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BOOKS FROM FRANCIS BACON’S STUDIO
COLLECTION: DUBLIN CITY GALLERY THE HUGH
LANE
Hitler Moves East: A Graphic Chronicle. David Levinthal and
Garry Trudeau. Kansas City: Sheed Andrews & McMeel, 1977.
In Rodin’s Studio, A photographic Record of Sculpture in the
Making. Albert E. Elsen. Oxford: Phaidon in association with
the Musée Rodin, 1980.
Italian Drawings in the Department of Prints and Drawings in
the British Museum: Michelangelo and his Studio. Johannes
Wilde. London: Trustees of the British Museum, 1953.
Je Suis Le Cahier: The Sketchbooks of Picasso. Arnold
Glimcher and Marc Glimcher. New York: The Pace Gallery,
1986.
Kandinksy Aquarelles & Dessins. Catalogue from an exhibition
of watercolours and drawings by Wassily Kandinsky held in
1972 in Paris.
L'Atelier d'Alberto Giacometti. Jean Genet. Paris: Marc
Barbezat-L’Arbalète, 1967.
Matisse 1869-1954: A Retrospective, Exhibition at the Hayward
Gallery. Lawrence Gowing. London: The Arts Council of Great
Britain, 1968.
Official Catalogue of the Egyptian Museum Cairo. Mohamed
Saleh and Hourig Sourouzian. Verlag Phillip Von Zabern, 1987.
Photographs for the Tsar. Robert H. Allshouse. London:
Sidgwick & Jackson, 1980.
Rembrandt. E. R. Meijer. London: Oldbourne Press, 1960.
Rembrandt: Selected Paintings. Introduction by Tancred
Borenius. London: Phaidon Press, 1952.
Révolution D'Octobre. Frédéric Rossif and Madeleine Chapsal.
Paris: Librairie Hachette, 1967.
Russia in Revolution 1900-1939. Harrison E. Salisbury.
London: André Deutsch, 1978.
The Art of Ancient Egypt: Architecture, Sculpture, Painting,
Applied Art.
The Human Figure in Motion. Bound leaves with cover and
spine missing. Eadweard Muybridge, New York: Dover
Publications, Inc., 1955.
The Masters 16: Ingres. Anita Brookner. London: Knowledge
Publications, 1965.
The Painter and the Photograph: From Delacroix to Warhol.
Van Deren Coke. Albuquerque: University of New Mexico
Press, 1972.
Translated typescript (photocopy) of visitor comments, Francis
Bacon exhibition, Central House of Artists, New Tretyakov
Gallery, Moscow, 23 September - 6 November, 1988, c. 1988.
Van Gogh. René Huyghe. Milan: The Uffici Press, 1958.
Velasquez. Jose Ortega y Gasset. Paris: René Julliard,
Éditions Manesse, 1954.
2 Velázquez: A Cataloque Raissoné. José Lopéz-Rey. London:
Faber and Faber, 1963.
Watercolour and Pencil Drawings by Cézanne, introduction by
Lawrence Gowing, London, 1973.
MATERIAL FROM FRANCIS BACON’S STUDIO
COLLECTION: DUBLIN CITY GALLERY THE HUGH
LANE
Fragment torn from Black and White photograph, showing cutoff torso of George Dyer in Francis Bacon’s studio, Reece
Mews, South Kensington, London: silver gelatin photograph by
John Deakin (1912 - 1972).
Leaf (pp. 29 - 30) torn from the book Rubens: Drawings and
Sketches, catalogue of an exhibition at the Department of
Prints and Drawings in the British Museum, edited by John
Rowlands, London: British Museum Publications, 1977.
Leaf (pp. 221 - 222) with black and white images of drawings
by Michelangelo torn from the catalogue The Drawings of
Michelangelo, by Frederick Hartt, London: Thames & Hudson,
1971.
Isabel Rawsthorne in a Street: silver gelatin photograph by
John Deakin (1912 - 1972).
Leaf (pp. 39 - 40) with black and white photographic
illustrations of drawings by ballerinas by Edgar Degas from the
book Degas, Dessins by Bernard Champigneulle, Paris:
Éditions Des Deux Mondes, Dessins Des Grands Peintres,
1952.
3 Two fragments of leaf torn from the book Atlas-Manuel des
maladies de la bouche, du pharynx et des fosses nasales by
Ludwig Gruenwald. Paris: Bailliere et fils, 1903.
Cut-out fragment from book leaf with photographs by Jacques
Lartigue, probably Diary of a Century, c. 1970.
Nazi rally in Nuremberg, 1938; fragment of a leaf (p. 18) from
the Sunday Times Colour Section magazine, 18 February
1962, mounted on brown cardboard.
Loose colour plate (plate 38, p. 172) of an Egyptian carved
head from Art of the World: Egypt of the Pharaohs by Irmgard
Woldering, London: Methuen Publishers, 1965.
Leaf torn from the book Les Musées Grecs: Olympie, Athens by
Manolis Andronicos, Ekdotike Athenon, 1975.
Cutting with black and white photographic illustration of the
screaming woman in Sergei Eisenstein's The Battleship
Potemkin, mounted on brown card.
Colour photographic illustration of an Egyptian carved head of
ancient statue (plate 19, p.113) removed from book Art of the
World: Egypt of the Pharoahs by Irmgard Woldering, London:
Methuen, 1965.
George Dyer in Francis Bacon’s studio, Reece Mews, South
Kensington, London: silver gelatin photograph by John Deakin
(1912 - 1972).
Leaf torn from book with black and white photographic
illustration of detail of hand from Michelangelo's Pièta (verso).
4 Leaf (pp. 103, 104) torn from the article Bacon: le Peintre de la
Détresse Humaine in the French magazine Realités, no. 249,
1/11/1966.
Colour photographic postcard addressed to Francis Bacon from
Florence, Italy.
Dust jacket from the book Ingres by Jon Whiteley. London:
Oresko Books Ltd, 1977.
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