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special
industry
#4
WED 26 &
THURS 27 NOV
INCLUDING SCHEDULE
For more news & full industry programme, see www.idfa.nl/industry
The Guardian’s Charlie Phillips at the Short
Cuts to Future Industry talk on Monday
photo: Bram Belloni
New platforms take off
A bunch of “new kids on the block” are making increasing in-roads into the
documentary commissioning scene traditionally dominated, in Europe at least,
by broadcasters. By Melanie Goodfellow
A number of these relative newcomers took
part in the Short Cuts to Future Industry talk
on Monday. Among those on stage was former
Sheffield Doc/Fest deputy director Charlie
Phillips, who recently took up the new position
of head of documentaries at The Guardian.
“We want to get into stuff early, later than
concept, we want to see some sort of research
and some material, but we want to be there early
in the process. People really can send me lots
of ideas because at this early stage when we’re
trying to work out what we’re doing, it’s useful,”
said Phillips.
Although not divulging the department’s exact
budget, he said it wanted to commission 50
short film works a year to which it would
offer between £5,000 to £15,000 depending
on the project. He explained that in the first
“We want to get
into stuff early”
instance the new department was looking for
short 10-minute preview extracts of upcoming
documentaries, which could be put up on the
newspaper’s burgeoning video platform.
“If that ten-minute segment goes out and it’s
really popular we are interested in working with
longer docs so we might actually say to you
we’re interested in working as co-producer on
the longer doc and we want to put some money
in,” explained Phillips.
“That’s slightly down the line and it is something we’re looking for – a subject which is
perfect for The Guardian audience, which is
liberal and well-informed. We try to talk up the
audience rather than down. I can’t show you
examples of what we want to work with because
at the moment, nothing I’ve commissioned
is online at the moment because it’s so new.”
Instead, Phillips showed two current clips on its
video page and YouTube page as a taster of The
Guardian’s broad range of interest: The Slumgods
of Mumbai and the spoof Serial: The backlash and
the backlash against the backlash begins. Other
speakers at Monday’s talk included: Jason
Spingarn-Koff of The New York Times, Sjoerd
Raaijmakers of the Dutch branch of Renegade
Vice, respected filmmaker Jos de Putter, who
lauched the platform de Correspondent, and
Jigar Mehta of Al Jazeera’s youth-focused AJ+.
De Putter explained the his crowd-funded,
advertising-free platform aimed at high-brow,
author driven content also featured a “video
garden” for which he was seeking “urgent and
personal” short form video stories.
He explained how de Correspondent financed
Dutch filmmaker Morgan Knibbe’s initial trip to
the Italian island of Lampedusa – which formed
the basis for his IDFA Feature-Length Documentary title Those Who Feel The Fire Burning,
exploring the wave of immigrants trying to
illegally enter Europe by the Mediterranean.
Over at the Forum, meanwhile, another Norwegian newcomer web-TV channel VGTV made
its pitching debut as one of the key backers of
Benjamin Rae’s Magnus, about chess grandmaster Magnus Carlsen.
“I am so excited be here. This is the crown
jewel of our documentary projects. This is the
first time we’re here – this is a big milestone for
VGTV,” said Head of Aquisition Linn Aronsen.
“To prove how much we believe in this project
we’ve more into it than all our other documentaries combined.”
Takei doc(k)s at IDFA
Star Trek’s George Takei has been in Amsterdam this week, accompanying new
doc To Be Takei, which screened as part of IDFA’s Queer Day. By Geoffrey Macnab
Takei, who played Sulu is the long-running
TV series, experienced extreme trauma in
his childhood. As a five year old, he was
interned alongside his family in the wake
of Pearl Harbor. As a Japanese-American,
they found themselves classified as “enemy
non-aliens.”
Hysteria
“It was hysteria, totally irrational,” Takei
recalls of the events of early 1942 when he,
his siblings and parents were taken away
from their California home at gunpoint.
“It wasn’t the West Coast of the US that was
bombed. It was Hawaii that was bombed,
but they didn’t intern the Japanese-Americans of Hawaii because they made up about
40% of the population and if they were extracted, the economy would have collapsed.
No labour, no consumers – it would have
been disastrous for the economy.”
Good man
Takei’s grandfather was a farmer in the
Sacramento Delta. He was forced to leave his
land behind – and to trust in a neighbour
(ironically a German immigrant) to look
after it till he returned. “He was a good man,
he gave it back!”
Campaigning
Since he quit the Starship Enterprise, Takei
has spent much of his time campaigning
on social media and giving public talks in
which he has drawn attention to the cruel
and outrageous treatment of JapaneseAmericans during the World War II.
Takei has also worked on a musical
inspired by his and his family’s grim
experiences. Allegiance is now being
readied for a Broadway premiere next year.
The doc (which premiered in Sundance)
was originally intended to end with the
Broadway premiere – but that was delayed.
“We opened with a world premiere at the
San Diego Old Globe Theatre,” Takei
recalls. “We opened to a sold-out house and
it remained sold out throughout the run.”
The run was extended by a week and the
play went on to break the theatre’s 77-yearold record for box office and attendance.
Crazy uncle
The Star Trek star is “life-long friends” with
his fellow crew members from the Enterprise, even if his relationship with William
Shatner (Captain Kirk) has its ups and
downs. “In a family – and we’re a Star Trek
family – you always have that crazy uncle –
a member of the family but he is that crazy,
eccentric Uncle Bill. We have to take him
with a little grain of salt!”
Guests Meet Guests
26/11/2014, 18:00 hours
De Jaren Café
Hosted by LaScam
27/11/2014, 18:00 hours
De Jaren Café
Hosted by IMCINE
DOCS
FROM
DOCS FROM
FLANDERS
IDFA
2014
FLANDERS @@IDFA
2014
WAITING
WAITING
FOR AUGUST
FOR
AUGUST
THE FEMALE GAZE
THE FEMALE GAZE
BY TEODORA ANA MIHAI
PRODUCTION
CLIN D’OEUIL
FILMS
BY TEODORA
ANA MIHAI
SALES RISE
AND
SHINE FILMS
PRODUCTION
CLIN
D’OEUIL
SALES
SCREENING
RISE AND SHINE
26 NOV, 17:45 TUSCHINSKI 4
SCREENING
26 NOV, 17:45, TUSCHINSKI 4
BEFORE THE LAST
OUR CITY
CURTAIN FALLS
ELEPHANT’S
DREAM
PANORAMA
BEST OF FESTS
PANORAMA
BY
BY EVA KÜPPER & THOMAS WALLNER
BY KRISTOF
BILSEN
CO-PRODUCTION
(FLANDERS)
MARIA TARANTINO
WILDUNDOMESTICATED
SAVAGE
FILM
PRODUCTION
ASSOCIATE
DIRECTORS
SALES CAT&DOCS
SALES CAT&DOCS
SCREENINGS
SCREENINGS
SCREENING 24 NOV, 22:00,, MUNT 11
PRODUCTION
27 NOV, 18:00, TUSCHINSKI 4
28 NOV, 12:00, EYE CINEMA 1
27 NOV, 20:15,
MUNT
26 NOV,
12:00, 13
BRAKKE GROND
27 NOV, 18:30, TUSCHINSKI 6
28 NOV, 20:45 MELKWEG
MING OF HARLEM TWENTY STOREYS
IN THE AIR
PARADOCS
BY PHILLIP WARNELL
CO-PRODUCTION (FLANDERS)
MICHIGAN FILMS
SCREENINGS
24 NOV, 18:00, TUSCHINSKI 5
28 NOV, 16:15, TUSCHINSKI 6
ELEPHANT’S
DREAM
PANORAMA
NATHAN, FREE AS A BIRD
BY KRISTOF
BILSEN
PRODUCTION ASSOCIATE DIRECTORS
SALES CAT&DOCS
PANORAMA
BY ROEL NOLLET
PRODUCTION REDHORSE REPORTERS
SALES COCCINELLE FILM PLACEMENT
SCREENINGS
24 NOV, 22:45, TUSCHINSKI 4
25 NOV, 18:45, MUNT 12
27 NOV, 20:15, MUNT 13
SCREENINGS
22 NOV, 12:15, MUNT 10
24 NOV, 13:30, TUSCHINSKI 4
27 NOV, 22:45, TUSCHINSKI 6
dial H-I-S-T-O-R-Y
PARADOCS
BY JOHAN GRIMONPREZ
PRODUCTION ZAPOMATIC (1997)
OUR CITY
SCREENINGS
25 NOV, 19:15, TUSCHINSKI 6
28 NOV, 13:45, TUSCHINSKI 6
PANORAMA
PRODUCTION
BY MARIA TARANTINO
WILDUNDOMESTICATED
SCREENINGS
25 NOV, 14:15, MUNT 10
NOV,LAST
18:00, TUSCHINSKI 4MING OF HARLEM BEFORE27THE
28FALLS
NOV, 12:00, EYE CINEMA 1TWENTY STOREYS IN THE AIR
CURTAIN
dial H-I-S-T-O-R-Y
NATHAN,
FREE AS A BIRD
BEST OF FESTS
PARADOCS
PARADOCS
PANORAMA
BY EVA KÜPPER & THOMAS WALLNER
CO-PRODUCTION (FLANDERS)
BY PHILLIP WARNELL
CO-PRODUCTION (FLANDERS)
BY JOHAN GRIMONPREZ
PRODUCTION ZAPOMATIC (1997)
SAVAGE FILM
SALES CAT&DOCS
SCREENINGS
26 NOV, 12:00, BRAKKE GROND
27 NOV, 18:30, TUSCHINSKI 6
28 NOV, 20:45 MELKWEG
MICHIGAN FILMS
SCREENING
28 NOV, 16:15, TUSCHINSKI 6
SCREENING
28 NOV, 13:45, TUSCHINSKI 6
GLADIATORS,
A DIFFERENT WORLD
GLADIATORS,
A DIFFERENT WORLD
FORUM PROJECT
FORUM PROJECT
BY ROEL NOLLET
BY ARUNAS MATELIS
PRODUCTION REDHORSE REPORTERS
(FLANDERS)
BY ARUNASCO-PRODUCTION
MATELIS
SALES COCCINELLE FILM PLACEMENT
ASSOCIATE
DIRECTORS
CO-PRODUCTION
(FLANDERS)
ASSOCIATE DIRECTORS
SCREENING
27 NOV, 22:45, TUSCHINSKI 6
25 NOV, 15:10, ZUILENZAAL
andersimage.com
flflandersimage.com
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4ADV_DocsFromFlanders_26/11/14.indd 1
18/11/14 15:39
18/11/14 15:39
Forum spotlights younger audiences
The Forum launches its brand new RealYoung event
on Wednesday, aimed at encouraging more co-productions in the younger generation genre.
By Melanie Goodfellow
“We want to try to stimulate more connections in Europe
between countries doing this genre,” says IDFA industry chief
Adriek van Nieuwenhuyzen. “If we can encourage co-productions, it will also increase the chances of these works being seen
in multiple territories.”
The initiative – spearheaded by Van Nieuwenhuyzen and
Meike Statema, who oversees the festival’s respected Kids &
Docs strand as well as the IDFAcademy – is a joint venture
with the European Documentary Network (EDN) and
Sweden’s Financing Forum for Kids Content, held in Malmo
every March.
The tie in with Sweden’s Financing Forum makes sense because
alongside the Netherlands, and increasingly Germany, Scandinavia is one of the key territories producing documentaries for
younger audiences, says Statema. “I couldn’t be more excited
about this initiative. I’ve wanted to investigate how we can
stimulate cross-border cooperation in the genre, especially with
Scandinavia and Germany which are also increasingly active in
the field, for some time,” says Statema.
Growing demand
A number of Europe’s key commissioners, producers and
sales agents in the younger generation field are due to attend
Wednesday’s event. They include Nadine Zwick, commissioner
of Franco-German broadcaster Arte’s recently launched youth
branch Arte GEIE Junior; Dutch producers Willemijn Cerutti
of Cerutti Film and Albert Klein Haneveld of Hollandse
Helden, who are passionate about the genre, and sales agent
Kaisa Kriek of NPO, the sales arm of state Dutch broadcasting. “Alongside our mainstream documentaries, I handle a
fair amount of documentaries in this genre, because it’s a field
in which we’re strong,” said NPO’s Kriek. “There’s a growing
demand for documentaries aimed at the younger generation
as more and more broadcasters open up youth-focused slots. I
recently had interest, for example, from Mexico and Argentina,
which is an interesting development.”
Great opportunity
“I think a meeting like this is timely and it’s great to have an
opportunity to meet other industry professionals handing these
sorts of works – the world seen through children’s eyes is very
different and often focuses on different issues such as bullying
or parents’ divorces.”
The meeting will be preceded by a pitch of Victor Kossakovsky’s upcoming Varicella, which is part of a six-part series of
high-end documentary films for children about sport set in six
different countries (see the story below).
Commissioners due to sit in on the pitch include Oscar van der
Kroon of NTR, Iyabo Boyd of Chicken & Egg Pictures, Fiona
Lawson-Baker of Al Jazeera English and Daniel Pynnönen of
Swedish Educational Broadcasting Company (UR).
First Hand
picks up
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Fresh from winning a Prix Europa Iris for Sound of
Torture, Zurich-based sales and distribution outfit First
Hand Films has taken rights to a number of IDFA titles.
By Geoffrey Macnab
The company is handling Ida’s Diary, screening in the midlength competition. First Hand has also taken on rights for
Forum title Through You Princess, about musical web project
Thru You Too by Kutiman. Meanwhile, the company has
confirmed a number of new deals on its IDFA slate. SRF
(CH) and CBC-SRC (CA) have bought the series Death – A
Series About Life.
Prisa/DTS (ES) has snapped up Finko by the award-winning
makers of Concerning Violence and The Black Power Mixtape
1967-1975. Neneh Cherry narrates the film about the next
music revolution coming from Africa and becoming a means
of expressing the identity of an entire generation.
CBC-SRC (CA) and Telesur (Venezuela) both acquired
Footprints of War, concerned with the alarming consequences
military attacks have on our ecosystem.
Happy Movie Media in China has taken rights for CCTV
(CN) to Mona Lisa Is Missing – The Man Who Stole A
Masterpiece, investigating the mystery of the man who stole
the Mona Lisa from the Louvre in 1911, hid it in his flat
for two years and brought it back to Italy. The company has
also taken Radical Evil, by Oscar winning director Stefan
Ruzowitzky, who discusses why normal people become mass
murderers.
Speaking in Amsterdam, First Hand Films boss Esther van
Messel acknowledged that television sales still “account for
more than 90%” of the company’s turnover. The company
“passed” on more than half a dozen films in the main IDFA
competition because of wariness about being able to secure
them TV slots and represent them effectively at Mip TV.
“This is our reality.
We love IDFA”
Anita Rehoff Larsen, Victor Kossakovsky, Ruben Wilmont and Monica Hellstrom Weston
photo: Bram Belloni
Through the eyes of a child
Further details have emerged about Ultra Sports Kids, the ongoing series of 6 high-end sports-oriented documentary films for kids originally conceived by Danish filmmaker Simon Lereng Wilmont at Final Cut for Real. The
films are being sold by Autlook. Geoffrey Macnab reports
The idea is to put the films together as
a series, but at the same time to work
with big name individual filmmakers. As Monica Hellström (producer at
Final Cut for Real) points out, financing high-end docs for kids remains a
formidable challenge. It proved “impossible to sell one documentary for TV.”
However, once the six Ultra Sports
Kids films were bundled together, it
was possible to pitch them as a series
with a global reach. Three of the docs
are Scandinavian based. The other three
were made in Russia, South Africa and
Japan. Danish-based Final Cut for Real
has collaborated with Sant & Usant in
Norway and Swedish outfit Story.
Revelation
Here at IDFA, one of the directors
involved, documentary heavyweight
and 1993 Joris Ivens Award winner (for
The Belovs) Victor Kossakovsky, has
explained what drew him to the series.
Varicella, as the film is entitled, is being
pitched on Wednesday at the Forum. It
is the story of two Russian sisters who
dream of becoming ballet dancers.
Kossakovsky says that working with
kids has been a revelation and that he
will now make further docs aimed at
children.
“My previous film, Vivan Las Antipodas! was four months in cinemas in St.
Petersburg,” the director recalls. To his
surprise, he discovered the reason it had
stayed so long on screen was that kids
were watching it. Kossakovsky’s 12-yearold son was encouraging him to make
films for children. He was therefore very
open to the idea of making Varicella.
“At a certain moment when you do
films for children, you realise, Wow!
this is a challenge. They have a different
ability to see things you don’t see. It really provokes you to think a lot.”
Varicella producer Anita Rehoff Larsen
(of Sant & Usant) added that “children
are the most important audience in the
world so they should have the most
important films.”
Blessing
The other documentaries in the series
are Chikara – The Sumo Wrestler’s Son
(official selection IDFA 2013), The
Fencing Champion (screening at this
year’s IDFA), Twisters, Chapter 11 and
Dancing For You.
Young fencing ace 11-year-old Ruben
Wilmont, nephew of Simon Lereng
Wilmont and the subject of The Fencing Champion, has given the series his
blessing. Acknowledging it was “weird”
to be followed around by a doc crew,
the Nordic fencing champion nonetheless says he admires the doc and
had also enjoyed Chikara – The Sumo
Wrestler’s Son.
“This is our reality. We love IDFA,” Van Messel says. “It is
very nice to be here. It is exciting, but we have to be able to
earn money for the producers. That is our job. That is why
they hire us. We have lot of main awards here but in the last
few years, the audiences that enable us to live and pay our
producers decent amounts for their work – that comes from
TV.” Van Messel also points to the slowing down in the
decision-making process. “Every decision takes six months or
a year,” she says. “Even with big names, even with blue chip
hard core investigative documentaries that everybody wants,
it takes months to get some things through.”
First Hand Films is also active in theatrical distribution in
Switzerland, where its recent pick-ups include Iranien and
Party Girl.
Industry Talk:
A reflection on today’s
documentaries by Bill Nichols
Film theorist Bill Nichols gives a philosophical insight
into how documentaries interact with the world around
them. What social forces determine what movies are made
in general, and what could that say about today’s world?
Renowned documentary theorist, journalist and professor Bill
Nichols, writer of the authoritative guide Introduction to Documentary, will reflect on the state of documentary today. Not
only in terms of aesthetics but also in terms of content. Has
the rise of the documentary to utterly unanticipated heights
in the last few decades been at the expense of documentary
purity or a liberation from documentary rigidity? Have major
funding sources become like major studios: institutions with
their own social agendas who find filmmakers to promote
their perspective? To what degree are questions of empowerment, effectiveness or impact a double edged sword when
they arrive in top down form from funding sources? What is a
reasonable expectation in terms of social impact for a film, or
for documentaries in general? Nichols will give a philosophical insight into how documentaries interact with the world
around them.
Moderator: Neil Young (Hollywood Reporter)
Guest: Bill Nichols (Film Quarterly, San Francisco State
University)
Wednesday 26 November, 3 pm, Brakke Grond – Rode Zaal
3
by Sylvain Biegeleisen
C&D_DailyAd2014.indd 1
18/11/2014 18:15
To Russia With Love
Mariya Miroshnichenko, Chief Editor of
Russian pay-TV cable and satellite channel
24_DOC, attended Docs for Sale to meet
distributors and discuss future collaboration
on the projects, as well as choose new films to
be premiered on the channel, the company
confirmed. 24_DOC is the only 24/7 world
current affairs and creative documentary
channel in Russia and CIS, and the first online documentary platform in Russia focusing
on director-driven films.
Miroshnichenko was previously executive
Kim Longinotto
photo: Bram Belloni
True Loves
At the end of Kim Longinotto’s Love Is All: 100 Years of Love & Courtship, screening in
The Female Gaze, there is a special dedication. By Geoffrey Macnab
The film is dedicated to Farzana Parveen. This
is the Pakistani woman recently beaten to death
by a mob, including members of her own family, infuriated by her decision to marry for love.
The dedication comes as a surprise. After all,
this is a very light-hearted, archive-based doc,
exploring depictions of love and courtship on
screen in Britain.
Director Longinotto acknowledges that the
dedication wasn’t her idea. It came from musician Richard Hawley, who wrote the music for
the film. Hawley (who used to play with Britpop band Pulp) is described by Longinotto as “a
real man’s man.” He had read an article about
Parveen and asked if her name could be used.
The director and her editor Ollie Huddleston
grew very fond of Hawley, in spite of their initial wariness about him. “There’s all these myths
about rocks stars,” Longinotto reflects. “They’re
going to be difficult and have all these diva-ish
requests. He wasn’t like that at all.” Hawley
turned out to be unexpectedly sensitive. “He is
full of contradictions – a really interesting guy.”
Longinotto (whose new film Dreamcatcher
about a former Chicago prostitute is nearing
completion) is known for her observational
docs. Making an archive-based film is a major
departure for her. “It was a nightmare!” she
jokes of the Herculean task of sifting through
hundreds of hours of BFI material in search of
the clips she needed. Her choice of material included everything from Chinese-American star
Anna May Wong in British silent classic Piccadilly to Hindle Wakes, My Beautiful Laundrette
and Brick Lane.
At the same time, she loved the idea of the
project, which was initiated by Heather Croall
at Sheffield Doc Fest.
Longinotto and editor Huddleston were determined to make sure the doc had a storyline.
“I wanted to do women changing through the
century and England becoming a multicultural
country, and the third strand was same-sex.” As
she pored through archive material (“I think
we watched maybe 1,000 hours, we had no
researchers”), Longinotto realised that many
of the movies were ahead of their time. “In
culture, the people who are the forerunners, the
visionaries, are often the fiction filmmakers.
We kept getting surprised.”
Eastern promise
HBO Europe has reaffirmed its commitment to documentary. The company,
which produces docs in Poland, the
Czech Republic, Hungary, Romania,
Bulgaria and further afield in eastern
Europe, is in Amsterdam with several
titles in official selection.
By Geoffrey Macnab
“We want to build a portfolio of roughly
twelve a year,” Antony Root, Executive Vice
President of Programming and Production
at HBO Europe, comments. “We will draw
them from the four larger territories, but also
from some of the other territories as well.”
One intriguing forthcoming title backed by
the powerhouse TV network is Chuck Norris
vs. Communism. Romanian-produced, the
film tells the story of Irina Nestor, a female
dubber in the Eastern Bloc who dubbed
more than 5,000 foreign movies that entered
Romania illegally.
Another new HBO doc generating buzz
is Houston We Have A Problem, a new doc
looking at the conspiracy theory behind the
Yugoslavian space programme. The director
is Ziga Virc, an Academy Award-nominated
director for his student film Trieste is Ours!
Here at IDFA, HBO is one of the backers
of Hanna Polak’s Something Better To Come
(screening in the feature-length competition and sold by Films Transit). HBO is also
involved in Agnieszka Zwiefka’s The Queen of
Silence (also in the feature-length competition
and sold by Deckert Distribution). Meanwhile, another HBO title, Marcell Ger ’s
Cain’s Children is screening in Best of Fests.
All three projects are co-productions. HBO
Europe’s Executive Producer, Documentaries
Hanka Kastelicová, points out that HBO
is in a position to fully finance docs when
necessary.
HBO Europe is ready to back docs from
filmmakers outside eastern Europe – as long
as the film has a relevance to the region. Kastelicová is on the lookout for new directors.
“We at HBO every year try, in every country,
to have some debuts. Working with young
filmmakers is really exciting.”
Alexander Nanau (who won an Emmy for
the HBO-backed The World According to Ion
B) recently completed Toto and His Sisters
(sold by Autlook.) The film premiered in
San Sebastian and went on to win prizes in
Zurich, Leipzig and Warsaw and elsewhere.
It will have its Dutch premiere at the
International Film Festival Rotterdam early
next year.
The Crash Reel
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producer of the Watching and Discussing series
created by director Sergey Miroshnichenko
(Emmy Award Winner for Born in USSR:
14up) and producer Grigoriy Libergal, who
run the documentary sections of the Moscow
International Film Festival together. Every
episode features an international creative
documentary followed by an in-studio discussion. Over five seasons Watching and Discussing has premiered more than 90 documentaries, including 3 Academy Award winners (9
nominees), 3 BAFTA Award winners and a
slew of nominees and winners from festivals
such as IDFA, Berlinale, Cannes, Sundance
and Tribeca and Full Frame.
“We are planning to program more than
600 hours a year of a high-quality creative
documentaries,” she said. “To reach this, we
are going to participate in the most important
film pitchings and do pre-buys at production
stages. At the same time, our films would be
screened not only on TV. At the beginning of
December we are starting theatrical distribution of two ‘extreme’ documentaries – The
Crash Reel and Addicted to Life, in 27 cities in
Russia.” Nick Cunningham
Fertile collaboration
South African director/producer team
Ryler Grunenwald and Odette Geldenhuys have only ever met face-to-face
three times, but they still managed to
make feature doc The Shore Break in
time for a world premiere in IDFA’s First
Appearance competition.
“We met at Hot Docs in 2012,” explains
producer Geldenhuys. “Ryler made a fantastic pitch. I was looking for a project and she
needed a producer, so we started speaking.
I moved from Durban to Cape Town. She
moved from Jo’burg to France, and she
decided to have a baby as well as make her
film. So we communicated all the time by
Skype and now it’s in competition – I think
that’s pretty damned good.” Grunenwald is
34 weeks pregnant.
The film examines the conflicting emotions within a close-knit community when
plans are unveiled to open a titanium mine
on South Africa’s beautiful and hitherto
unspoiled Wild Coast. “I discovered that
it would have some pretty hectic implications and consequences on the lives of the
people who are living there,” says director
Grunenwald. “Initially I only met the peo-
ple who were against the mining, but then
when I met the people who wanted it that
put a whole different spin on things, and I
actually realized that they had some good
points too.”
Producer Geldenhuys confirmed that the
film has already been picked up by Canadian
broadcaster Knowledge Network, and that
the pair are assessing their broadcast, festival
and outreach strategies while at IDFA. “And
what is really undervalued is the importance
of being at a film festival and watching just
what is being created around the world at
the moment, and really being inspired by
different approaches.”
South Africa has five films at IDFA 2014.
François Verster’s The Dream of Shahrazad
plays in Masters while Beats of the Antonov,
Unearthed and The Other Man – FW de
Klerk and the End of Apartheid are selected
for Best of Fests. “South Africa has some really great advantages that make co-producing
with its producers very attractive and one
of these is our Department of Trade and Industry’s tax incentive scheme, where you can
get some really generous tax incentives for
money that is spent in South Africa,” stresses
Grunenwald. Nick Cunningham
Odette Geldenhuys and Ryler Grunenwald
photo: Felix Kalkman
Diskin launches Remembrance series
Doc & Film
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n
Paris-based Doc & Film has been enticing buyers at
Docs for Sale with its culinary title L’Amour Food (The
New Foodies) by French director Olivier Joyard.
By Melanie Goodfellow
Ruth Diskin
Ruth Diskin Films has launched sales on Boris Maftsir’s
six-film The Guardians of Remembrance series, uncovering the history of the holocaust in former Soviet Union
countries. By Melanie Goodfellow
The first film exploring World War II persecution of the Jews
in Belarus has already been completed and a second episode
focusing on the Ukraine is in production for a May 2015
delivery.
“This is a huge project which we have taken on on the back
of Boris’ instalment,” says Ruth Diskin, who signed the series
just before IDFA and is launching the project here.
photo: Ruud Jonkers
The completed series will give a comprehensive picture of
events that took place in the former Soviet Union from the
summer of 1941 until the liberation at the end of the war.
Other titles on her slate include Yossi Aviram’s The Polgar
Variant, about 1970s Hungarian chess prodigies Judit, Susan
and Sofia Polgar, which premiered in the Jerusalem Film Festival’s Israeli Documentary Competition. It has recently sold to
Canal+ in Poland where it will be broadcast this December.
She also reports good business on An Apartment in Berlin,
revolving around the fact that some 20,000 Israelis have
moved to the German capital in the last few years. It has
recently sold to Switzerland’s RSI and France Histoire.
The film has sold to France (Canal+), Belgium (BETV),
Spain (Canal+), Finland (YLE), Israel (Channel 8) and
Norway (NRK) and more deals are under negotiation.
The company has sold Chus Gutierrez’s Flamenco-themed
Sacromonte to Japan’s Uplink, which has taken all rights.
The company also continues to do good business on IDFA
titles Silvered Water, Syria Self Portrait. The film has recently
sold to Spain’s Paco Poch for a theatrical release and also been
picked up by Italian publisher Feltrinelli for its new digital
platform. French distributor Potemkine is due to release the
film in Paris on December 17.
Frederick Wiseman’s National Gallery has also sold worldwide
including to Switzerland (Xenix), Spain (Surtsey) and
Benelux (Cineart), US (Zipporah Films), UK (Soda
Pictures), Australia (Vendetta Films), Portugal (Leopardo),
Italy (I Wonder Pictures), Germany (Kool Filmdistribution),
Austria (Filmladen), Japan (Cetera), Taiwan (Swallow Wings)
and Korea (Jinjin).
Doc & Films is also at IDFA with Mrs B, a North-Korean
Woman by Jero Jun produced by Su:m and Zorba Productions France. “We’ve had good one-on-one meetings and
there’s strong interest from Asia,” says Doc & Films chief
Daniela Elstner.
Danes back docs
Danish docs are on the march. There are a record
breaking 15 titles from Denmark at this year’s IDFA –
and the new four-year plan (2015-2018) for film funding has guaranteed that documentary will continue
to receive strong government support.
By Geoffrey Macnab
Protest!
Flemish filmmakers are up in arms over the Flemish
government’s decision to axe specialist channel
Lichtpunt, one of the only television outlets for creative documentaries in Flanders. By Melanie Goodfellow
The move was announced by Sven Gatz, the Flemish Minister for Culture, Youth, Media and Brussels, earlier this
year as a part of swingeing cuts to the whole state-backed
audio-visual sector. “The future of the Flemish public
broadcasting and Lichtpunt in particular is in the midst of
a political turmoil. In 2015, we will lose 20% of the budget and the new Flemish Minister of Media doesn’t want to
give us a new license in 2016,” explained Lichtpunt chief
Wim van Rompaey by phone from Brussels.
An IDFA regular, he has stayed away this year due to the
situation. “I can’t commit new titles so there’s not much
point being at IDFA this year,” he says.
Under the cuts, Flemish broadcaster VRT is set to lose
€17m in funding and religious and humanist content previously commissioned out to channels like Lichtpunt will
be brought in-house. Flemish filmmakers and producers
at IDFA say this is a worrying development.
“Wim van Rompaey is the only television commissioner
travelling to international markets and putting development up front. It’s not just about the money, however, getting money from Lichtpunt is also quality label if you like,
on the back of which you can secure other funding,” says
producer Maarten Schmidt, who is at IDFA with Maria
Tarantino’s Our City.
Filmmaker Fabio Wuytack concurrs: “Wim has helped so
many directors get their films and careers off the ground.
In my case, he put money into my first short film Two
Hands which was then picked up by France 2.”
“There is much public debate going on and we are not
sure yet that the minister will reach his goal. But up until
we have a clear sight of what will happen, we are obliged
to take no new commitments. We all hope for a positive
ending, but it will take some time,” says van Rompaey.
Show your solidarity by sending a mail to lichtpunt@
lichtpunt.be stating “Lichtpunt has to stay.”
Always Together
Visible Detaille
Belgian sales agent Thierry Detaille has launched a
new sales company, called Visible Film, aimed at securing pre-sales for documentaries in development
phase. By Melanie Goodfellow
The company helped finance two titles screening at IDFA
this year – Always Together, which is competing in the First
Appearance competition, and Panorama screener Olya’s Love.
“50% of our activity comes from pre-sales and we’re prepared
to go in early on a project unlike many other sales companies, which will only look at films when they are in the postproduction stage,” says Detaille.
“We present at all the major project markets like the Forum,
Dok Leipzig’s market and MIPDoc,” he continues. “On
Always Together, we managed to tie down a number of Eastern Europe deals early on which enabled the production to
secure Creative Europe Distribution funding.”
Detaille said the new approach was a response to the fact that
there were more and more films chasing less money. “You need
to talk to broadcasters earlier and earlier to stake your claim for
a bit of their budget if you can – you have to make sure they
know your documentary is coming up,” he explains.
Detaille is also working with the Utrecht-based DocsOnline
Foundation, an independent, not-for-profit organisation.
“We’re experimenting with ways of selling streaming links to
non-broadcast platforms, consisting of shortened versions of
our content,” reveals Detaille.
Other collaborations with the platform include EduDoc, a
VOD platform aimed at European educational institutions
and libraries.
Speaking at IDFA, Head of Production & Development at
the Danish Film Institute (DFI) Claus Ladegaard has given
details of future funding plans for docs. Ladegaard confirmed
that €7 million per year (roughly the same amount as in the
last four-year funding cycle) has been set aside to back docs.
This is a quarter of the €28 million invested in features films
each year – a higher ratio than in other Nordic countries.
“We have grown used to this way of prioritising documentary and we will continue doing it,” Ladegaard explains of
the DFI philosophy. “We do think it is a very, very important
genre when it comes to film. We think there is a tendency,
at least in some parts of the world, in funding systems to
put too much emphasis on feature films and not enough on
documentary.”
The aim is to make between 30 and 35 docs a year. Most of
these will be feature length. Foreign filmmakers are eligible
to appeal for funding – as long as they are working with a
Danish coproduction partner.
Alongside the €7 million from the DFI, another €3 million
will be invested in Danish docs by the local broadcasters.
Ladegaard stated that the DFI wants to see as many docs as
possible released in cinemas. “To be realistic, in a country our
size, this will be 3 to 5 a year. Hopefully, one every year or
second year will do well at the box-office.” A doc that posts
between 10,000 and 15,000 admissions will be viewed as
having performed in satisfactory fashion.
The Danes have two docs in the main competition,
Democrats directed by Camilla Nielsson and Hanna Polak’s
Something Better To Come.
Ask Ladegaard what is driving the Danish doc boom and he
points to the collaborative nature of documentary makers in
the country – and the increasing crossover between docs and
dramatic features.
“It strikes me again this year that what is really special
about Danish films is not whether it’s personal or not. It’s
not whether it’s subject-driven or character-driven. What
is the real strength is storytelling,” Ladegaard comments.
“They (docs) are told very cleverly. I think it has to do with
integration with the fiction business in Denmark… a very
key factor to the relative success of Danish film is the system
of collaboration. You don’t have strong directors in the auteur
sense or strong producers in the American sense. You have a
true collaboration.”
7
BEATS OF THE ANTONOV
HAJOOJ KUKA
I WANT TO SEE
JOANA HADJITHOMAS &
KHALIL JOREIGE
TH 27 20:30 EYE Cinema 2
FR 28 12:00 Tuschinski 3
MOTHER OF THE UNBORN
NADINE SALIB
CONGRATULATIONS
ARAB-WORLD FILMMAKERS AT IDFA
SAKEN
SANDRA MADI
SILVERED WATER,
SYRIA SELF-PORTRAIT
OSSAMA MOHAMMED &
WIAM SIMAV BEDIRXAN
WARRIORS FROM THE NORTH
NASIB FARAH &
SØREN STEEN JESPERSEN
DOCUMENTARY UNCHAINED
‫ﺳﻴﻨﻤﺎ ﺗﺴﺠﻴﻠﻴﺔ ﺑﻼ ﻗﻴﻮد‬
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POSTER_FinalA2_Trz.indd 1
16/10/14 12:06
SUBMIT YOUR FILM!
APRIL 9 - 19, 2015
SÃO PAULO/RIO DE JANEIRO, BRAZIL
DEADLINE FOR ENTRIES: DECEMBER 12, 2014
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Peter Bleach and Andreas Koefoed
Night Will Fall
a
idf s
film
British director Andre Singer’s Night will Fall re-tells
the making of Sidney Bernstein and Alfred Hitchcock’s post World War II propaganda documentary German Concentration Camps, pulling together
several hours of footage shot by the allies as they
liberated the likes of Bergen-Belsen and Auschwitz.
photo: Felix Kalkman
The Arms Drop
Lauded Danish doc director Andreas Koefoed (Ballroom Dancer,
2011) is at IDFA with his latest feature doc The Arms Drop,
about a clandestine operation in 1995 to drops arms to a persecuted religious group in West Bengal, the personal and political
ramifications of which are still being felt today. The film views
like a tense political thriller, telling the stories of Niels Holck and
Peter Bleach, the two unlikely collaborators on the ill-fated drop.
Both have since paid a high personal price for their involvement.
Bleach, an arms dealer and former British serviceman with links
to the intelligence community, assisted Danish idealist Holck
in his venture to provide arms to the Ananda Marga movement
so they could defend themselves against attacks by the Communist government of West Bengal. Bleach agreed to help in the
assumption that the mission would fail and that Holck would be
arrested in India. “I thought his aim was good, but his method
was bad,” he explains in the film. However, after carrying out
the drop, Holck escaped and it was Bleach who ended up spending eight years in an Indian prison.
“I met Niels about four years ago, when he was facing extradition to India,” director Koefoed recalls. “I thought the story of
this guy with this incredible past now living as a normal family
man – then having his back against the wall – was really interesting. But I didn’t know how to tell it. Later on, I found out about
Peter Bleach and his role in the affair and I thought, this will
Twisted Sister
“They look like women. They play like men,” a bemused
presenter announced when make-up wearing heavy
rock band Twisted Sister played on British TV show The
Tube in 1982.
To non-devotees, the band seemed like a real life version of
Spinal Tap – strident, outrageous and just a little bit ridiculous.
Andrew Horn acknowledges he wasn’t a Twisted Sister fan
himself. The idea for the doc We Are Twisted Fucking Sister! (a
world premiere in IDFA’s Music Documentary section) came
when he was making his 2004 doc, The Nomi Song, about New
York performance artist Klaus Nomi. Nomi had once performed
(disastrously) on the same bill as Twisted Sister in New Jersey.
Horn had interviewed Jay Jay French of Twisted Sister for the
Nomi doc and had been struck by his intelligence and humour.
As Horn discovered, Twisted Sister’s motley crew of musicians
were outrageous for a reason. “When you’re a bar band, you are
playing four shows a night, six nights a week, and a lot of it is
just about filling time. They used to do a lot of these really crazy
Andrew Horn and Jay Jay French
work really well as a two-character drama.”
“After I filmed all of the footage with Niels, I came up with the
idea of re-enacting the arms drop itself – the whole story revolves
around this one event. In order to make a good film, we need to
be on that plane with the two men, to feel how it was to be on
that dangerous mission. Of course, in terms of production this
meant we needed more funds and a lot of preparation. The process of getting it all done was complicated, but fun. We worked
with a scriptwriter and consulted Niels and Peter all the time, to
make sure we got the re-enactment as close to reality as possible.
“This is a very different approach from my previous films. It
wasn’t a conscious decision; I was just fascinated by the story and
needed to find the right tools to tell it. I couldn’t tell it the way
I normally work, which is observational documentary; here we
have this story taking place over twenty years, so I needed different tools. Interviews and re-enactments and so on. But it’s not
like I will only make films like this from now on, it’s just what
this film needed. Directing actors was a challenge, I’ve never
done it before. It was a fun process, but scary. Actually I am also
developing a fiction film, but my heart is still with documentaries. At the moment, I am editing a film about refugee children
in Denmark, under the working title At Home in the World.”
Mark Baker
Masters
See the schedule in this paper for screening times.
things onstage just to keep their audience engaged.” This audience, Horn explains, tended to be “more interested in getting
drunk and getting laid” than in listening to the band. He saw
their stunts (the make-up, the belligerence) as “performance art”
for a rowdy, blue-collar public.
For a brief while, Twisted Sister became very famous indeed. As
the band’s website puts it, “they conquered New York, TV and
the world.” The band was at its peak in the 80s, in the heyday of
MTV. Their best-selling album Stay Hungry came out in 1984.
As Horn’s documentary reveals, the band had been together long
before that. By the time the rest of the world discovered them,
the band members had already played thousands of concerts.
They were incredibly seasoned performers. Lead singer Dee Snyder responded “it’s about time” when Horn suggested his film.
“At the same time, I think they were a little bit distrustful in the
sense I don’t think they thought I was really going to pull it off.”
Yes, there is a lot of comedy in the Twisted Sister story. Excess
reigned – and the vomit flew – at many of the band’s early gigs.
The musicians were misidentified as racists during their “disco
sucks” period, when they hung an effigy of disco star Barry
White. Snyder and French were very witty characters with a
sense of their own absurdity and a relish for telling stories about
the mayhem they left in their wake.
“The thing that raises them above the level of Spinal Tap is that
they are all really smart. They know what they are doing and
they know their effect on the audience,” Horn states. “They
play with this idea of being the rock band who get stoned all the
time, gets drunk and fuck women and all of that. For them, it
was a complete lie. They spent so much time and energy doing
what they do that they couldn’t have functioned if they became a
band like that.” Geoffrey Macnab
Music Documentary
photo: Frauke Havemann
The original film was originally to have been shown to
German audiences to drum in what their nation had done
during World War II, but these plans were shelved after it
was decided such an initiative would have been counterproductive to the rebuilding of the devastated country.
“One of the ambitions of the film is to take the philosophy
of the message that was in the script of the original film
written by Richard Crossman. The words he used at the end
of his script in 1945 were, ‘If the world hasn’t learned from
these pictures then night will fall’ – which is where the title
for our film came from,” says Singer.
The director, who is better known these days as the prolific
producer of documentary makers such as Werner Herzog,
Joshua Oppenheimer and Vikram Jayanti, says he partly
decided to go behind the camera for the film because he was
keen to turn the work around quickly and could not find
any other suitable filmmakers available in the time frame.
“One of the essences of the film was to have the people who
participated in the liberation of the camps be the ones who
told the story, from the cameramen who filmed the scenes
in the camps, to the victims – anyone who was involved,”
explains Singer. “These people are now in their 90s. It’s the
See the schedule in this paper for screening times.
Andre Singer
photo: Ruud Jonkers
last major chance for people to tell their own story.
“Also, 27 January of next year is the 70th anniversary of
the liberation of Auschwitz and also Holocaust Remembrance Day. Broadcasters are looking for something
to put out. This film offers a different approach to
Holocaust films,” he continues, revealing he also asked
Michael Apted, Paul Greengrass and Stephen Frears
if they would direct. Frears, who was tied up with his
upcoming feature film Philomena, agreed instead to be
an executive producer.
Singer’s hunch turned to be correct: Tel Aviv-based sales
company Cinephil have just announced that the film will
be broadcast in at least 15 countries on January 27 and the
film is now packing out festival screenings at IDFA and
elsewhere. Melanie Goodfellow
Panorama
See the schedule in this paper for screening times.
9
Our catalogue is
available to screen
online at
www.nposales.com
NPO Sales
Bart de Graaffweg 2
1217 ZL Hilversum
The Netherlands
T. +31356773561
info@nposales.com
Mimoun >
BIND and VPRO Television
Foto: Ivo de Bruin
Our City
a
idf s
film
Maria Tarantino’s Our City, which world
premiered in IDFA’s Panorama section, is
an ode to Brussels, the city she made her
home eighteen years ago. Kaleidoscopic
in form, the film was shot between 2009
and 2012 before she embarked upon an
extensive edit with Belgian Rudi Maerten
and the Dutch Menno Boerma.
The director offers up myriad and diverse
examples of the city that tourists never see,
from Asian men playing cricket to a sumptuous Russian ball. We meet a civil servant
dealing with clients in an immigration
office, a beautiful African seller of jewelry
who climbs a silt tip that resembles more a
Saharan sand dune. Young boys play at the
Don’t Lose Heart
Hella de Jonge’s Dutch Competition selection
Don’t Lose Heart sets out to detail her family’s
tragic World War II past. In the process it
enables her father Eli, a famous Dutch writer,
now 90, to be liberated from the feelings
of guilt over the death of loved ones he has
harboured for the past 70 years. It also helped
director De Jonge repair her own fractured
relationship with her father.
At the beginning of the film, a box containing
letters, memorabilia and two video cassettes
comes into De Jonge’s possession. These items,
collected by her great aunt Ro Miller, along
with candid and tearful testimony from her father, form the basis of the story – tales of pursuit, courage and survival, and of death. Hella
herself was named after a child-minder named
Hella Simonis who willingly accompanied the
children in her charge to a concentration camp
where they, and she, were exterminated. “It
was like a mission. When the box was open, I
couldn’t stop, and if I had kept the box closed
then I would never have spoken again with my
father,” De Jonge stresses.
The videos in the box were testimonials
recorded by the director’s mother (now deceased) for Stephen Spielberg’s ‘lest we forget’
Shoah project. “I did not know they were part
of it. So when I had these videos and decided
to make a film, I wanted to pay for the film
myself because I thought if Spielberg did it,
so should we. We made so much money with
our shows over the years that I wanted to pay
for it. (De Jonge is married to the celebrated
Dutch satirist Freek de Jonge, for whom she
directs and edits television specials). It was
expensive, but it was a mission and I wanted
to give back to my heritage.”
The film, which will be screened on national
television at 11am on May 4 2015 – 70 years
after the end of the War – is dedicated to the
memory of De Jonge’s very young grandchild
Maggie, who died very recently after a complicated heart operation. “I had to hurry to
complete the film. I had pressure. I knew that
the film would get a life, but that Maggie was
going to die.” Nick Cunningham
IDFA Competition for Dutch Documentary
See the schedule in this paper for screening times.
Mother of the Unborn
Egyptian director Nadine Sahib’s
Fipresci prize-winning Mother of the
Unborn explores prejudices towards
infertile women in Upper Egypt through
the plight of Hanan, a childless woman
living in an impoverished village in the
region. Melanie Goodfellow
“I was intrigued by the Egyptian ancient
tradition of naming infertile women ‘Mother
of the Unborn’, or ‘Um Ghayeb’ in Arabic,”
explains director Nadine Salib on the origin of
the documentary.
“I’d heard this term used a lot in Upper Egypt
and decided to investigate the issue. These
women are often stigmatised, even sometimes
accused of bringing bad luck.”
“I wanted to make a film about the Mother of
the Unborn, but I didn’t exactly know what
it would be about. Deep in me, I wanted to
meditate on why it was so important for the
women in the region to have a baby and why
the women in the region were so keen to carry
on living in such a harsh environment.
“There was also this concept of absence. The
women are left alone for long periods while
their husbands work in the suburbs, as well as
identity – why do women there want children.
Is it to fit into society or because they really
want them?” continues Salib.
These women are often forced to partake in
traditional fertility rituals carried out by local
“midwives” or wise women. It was while researching these that Sahib encountered Hanan.
“The first time I met her she was on her
way to take part in one of these rituals. I
didn’t know she was going to be my main
character. Initially she was my fixer, helping
me around the village.”
Following Hanan as she goes about her daily
life, chats with girlfriends about love and
marriage, or sits among the graves of her ancestors in the local cemetery brooding over
her infertility, the film also gives a rarely
seen insight into female life in Upper Egypt.
The documentary is the latest film to come
out of the Cairo-based Hassala Films collective founded by Hala Lofty, director of
Coming Forth By Day. Dutch Cairo-based
Maartje Alders produced the film for
Hassala.
funfair while a reflective refugee tells how
he failed in his attempt to join the French
Foreign Legion and ended up in a slum
apartment in Brussels instead.
An Iranian taxi driver walks the empty
corridors of the European Parliament
narrating a self-penned Farsi poem about
freedom. Angela Merkel and François
Hollande put in an appearance, but it is
the mocking journalists on the sidelines
on whom Tarantino’s camera settles. And
all the time Brussels is under construction,
shifting in form and shape. “My film was
a construction too, and these stories are all
the pieces of the puzzle,” she comments.
“I have been living in Brussels for 18 years.
I love Brussels. I think it’s a city that has
incredible human potential that is underestimated. That was the starting point of my
film,” Tarantino continues. “It is a city that
is not so big but is made of compartments,
different pockets of humanity, different
layers of power and politics, and I tried in
my film to connect these in a meaningful
way to see how all these different facets
cling together.”
Our City is bookended by two haunting
musical sequences in which a Vietnamese/
French accordionist sings songs in a language of his own devising. “When I work
with people, I ask them to do something
that really belongs to them, and he said
I want to show you a special place where
I come sometimes, so he took us to the
park and said ‘I will make a tree sing’.
He climbed his favourite tree and started
playing, and people didn’t know where the
music was coming from, and they gathered
beneath the tree to fathom out what it was.
For me, this is a powerful image, a man
that sings in a language that doesn’t exist is
the only one that could represent the voice
of the city.” Nick Cunningham
IDFA Competition for First Appearance
IDFA Bertha Fund Harvest 2014
See the schedule in this paper for screening times.
Panorama
See the schedule in this paper for screening
11
Program
TUSCHINSKI
TUSCHINSKI
1
1
9:00
Wednesday 26 November
TUSCHINSKI
TUSCHINSKI
2
2
TUSCHINSKI
TUSCHINSKI
3
3
TUSCHINSKI
TUSCHINSKI
4
4
TUSCHINSKI
TUSCHINSKI
5
5
TUSCHINSKI
TUSCHINSKI
6
6
DE MUNT
DE MUNT
9
10:00
10:00
Best of Fests, Best
78’ of Fests, 78’
DE MUNT
DE MUNT
12
12
Vast
11:15
11:30
Pixadores
Pixadores
with with
11:45 11:45
Extended
Q&A Q&A
Extended
with
Extended
with
Q&A
Extended
Q&A
Home Home
After the screening,
After the screening,
film critic film critic
DE MUNT
DE MUNT
13
10:00
13
EYE CINEMA
EYE CINEMA
1
MELKWEG
MELKWEG
RABOZAAL
RABOZAAL
Kids & Docs, 28’
Kids & Docs, 28’
1971
Firouzeh Khosrovani
Firouzeh Khosrovani
Panorama, 60’
Panorama, 60’
11:30
11:30
11:45
Camilla Nielsson
Camilla Nielsson
Gina Leibrecht,
Gina Leibrecht,
Les Blank Les Blank
12:30
Masters, 65’ Masters, 65’
First Appearance
FirstCompetition
Appearance,Competition
85’
, 85’
Naziha’sNaziha’s
Spring Spring
Gülsah Dogan
Gülsah Dogan
14:15
14:00 14:00
Dutch Competition
Dutch,Competition
90’
, 90’
14:15
We Are the
We Are
Giant
the Giant 14:30 14:30
Greg Barker
Greg Barker
Those Who
Those
Feel
Who
theFeel the
Best of Fests, Best
93’ of Fests, 93’
Fire
Burning
with
Fire Fire
the
Burning
the
Burning
Fire
with
Burning
Extended
Q&A Q&A
Extended
with
Extended
with
Q&A
Extended
Q&A
15:00
After the screening,
After the screening,
cultural cultural
Those Who
Those
Feel
Who Feel
the Fire the
Burning
Fire Burning
16:00
Morgan Knibbe
Morgan Knibbe
Kids & Docs
Kids 3& Docs 3
Ballet Boys
Ballet Boys
13:45
Kids & Docs, IDFA
Kids &
DOC
Docs,
U Competition
IDFA DOC U,Competition
75’ 14:15
, 75’
Dutch Competition
Dutch,Competition
110’
, 110’
Manfred Vainokivi
Manfred Vainokivi
Fernando Fernando
Birri
Birri
Children’s Children’s
documentaries:
documentaries:
Johan, Losers
Johan,
- A Film
Losers
About
- A Film
Loss,About Loss,
4 Ever and4Giovanni
Ever andand
Giovanni
the and the
Water Ballet,
Water
105’Ballet, 105’
16:30
16:00
18:30
20:45
20:45
A Wee Night
A WeeInNight In
Stuart Edwards
Stuart Edwards
Student Competition
Student,Competition
11’
, 11’
Karolina Brobäck
Karolina Brobäck
17:15
Panorama, 14’Panorama, 14’
Goran Stankovic
Goran Stankovic
19:00
19:45
Wind onWind
the Moon
on the Moon
Solo - Out
Solo
of-aOut
Dream
of a Dream
21:15
Jos de Putter
Jos de Putter
Brent Huffman
Brent Huffman
NTR Evening
of
of
Hip Hop-eration
Hip Hop-eration NTR Evening
22:00 22:00
the Wolf:
the Wolf:
22:30
First Appearance
FirstCompetition
Appearance,Competition
93’
, 93’
Finding Finding
Fela
Fela
22:00
22:30
16:30
Lina Plioplyte
Lina Plioplyte
Music Documentary
Music Documentary
, 104’
, 104’
22:15
Mid-Length Competition
Mid-Length,Competition
60’
, 60’
Best of Fests, Best
72’ of Fests, 72’
17:15
17:00
17:15
18:00
Panorama, 94’
Panorama, 94’
18:00
18:30
Hella de Jonge
Hella de Jonge
Dutch Competition
Dutch,Competition
81’
, 81’
19:00 19:00
19:30
20:00
19:30
Emergency
Emergency
Call – Call –
A Murder
A Murder
MysteryMystery
Pekka Lehto
Pekka Lehto
Masters, 83’ Masters, 83’
The Lion’s
The
Mouth
Lion’sOpens
Mouth Opens
20:15
Lucy Walker
Lucy Walker
Alan HicksAlan Hicks
My Life My Lesson
Life My Lesson
Music Documentary
Music Documentary
, 84’
, 84’
Åsa Ekman
Åsa Ekman
21:15
20:00 20:00
20:15
Keep onKeep
Keepin’
on Keepin’
on
on
Panorama, 27’Panorama, 27’
21:15
Mid-Length Competition
Mid-Length,Competition
58’
, 58’
21:00
I Will Not
I Will
Be Silenced
Not Be Silenced
21:45
Panorama, 84’Panorama, 84’
22:15
22:15
SilencedSilenced
21:45
Ryley Grunenwald
Ryley Grunenwald
First Appearance
FirstCompetition
Appearance,Competition
90’
, 90’
22:30
James Spione
James Spione
Feature-Length
Feature-Length
Competition,Competition
78’
, 78’
1:00
21:00
21:00
We Come
WeasCome
Friends
as Frie
21:00
Hubert Sauper
Hubert Sauper
Masters, 105’ Masters, 105’
The Shore
TheBreak
Shore Break
22:15
Ryan Mullins
Ryan Mullins
18:30
Don’t Lose
Don’t
Heart
Lose Hear
Music Documentary
Music Documentary
, 87’
, 87’
22:00 22:00
22:30
Austin to
Austin
Boston
to Boston
Of Media andOf
Men
Media
, 104’and Men, 104’
James Marcus
JamesHaney
Marcus Haney
Music Documentary
Music Documentary
, 72’
, 72’
23:00 23:00
24:00 24:00
24:00 24:00
WEG
MELKWEG
TUSCHINSKI 2
ZAAL
RABOZAAL
17:00
Extra Screening
Extra Screening
18:00 18:00
Adam Kahan
Adam Kahan
Masters, 90’ Masters, 90’
23:00 23:00
18:00
The CaseThe
of the
Case of the
Three Sided
Three
Dream
Sided Dream
First Appearance
FirstCompetition
Appearance,Competition
72’
, 72’
20:00
Chameleon
Chameleon
Panorama, 94’
Panorama, 94’
16:30
Advanced
Advanced
Style Style
Judy Rymer
Judy Rymer
Nickolas Rossi
Nickolas Rossi
Heidi Specogna
Heidi Specogna
Jean Michel
Jean
Carré
Michel Carré
Music Documentary
Music Documentary
, 119’
, 119’
22:00
Pepe Mujica
Pepe–Mujica
Lessons
– Lessons
from thefrom
Flowerbed
the Flowerbed
Putin is Putin
Back is Back
Alex Gibney
Alex Gibney
Mid-Length Competition
Mid-Length,Competition
60’
, 60’
21:30
Heaven Heaven
Adores You
Adores You
Masters, 88’ Masters, 88’
16:00 16:00
Music Documentary
Music Documentary
, 86’
, 86’
GuillaumeGuillaume
Suon
Suon
Best of Fests, Best
104’ of Fests, 104’
Saving Mes
Saving
Aynak
Mes Aynak
Lixin Fan Lixin Fan
Student Competition
Student,Competition
58’
, 58’
22:00
Doris Dörrie
Doris Dörrie
Orlando von
Orlando
Einsiedel
von Einsiedel
58’
, 58’ Panorama, 7’ Panorama, 7’
IDFA DOC U Competition
IDFA DOC U,Competition
21:30
15:45
This Lovely
ThisShitty
LovelyLife
Shitty Life
NausheenNausheen
DadabhoyDadabhoy
18:45
Kids & Docs, 17’
Kids & Docs, 17’
21:15
15:00
Extra Screening
Extra Screening
The Storm
TheMakers
Storm Makers
Els van Driel
Els van Driel
19:45
15:45
16:00
The Ground
The Ground
BeneathBeneath
Their Feet
Their Feet
Just Eat Just
It: Eat It:
Beyond theBeyond
frame the
docs:
frame docs:
A FoodStory
Waste Story20:15 20:15
Moments
Substanz, Moments
Substanz, of
Silence, of Silence,A Food Waste
Grant Baldwin
Under the Under
Atmosphere,
the Atmosphere,
Rekon- Rekon-Grant Baldwin
A Day atASchool
Day at School
Best of Fests,Best of Fests,
Grodek, 105’
Grodek, 105’
Victor Ghizaru
Victor Ghizaru
With an introduction
With an introduction
and
and
extended Q&A.
extended
Moderator
Q&A. Moderator
Atze
Atze
de Vrieze. de Vrieze.
15:00
Panorama, 15’Panorama, 15’
18:00
VirungaVirunga
19:00
DOC U DOC U
Gabriel Reports
Gabriel Reports
the World
theCup
World Cup
ParadocsParadocs
3
3
Iris
Masters, 80’ Masters, 80’
Abner Benaim
Abner Benaim
Seung-JunSeung-Jun
Yi
Yi
19:00
14:30
Albert Maysles
Albert Maysles
Raiders Raiders
17:45
18:45
Marisa Middleton
Marisa Middleton
Bryn Evans
Bryn Evans
17:45
Heddy Honigmann
HeddyRetrospective
Honigmann Retrospective
, 100’
, 100’Panorama, 60’
Panorama, 60’
19:00
Iris
15:00
InvasionInvasion
In the Dark
In the Dark
Dutch Competition,
Dutch Competition,
IDFA
IDFA
I Am Here
I Am Here
The Future
TheIsFuture
Ours Is Ours IDFA
DOC U
,Competition
90’U,Competition
90’ , 90’ , 90’
DOC U
DOC
Competition
U Competition
IDFA
DOC
22:00
Best of Fests, Best
93’ of Fests, 93’
Feature-Length
Feature-Length
Competition,Competition
100’
, 100’
Panorama, 15’Panorama, 15’
21:00
22:00
Jolynn Minnaar
Jolynn Minnaar
The Female Gaze,
The Female Gaze,
90’
, 90’
IDFA DOC U Competition
IDFA DOC U,Competition
The Green
ThePrince
Green Prince
19:15
MissionMission
Rape – Rape –
Nadav Schirman
Nadav Schirman
Tool of War
NTR Evening
NTR Evening
of
of A Tool ofAWar
Best of Fests, Best
95’ of Fests, 95’
Katia Forbert
Katia
Petersen,
Forbert Petersen,
the
Wolf:
the
Wolf:
Around Around
the World
the World
Annette Mari
Annette
Olsen
Mari Olsen
The NewThe
Rijksmuseum
New Rijksmuseum
in 50 Concerts
in 50 Concerts
Panorama, 62’Panorama, 62’
– The Film
– The Film
20:00 20:00
Heddy Honigmann
Heddy Honigmann
Oeke
Oeke Hoogendijk
Feature-Length
Feature-Length
& Dutch Competition
& Dutch, 94’
Competition
, 94’Hoogendijk
VPRO Extra:
VPROSolo
Extra:
- Solo 20:00 20:00
Dutch Competition
Dutch,Competition
130’
, 130’
Out
a Dream
Out of
Solo
- Out
aSolo
Dream
ofof
-aOut
Dream
of a Dream
14:30
15:00
Mireia Pujol
Mireia Pujol
16:30
Unearthed
Unearthed
Seat 26D
Seat 26D
19:30
22:00
16:30
A Girl’s Day
A Girl’s Day
19:15
14:00 14:00
Music Documentary
Music Documentary
, 86’
, 86’
Diary ofDiary
Hunger
of Hunger
Dutch Competition
Dutch,Competition
70’
, 70’
16:45
Teodora Ana
Teodora
MihaiAna Mihai
18:30
16:00
Katelijne Schrama
Katelijne Schrama
16:45
WaitingWaiting
for August
for August
16:00
GeorgicaGeorgica
Heddy Honigmann’s
Heddy Honigmann’s
Top 10, 77’ Top 10, 77’
17:45
Joaquim Castro,
Joaquim
Eduardo
Castro, Eduardo
Nazarian,Nazarian,
Mariana Aydar
Mariana Aydar
Simona Canonica
Simona Canonica
Masters, 89’ Masters, 89’
Jean Rouch
Jean Rouch
16:30
Dominguinhos
Dominguinhos
13:45
Feature-Length
Feature-Length
Competition,Competition
87’
, 87’
13:00
13:30
AlexanderAlexander
Gentelev Gentelev
Heddy Honigmann
Heddy Honigmann
Rosa Hannah
RosaZiegler
Hannah Ziegler
19:30
Panorama, 80’
Panorama, 80’
Crazy Crazy
Dutch Competition
Dutch,Competition
58’
, 58’
Best of Fests, Best
60’ of Fests, 60’
Joerg Burger
Joerg Burger
The LionThe
Hunters
Lion Hunters
17:15
Peter Lataster,
PeterPetra
Lataster, Petra
Lataster-Czisch
Lataster-Czisch
19:00 19:00
14:45
The Forecaster
The Forecaster
17:45
13:00
Just Playing
Just Playing
with with
the Birdsthe Birds
Spanish spoken,
Spanish spoken,
no Englishno
subtitles.
English subtitles.
Feature-Length
Feature-Length
Competition,Competition
100’
, 100’
The Need
The
toNeed
Danceto Dance
Masters, 97’ Masters, 97’
14:45
Marcus Vetter
Marcus Vetter
be an Extended
be an Q&A
Extended
withQ&A with
17:30 17:30
coach Henk
coach
ten Cate
Henkabout
ten Cate about
NTR Evening
NTR Evening
of
of
worlds best
worlds
soccerbest
player,
soccer player,
the Wolf:
the Wolf:
moderatedmoderated
by Barbaraby
Barend.
Barbara Barend.
13:45
14:15
Panorama, 88’Panorama, 88’
Cows35
and
Cows
a and a
14:30
Euromaidan.
Euromaidan.
Rough Cut
Rough35Cut
Kalashnikov
Roman Bondarchuk Kalashnikov
Focus onFocus
Infinity
on Infinity Roman Bondarchuk
Oswald von
Oswald
Richthofen
von Richthofen
14:30
Student Competition
Student,Competition
16’
, 16’
14:15
Student Competition
Student,Competition
26’
, 26’
Heddy Honigmann’s
Top 10, 33’ Top 10, 33’
Mid-Length Competition
Mid-Length,Competition
53’
, 53’ Heddy Honigmann’s
15:30
Messi with
Messi with
Extended
Q&A Q&A
Extended
with
Extended
with
Q&A
Extended
Q&A
17:00
After the screening,
After the screening,
there will there will
Álex de laÁlex
Iglesia
de la Iglesia
Svitlana Shymko
Svitlana Shymko
14:15
Kids & Docs
Kids 4& Docs 4
16:00
13:45
The Doctor
TheLeaves
DoctorLast
Leaves Last
Kenneth Elvebakk
Kenneth Elvebakk
15:30
Geertjan Lassche
Geertjan Lassche
Messi Messi
18:00 18:00
KatarzynaKatarzyna
Kasica Kasica
13:30
a Dime
Me a Dime
StealingStealing
Socialism
Socialism Toss MeToss
Killer Slope
Killer Slope
16:45
The Breath
Theof
Breath of
the Orchestra
the Orchestra
The Rwandan
The Rwandan
Night Night
Music Documentary
Music Documentary
, 45’
, 45’
13:30
AnastasiaAnastasia
Kirillova Kirillova
Feature-Length
Feature-Length
& Dutch Competition
& Dutch, 74’
Competition, 74’
16:45
13:30
Sleepers’
Sleepers’
Beat Beat
commentator
commentator
Joyce Roodnat
Joyce Roodnat
speaks with
speaks
the director.
with the director.
16:00 16:00
Rüdiger Suchsland
Rüdiger Suchsland
12:00 12:00
Best of Fests, Best
115’ of Fests, 115’
Panorama, 115’
Panorama, 115’
13:30
11:45
From Caligari
From Caligari
to Hitlerto
Student Competition
Student,Competition
22’
, 22’
Gilbert Ndahayo
Gilbert Ndahayo
13:00
13:30
11:45
Zofia Pregowska
Zofia Pregowska
12:30
11:00
11:30
InvisibleInvisible
11:45
How to How
Smellto
a Rose:
Smell a Rose:
A Visit with
A Visit
Ricky
with Ricky
LeacockLeacock
in Normandy
in Normandy
Feature-Length
Feature-Length
Competition,Competition
100’
, 100’
Nadine Salib
Nadine Salib
First Appearance
FirstCompetition
Appearance,Competition
93’
, 93’
11:00
11:30
Democrats
Democrats
11:45
My Mother,
My Mother,
a
a
12:00
War andWar
Me and Me
A Moment
A Moment
of Innocence
of Innocence
12:15 12:15
Tamara Trampe
Tamara Trampe
Mohsen Makhmalbaf
Mohsen Makhmalbaf
Panorama, 78’Panorama, 78’
Mother Mother
of the Unborn
of the Unborn
Paradocs: Curated
Paradocs:
by Aernout
CuratedMik
by,Aernout
78’
Mik, 78’
Amir Escandari
Amir Escandari
Of Media andOf
Men
Media
, 79’ and Men, 79’
Vast
12:00
Paradocs: Curated
Paradocs:
by Aernout
CuratedMik
by,Aernout
130’ Mik
, 130’
Pixadores
Pixadores
Johanna Hamilton
Johanna Hamilton
Fest of Duty
Fest of Duty
11:45
Sergei Loznitsa
Sergei Loznitsa
9:00
10:00 10:00
Lea Hjort Mathiesen
Lea Hjort Mathiesen
Mid-Length Competition
Mid-Length,Competition
60’
, 60’
Die Before
DieBlossom
Before Blossom11:30 11:30
Ariani Djalal
Ariani Djalal
MaidanMaidan
First Appearance
FirstCompetition
Appearance,Competition
89’
, 89’
10:00
Malek Means
MalekAngel
Means Angel
Christian Christian
Delgado, Delgado,
Nicolás Testoni
Nicolás Testoni
11:15
Ramón Gieling
Ramón Gieling
Peter Delpeut
Petertalks
Delpeut
to thetalks to theDutch Competition
Dutch,Competition
72’
, 72’
director. director.
12:15
1971
10:00
Ciaran Cassidy
Ciaran Cassidy
11:00
12:15
12:00 12:00
21:00
11
Panorama, 19’Panorama, 19’
11:30
17:00
DE MUNT
DE MUNT
11
The LastThe
Days
Last
of Days of
Peter Bergmann
Peter Bergmann
Michael Rossato-Bennett
Michael Rossato-Bennett
15:00
10
9:00
10:00
13:00
DE MUNT
DE MUNT
10
9:00
Alive Inside
Alive Inside
10:00 10:00
11:00
9
1:00
1:00
TUSCHINSKI
EYE
CINEMA
EYE
EYE CINEMA
CINEMA
13
1
TUSCHINSKI
EYE
CINEMA
EYE
EYE CINEMA
CINEMA
24
BRAKKEBRAKKE
GROND
BRAKKEBRAKKE
GROND
TUSCHINSKI
5 GROND
TUSCHINSKI
6 GROND DE MUNTOTHER
9 OTHER
DE
MUNT 10
VENUES
VENUES
2
EXPOZAAL
EXPOZAAL
RODE ZAAL
RODE ZAAL
DE MUNT
11
DE MUNT
12VENUES DE MUNT 13
OTHER
OTHER
VENUES
EYE CINEMA
1 THEEYE
CINEMA
THROUGHOUT
THROUGHOUT
DAY
THE
DAY2
MELKWEG
SOCIALSOCIAL
EVENTS
EVENTS
RABOZAAL
1:00
BRAKKE GROND
EXPOZAAL
Compagnie
Compagnie
Compagnie
- Foyer Upstairs
-- Foyer
Foyer Upstairs
Upstairs
– 08:30 –– 08:30
08:30
IDFA Forum
IDFA
IDFA
Producer’s
Forum
Forum Producer’s
Producer’s
BreakfastBreakfast
Breakfast
9:00
9:00
9:00
9:00
WOENSDAG
WOENSDAG
2626
NOVEMBER
NOVEMBER
An informal An
setting
An informal
informal
to meet
setting
setting
producers,
to
to meet
meetadvanced
producers,
producers,
sign-up
advanced
advanced
required.
sign-up
sign-up required.
required.
9:00
9:00
By invitation
By
By invitation
invitation
09:30 Compagnie
09:30
09:30 Compagnie
Compagnie
- Zuilenzaal-- Zuilenzaal
Zuilenzaal
WHY SLAVERY?
WHY
WHY SLAVERY?
SLAVERY?
IDFA Forum
IDFA
IDFA
passholders
Forum
Forum passholders
passholders
only
only
only
10:00
10:00 10:00
10:00
09:55
Compagnie
09:55
09:55 Compagnie
Compagnie
- Zuilenzaal-- Zuilenzaal
Zuilenzaal
10:00
10:00
The Possibilities
The
The Possibilities
Possibilities
Are Endless
Are
Are Endless
Endless
James Hall,James
James
Edward
Hall,
Hall,
Lovelace
Edward
Edward Lovelace
Lovelace
Music Documentary
Music
Music, Documentary
83’
Documentary,,83’
83’
11:00
11:00
11:00
11:15
Die Before Blossom
11:30
Pixadores with
owska
owska
Extended
with
Extended
Q&A Q&A
etition
etition
22’
After,,22’
the screening, film critic
11:45
11:45
11:45
11:45
Rüdiger
Ramón Gieling
Suchsland
Rüdiger
Rüdiger Suchsland
Suchsland
entary
ntary
,,45’
45’
Amir
Escandari
First Appearance Competition, 93’
13:00
Gülsah Dogan
Dutch Competition, 90’
14:00 14:00
14:30
Those Who Feel the
Fire Fire
the
Burning
Burning
with
Extended
with
Extended
Q&A Q&A
15:00
After the screening, cultural
commentator Joyce Roodnat
speaks with the director.
Those Who Feel
ely
ely
Life
Shitty
Shitty
Life
Life
the
Fire Burning
ie
eMorgan Knibbe
14:30
Iris
17:30
19:00
Geertjan Lassche
16:30
16:30
16:30
Dutch Competition
, 110’
Kids & Docs, IDFA DOC U Competition, 75’
14:30
14:30
14:30
Kids & Docs
Kids
Kids2&
& Docs
Docs 22
Children’s documentaries:
Johan, Losers - A Film About Loss,
4 Ever and Giovanni and the
Water Ballet, 105’
Waiting for August
19:00
19:00 Rape –
Mission
A Tool of War
Katia Forbert Petersen,
Annette Mari Olsen
Panorama, 62’
A Wee Night
21:00
21:00
21:00In
Tamara Trampe
Mother of the Unborn
Paradocs: Curated by Aernout Mik, 78’
Panorama, 78’
Nadine Salib
First Appearance Competition, 85’
Gilbert Ndahayo
The Doctor Leaves Last
14:15
14:15
Agnieszka
Anastasia Zwiefka
Kirillova
Agnieszka
Agnieszka Zwiefka
Zwiefka
14:45
Feature-Length
Student Competition
Feature-Length
Feature-Length
Competition
, 16’ , 85’
Competition
Competition,,85’
85’
16:30
16:30
16:30
16:30
Toss Me 15:00
a15:00
Dime
15:00
Fernando Birri
19:30
19:30
Admission
Admission
Admission
for all
for
for all
all
passholders
passholders
passholders
17:15
Crazy
Nadav Schirman
The Water
The
The
and
Water
Water
the Wall
and
and the
the Wall
Wall
Alice Fargier
Alice
Alice Fargier
Fargier
With an introduction
and
Constantin
Constantin
Constantin
Wulff
Wulff
Wulff
extended
Moderator
Atze
Panorama
, 52’Q&A.
Panorama
Panorama
,,52’
52’
de Vrieze.
Lixin Fan
22:00
22:00
22:00
Matriculation
Matriculation
Matriculation
Marcel Lozinski
Marcel
Marcel Lozinski
Lozinski
I Am Here
Masters, 88’
22:00
22:00
22:00
Jean Michel
Carré
Peter
Watkins
Peter
Peter
Watkins
Watkins
Music Documentary, 86’
Simona Canonica
35 Cows and a
Kalashnikov
Panorama, 88’
15:00
Raiders
Masters, 89’
This Lovely Shitty Life
Doris Dörrie
Diary of Hunger
Music Documentary, 86’
Mireia Pujol
Panorama, 15’
Guillaume Suon
Mid-Length Competition, 60’
Arti et Amicitiae
Arti
Arti et
et Amicitiae
Amicitiae
– 17:00 –– 17:00
17:00
IDFAGoran
Forum
IDFA
IDFA
passholders
Forum
Forum passholders
passholders
only
only
only
Stankovic
17:45
Wind on the Moon
18:00
19:00
22:00
Nominees
Nominees
Nominees
Night Night
Night Pepe Mujica – Lessons
And the nominees
And
And the
theare…
nominees
nominees
Come are…
are…from
Come
Come the Flowerbed
for the IDFAfor
for
Competitions
the
the IDFA
IDFA Competitions
Competitions
are!
are!
are!
19:00
19:00
& Docs
, 17’ Steen
SørenKids
Steen
Søren
Søren
Jespersen,
Steen Jespersen,
Jespersen,
Nasib FarahNasib
Nasib Farah
Farah
The 21:30
Dream
The
The
ofDream
Dream of
of
Shahrazad
Shahrazad
Shahrazad
Heaven
Adores
You
François Verster
François
FrançoisVerster
Verster
Nickolas Rossi
Masters, 107’ Masters
Masters,,107’
107’
Music Documentary, 104’
Virunga
Orlando von Einsiedel
19:00 19:00
19:00
Best of Fests, 104’
20:00
20:15
A Day at School
20:00
20:00
20:00
LucyFilm
Walker
That Sugar
That
That
Film
Sugar
Sugar
Film
Dutch Competition
Dutch
Dutch
, 90’
Competition
Competition,,90’
90’
Chameleon
22:00 22:00
Ryan Mullins
Documentary
Documentary
Documentary
experts Jannie
experts
experts
Langbroek
Jannie
Jannie
and
Langbroek
Langbroek
Marijkeand
and Marijke
Marijke
19:30
Rawie answer
Rawie
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21:00
We Come as Friends
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1:00
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21:45
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20:00
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First Appearance Competition, 90’
14:15
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IDFA
Acq.
Acq.
Forum
&
& IDFA
IDFA
passholders
Forum
ForumLes
passholders
passholders
only
only
only
Drone
Gina
Leibrecht,
Blank
12:30
Katarzyna Kasica
Masters, 65’
Tonje Hessen Schei
13:30
Hella
Rosa Hannah
de Jonge
Hella
Hella
Ziegler
de
de Jonge
Jonge
NTR Evening of
the Wolf:
The New Rijksmuseum
– The Film
on
Keepin’
Keepin’on
on
Best of Fests, 78’
Best
Bestof
ofFests
Fests,,78’
78’
Don’t
A Girl’sLose
Day
Don’t
Don’t
Heart
Lose
Lose Heart
Heart
entary
ntary,,87’
87’
Dutch Competition, 130’
Tonje Hessen
Tonje
Tonje
Schei
Hessen
Hessen Schei
Schei
Before the
Before
Before
Last the
the Last
Last
Curtain Falls
Curtain
Curtain Falls
Falls
Kids & Docs 4
18:30
18:30
Dutch Competition, 58’
an
an
Drone
Drone
Sergei Loznitsa
12:00
12:00
12:00
Paradocs: Curated
by Aernout Mik, 130’
Children’s documentaries:
Children’s
Children’s documentaries:
documentaries:
Stealing Socialism
Masters, 80’ Masters
Masters,,80’
80’
Under the stars
Under
Under
I felt
the
theatstars
stars
home,
II felt
felt at
at home,
home,
Manfred Vainokivi
F#cking
My Dearest
Dearest
Phone,
F#cking
F#cking Phone,
Phone,
15:00
15:00Screening
Extra
Extra
Extra Screening
Screening My Dearest My
Mid-Length
School Full of
School
School
Fish and
Full
FullChellina
of
of Fish
Fish and
and
/ Chellina
Chellina
// Competition, 53’
15:30
da
Beast, 105’
da
da Beast,
Beast,105’
105’
Albert Maysles
Albert
Albert Maysles
Maysles
NTR Evening of
the Wolf:
The Need to Dance
ePeter
of
of the
the
Lataster, Petra 18:00 18:00
ded
ded
mLataster-Czisch
Dream
Dream
Oeke Hoogendijk
Iris
Iris
Killer Slope
16:00 16:00
17:00
19:15
14:30
14:30
16:00
entary
ntary
,,86’
86’
Feature-Length
& Dutch Competition, 74’
Drone
12:15
12:15
Maidan
10:00
DfS Acq. &
DfS
DfS
IDFA
Acq.
Acq.
Forum
&
& IDFA
IDFA
passholders
Forum
Forum passholders
passholders
only
only
only
13:00
Naziha’s Spring
entary
ntary,,86’
86’
12:15
Ciaranwill
Cassidy
6 Projects
66 Projects
Projects
be pitched
will
will be
be pitched
pitched
, 19’
in anPanorama
intimate
in
in
an
an
setting
intimate
intimate
for setting
setting for
for
an audience
an
ofaudience
audience
potentialof
of potential
potential
Vast an
financiers.
financiers.
financiers.
Christian
Delgado,
Nicolás
Testoni
IDFA ForumIDFA
IDFA
passholders
Forum
Forum passholders
passholders
only
only
only
Mid-Length Competition, 60’
11:30
EXHIBITIONS
EXHIBITIONS
& INSTALLATIONS
& INSTALLATIONS
IDFA Filmmakers
IDFA
IDFA Filmmakers
Filmmakers
BreakfastBreakfast
Breakfast
Kick-start your
Kick-start
Kick-start
day byyour
your
meeting
day
day by
by
fellow
meeting
meeting
filmmakers
fellow
fellow filmmakers
filmmakers
and
and
and
IDFA staff over
IDFA
IDFA
coffee
staff
staff over
and
overcroissants.
coffee
coffee and
and croissants.
croissants.
Malek Means
10:00
10:00Brakke Grond
Brakke
BrakkeTuinzaal
Grond
Grond9:00
Tuinzaal
Tuinzaal
– 23:00
9:00
9:00 –– 23:00
23:00
By invitation
By
By invitation
invitation
HostedAngel
by The
Hosted
Hosted
Extremadura
by
byThe
The Extremadura
Extremadura
Film Institute
Film
Film Institute
Institute
IDFA Forum
IDFA
IDFA
Work
Forum
Forum
in Progress
Work
Work in
in Screening
Progress
Progress Screening
Screening
Lea
Hjort
Mathiesen
A 40 min rough
AA 40
40cut
min
minpresentation
rough
rough cut
cut presentation
presentation
of King Georges.
of
of King
King Georges.
Georges.
By invitation
By
By invitation
invitation
Arti
et Amicitiae
Arti
Arti
et
et Amicitiae
Amicitiae
– 10:30 –– 10:30
10:30
09:55 Compagnie
09:55
09:55 Compagnie
Compagnie
- Kleine Zaal-- Kleine
Kleine Zaal
Zaal
Kids & Docs, 28’
13:00
13:00
13:30
astro,
rdo
astro,Eduardo
Eduardo
Mariana
Mariana
dar
Aydar
Aydar
First Appearance Competition, 89’
From
HomeCaligari
From
Fromto
Caligari
Caligari
Hitler to
to Hitler
Hitler
Peter
the
12:00
ath
th
of
ofDelpeut talks to12:00
Best
Dutch
ofCompetition
Fests, 115’
Best
Bestof
,of
72’Fests
Fests,,115’
115’
director.
estra
estra
Kasica
Kasica
Pixadores
uinhos
uinhos
Ariani Djalal
10:00
The
Last
Days
of Round
IDFA
Forum
IDFA
IDFA
Round
Forum
Forum
Round
Peter
Bergmann
Table
Pitch
Table
Table Pitch
Pitch
9:00
De JarenDe
De
Café
Jaren
Jaren
– 09:00
Café
Café –– 09:00
09:00
22:30
22:00
22:00
Marcel Lozinski
And the nominees are… Come
to the Brakke Grond and find
out who this year’s nominees
for the IDFA Competitions are!
Matriculation
Paradocs: Curated by Aernout Mik, 17’
Austin to Boston
Punishment Park
James Marcus Haney
Music Documentary, 72’
22:00
Peter Watkins
23:00
Paradocs: Curated by Aernout Mik, 88’
Nominees Night
Admission for all
passholders
24:00
1:00
International Documentary Film Festival Amsterdam
WOENSDAG 26 NOVEMBER
WOENSDAG
WOENSDAG
26 26
NOVEMBER
NOVEMBER
WOENSDAG
Program
TUSCHINSKI
TUSCHINSKI
1
1
9:00
Thursday 27 November
TUSCHINSKI
TUSCHINSKI
2
2
TUSCHINSKI
TUSCHINSKI
3
3
TUSCHINSKI
TUSCHINSKI
4
4
TUSCHINSKI
TUSCHINSKI
5
5
TUSCHINSKI
TUSCHINSKI
6
6
DE MUNT
DE MUNT
9
9
DE MUNT
DE MUNT
10
10
DE MUNT
DE MUNT
11
11
DE MUNT
DE MUNT
12
12
DE MUNT
DE MUNT
13
13
EYE CINEMA
EYE CINEMA
1
MELKWEG
MELKWEG
RABOZAAL
RABOZAAL
9:00
9:00
10:00
10:00
Art and Art
Craft
and Craft
10:00 10:00
9:00
10:00 10:00
Sam Cullman,
Sam Cullman,
Jennifer Grausman
Jennifer Grausman
Best of Fests, Best
89’ of Fests, 89’
11:00
11:00
11:00
11:15
12:00
11:15
NationalNational
Gallery Gallery 11:30 11:30
Frederick Wiseman
Frederick Wiseman
Profession:
Profession:
Masters, 180’Masters, 180’
Documentarist
Documentarist
12:00
11:15
11:15
Putin is Putin
Back is Back
Jean Michel
Jean
Carré
Michel Carré
Masters, 90’ Masters, 90’
Various Directors
Various Directors
CAPTIVATED
CAPTIVATED
The Trials
The Trials
12:00 12:00
The Female Gaze
The ,Female
80’ Gaze, 80’
of Pamela
of Pamela
Smart Smart
Jeremiah Zagar
Jeremiah Zagar
Of Media andOf
Men
Media
, 98’and Men, 98’
13:00
11:15
11:30
Student Competition
Student,Competition
18’
, 18’
11:45
11:45
Naziha’sNaziha’s
Spring Spring
12:00
Ida’s Diary
Ida’s Diary
Gülsah Dogan
Gülsah Dogan
Hanssen
B. Hanssen
The Ground
The Ground
BeneathBeneath August B.August
Me Girl,Me
MeGirl,
Princess
Me Princess
Dutch,Competition
90’
, 90’
Mid-Length Competition
Mid-Length,Competition
61’
, 61’ Dutch Competition
Their Feet
Their Feet
María Aramburú,
María Aramburú,
Panorama, 23’Panorama, 23’
12:00
Valeria Pavan
Valeria Pavan
NausheenNausheen
DadabhoyDadabhoy
13:30
Eva Tomanova
Eva Tomanova
One 9
14:15
14:00 14:00
Panorama, 72’Panorama, 72’
14:15
Alan HicksAlan Hicks
Music Documentary
Music Documentary
, 87’
, 87’
13:30
Music Documentary
Music Documentary
, 86’
, 86’
14:45
Juan PabloJuan
González
Pablo González
14:15
Student Competition
Student,Competition
20’
, 20’
15:00
Abhay Kumar
Abhay Kumar
Mikael Wiström
Mikael Wiström
13:00
14:00
Kids & Docs, 20’
Kids & Docs, 20’
Best of Fests, Best
100’ of Fests, 100’
14:00
Nick andNick
Chaiand Chai
Rowena Sanchez,
Rowena Sanchez,
Charena Escala
Charena Escala
Red Army
Kamchatka
Kamchatka
– The – The Red Army
Polsky
Gabe Polsky
Cure forCure
Hatred
for Hatred Gabe
Best of Fests, Best
85’ of Fests, 85’
14:15
Mid-Length Competition
Mid-Length,Competition
60’
, 60’
Julia Mironova
Julia Mironova
Marcel Lozinski
Marcel Lozinski
14:45
13:30
The Solitude
The Solitude
of Memory
of Memory
Joaquim Castro,
Joaquim
Eduardo
Castro, Eduardo
Nazarian,Nazarian,
Mariana Aydar
Mariana Aydar
How to How
Live to Live
Music Documentary
Music Documentary
, 84’
, 84’
13:45
13:15
13:00
13:15
Rio 50° Rio 50°
Julien Temple
Julien Temple
13:45
13:00
13:15 13:15
Chameleon
Chameleon
Ryan Mullins
Ryan Mullins
Masters, 100’Masters, 100’
Feature-Length
Feature-Length
Competition,Competitio
78’
Tristia –Tristia –
A Black A
Sea
Black
Odyssey
Sea Odyssey
14:00 14:00
StanislawStanislaw
Mucha Mucha
Panorama, 98’
Panorama, 98’
Mid-Length,Competition
45’
, 45’
Paradocs: Curated
Paradocs:
by Aernout
CuratedMik
by,Aernout
83’
Mik, 83’Mid-Length Competition
PlaceboPlacebo
First Appearance
FirstCompetition
Appearance,Competition
96’
, 96’
15:30
15:15
15:30
Seat 26D
Seat 26D
Karolina Brobäck
Karolina Brobäck
Panorama, 14’Panorama, 14’
15:15
The Dream
Theof
Dream of
Shahrazad
Shahrazad
François Verster
François Verster
Masters, 107’ Masters, 107’
In the Dark
In the Dark
16:15
Finding Finding
Fela
Fela
Panorama, 60’
Panorama, 60’
Music Documentary
Music Documentary
, 119’
, 119’
15:15
15:30
15:30
15:30
Kids & Docs
Kids 4& Docs 4
15:30
15:30
All of Me
All of Me
Children’s Children’s
documentaries:
documentaries:
Johan, Losers
Johan,
- A Film
Losers
About
- A Film
Loss,About Loss,
4 Ever and4Giovanni
Ever andand
Giovanni
the and 16:15
the
16:15
Water Ballet,
Water
105’Ballet, 105’
Arturo Gonzalez
Arturo Gonzalez
VillaseñorVillaseñor
16:00
Panorama, 90’
Panorama, 90’
My Mother,
My Mother,
a
a
War andWar
Me and Me
18:00 18:00
Tamara Trampe
Tamara Trampe
Panorama, 78’Panorama, 78’
18:00
18:00
Our CityOur City
Maria Tarantino
Maria Tarantino
17:45
Ventura Durall
Ventura Durall
First Appearance
FirstCompetition
Appearance,Competition
72’
, 72’
18:30
Panorama, 83’Panorama, 83’
Best of Fests, Best
94’ of Fests, 94’
18:30
Before the
Before
Lastthe Last
Curtain Curtain
Falls Falls
18:45
19:45
First Appearance
FirstCompetition
Appearance,Competition
70’
, 70’
With an introduction
With an introduction
and
andDOC U Competition
90’
, 90’
DOC U,Competition
extended Q&A.
extended
Moderator
Q&A. Moderator
Lotje
Lotje
IJzermans.IJzermans.
20:00
20:00
Mother Mother
of the Unborn
of the Unborn
Nadine Salib
Nadine Salib
20:30
ParadocsParadocs
1
1
AgnieszkaAgnieszka
Zwiefka Zwiefka
Our Colonial
Our Colonial
Hangover
Hangover
with Extended
with Extended
Q&A Q&A
20:15
Álex de laÁlex
Iglesia
de la Iglesia
First Appearance
FirstCompetition
Appearance,Competition
85’
, 85’
22:00
Tea TimeTea Time
tolerant attitudes
tolerantthrough
attitudesthe
through the
emotionalemotional
debates surrounding
debates surrounding
the racismthe
of “Zwarte
racism ofPiet”.
“Zwarte Piet”.
22:45 22:45
With introduction
With introduction
and Q&A and Q&A
A Wee Night
A WeeInNight In
with the director.
with the director.
Stuart Edwards
Stuart Edwards
Ineke Smits
Ineke Smits
Dutch Competition
Dutch,Competition
92’
, 92’
22:15
22:45
22:45
19:45
Special Screening:
Special Screenin
Sluizer Speaks
Sluizer Speaks
Panorama, 89’
Panorama, 89’
21:30
Michal Szczesniak
Michal Szczesniak
22:15
Dan Cutforth,
Dan Jane
Cutforth,
Lipsitz
Jane Lipsitz
Panorama, 26’Panorama, 26’
22:15 22:15
My Friend
Mythe
Friend
Enemy
the Enemy
Wanda Koscia
Wanda Koscia
We Were
We
Rebels
Were Rebels
22:15
Best of Fests, Best
89’ of Fests, 89’
The State-Mafia
The State-Mafia
Pact Pact
The Forecaster
The Forecaster
Best of Fests, Best
104’ of Fests, 104’
Feature-Length
Feature-Length
Competition,Competition
100’
, 100’
Sabina Guzzanti
Sabina Guzzanti
21:30
StartingStarting
Point Point
21:45
Under the
Under
Electric
the Electric
Sky (3D)Sky (3D)
22:15
Nathan Nathan
– Free as–aFree
Birdas a Bird
21:00
21:30
Mr. Dynamite:
Mr. Dynamite:
The RiseThe
of Rise of
James Brown
James Brown
22:00
22:00
Who theWho
Fuckthe Fuck
22:00 22:00
Alex Gibney
Alex Gibney
Is Jett Rebel
Is Jett Rebel
Music Documentary
Music Documentary
, 120’
, 120’
Linda Hakeboom
Linda Hakeboom
Mid-Length Competition
Mid-Length,Competition
56’
, 56’ KatharinaKatharina
von Schroeder,
von Schroeder,
Marcus Vetter
Marcus Vetter
Roel Nollet
Roel Nollet
23:00 23:00
Student Competition
Student,Competition
11’
, 11’
Our Colonial
Our Colonial
Hangover
Hangover
Sunny Bergman
Sunny Bergman
The Future
TheIsFuture
Ours Is Ours
Panorama, 55’Panorama, 55’
19:45
20:00 20:00
Dennis Alink
Dennis Alink
The Female Gaze
The ,Female
70’ Gaze, 70’
21:00
22:00
Cotton Cotton
Maite Alberdi
Maite Alberdi
Zhou HaoZhou Hao
Stand ByStand
Your By
President
Your President
First Appearance
FirstCompetition
Appearance,Competition
70’
, 70’
Panorama, 83’Panorama, 83’
22:15
Kim Longinotto
Kim Longinotto
Kristof Bilsen
Kristof Bilsen
21:30
22:00
22:15
Love Is All:
Love
100
Is All:
Years
100 Years
of Love &
ofCourtship
Love & Courtship
20:15
Elephant’s
Elephant’s
Dream Dream
Masters, 97’ Masters, 97’
19:30
Panorama, 72’Panorama, 72’
21:45
22:00
Sunny Bergman
Sunnyinvestigates
Bergman investigates
the Netherlands’s
the Netherlands’s
supposed supposed
22:00 22:00
Best of Fests, Best
93’ of Fests, 93’
18:00 18:00
19:00 19:00
19:30
Panorama, 94’
Panorama, 94’
Feature-Length
Feature-Length
Competition,Competition
82’
, 82’
21:30
Jennifer Kroot
Jennifer Kroot
Panorama, 60’
Panorama, 60’
Heidi Specogna
Heidi Specogna
20:00
Messi Messi
Beyond theBeyond
frame the
docs:
frame
The docs: The
Breath, Laborat,
Breath,
Cats
Laborat,
in Riga,
Cats in Riga,
Beep, Kookaburra
Beep, Kookaburra
Love, 105’ Love, 105’
The Queen
Theof
Queen
Silence
of Silence
21:00
20:30
20:00
19:15
Pepe Mujica
Pepe–Mujica
Lessons
– Lessons
from thefrom
Flowerbed
the Flowerbed
19:45
DOC U DOC U
20:00
20:00 20:00
Solo – Out
Solo
of–aOut
Dream
of a Dream
I Want to
I Want
Be a King
to Be a KingVPRO Extra:
VPRO Extra:
Jos de Putter
Jos de Putter
Mehdi Ganji
Mehdi Ganji
The Queen
Theof
Queen
Silence
of Silence
Dutch Competition,
Dutch Competition,
IDFA
IDFA
17:00
17:15 17:15
To Be Takei
To Be Takei
Firouzeh Khosrovani
Firouzeh Khosrovani
19:15
Feature-Length
Feature-Length
Competition,Competition
142’
, 142’
20:00
17:00
17:15
Fest of Duty
Fest of Duty
18:45
Laurent Bécue-Renard
Laurent Bécue-Renard
Best of Fests, Best
88’ of Fests, 88’
20:00 20:00
17:15
Mid-Length Competition
Mid-Length,Competition
45’
, 45’ Lea Hjort Mathiesen
Lea Hjort Mathiesen
Kids & Docs, 28’
Kids & Docs, 28’
Of Men Of
andMen
Warand War
Thomas Wallner
Thomas Wallner
19:00 19:00
17:15
Brick in Brick
the Wall
in the Wall
Hip Hop-eration
Hip Hop-eration
17:30
Brzozowski
Grzegorz Brzozowski
Bryn Evans
Bryn Evans
Uyghurs,
Uyghurs,
Prisoners
PrisonersGrzegorz
Panorama, 24’Panorama, 24’
First Appearance
FirstCompetition
Appearance,Competition
93’
, 93’
of the Absurd
of the Absurd
A FrenchALaundry
French Laundry 18:00 18:00
Patricio Henriquez
Patricio Henriquez
Vogler Vogler
Feature-Length
Feature-Length
Competition,Competition
98’
, 98’Elisabeth Elisabeth
Malek Means
MalekAngel
Means Angel
17:45
Bugarach
Bugarach
Gábor Hörcher
Gábor Hörcher
16:00 16:00
17:30
17:45
Drifter Drifter
Music Documentary
Music Documentary
, 83’
, 83’
Best of Fests, Best
66’ of Fests, 66’
Best of Fests, Best
83’ of Fests, 83’
17:15
Panorama, 52’Panorama, 52’
Paradocs: Curated
Paradocs:
by Aernout
CuratedMik
by,Aernout
45’
Mik, 45’
17:45
15:00
15:15 15:15
The Possibilities
The Possibilities
Are Endless
Are Endless
James Hall,
James
Edward
Hall,Lovelace
Edward
Hajooj Kuka
Hajooj Kuka
16:00
Aleksei Pivovarov,
Aleksei Pivovarov,
AlexanderAlexander
Rastorguev,
Rastorguev,
Pavel Kostomarov
Pavel Kostomarov
Constantin
Constantin
Wulff
Wulff
Hubert Sauper
Hubert Sauper
17:45
15:30
Beats ofBeats
the Antonov
of the Antonov
The Term
The Term
Ulrich Seidl
Ulrich
– Seidl –
A Director
A Director
at Workat Work
Kisangani
Kisangani
Diary Diary
17:45
16:00
Panorama, 25’Panorama, 25’
Paradocs: Curated
Paradocs:
by Aernout
CuratedMik
by,Aernout
52’
Mik, 52’
17:00
Panorama, IDFA
Panorama,
DOC U Competition
IDFA DOC U,Competition
78’
, 78’
Feature-Length
Feature-Length
Competition,Competition
80’
, 80’
Alice Fargier
Alice Fargier
Jean-Luc Godard,
Jean-Luc Godard,
Jean-Pierre
Jean-Pierre
Gorin
Gorin
15:30
Elvira Nana
Elvira
LindNana Lind
Krisda Tipchaimeta
Krisda Tipchaimeta
16:00
15:00
15:15
Songs for
Songs
Alexis
for Alexis
15:30
Somboon
Somboon
The Water
Theand
Water
theand
Wallthe Wall
Letter toLetter
Jane to Jane
Goran Stankovic
Goran Stankovic
Alex Gibney
Alex Gibney
21:30
11:00
12:00 12:00
First Appearance
FirstCompetition
Appearance,Competition
77’
, 77’
13:15
The CaseThe
of the
Case of the 13:30 13:30
Three Sided
Three
Dream
Sided DreamDominguinhos
Dominguinhos
Keep onKeep
Keepin’
on Keepin’
on
on
16:15
16:00 16:00
11:45
11:00
Schmidt
Anna Schmidt
Always Together
Always Together Anna
Music Documentary
Music Documentary
, 88’
, 88’
Haiduc Haiduc
13:15
Kruk,
Annelies
Anneke
Kruk,
deAnneke de
Storm inStorm
the Andes
in the AndesAnnelies
Lind van Wijngaarden
Lind van Wijngaarden
13:15
Adam Kahan
Adam Kahan
Mazyar Moshtagh
Mazyar Moshtagh
Gohari Gohari
21:00
11:45
Music Documentary,
Music Documentary,
74’
, 74’
IDFA DOC U Competition
IDFA DOC U,Competition
One 9
11:00
Paths Through
Paths Through
the Labyrinth
the Labyrinth
–
–
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Krzysztof
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Penderecki
11:15
Wolflady
Wolflady
Willekens
Daan Willekens
Nas: Time
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Is Illmatic
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Music Documentary
Music Documentary
, 67’
, 67’
11:30
13:00
13:15
Cechanok
Cechanok
17:00
11:15
11:30
FirstCompetition
Appearance,Competition
72’
, 72’
Mid-Length Competition
Mid-Length,Competition
47’
, 47’ First Appearance
13:00
13:30
15:00
Kim FaberKim Faber
The Trouble
The Trouble
with Raywith Ray
Travis Johns
Travis Johns
11:15
Letting You
Letting
Go You Go
11:30
Music Documentary
Music Documentary
, 57’
, 57’
Florian Schewe
Florian Schewe
Panorama, 93’Panorama, 93’
23:00 23:00
Panorama, 72’Panorama, 72’
Marisa Middleton
Marisa Middleton
Student Competition
Student,Competition
58’
, 58’
24:00 24:00
24:00 24:00
1:00
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11:15
11:30
Profession:
Documentarist
11:15
11:15
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11:30
Nima
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The Trouble with Ray
Feature-Length
Masters, 90’ Feature-Length
Feature-Length
Competition, 90’
Competition
Competition,,90’
90’
Travis Johns
12:00
12:00
Panorama, 23’12:00
The Female Gaze, 80’
12:00 12:00
Unearthed
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Jolynn
Minnaar
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Jolynn Minnaar
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María Aramburú,
Best
of Fests
, 93’
Best
Bestof
ofFests
Fests,,93’
93’
Valeria
Pavan
Mid-Length Competition, 47’
ple
ple
13:00
13:00
13:15
13:15
13:15
The Ground Beneath
Their Feet
Nausheen Dadabhoy
Are
Are Endless
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James Hall,James
James
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Edward Lovelace
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François Verster
the
nov
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66’
6’
Karolina Brobäck
Music Documentary
Music
Music, Documentary
83’
Documentary,,83’
83’
Panorama, 14’
16:00 16:00
In the Dark
Goran Stankovic
Panorama, 60’
-eration
eration
17:00
s
17:45
Best
of Fests, 93’
Best
Bestof
ofFests
Fests,,93’
93’
nce
nce
, 93’
Competition
Competition,,93’
93’
My Mother, a
War and Me
18:00 18:00
Tamara Trampe
Panorama, 78’
Kids & Docs 4
ll:
ars
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100 Years
Years
&
hip
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16:45
16:45
16:45
18:00
Our City 18:15
18:15
18:15
Maria Tarantino
Olya’s
Love
Olya’s
Olya’s Love
Love
Panorama, 83’
First Appearance Competition, 72’
Kirill Sakharnov
Kirill
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notto
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aze
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70’
Before the Last
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19:30
First Appearance Competition, 70’
21:00
amite:
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y
entary
ntary,,120’
120’
Stuart Edwards
Student Competition, 11’
21:00
21:00
19:30
19:30
The
Salt of
The
The
the
Salt
Salt
Earth
of
of the
the Earth
Earth
19:45
Wim Wenders,
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Ribeiro Salgado
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Masters
Masters
Masters
110’
Jos de Putter
After
40 years
After
After
ofIDFA
40
war
40 years
years
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of war
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20:30
20:30
20:30 and
20:30
With an introduction
graphy,
Sebastião
graphy,
graphy,
Sebastião
Sebastião Salgado
Salgado
, 90’Salgado
DOC U Competition
1
Rehearsal
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extended Q&A.
Moderator Lotje decides to focus
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Student Competition
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, 11’Competition
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11’
Breath, Laborat, Cats in Riga,
introduction.
introduction.
introduction.
The Queen of Silence
Beep, Kookaburra Love, 105’
The
FinalThe
The
Stretch
Final
Final Stretch
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Agnieszka
Zwiefka
Oscar
PérezOscar
Oscar
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Feature-Length
Competition
, 82’
Mid-Length Competition
Mid-Length
Mid-Length
, 58’
Competition
Competition,,58’
58’
22:00
22:00
22:00
22:00
Who
Tea Time
theWho
Who
Fuck the
the Fuck
Fuck
22:00 22:00
Maite
Is
JettAlberdi
Rebel
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Rebel
First Appearance
Competition
, 70’
Linda
Hakeboom
Linda
Linda
Hakeboom
Hakeboom
Music Documentary
Music
Music, Documentary
57’
Documentary,,57’
57’
22:45
A Wee Night In
18:30
Best of Fests, 88’
Special
Special
Special Screening:
Screening:20:00
20:00 Screening:
Sluizer
Sluizer
Speaks
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Be a King
20:00 20:00
Dennis Alink
Dennis
Dennis Alink
Alink
Mehdi Ganji
The Queen of Silence
Panorama, 89’ Panorama
Panorama,,89’
89’
23:00
23:00
23:00
The Future Is Ours
22:15
Smits
IIneke
Want
toII See
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to See
See
Dutch Competition, 92’
11:00
11:00
11:15
Nas: Time Is Illmatic
August B. Hanssen
Music Documentary,
IDFA DOC U Competition, 74’
Mid-Length Competition, 61’
Dutch Competition, 90’
Cotton
One 9
DamNation
DamNation
DamNation
Wolflady
Daan Willekens
Music Documentary, 67’
11:45
Always Together
Eva Tomanova
12:00 12:00
Paths Through
the Labyrinth –
The Composer
Krzysztof Penderecki
Anna Schmidt
Music Documentary, 88’
First Appearance Competition, 77’
13:00
13:00
Storm in the Andes
Juan Pablo González
Student Competition, 20’
Kamchatka – The
Cure for Hatred
Julia Mironova
Ben
Travis
Knight,
Knight,
Rummel
Travis
Travis Rummel
Rummel
Joana Hadjithomas,
Joana
Joana Hadjithomas,
Hadjithomas, Ben Knight,Ben
Nathan – Free as a Bird
Khalil Joreige
Khalil
Khalil Joreige
Joreige
Best of Fests, 87’
Best
Bestof
ofFests
Fests,,87’
87’
Roel Nollet
Framing RealityFraming
Framing
, 69’ Reality
Reality,,69’
69’
14:00
Red Army
Gabe Polsky
Best of Fests, 100’
13:00
Haiduc
Kids & Docs, 20’
Nick and Chai
Rowena Sanchez,
Charena Escala
14:00 14:00
Mid-Length Competition, 60’
Best of Fests, 85’
13:15
Annelies Kruk, Anneke de
Lind van Wijngaarden
Rio 50°
Julien Temple
13:45
Tristia –
A Black Sea Odyssey
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12:00
15:00
15:30
15:00
15:00
Arturo Gonzalez Villaseñor
Panorama, 90’
Panorama, IDFA DOC U Competition, 78’
Feature-Length Competition, 80’
The Water and the Wall 16:00 16:00
Panorama, 52’
17:00
17:00
17:00
Patricio Henriquez
Ventura Durall
Brick in the Wall
Grzegorz Brzozowski
Panorama, 24’
A French Laundry
Feature-Length
Competition, 98’
18:00
18:00
PODIUM
PODIUM
Mid-Length Competition, 45’
KETELHUIS
DE BALIE
DE BALIE
MOZAÏEK
MOZAÏEK KETELHUIS
Elisabeth Vogler
Best of Fests, 94’
18:45
19:00
19:00
19:00
War of Lies
War
War of
of Lies
Lies
Matthias Bittner
Matthias
Matthias Bittner
Bittner
Of Men
and War
19:00
19:00
19:00
Laurent Bécue-Renard
Georgica
Georgica
Georgica
Feature-Length Competition, 142’
Katelijne Schrama
Katelijne
Katelijne Schrama
Schrama
19:00
19:00
19:00
20:00
20:00
19:15
First Appearance Competition, 85’
Masters, 97’
21:00
The Green
The
The
Prince
Green
Green Prince
Prince The NewThe
The
Rijksmuseum
New
New Rijksmuseum
Rijksmuseum
Nadav Schirman
Nadav
Nadav Schirman
Schirman
– The Film
–– The
The Film
Film
21:15
21:15
21:15
21:15
21:15
21:15
Oeke21:45
Hoogendijk
Oeke
Oeke Hoogendijk
Hoogendijk
Dutch Under
Competition
Dutch
Dutch
, 130’
Competition
Competition
,,130’
130’
the
Electric
Sky (3D)
Sabina Guzzanti
Dan Cutforth, Jane Lipsitz
Best of Fests, 89’
Best of Fests, 104’
Lea Hjort Mathiesen
Exchange ideas
Exchange
Exchange
at theideas
ideas
dailyat
at
cocktail
the
the daily
daily
hour!
cocktail
cocktail hour!
hour!
Kids & Docs, 28’
Hosted by IMCINE
Hosted
Hosted by
by IMCINE
IMCINE
Panorama, 60’
19:30
Sophie Robinson,
Sophie
Sophie Robinson,
Robinson,
Lotje Sodderland
Lotje
Lotje Sodderland
Sodderland
Elephant’s Dream
Kim Longinotto
The Female Gaze, 70’
The Forecaster
Marcus Vetter
Feature-Length Competition, 100’
22:15
Mid-Length Competition, 56’
Katharina von Schroeder,
Florian Schewe
Wanda Koscia
We Were Rebels
Best of Fests, 104’
Kirill Sakharnov
Panorama, 68’
NH Doelen
NH
NHRembrandtsalon
Doelen
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Rembrandtsalon
10:00 – 17:00
10:00
10:00 –– 17:00
17:00
19:00First Aid Doc
First
FirstClinic
Aid
Aid Doc
Doc Clinic
Clinic
20:00
Documentary
Documentary
Documentary
experts Jannie
experts
experts
Langbroek
Jannie
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and Marijke
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all aspects
about
aboutof
all
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aspects
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of the
the
19:45 documentary
documentary
documentary
industry, from
industry,
industry,
distribution
from
from distribution
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to financing,
to
to financing,
financing,
andSpecial
from co-productions
and
and
from
from co-productions
co-productions
to festival strategy.
to
to festival
festival strategy.
strategy.
Screening:
Sluizer Speaks
Dennis Alink
Panorama, 89’
Music Documentary, 120’
19:30
The Salt of the Earth
Wim Wenders,
Juliano Ribeiro Salgado
Masters, 110’
After 40 years of war photography, Sebastião Salgado
decides to focus on the beauty
of plants and animals. With
introduction.
20:30
Rehearsal
Elie Grappe
Alex Gibney
Rangers in the Virunga National
Park in Congo protect the
endangered mountain gorillas
from poachers, oil companies
and civil war.
Olya’s Love
Student Competition, 11’
The Final Stretch
Oscar Pérez
21:30
My Friend the Enemy
After the screening, there is
a chat with Chef Jonathan
Karpathios of the Dutch “Vork
& Mes” restautant.
Orlando von Einsiedel
IDFA Writing
IDFA
IDFARoom
Writing
Writing Room
Room
21:00
Mr. Dynamite:
The Rise of
James Brown
The Female Gaze, 90’
Virunga
To Be Takei
Panorama, 72’
21:00
21:00
Lotje
Sodderland
Lotje
Lotje Sodderland
Sodderland
is battling the
isis battling
battling the
the
effects of a effects
stroke.
effects of
Preceded
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byPreceded
Preceded by
by
21:30
a mini-lecture
aa mini-lecture
mini-lecture
on rehabilitation
on
on rehabilitation
rehabilitation
Starting
Point
of cognitiveof
of
function.
cognitive
cognitive function.
function.
Michal Szczesniak
Panorama, 26’
17:15
Workspace
for
Workspace
all accredited
for
for all
allguests.
accredited
accredited
Wifi
guests.
guests.
connection
Wifi
Wifi connection
connection
18:15
18:00Workspace
and computers
and
andavailable.
computers
computers available.
available.
Kristof Bilsen
Panorama, IDFAPanorama,
Panorama,
DOC U Competition
IDFA
IDFADOC
DOCU
,U88’
Competition
Competition,,88’
88’
Phie Ambo
16:45
DAILY SERVICES
DAILY SERVICES
NHBest
Doelen
NH
NH
Schutterzaal
Doelen
Doelen Schutterzaal
Schutterzaal
10:00 – 23:00
10:00
10:00 –– 23:00
23:00
of Fests
, 93’
Love Is All: 100 Years
of Love & Courtship
20:15
Good Things Await
16:00
Jennifer Kroot
Fest of Duty
Admission
Admission
Admission
for all passholders
for
for all
all passholders
passholders
Panorama, 94’
Broken Brain
Broken
Broken Brain
Brain
22:00
22:15 22:00
23:00
Panorama, 72’
De JarenDe
De
Café
Jaren
Jaren
– 18:00
Café
Café –– 18:00
18:00
Malek Means
Angel
Guests
Meet
Guests
Guests
Guests
Meet
Meet Guests
Guests
Heidi Specogna
Álex de la Iglesia
My Beautiful
My
My Beautiful
Beautiful
Nadine Salib
18:00
Docs for Sale
Docs
Docs&for
for
IDFA
Sale
Sale
Forum
&
& IDFA
IDFA
passholders
Forum
Forum passholders
First
Appearance
Competition
,passholders
93’
Pepe Mujica – Lessons
from the Flowerbed
20:00
20:00
Messi 20:00
IDFA in De
IDFA
IDFA
Balie:
in
in De
De Balie:
Balie:
20:00
Mother of the Unborn
Bryn Evans
Firouzeh Khosrovani
First Appearance
First
First
Competition
Appearance
Appearance
, 89’
Competition
CompetitionDutch
,,89’
89’ Competition
Dutch
Dutch
, 70’
Competition
Competition,,70’
70’
20:00
17:00
17:15
Docs for Sale
Docs
DocsHappy
for
for Sale
Sale
Hour
Happy
Happy Hour
Hour
Hosted by NPO
Hosted
Hosted
Sales,by
byEYE
NPO
NPO
International,
Sales,
Sales,
EYE
EYEInternational,
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Films Transit,Films
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Autlook
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Hip
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Filmsales, CAT&Docs,
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CAT&Docs,
and Shine
Rise
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and
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Shine
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andSouth
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Delegation.
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AfricanDelegation.
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17:15
14:15
Guided tourGuided
Guided
at the Stedelijk
tour
tour at
at the
the
Museum,
Stedelijk
Stedelijk
looking
Museum,
Museum,
at the
looking
looking
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at the
the
Print
the
Legend
16:00
collection through
collection
collection
a documentary
through
through aa documentary
documentary
lens. In Clay
English.
lens.
lens.
In
In English.
English.
Tweel,
Luis
Lopez
Best of Fests, 98’
Arti et Amicitiae
Arti
Arti et
et Amicitiae
Amicitiae
– 17:00 –– 17:00
17:00
Uyghurs, Prisoners
of the Absurd
Bugarach
Stedelijk
Stedelijk
Stedelijk
Museum
Museum
Museum
11:00
11:00
James
Hall, Edward
Lovelace11:00
Music Documentary, 83’
IDFA in
het
IDFA
IDFA
Stedelijk
in
in het
het Stedelijk
Stedelijk
Best of Fests, 83’
17:30
17:45
Best of Fests, 66’
Aleksei Pivovarov, Alexander
Rastorguev, Pavel Kostomarov
Panorama, 25’
Constantin Wulff
Hajooj Kuka
The Term
Alice Fargier
Ulrich Seidl –
A Director at Work
Beats of the Antonov
16:00
Best of Fests, 93’
Kids & Docs 2
The Possibilities
Are Endless
15:30
Elvira Nana Lind
Krisda Tipchaimeta
Unearthed
13:45
Full
ofout
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and of
Chellina
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of
da Beast,experiences
105’
the best 360-degree
the
the best
best 360-degree
360-degree
documentary
documentary
documentary
experiences
experiences
out
out
out
there. Pleasethere.
there.
note:Please
Please
as space
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15:00 15:15
Songs for Alexis
Somboon
16:00
Feature-Length Competition, 78’
Children’s documentaries:
15:15
15:30
All of Me
Ryan Mullins
MyScreening
Dearest
Phone,
DocLab: Virtual
DocLab:
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Reality
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Panorama, 98’
12:00
Jolynn Minnaar
14:00Brakke Grond
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11:00Zaal
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– 21:00
11:00
11:00
–– 21:00
21:00
Under
the stars
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Stanislaw Mucha
GREEN SCREEN
DAY
DocLab Expo:
DocLab
DocLab
Immersive
Expo:
Expo: Immersive
Immersive
Reality Reality
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theDiscover
Discover
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13:15
active installations
active
active installations
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and play around
and
and play
play
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with
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of the
the
Chameleon
most
exciting
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most
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today.
Masters, 100’
Mid-Length Competition, 45’
The State-Mafia Pact
22:45
Mikael Wiström
The Solitude of Memory
22:15
Zhou Hao
22:30
22:30
Panorama, 83’22:30
EXHIBITIONS
EXHIBITIONS
& INSTALLATIONS
& INSTALLATIONS
Brakke Grond
Brakke
BrakkeWitte
Grond
Grond
Zaal Witte
&Witte
Foyer
Zaal
Zaal
9:00
&& Foyer
Foyer
– 23:00
9:00
9:00 –– 23:00
23:00
Best of Fests, 95’
Best
Bestof
ofFests
Fests,,95’
95’
22:00
Stand By22:30
Your President
22:30
22:30
11:00
Gülsah Dogan
Paradocs: Curated by Aernout Mik, 52’
Thomas Wallner
19:45
19:45
9:00
Aernout Aernout
Mik
Aernout
- Raw
Mik
Mik
Footage
-- Raw
Raw Footage
Footage
11:45
Naziha’s Spring
BRAKKE GROND
EXPOZAAL
10:00Brakke Grond
Brakke
BrakkeTuinzaal
Grond
Grond9:00
Tuinzaal
Tuinzaal
– 23:00
9:00
9:00 –– 23:00
23:00
11:30
Ida’s Diary
1:00
Kick-start your
Kick-start
Kick-start
day byyour
your
meeting
day
day by
by
fellow
meeting
meeting
filmmakers
fellow
fellow filmmakers
filmmakers
and IDFA staff
and
and IDFA
IDFA staff
staff
over coffee over
and
overcroissants.
coffee
coffee and
and croissants.
croissants.
Student Competition, 18’
Jean-Luc Godard,
Jean-Pierre Gorin
Orlando von
Orlando
Orlando
Einsiedel
von
von Einsiedel
Einsiedel Kisangani Diary
Best of Fests, 104’
Best
Bestof
ofFests
Fests,,104’
104’
Hubert Sauper
Paradocs:
Rangers in the
Rangers
Rangers
Virunga
in
in the
the
National
Virunga
Virunga National
NationalCurated by Aernout Mik, 45’
Park
in Congo
Park
Park
protect
in
in Congo
Congo
the protect
protect the
the
17:45
endangeredendangered
endangered
mountain gorillas
mountain
mountain gorillas
gorillas
Drifter
from
poachers,
from
fromoilpoachers,
poachers,
companies
oil
oil companies
companies
Gábor
and
civilHörcher
war.
and
and civil
civil war.
war.
19:00
19:00
19:45
Letting You Go
Letter to Jane
Panorama, 68’ Panorama
Panorama,,68’
68’
19:00
11:00
11:15
13:30
Dominguinhos
Virunga Virunga
Virunga
Jennifer Kroot
Jennifer
Jennifer Kroot
Kroot
IDFA Filmmakers
IDFA
IDFA Filmmakers
Filmmakers
BreakfastBreakfast
Breakfast
13:00
13:15
13:30
Children’s documentaries:
Johan, Losers - A Film About Loss,
Print thePrint
Print
Legend
the
the Legend
Legend 4 Ever and Giovanni and the
16:15
Clay Tweel,Clay
Clay
Luis Tweel,
Tweel,
Lopez Luis
Luis Lopez
Lopez Water Ballet, 105’
17:00
17:00 17:15
17:15
17:15
To Be Takei
To
To Be
Be Takei
Takei
De JarenDe
De
Café
Jaren
Jaren
– 09:00
Café
Café –– 09:00
09:00
9:00
9:00
EYE CINEMA
1 THEEYE
CINEMA
THROUGHOUT
THROUGHOUT
DAY
THE
DAY2
MELKWEG
SOCIALSOCIAL
EVENTS
EVENTS
RABOZAAL
First Appearance Competition, 72’
Masters, 107’ 16:00
16:00
16:00
Best of Fests, 98’
Best
Bestof
ofFests
Fests,,98’
98’
DE MUNT
12VENUES DE MUNT 13
OTHER
OTHER
VENUES
10:00 10:00
13:15
Chameleon
Chameleon
The Case of the
13:30 Chameleon
Ryan Mullins
Ryan
Ryan Mullins
Mullins
Three Sided Dream
Cechanok
13:45
13:45
13:45
Feature-LengthFeature-Length
Feature-Length
Competition, 78’
Competition
Competition,,78’
78’
Adam Kahan
Mazyar Moshtagh Gohari
Music Documentary
Kids
& Docs
Kids
Kids,287’
&
& Docs
Docs 22
Panorama, 72’
11
By invitation
By
By invitation
invitation
Kim Faber
12:00
Joaquim Castro, Eduardo
Nazarian, Mariana Aydar
Children’s documentaries:
Children’s
Children’s documentaries:
documentaries:
Music Documentary, 86’
14:15
14:15
14:15
14:15
14:00 14:00
Under the stars
Under
Under
I felt
the
theatstars
stars
home,
II felt
felt at
at home,
home,
My Dearest My
F#cking
My Dearest
Dearest
Phone,
F#cking
F#cking Phone,
Phone,
Good Things
Good
Good
Await
Things
Things Await
Await
How to Live
School Full of
School
School
Fish and
Full
FullChellina
of
of Fish
Fish and
and
/ Chellina
Chellina
// Phie
Phie Ambo
Phie Ambo
Ambo
Marcel Lozinski
14:45
The Female Gaze
The
The
, 90’
Female
FemaleGaze
Gaze,,90’
90’
Paradocs: Curated by Aernout Mik, 83’
da Beast, 105’
da
da Beast,
Beast,105’
105’
Placebo
After the screening,
After
After the
thethere
screening,
screening,
is there
there isis
Abhay Kumar
a
chat
with
a
a
Chef
chat
chat
Jonathan
with
with
Chef
Chef
Jonathan
Jonathan
15:00
15:00 15:15
15:15
15:15
15:15
First Appearance Competition,15:00
96’
Karpathios of
Karpathios
Karpathios
the Dutchof
of“Vork
the
the Dutch
Dutch“Vork
“Vork
The
Possibilities
The
The Possibilities
Possibilities The Dream of
15:30
15:30
&
Mes” restautant.
&
& Mes”
Mes”restautant.
restautant.
ka
a
DE MUNT
9:00
Various Directors
13:00
RODE ZAAL
RODE ZAAL
9:00
9:00
10:00 10:00
rough
rough
11:00
11:15
rinth
rinth
–– Gallery
National
mposer
poser
Frederick Wiseman
ecki
ffMasters
Penderecki
Penderecki
, 180’
1
Mid-Length Competition, 58’
22:00
22:00
Who the Fuck
Is Jett Rebel
Linda Hakeboom
Music Documentary, 57’
Panorama, 93’
23:00
23:00
23:00
24:00 24:00
24:00
22:30
22:30
Joana Hadjithomas,
Khalil Joreige
Ben Knight, Travis Rummel
DamNation
I Want to See
Best of Fests, 87’
Framing Reality, 69’
Marisa Middleton
Student Competition, 58’
24:00 24:00
1:00
1:00
1:00
1:00
1:00
1:00
International Documentary Film Festival Amsterdam
DONDERDAG 27 NOVEMBER
DONDERDAG
DONDERDAG
27 27
NOVEMBER
NOVEMBER
1:00
21
DONDERDAG