BLUES IN F r e e BiTS World HQ THE SOUTH e v e r y - BLUES - BENTWORTH BLUES FESTIVAL CONTACT: editor@bluesinthesouth.com 2 Brook Meadow TWITTER: EX8 4HH @bluesinthesouth ROCK & ROLL s i n c e 1 9 8 7 SPONSORED BY www.bluesinthesouth.com D BY SORE SPON 15, 16, 17 AUGUST 2014 JANUARY 2015 JAZZ m o n t h - ZYDECO - GOSPEL - BLUES ROCK BLUES MUSIC AWARDS NOMINEES O n December 10, 2014 the nominees for the prestigious Blues Music Awards 2015. under the aegis of the Blues Foundation were announced. The international organization will present the award to categor winners at the Cook Convention Center in downtown Memphis, Tennessee, on Thursday, May 7, 2015. The Blues Music Awards are universally recognized as the highest accolade afforded blues music performers. The annual Blues Music Awards ceremony is the premier event for blues professionals, musicians, and fans from a l l over the world. The focus of this celebration is to honour this rich cultural tradition by recognizing the past year's superior achievements in blues performance, songwriting, and recording. Leading with six nominations each are ,(l) and . Veteran slide guitarist Bishop must be doing something right as his CD and its humorous title track secured three nominations and propelled him to additional artist, entertainer and band nominations. John Németh continued his hot hand, or should we say voice, this year's release and artist nomination possible. Sugar Ray and album also received song and album band and instrumentalist recognition. Blues , nominations. and newcomer Tickets for the Award show are now on soon be sent to all Blues Foundation members which nominees will actually take home the Blues join and become a member at blues.org! with The Bo-Keys garnered about every album the Bluetones and their recognition and they also added artist, Hall of Famer , each received three sale at www.blues.org. A ballot will be as they have the privilege of deciding Music Award in May. Of course, anyone can Every year, the Blues Music Awards ceremony itself proves to be one of the best shows of the year. After all, almost every nominee not only attends, but also performs - creating a lineup comprised of the best of the best in blues all in one evening. A complete nominee list, as well as membership, voting, ticket and host hotel information can be found at The Blues Foundation's website-www.blues.org. For more information, call 901.527.2583.: BLUES GIGS: FROM EXMOUTH TO EASTBOURNE WITH A BIT MORE BESIDES - JANUARY 2015 02 PLATFORM POSSE @ THE PLATFORM TAVERN, SOTON, 06 STAN'S BLUES JAM @ THE THOMAS TRIPP, 10 WICK LANE, CHRISTCHURCH BH23 1HX 08 SLOE GIN @ THE PLATFORM TAVERN, SOTON DEBUT 09 NUALA HONAN AND KIT HAWES @ THE PLATFORM TAVERN, SOTON 10 PETE HARRIS BLUES BAND @ MARSHALS SPORTS BAR,74 LONDON RD. SOUTHAMPTON 10 THE HANNAH ROBINSON BAND (DEBUT) @ THE PLATFORM TAVERN, SOTON 10 BOB PEARCE BAND @ NURSLING VILLAGE HALL (SMALL DOOR CHARGE FOR CHARITY 11 CHARLIE’S VINYL & PIE NIGHT – BRING, PLAY, TRADE & SWAP YOUR RECORDS & EAT PIE! @ THE PLATFORM TAVERN, SOTON 11 BLUES JAM @ THE WHITE HART, WOODBURY, DEVON, EX5 1H 12 BLUES AT THE BRIDGE @ THE BRIDGE INN, TOPSHAM, OPEN MIC: BLUES R A D IO LISTIN GS ACOUSTIC ONLY. DOORS 8.15 FOR 8:30 CLOSE 10:30. FREE FOR ALL INCLUDING LISTENERS 15 FRANK STATESBORO - BLUES/COVERS (DEBUT) @ THE PLATFORM TAVERN, SOTON 15 PETE HARRIS, JERADINE HUME, JON VAUGHAN, @ THE RISING SUN, SHORE RD. WARSASH 16 BEN GUNN & THE JUNKYARD ANGELS @ THE PLATFORM TAVERN, SOTON 16 PETE HARRIS BLUES BAND @ THE BENT BRIEF, LODGE RD. SOUTHAMPTON 17 BICTON STREET BLUES (,ACOUSTIC) FOR BLUES RADIO PLUS CHRIS BILLINGS AND STEVE EWART @ THE BRIDGE INN, TOPSHAM, DEVON 17 STEAMER @ THE FOREST PARK HOTEL, RHINEFIELD ROAD, BROCKENHURST SO42 7ZG 21 STAN'S BLUES JAM @ MARSHALS, 74 LONDON RD, SOUTHAMPTON SO15 2AJ 22 LATEMOUTH BLAKE (AKA STOMPIN’ DAVE’S BLUES SET) @ THE PLATFORM TAVERN, SOTON 23 JC & ANGELINA GRIMSHAW @ THE PLATFORM TAVERN, SOTON 24 PETE HARRIS R&B ALL STARS @ MARSHALS SPORTS BAR,74 LONDON RD. SOUTHAMPTON 24 PETE LEIGH AND THE UNION, THE PLATFORM TAVERN, TOWN QUAY, SOUTHAMPTON. 27 BLUES AND FOLK JAM @ THE PLATFORM TAVERN, SOTON 28 STAN'S BLUES JAM 2 @ THE OWL'S NEST,196 CHRISTCHURCH ROAD, WEST PARLEY, FERNDOWN, BOURNEMOUTH BH22 8SS FREE ENTRY 29 SUNFLOWER @ THE PLATFORM TAVERN, SOTON 29 NAZARETH @ THE BROOK, SOUTHAMPTON SO17 3SD - A MUST SEE FOR ALL HARD ROCK FANS - £18 ADV 30 JON AMOR (OF THE HOAX) @ THE PLATFORM TAVERN, SOTON 30 PETE HARRIS BLUES BAND @ THE GROVE TAVERN, SOUTHBOURNE GROVE, BOURNEMOUTH 30 STEAMER @ MONTY'S LOUNGE, 926 CHRISTCHURCH ROAD, POKESDOWN, B'MOUTH BH7 6DL (NEAR POKESDOWN RAILWAY STATION) 31 THE JIMMY HILLBILLIES - BLUEGRASS/MAYHEM (DEBUT) @ THE PLATFORM TAVERN, SOTON 31 RIVERSIDE BLUES BAND @ MARSHALLS, LONDON ROAD, SOUTHAMPTON SO15 2AJ 01/02/2015,PETE HARRIS, JERADINE HUME, JON VAUGHAN, @ THE PLATFORM TAVERN, TOWN QUAY, SOUTHAMPTON, 1.30-4.30 Listings are provided as a guide only. Don’t forget to check the venue before you leave home to ensure that the gig is still on. The listing here is far from complete, so check out www.bluesinthesouth.com too as that is updated all the time: LAST DATE FOR FEBRUARY 2015 is 10th JANUARY 2015 THE 36TH BLUES MUSIC AWARD NOMINEES E Acoustic Album Hard Luck Child: A Tribute to Skip James – Rory Block Jericho Road – Eric Bibb Jigsaw Heart – Eden Brent Son & Moon: A Tribute to Son House – John Mooney Timeless – John Hammond Acoustic Artist Doug MacLeod Eric Bibb John Hammond John Mooney Rory Block Heavy Water – Fo’ Reel Making My Mark – Annika Chambers & the Houston All-Stars One Heart Walkin‘ – Austin Walkin’ Cane Instrumentalist-Bass Bob Stroger Lisa Mann Michael “Mudcat” Ward Patrick Rynn Willie J. Campbell Contemporary Blues Album Can’t Even Do Wrong Right – Elvin Bishop Original – Janiva Magness Refuse to Lose -Jarekus Singleton Hornet’s Nest – Joe Louis Walker BluesAmericana – Keb’ Mo’ Instrumentalist-Drums Jimi Bott June Core Kenny Smith Tom Hambridge Tony Braunagel Contemporary Blues Female Artist Beth Hart Bettye LaVette Janiva Magness Marcia Ball Shemekia Copeland Album Can’t Even Do Wrong Right – Elvin Bishop Living Tear To Tear – Sugar Ray & the Bluetones The Americani: Shawn Amos, Memphis Grease – John Németh Refuse to Lose – Jarekus Singleton Contemporary Blues Male Artist Wrapped Up and Ready – The Elvin Bishop Mannish Boys Gary Clark Jr. Jarekus Singleton B.B. King Entertainer Joe Bonamassa Bobby Rush Joe Louis Walker Elvin Bishop John Németh Historical Rick Estrin From His Head to His Heart to His Sugaray Rayford Hands – Michael Bloomfield (Columbia/Legacy) Band Live at the Avant Garde – Magic Elvin Bishop Band Sam (Delmark) John Németh & the Bo-Keys Soul & Swagger: The Complete “5” Rick Estrin & the Nightcats Royales 1951-1967 – The “5” Sugar Ray & the Bluetones Royales (Rock Beat) The Mannish Boys The Modern Music Rev Shawn in fullSessions flow on stage 19481951 – Pee Wee Crayton (Ace) Best New Artist Album The Roots of it All-Acoustic Blues – Chromaticism – Big Harp George Various Artists (Bear Family) Don’t Call No Ambulance – Selwyn Birchwood Instrumentalist-Guitar Anson Funderburgh Joe Bonamassa Johnny Winter Kid Andersen Ronnie Earl Instrumentalist-Harmonica Charlie Musselwhite Jeremy Parzan Charlie George, and John Krylow. Kim Wilson Mark Hummel Rick Estrin Sugar Ray Norcia Instrumentalist-Horn Al Basile Deanna Bogart Jimmy Carpenter Sax Gordon Terry Hanck Koko Taylor Award Alexis P Suter Diunna Greenleaf EG Kight Ruthie Foster Trudy Lynn Pinetop Perkins Piano Player Barrelhouse Chuck Bruce Katz David Maxwell Eden Brent Marcia Ball Rock Blues Album Step Back – Johnny Winter Goin’ Home – Kenny Wayne Shepherd Band Time Ain’t Free – Nick Moss Band heartsoulblood – Royal Southern Brotherhood The Blues Came Callin’ – Walter Trout Bobby Rush Curtis Salgado John Németh Johnny Rawls Otis Clay Traditional Blues Album Common Ground: Dave Alvin and Phil Alvin Play and Sing the Songs of Big Bill Broonzy – Dave Alvin and Phil Alvin For Pops (A Tribute to Muddy Song “Another Murder in New Orleans” Waters) – Mud Morganfield & Kim written by Carl Gustafson & Donald Wilson Markowitz, performed by Bobby Livin’ it Up – Andy T-Nick Nixon Rush and Dr. John with Blinddog Band Smokin’ Living Tear To Tear – Sugar Ray & “Bad Luck Is My Name” written and the Bluetones performed by John Németh The Hustle is Really On – Mark “Can’t Even Do Wrong Right” Hummel written and performed by Elvin Wrapped Up and Ready – The Solomon Burke Bishop Mannish Boys “Let Me Breathe” written by|Janiva Magness & Dave Darling, Traditional Blues Male Artist performed by Janiva Magness Billy Boy Arnold “Things Could Be Worse” written by John Primer Ray Norcia, performed by Sugar Lurrie Bell Sugar Ray Norcia Ray & the Bluetones Sugaray Rayford Soul Blues Album Blues for My Father – Vaneese - See more at: Thomas http://www.blues.org/2014/12/36t Decisions – Bobby Rush with h-blues-music-award-nomineesBlinddog Smokin’ announced/#sthash.8tZUTb4p.d In My Soul - The Robert Cray Band puf Memphis Grease – John Németh Soul Brothers – Otis Clay & Johnny Rawls Soul Blues Female Artist Candi Staton Missy Andersen Sharon Jones Sista Monica Vaneese Thomas (Top r) Soul Blues Male Artist Vaneese Thomas Kenny Wayne Shepherd Janiva Magness Walter Trout S A L A H TC E C N NEW ORLEANS, LA @ NIGHT BOURBONSTREET CRESCENTCITY DRJOHN EARLKING FRENCHQUARTER GARDENDISTRICT GUMBO JAMBALAYA JAMESBOOKER KIDORY LOUISARMSTRONG MARDIGRAS PRESERVATIONHALL RAMPARTSTREET ROYALSTREET SIDNEYBECHET SNOOKSEAGLIN VIEUXCARRE VOODOO ZYDECO In the graphic above you wll see a “Wordsearch ©” matrix. The matrix is made up of words or word pairs, (all about New Orleans) placed horizontally, vertically, diagonally and occasionally backwards (sdrawkcab). Your task, should you decide to accept it, is to find the embedded words or word pairs, from the list at the right. However, one of the words or word pairs is not in the list and that is what you must find. When you have identified the missing word or word pair, answer this tie-breaker question “What is the name of the New Orleans university, and who had a hit song with the same name? And send your answer(s) to competition@bluesinthesouth.com by December 25 2014. The winner will receive a bundle of no less than eight (8) CDs and the one runner up will receive five (5) CDs. on December 31. The Editor’s decision is final. . In the event of an unresolved tie, a draw will beheld THE BITS INTERVIEW Dave Allen by Ian McKenzie D ave Alan is a powerhouse performer. Under the persona “Stomping Dave”, he plays banjo to competition standard, guitar with skill and panache, fiddle with fire and as if that’s not enough he is also an accomplished pianist and flat-foot dancer, often tapping and leaping away whilst playing the fiddle or the banjo. I have seen him soaked through with sweat at the end of a performance which has been delivered with jaw dropping energy. As well as the solo work, he fronts a number of differing bands, including a bluegrass band and an electric blues band, and has now developed another professional alter-ego that of Latemouth Blake, a performer in the tradition of itinerant acoustic blues musicians of the early 20th Century; blues men like Blind Blake, Tommy Johnson and Blind Boy Fuller. Ian McKenzie spoke to Dave in the latter’s home near Bridport in Dorset. Not surprisingly, Dave was into music in his youth. “I was into Clapton and Hendrix in my teens. That stuff influenced me to get a guitar and I went from there really. A bit later he got into the flat foot dancing. How did that heppen?. I started to learn the banjo - I was living in Bournemouth at the time - and I heard of an Appalachian dance group called Spank The Planks (see here) who needed a banjo player. I got into playing the banjo with them and started to learn the dances. I had a lot of fun! Dave has a degree in Music . “I had banjo lessons with Pete Stanley as part of my degree and I ended up majoring on fiddle with Pete Cooper” As noted Dave plays fiddle, guitar, banjo and piano but says, “I don’t have any favourite instrument or at least, as I am sitting in my music room and they are all listening, I am not saying if I have any favourite!. Dave continued, “I used to do street entertainment before I could dance, and after I learned the dancing I thought why not do that too and make a real show of it. So I did that almost as soon as I left university. Has he ever had a ‘proper job? I’ve been very lucky. I have played with a rock and roll band in the last few years, Earl Jackson and do lots of different styles of music including blues and the result is that I have never done a day’s work in my life! If you have seen Dave perform, the reality belies that statement, as by the end of a performance, he is overcome by sweat and exhaustion but “It’s fun isn’t it? It is really absolute fun!”, he says, Although Dave now has his own band “Stomping Dave’s Electric Band”, he spent a period working with the south coast’s renowned band The Producers. “Yeah, that was great fun as well, that was 2000/2001, pretty much as soon as I left university. It was brilliant ‘cause they were really riding on a high at the time and I really liked playing with them and I still keep in touch with Dave [Saunders] and Harry [Skinner]. The band stopped playing for a while, but they are quite active again now. I have had a couple of support spots with them and it's nice to hear then producing great music again. Dave plays in bands, in duos and solo and says “I like to mix it up, doing different things. Now I am doing Latemouth Blake for less than a year. I’ve always been really into the old style blues, so I thought that I would put together a whole act like that. I have always included some blues in everything. People expect me now to dance around but now I’m just gonna play and sing.” In the advertising for Latemouth Blake gigs, Dave specifies ‘NO STOMPING. NO BANJO” and says well I do that because of experiences I have had where I advertise “Stompin’ Dave’s Electric Band” and I have people turn up saying ‘Ooh, I wanted to hear the banjo.’ People put you in a box and they expect you to me the same all the time. Changing around all the time may not be a good tactic as far as being commercial is concerned but I don’t seem to be able to help myself! I just like to enjoy myself. But you can say that it keeps up people’s interest as well if things aren’t always the same.” Where did the name of the persona Latemouth Blake come from? Well, Gatemouth [Brown] is the starting point and I am a big fan of Blind Blake so I thought that was a nice combination. I have been singing quite a few double-entendre songs and I thought that ‘Latemouth’ has echoes of ‘adult entertainment’ so I though it was a good play on words! “Sometimes, there is a bit of confusion with my different names. When I was Dr Stomp [Dr Stomp and Prof. Oz] people called me Dr Spock and Dr Stamp and now I’ve been getting Widemouth Blake, But some people have said they like it and I feel that it has gone down well. I’ve been doing Latemouth once or twice a month so it feels successful. I think that people love that [1920’s and 1930’s] style of music and they want to hear it. I suppose that you could say it’s a bit of an acquired taste. In fact, all the music I play is a bit niche, suppose. The ‘new’ music is much more ‘revivalist’ in the sense that it is Dave’s attempt to recreate the sounds, arrangements and musical dexterity of those accomplished musicians that he loves. “I have always really loved that music. I have always love that early blues music. When I was working with ‘Oz’ and he and I had been at college together doing a course on Jazz and Pop. When we first started we did a lot of jazz with some blues and we found that we got a much better reaction from the audiences with blues, so we started doing more of that. I put it to Dave that he was, with his new persona, on what the Blues Brothers called, ‘A mission from God’ The mission being to bring to the public the amazing music and musical skills of these outstanding musicians. “It is a mystery to me, Ian, why so few people have heard the music of the likes of Blind Blake, Sam Chatmon, Fuller and the others. Why doesn't everybody know the music of Mississippi Fred McDowell and of Mississippi John Hurt? Their music is, and they are legendary. Whatever I can do to show people what it was all about, I’ll do it. In all the years of experience that Dave has had, what is the worst thing that has happened to him? “Well.” He confides. “I did ‘Britain’s Got Talent 'and got buzzed off that was not very nice. In hind site it was a foolish thing for me to attempt really, but there you go. As far as I know they didn’t show me on the telly. I did about ten seconds and they all pressed the buzzers! The crowd was clapping along and then it just went quiet and I walked off in silence” Dave does 150 to 200 gigs a year and has recently turned his hand to promoting, putting other bands in art centres and things, “… so I may be doing a little less now . I tend now to concentrate on the bigger gigs when they come along. One thing is for certain, Dave will be picking, fiddling, tickling the ivories and dancing himself into a lather for many years to come. It is possible that some of those reading this will not know Dave’s work. Try and redress that as soon as possible. You will never regret it. .He is a passionate, agile and most agreeable talent. R E V I E W S JACK ROBERTS HARVEY BAND Devil On A Dirt Road Autoprod Superlatives simply prevail here. Stunning debut album of great blues with strong Americana and gutsy down and dirty Rock tinges from the JRHB. From LA, this hugely talented Californian trio - only a trio, seems unbelievable with this sound - comprises only Tony Jack Grigsby on Bass - the Jack of the band - Jim Roberts on guitar and vocals, and Mike Harvey on Drums. Material ranges from the old traditional US standard, 'Amazing Grace', here cooked in a refreshingly different slippery, slide sauce, to another nine selfwritten songs with a great groove going throughout. This is a band that clearly knows its way around the music with a capacity to produce material of enormous quality. If anything, the most surprising thing about this outfit is probably - why haven't we heard of them before now?! Genuinely amazing debut from a truly talented US band. Can't wait to hear their next effort. Onward and upwards, I reckon. 1 2 3 4 5 6 7 8 9 10 Devil On A Dirt Road Tears In The Dust Snakebit Soul Worth Saving Quicksand New Day Alligator Shoe Anjohnette Hurricane Road Amazing Grace www.jackrobertsharveyband.com Iain Patience ALBERT KING Live In The ‘70s Retro World FLOATM6241 If ever a man knew how to bend a guitar string, it was Albert King – pick any track completely at random! This set draws from concerts in New York, and Hollywood California (the “Wattstax” concert, I think), when Albert was in the midst of his Stax contract and the line-up – at least a couple of horn players – and the material reflects that. This was the high point of his career, with his tough, ringing guitar playing way out front – this is the sound that has influenced so many of today’s blues guitarists, his dry comments delivered in an almost speaking voice, and the material often managing to be both funky and low-down. There are also three titles from 1974 and the closing ‘I’ll Play The Blues For You’ from 1978. Well known numbers like ‘Crosscut Saw’, ‘Oh Pretty Woman’, ‘Born Under A Bad Sign’ and the introductory ‘Blues Power’ can all be found here, with the live situation allowing Albert to stretch out for longer than he generally did in the studio. He also turns in a version of Ray Charles’ ‘I Believe To My Soul’ – “that was just to break the monotony”, he quips! The sound quality is generally fine. Albert King is always worth a listen, and particularly when he is in as good form as he is here. Norman Darwen FREDDIE KING Live & Loud 1968 Retro World FLOATM6243 OK, first things first – the date – 1968? Well, that seems an unlikely year for this set, recorded mostly at the Fillmore West. You see, Freddie closes out with the heavy blues-rocker ‘Going Down’, a staple of his 70s gigs. It was drawn from his first album for the Shelter label, “Getting Ready”, released in 1971 –it was not on his set list at the Ann Arbor Blues Festival in 1969, when he would certainly have included it if possible (don’t confuse it with his later 1972 appearance) but the real clincher is that the original version of the song only first appeared in 1969, on an album by Memphis band Moloch. So we’re probably looking at the early 70s for this. Now that’s out of the way, don’t let it mar your enjoyment as we are left with a fine album. Freddie was the youngest of the Three Kings (the others being BB and Albert), with an energetic guitar style that massively influenced Eric Clapton and many others. He provides two versions of his big instrumental hit ‘Hideaway’ here, and there is plenty of hot, rocking blues guitar or his slow, impassioned playing (try the opening ‘Ain’t Nobody’s Business’), and although the sound is a little muddy in places his big, strong voice comes across well too. There are bonus tracks from the aforementioned Ann Arbor Festival in 1969 and another from Sweden in 1973, rounding out a release that may not be essential but that will certainly please all blues lovers. Norman Darwen BOBBY SPENCER Hurricane Unleashed R. Music, no issue number Let’s have a sax player for a change! Bobby Spencer is from Oakland, California, but now lives further south along the West Coast in Los Angeles. Besides being a fine tenor sax player, he also possesses a warm singing voice and writes some good original songs – take a listen to the fine rocking blues of ‘Camarillo’ which namechecks jazz legend Charlie Parker. Do you like soul music? Then try the smooth ballad ‘You’re All I Need’ and the southern tinged ‘Lover’s Hill’, both of which fit the description “sweet soul music”, though some may well find ‘You Make Me Crazy’ just a little too saccharine. ‘Little Mama’ is a Latin-tinged blues, and this CD also includes four bonus tracks from Bobby’s 2003 debut album “I Got The Blues” – all of which fit that description perfectly (vocally he sounds very like BB King on ‘Big Maybelle’, and he lets loose his King Curtis licks on ‘Call Your Dogs Off’). Bobby has many years of experience of playing the blues with the likes of Sonny Rhodes, Jimmy McCracklin, Etta James and ZZ Hill, and it shows on this varied, entertaining and very satisfying CD. Norman Darwen THE DAMNED AND DIRTY Rolling In To Town Autoprod Kevin de Harde and Micha Sprenger are the duo The Damned and Dirty. They hail from Holland a country with a massive support for blues music of all kinds. Both of the duo members hav long histories of working in bands and solo of a long time. Their first eponymous album was released as a free download on the internet in 2012 and proved to be a resounding success. Their second album Sell Your Soul was released 2013 . BOTH of the CDs won the Dutch Blues Award for Best Album in each respective years, 2012. 2013. Quite an achievement. Rolling Into Town is in one sense ‘more of the same’ but with a vengeance. I was critical of their Sell Your Soul release, because of IMHO an inordinate amount of gratuitous swearing. Not too much of that here. But be warned it is not expletive free. That aside, the album is filled with outstanding guitar licks (finger picked and slide) and some searing harp work. Fifteen tracks, all selfpenned, ranging from "The Meanest Woman" an oustandingly good song, that IMHO will be covered many times before too long, through the relaxed, small group blues, of "Sounds Of Eyes" The title song "Rolling Into Town" opens with some compelling harp work by Kevin while "The Devil Again" gets down and funky with some tight drumming by Frank Travertine. “Seventeen” evokes the sounds of Mississippi John Hurt.. This is an outstanding album which I expect to win a shed-load of awards. Well done indeed. Ian McKenzie BENNY TURNER Journey http://www.bennyturner.com/music.html Benny Turner is the (half?) brother of the late Freddie King. As you might expect, he was born and bred in Texas and was exposed to early influences not just from his brother’s work but also from a family steeped in the blues. Benny can remember his mother playing guitar and here we have that reminisence in the form of “My Mother’s Blues” a delightful instrumental piece of jazzy, funky blues which of course honours Ella Mae (King) Turner. The album also inclues “My Uncle’s Blues (Fannie Mae)” honoring his uncle Leon King. The music draws on a wide range of influences like doo-wop, R&B, gospel, soul, and blues and binds them all together in an excellent gumbo (Turner now lives and works in New Orleans) which is strongly recommended . The lyrics of the songs come with dashes of humour and the expected added undertones of saddness and trouble. Check out ‘What’s Wrong With The World Today’ and the foot-tappingly funky ‘Don’t You Ride My Mule’. Benny is a bass player with occasional stabs at guitar work, but, he has surrounded himself with some excellent musicians who gell well. Benny calles his band “Real Blues”, a great name as that is what they deliver. More please. Ian McKenzie ANDY FAIRWEATHER LOW & THE LOW RIDERS Zone-O-Tone Proper Records: PRPCD110 Andy Fairweather Low is a Welsh superstar, without doubt. Think Wales and Tom Jones probably comes to mind. But think again: AFL is the guy who brought the 1960s hits 'Paradise', Bend Me, Shape Me' etc to the musical table as frontman of Amen Corner. In the 70s he again hit the UK charts with the wonderfully colourful and wittily emotional, 'Wide Eyed And Legless', before going on to help Clapton put together the arrangements for the multi-million selling, 'Clapton Unplugged' release. Indeed, for the past couple of decades, Low has been a permanent annual touring fixture, as guitarist, with Clapton's own band. In addition, he tours regularly with ex-Pink Floyd Roger Waters, and former Rolling Stone bassman, Bill Wyman. He has also played with a veritable who's who of rock and modern music royalty: Bob Dylan, Elton John, Dave Crosby, BB King, Joe Cocker, Bonnie Raitt, The Who, Jimmy Page, Van Morrison, Phil Collins, The Bee Gees. The list is virtually endless, impressive and illustrates the importance and high esteem with which this guy is held among his critical contemporaries. A major figure who, despite the astonishing credentials and CV, somehow always seems to ride and roll just below the radar. Now actively touring with his own excellent band, The Low Riders, 'Zone-O-Tone' is a 13-track album featuring Fairweather Low's strong and subtle songwriting skills together with marvelous ensemble performances from a fabulous foursome. This must be one of the most enjoyable, polished albums of the year. An absolute winner! A sparkling gem from a true genius. www.andyfairweatherlow.com Iain Patience WILY BO WALKER & KARENA K A Long Way From Heaven Mescal Canyon Records: MCREX019 A Long Way From Heaven maybe a bit closer to the fires below with this very strong bit of blues and grit from a talented duo. The Devil's music at its best in this six-track extended EP or short CD album. It's really take your pick here. All tracks are gripping and wonderfully produced to provide an excellent overall result.Fretwork is excellent, swampy and slithery at times with Wily K Walker's vocals rasping along like a road-repair crew shoveling aggregates. This guy has a voice that would make Dean Martin seem gritty! Luckily his vocals are perfectly counterbalanced by the sweeter notes of his partner, Karena K. A positively recommended effort from an exciting, dynamic pair of quality musicians. Worth checking out. www.wilybo.com www.karenak.com Iain Patience ESSENTIALS: ALL THE STUFF YOU NEED TO KNOW F ollowing her outstanding performance co-headlining with Robert Cray at London’s BluesFest at the Royal Albert Hall in October 2014, Grammy nominated singersongwriter, Beth Hart will embark on a 7-date UK tour in May 2015. Sultry blues, jazzy influences, rocking tunes and touching ballads - Beth Hart does it All. Tickets go on sale to the general public on Friday 12 December via the 24 hour ticket box office: 0844 871 8819, or can be booked from www.alt- tickets.co.uk/beth-hart-tickets. May 2015 Tour Dates Bristol Colston Hall Liverpool Philharmonic Hall Friday May 1 Sunday May 3 Glasgow O2 ABC Wednesday May 6 London Barbican Friday May 8 Leeds Academy Saturday May 9 Cambridge Corn Exchange Monday May 11 Nottingham Rock City Wednesday May 13 B ritish blues rock guitarist and singer-songwriter, Ben Poole (Bottom r) , has been added as special guest on Kenny Wayne Shepherd’s (Top r) May 2015 UK tour. Poole, who’s “Live at the Albert Hall" album went to No.4 in the official Amazon UK blues chart, has been described as Britain’s brightest blues-rock guitar talent. Poole will join five-time Grammy-nominated and multi-platinum-selling blues rock guitarist Kenny Wayne Shepherd on a 5-date UK tour that will culminate at the O2 Shepherd’s Bush Empire in London on Wednesday April 15. Tickets can be booked online from The Gig Cartel or from the 24 hour box office: 0844 478 0898. April 2015 UK Tour Dates Salisbury City Hall April 10 Holmfirth Picturedrome April 11 Glasgow O2 ABC April 12 Aberdeen Lemon Tree April 13 London O2 Shepherd’s Bush Empire April 15 The Kenny Wayne Shepherd Band features long-time vocalist Noah Hunt, plus drummer Chris Layton, a 2014 inductee into the Musicians Hall of Fame as a member of Stevie Ray Vaughan and Double Trouble, ex-Firm bassist Tony Franklin and former Willie Nelson keyboardist Riley Osbourn. RTON U B H AS IVAL T S E SF BLUE ER NM * The date's been confirmed, 22/23/.24 May 2015, the Bank L C RA E A H IC M M Holiday weekend, so you don't have to rush back until Tuesday, or, stay on and E F RO G A S S relax. A ME * The venue's confirmed. Seale-Hayne, just a couple of miles outside Ashburton, the same as the last Festival in 2012. Here's a link: * I haven't released the line-up yet! You know I like to keep you guessing. But I can absolutely guarantee that it will be the very, very best of the Blues. * The website isn't live....yet. But it will be soon: ashburtonbluesfestival.co.uk * Tickets will be on sale via the website to make it easier to buy * Accommodation will also be available via the website. There's a variety, from simple comfortable and stylish double rooms, with shared bathroom facilities; stylish en-suite rooms with tasteful decor, great facilities and double doors opening onto the hillside behind; and, for the posh Festival-goers, Glamping! Set on elevated platforms in a little dell with views across the glorious Devon countryside towards the coast. Camping pitches, and Caravan and Camper van sites are also available. * The super food and drink which we know you all love, will be available throughout the day and night * There will be three stages,Quad and Acoustic in the Quad during the day, and the terrific Yellow Room at night That’s enough for now. Link for updates to Facebook: https://www.facebook.com/pages/Ashburton-BluesFestival/210800975611657 Twitter; @ashburtonbluesfest 57th Grammy Blues Nominees The 57th Grammy nominees in the Blues category are: Common Ground – Dave Alvin & Phil Alvin Play And Sing The Songs Of Big Bill Broonzy – Dave Alvin & Phil Alvin (Yep Roc Records) Promise Of A Brand New Day – Ruthie Foster (Blue Corn Music) Juke Joint Chapel – Charlie Musselwhite (Henrietta Records) Decisions – Bobby Rush With Blinddog Smokin’ (Silver Talon Records) Step Back – Johnny Winter (Megaforce Records) The 57th Annual Grammy Awards ceremony will be held on February 8, 2015 at the Staples Center in Los Angeles, California. The show will be broadcast live by CBS. - See more at: http://www.blues.org/2014/12/57th-blues-grammy-nominees/#sthash.n75U6Qoc.dpuf 2015 KEEPING THE BLUES ALIVE AWARD RECIPIENTS ANNOUNCED The Blues Foundation will honor 15 individuals and organizations with its 2015 Keeping the Blues Alive Awards during a recognition luncheon Friday, January 23, 2015, in Memphis, Tennessee. Each year, The Blues Foundation presents the KBA Awards to individuals and organizations that have made significant contributions to blues music. The KBA ceremony will be held in conjunction with the 31st International Blues Challenge, which begins January 20 and features the final rounds of the world’s largest and most prestigious blues music competition, as well as seminars, showcases, and receptions for blues societies, fans, and professionals. BiTS is delighted to confirm that Mike Vernon, the producer of outstanding blues records for many many years, and the harvester of talent from the BiTS area , is one of this year’s recipients. Mike is the founder of the blues record label, Blue Horizon. More here The KBAs are awarded by a select panel of blues professionals to those working actively to promote and document the music. KBA Committee Chairman Art Tipaldi notes, “The KBA Committee always looks to honor longevity. This year’s slate of 15 recipients comes with over 400 years of dedicated service to spreading blues music. With so many dedicated organizations here and abroad, the committee decided to honor two blues society affiliates, one American and one international. The Blues Foundation is pleased to honor these people and organizations as a tribute to the years each has given to supporting blues music.” The 2015 Keeping the Blues Alive Awards recipients are: 1. Affiliated Organization: Asociación Musical Blues Hondarribia – Hondarribia, Spain 2. Affiliated Organization: Sacramento Blues Society – Sacramento, California 3. Club: Rosa’s Lounge – Chicago, Illinois 4. Education: Jerzy Kossek – Katowice, Poland 5. Festival (International): Bluesfest Eutin/BluesBaltica – Eutin, Germany 6. Festival (U.S.): Winthrop Rhythm & Blues Festival – Winthrop, Washington 7. Film, Television and Video: Peter Carlson – Rio Rancho, New Mexico 8. Historical Preservation: Guido van Rijn – Overveen, Netherlands 9. International: Goran Stensrud – Fetsund, Norway 10. Journalism: B.J. Huchtemann – Omaha, Nebraska 11. Literature: Ben Sandmel – New Orleans, Louisiana 12. Photography: Pertti Nurmi – Helsinki, Finland 13. Producer: Mike Vernon (pic right) – Antequera, Spain 14. Radio (Commercial): Charlie Frazier – Burlington,Vermont 15. Radio (Public): Gary Wagner – Long Beach, California PRESS RELEASE: DAVE KELLY TO APPEAR AT MILFORD BLUES NIGHT 14 MARCH, 2015 The next in the series of Milford Blues nights is on Saturday 14 March, featuring Dave Kelly. The venue is The Milford-on-Sea Community Centre http://moscommunitycentre.org.uk and tickets (£10) are on sale in advance. The show starts at 8pm (doors open 7.30pm) Most of the year, Dave Kelly tours with The Blues Band, but having enjoyed these solo shows so much he returned to his roots on a more regular basis with a series of solo performances in 2014 and more are planned for 2015. Dave Kelly was the founder member of The Blues Band with Paul Jones, Hughie Flint and Tom McGuinness 33 years ago. When The Blues Band started back in 1979 Dave was already a seasoned blues artist with a reputation across the world. In the early sixties he started performing acoustic, mostly Mississippi style blues, in folk clubs. His first performance was a floor spot at The Half Moon Putney in 1964- a session run by Gerry Lockran, Cliff Aungier & Royd Rivers. In 1966 he went to the USA and played at Gerde's Folk City in New York. On returning from the States he joined The John Dummer Blues Band as lead vocalist and guitarist. It was with The Dummer Band that he made two UK tours backing John Lee Hooker and one backing Howlin Wolf. After leaving the JDBB late in '69 he went back to solo performing and toured and recorded with the legendary Eddie 'Son' House..Since then he has recorded a TV show with, and backed in concert, Buddy Guy and Junior Wells as well as continuing to tour with The Blues Band In late 2012 Dave released, on Hypertension Records, a new album entitled: Dave Kelly - Family and Friends. Featuring tracks with various family and friends recorded over the past 45 years. Guest include: Jo-Anne Kelly, Eric Bibb, Long John Baldry, Maggie Bell, Chris Barber, Jona Lewie, Christine Collister, Chuck Leavell, Paul Jones, Howlin Wolf amongst others. The show will be hosted, as usual, by Bob Long and will include an opening set from the young and highly talented Elsie Franklin who impressed the Milford Blues Night audience with her last performance here in January. Enquiries: long.boblong@gmail.com FORUM - THE STATE OF THE BLUES In Last months BiTS we ran a latter from Stan Cockeram, front man of the popular Riverside Blues Band who had put finger to keyboard with observations about the state of the Blues in the UK . Click HERE to see Stan’s original comments. We have received the following letter from Phil Jackson, a regular reviewer and contributor to these pages. I do share Stan's concerns about the 'broad church' that blues is being marketed as - Now that's fine if it's clearly labeled 'blues and soul' but that doesn't seem to be the case here. I too have seen Virgil and the Accelerators supporting Joanne Shaw Taylor and thought they were a heavy rock band. I must admit I like blues CDs sent to me to review to be just that- it's OK for a bit of soul, gospel or jazz to come in - but it must be, quintessentially, THE BLUES. And there's nothing wrong with covers- take Erja Lyytinen's splendid take on 'The Sky Is Crying'. The blues is a limited format and it's difficult to take in a new direction and trying to do an album of 'originals' is often not the best way. We all know the artists who have taken blues music forward and it is recognizably THE BLUES . A happy Christmas to Ian and BITS, and long live Buddy and Hopkins! Phil Jackson How do you feel about Stan’s concerns? Email your thoughts to editor@bluesinthesouth.com..Let’s have a debate Below is the IBBA air-play chart for November 2014 produced by Dave Raven for the Independent Blues Broadcasters Association and which is based on the air-play choices of the albums by members on their shows. There were four‘pick s of the month’ CDs :They were Matt Woosey - Wildest Dreams; Richard Townend /Mighty Bosscats- & Deadly Sins; The SpikeDrivers - Live in London and Katy Bradley -Anchor Sessions. Each of those was given preferential play by the members on their shows. The remainder are free choices. Congrats to Zoe Schwarz’ Blue Commotion for their continued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‘PICKS’ for JANUARY 2015 The IBBA Picks for January 2015 are: George Shovelin and the Radars - EP Benny Turner - Journey Doghouse Sam and his Magnetones - Knock Knock The Bruce Katz Band Homecoming CLICK ANY OF THE PICS ON THE LEFT AND YOU WILL BE TAKEN TO YOUTUBE FOR A GREAT VIDEO TREAT. WALTER and MARIE TROUT Christmas Greetings BARBECUE BOB (ROBERT HICKS) - MISSISSIPPI HEAVY WATER BLUES KENNY WAYNE SHEPHERD - VOODOO CHILD LIVE - Vocal Noah Hunt Contents Blues in the South Is proud to support Kansas City Online Radio (KCOR) Blues Radio 24/7/365 Blues Rock And Cool Talk Check out The Acoustic Blues Club on Monday at 10pm UK time Blues music the way it should be heard!
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