood. When you
come to remove them, you’ll only be left with
the screw holes needed to secure the panels.
Ceiling panels can be suspended from chains or
nylon cord. A simple and tidy way to do this is to
make a wooden frame for the panel, (leaving the
top and bottom surfaces exposed), then use this
to fix the necessary hooks. The foam is so light
that conventional drywall fixings can be used in
the ceiling.
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Which Room Kit is Right for My Room?
Room
Kit
Wedge
300 x 50mm
Pluto-1
24
Wedge
600 x 50mm
Bass Trap
300mm
Bass Trap
600mm
Space Mist
Glue
Coverage*
1
2.20m2 / 24.00ft2
Neptune-2
10
2
2
3.60m2 / 39.00ft2
Neptune-3
20
4
2
7.20m2 / 77.50ft2
Mercury-1
20
2
1
1.80m2 / 20.00ft2
Mercury-2
40
4
2
3.60m2 / 39.00ft2
4
2
7.20m2 / 77.50ft2
Mercury-3
Mercury-4
20
20
Mercury-5
Mercury-6
40
30
2
4
3
12.60m2 / 136.00ft2
40
4
8
3
14.40m2 / 155.00ft2
40
4
8
5
18.00m2 / 194.00ft2
Cluster Kits
Cluster
Kit
Mercury
Wedge
300 x 50mm
Mercury
Cluster Kit
14
Jupiter
Cluster Kit
Jupiter
Wedge
300 x 50mm
20
Jupiter Cluster Kit
White
Diffuser
300mm
Cosmic Fluid
Glue
Space Mist
Glue
Coverage*
6
1
1
1.80m2 / 20.00ft2
6
1
1
2.34m2 / 2.52ft2
* It is recommended you cover the top 2/3rds of the wall with 40-50% coverage
13
14 Product Line-Up
Acoustic Tiles
Universal Acoustics offers 5 different types of tiles, each with a different profile. Universal Acoustics
absorption tiles are easy to install on most surfaces using either Space Mist adjustable nozzle spray adhesive
or Cosmic Fluid liquid adhesive. These can be glued directly to wall surfaces or ceilings or if preferred can be
glued on to conveniently sized panels which may be hung or suspended as required. With this method they
can be easily moved around or to a different location.
50mm thick tiles should normally be
used to treat most small to medium
sized rooms or workspaces but 100m
thick versions should be considered to
treat larger spaces such as rehearsal
studios, places of worship, concert halls
etc or areas where a more pronounced
low frequency is evident.
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Neptune Flat
Neptunes have a 100% flat surface profile providing
excellent absorption within a very low profile format
(only 30mm) and feature an attractive contour bevel
on all 4 sides. Neptunes are our most cost effective
design yet and provide great performance for an
average 25% less cost than our other designs. Also
available as Bass traps and in two new low cost
Room kits. Available in Charcoal only.
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Saturn Pyramid
Mercury Wedge
The Saturn Pyramid style is designed to give a
The Mercury our most popular style and is used in
striking finish to your acoustically treated space. It
all our Mercury Room Kits, with its distinctive trough
has great absorption properties but spacing them
and peak design, offers an economical solution for
out can also aid diffusion. They offer up a large
room treatment. As well as great absorption qualities
surface created by the pyramid shape. Using a
the wedge design also offers some help with flutter
combination of both 50mm and 100mm tiles gives
and echo. Whilst primarily designed for absorption,
excellent absorption and can help room problems
spacing them out and rotating the angle can aid
such as flutter and echo.
diffusion also. You can also mix 100mm and 50mm
tiles to excellent effect.
Jupiter Wedge
Jupiter Flat
The Jupiter wedge tile, with its fluted groove finish,
The Jupiter flat tile is a highly functional tile and
offers a premium solution for room treatment,
provides a premium solution for room treatment.
but maintains an attractive look. It has excellent
It has unmatched absorption properties due to
absorption properties. If you are looking for
optimum thickness throughout the whole tile. If you
absorption of mid and high frequencies but wish to
are looking for superior absorption of mid and high
use a tile with an interesting design, these are for
frequencies then you cannot choose a better tile
you. Matching styles Jupiter Bass traps are available.
than the Jupiter flat.
15
16 Product Line-Up
Bass Traps
Speaker Vibro Pads
Universal Acoustics bass traps come in three styles
Made from specially formulated, high load bearing
and sizes. They can be purchased in 300mm or
foam, which makes them harder and denser than
600mm lengths and in Mercury, Jupiter, or Neptune
competing products. Foam can feel hard when it
style. Bass traps treat problematic bass frequencies
is actually stiff. UA Vibro-Pads are less stiff and
that can amplify in corners. They can be used in wall
therefore less susceptible to fatigue when carrying
to wall and ceiling to wall corners to help control the
heavy loads. This makes them the best product on
‘boominess’ often caused by the room mode effect
the market for effective, long-term isolation of all
The Mercury bass trap offers an economical and
types of studio monitors. Each set includes 4 pads
practical solution while the stylish solid fluted front
with individual levelling adjuster providing a 5° or
profile Jupiter bass trap provides slightly higher
10° slope to angle the speaker up, down or flat for
absorption.
optimum listening position.
Adhesives
Formulated to provide the perfect solution for mounting acoustic foam materials to virtually any
type of substrate/material in a professional or domestic environment.
Cosmic Fluid - Gun Glue
Space Mist - Spray Glue
A professional quality, gun grade, high bond
Fast drying & easy to use high strength bond which
strength, synthetic rubber/resin with quick
has good ageing characteristics. Especially developed
initial grab and good gap filling properties.
for acoustic foam materials, and used in our Room Kits,
Safe and easy to apply from cartridge with a
Space Mist is a high strength aerosol adhesive with the
caulking gun.
advantage of a variable spray width button.
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Basotect
Diffusers
The Universal Acoustic Architectural Range
UA Mercury Diffuser / Reflectors are available in
is perfectly suited for installations in public
300mm and 600mm square sizes.
spaces. Made of Basotect, a lightweight material
demonstrating excellent acoustic properties, and
used for architectural applications when a higher
degree of fire resistance is required; typically in
large areas or public building spaces.
Their flat surfaces are 50mm thick but include peaks
and dips between 20mm and 80mm high to achieve
their hard surfaced diffusion properties. They
are made from Flame Retardant EPS (Expanded
Polystyrene) to Class 3 fire specification and
They are a Class-O surface as defined in paragraph
finished in standard white. They can be painted with
A12B of Building Regulations document B and
water based emulsion for visual purposes without
achieve BS476 part 7 Class 1 and B476 part 6 Pass.
affecting the sonic performance.
Available in WHITE only. Mercury 600 x 600 x 50
Diffusers are gaining popularity as a low
mm tiles plus 600mm and 300mm Jupiter or Mercury
cost solution for creating a more open or lively
bass traps.
characteristic within a small or dull sounding
room. UA diffusers can be mounted in clusters
independently or combined with all UA absorption
tiles and can offer noticeable benefits especially
when ceiling mounted over the mix position.
T h e s p e c i a l l y d e s i g n e d M e rc u r y D i f f u s e r
surface provides redirection of sound waves
while maintaining sonic energy in your audio
environment.
17
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18 Home Entertainment
Home Cinema Treatment
Our carefully engineered range of Cinema acoustic treatment panels combines elegant aesthetics
with excellent frequency absorption to improve the audio integrity, intelligibility, performance and
dynamics of any room. Available in a variety of finishes and fabrics to satisfy any Interior Designer
they are supplied with easy install fitting kit and instructions.
Why Use Eclipse?
Audio professionals know that a room with ‘naked’ walls will cause the sound waves to bounce around
the space, reflecting off the walls and reaching the listener’s ears at different time intervals. This
causes bass notes to sound muddy, too loud or too quiet, a lack of focus in mids and highs and vague
stereo imaging where it becomes difficult to tell where the sound is supposed to be coming from.
Developed by a team of experts responsible for the acoustic design and construction of hundreds
of commercial recording studios, this new range of acoustic treatment panels control unwanted
sound reflections, dramatically improving the sound of your home theatre / room, resulting in a more
pleasurable listening and viewing experience.
Eclipse Faux Suede Wrapped Panels
With an attractive suede fabric finish and bevelled edges, these
elegant acoustic panels are available in range of colours to match
your decor and measure 600 x 900 x 25mm.
Eclipse Bass Trap
Doing an essential job and offering a
striking contemporary design, Eclipse Bass
Traps are manufactured from high density
fire retardant polyester foam with a fibre
glass core and covered in a
choice of suede fabrics.
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Eclipse
“
A more pleasurable
listening and viewing
experience.
“
Eclipse Specifications
Eclipse Suede Fabric Panel
Eclipse Bass Trap
Dimensions: 600 x 900 x 25mm
Dimensions: 900 x 370 x 170mm
Construction: High Density Fibre Glass Core
Construction: High Density Acoustic Foam with Fibre
Covering: High Class Faux Suede
Glass Core Front
Fire Rating: Class 1
Fire Rating: Class 1 - UL94 HF1
19
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Universal Acoustics
Telephone: 0845 555 1123
For full technical specifications, performance data and
fire ratings, please visit universal-acoustics.com
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Acoustic Room Treatment Guide - Version-03-12
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Tel: 020 8418 1470 Email: info@scvlondon.co.uk