1. No category

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LYON & TURNBULL AUCTIONEERS EDINBURGH
78 Pall Mall, London
SW1Y 5ES
Tel +44 (0)20 7930 9115
Fax +44 (0)20 7930 9629
25TH MARCH, 2015
email. info@lyonandturnbull.com
www.lyonandturnbull.com
182 Bath Street, Glasgow
G2 4HG
Tel +44 (0)141 333 1992
Fax +44 (0)141 332 8240
DECORATIVE ARTS AND 19TH & 20TH CENTURY PICTURES
33 Broughton Place, Edinburgh
EH1 3RR
Tel +44 (0)131 557 8844
Fax +44 (0)131 557 8668
Decorative Arts: Design from 1860
including 19th & 20th Century Pictures
Wednesday, 25th March, 2015
33 Broughton Place
Edinburgh
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Waverley Station
Parking
Multi-storey car parking is
available at Greenside Place
and in the St. James Centre;
five minutes walk from the
saleroom.
St Andrew Square
T
York Place Tram Station
Lyon & Turnbull saleroom
Local Deliveries
A&S Pert Removals.
Tel. +44 (0)7876 343520.
Thistle Removals
Tel: +44 (0)7836 774712
Email:
thistleremovals@hotmail.co.uk
New Leaf Removals
Tel: +44 (0)7999 926261
Email:
info@newleafremovals.co.uk
Packing and Shipping
Please note that we do not pack
or ship items. The following
suggested carriers will be able
to arrange packing and
shipping; please contact them
directly to receive a quote. You
may wish to contact an
alternative courier.
Smaller items & Pictures
Mailboxes Etc
44/46 Morningside Road
Edinburgh EH10 4BF
Tel: +44 (0)131 556 6226
Fax: +44 (0)131 652 3673
Email:
edinburgh@mbescotland.com
Furniture and larger items
Constantine
Constantine House
North Caldeen Road
Coatbridge
North Lanarkshire ML5 4EF
Tel: +44(0)1236 750055
Fax: +44(0)1236 750077
E-mail:
enquiries@constantinemoving.com
A Van Man Transport
Unit 5, Benridge Park
Holyrood Close,
Creekmoor
Poole, Dorset BH17 7BD
Tel: +44 (0)1202 600 012
Fax: +44 (0)1202 600 206
Email: office@avmt.co.uk
Aardvark Art Services Ltd
Birks Farm, Ballam Road
Lytham, Lancashire FY8 4NL
Tel: +44 (0)1253 794673
Fax: +44 (0)1253 730580
Email:
info@aardvarkartservices.com
Arrangements for Sold Lots
All bought items will be held
free of charge at Broughton
Place until the Friday
following the sale.
Thereafter lots will be
removed to store in Edinburgh
and a charge incurred.
Administration fee:
£20 + VAT
Storage charges per lot per
day are:
Large Items
£5 inc. insurance + VAT
Small Items
£2.50 inc. insurance + VAT
Catering
Refreshments will be
available at the saleroom on
view days and day of sale.
© Lyon and Turnbull Ltd. 2015. All rights reserved. No part of this
publication may be reproduced, stored in a retrieval system or
transmitted by any form or by any means without the prior written
permission of Lyon and Turnbull Ltd.
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Decorative Arts
Design from 1860
Wednesday, 25th March, 2015
11am
Sale Number LT432
Specialists
John Mackie
john.mackie@lyonandturnbull.com
+44 (0)131 557 8844
Theodora Burrell
theo.burrell@lyonandturnbull.com
+44 (0)131 557 8844
19th & 20th Century Pictures
Wednesday, 25th March, 2015
3pm
Sale Number LT432A
Specialists
Charlotte Riordan
charlotte.riordan@lyonandturnbull.com
+44 (0)131 557 8844
Carly Shearer
carly.shearer@lyonandturnbull.com
+44 (0)131 557 8844
Catalogue: £10
BUYERS’ PREMIUM
25% up to £50,000
20% thereafter.
VAT will be charged on the premium
at the rate imposed by law.
†20% VAT chargeable on the lot itself
*5% import VAT on the lot
§Droit de Suite (artists’ resale rights)
applies
(see our Terms and Conditions of Sale
and Information for Buyers).
Viewing
Sunday, 22nd March, 2015 12 noon - 4pm
Monday, 23rd March, 2015 10am - 5pm
Tuesday, 24th March, 2015 10am - 5pm
Morning of Sale from 9am
ENQUIRIES AND COMMISSION BIDS
Lyon and Turnbull Ltd.
33 Broughton Place
Edinburgh EH1 3RR
Tel. 0131 557 8844
Fax. 0131 557 8668
email. info@lyonandturnbull.com
www.lyonandturnbull.com
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LY O N & T U R N B U L L
Important information
for buyers
Buying at Auction
This sale is subject to our standard
Terms and Conditions of Sale. If
you have not bought at auction
before we will be delighted to advise
you.
Estimates
Estimates are printed below each lot
and do not include the buyer’s
premium. The sale will be
conducted in pounds sterling.
Dimensions
Dimensions are for guidance only; it
is the buyer’s responsibility to
ensure that they are correct.
Buyer’s Premium
The buyer shall pay the hammer
price together with a premium
thereon.
25% up to £50,000 / 20% thereafter.
VAT will be charged on the premium
at the rate imposed by law. (see our
Terms and Conditions of Sale).
VAT
The symbol † by a lot number
indicates that VAT is payable by the
purchaser at the standard rate on
the hammer price.
The symbol * by a lot number
indicates that the lot has been
temporarily imported from outside
the EU and that VAT is payable by
the purchaser at the rate of 5% on
the hammer price.
No VAT is payable on the hammer
price or premium for books bought
at auction.
Droit de Suite
This symbol § indicates works which
may be subject to the Droit de Suite
or Artist’s Resale Right, which took
effect in the United Kingdom on 14th
February 2006. We are required to
collect a royalty payment for all
qualifying works of art. Under new
legislation which came into effect on
1st January 2012, this applies to
living artists and artists who have
died in the last 70 years.
This royalty will be charged to the
buyer on the hammer price and in
addition to the buyer’s premium. It
will not apply to works where the
hammer price is less than €1,000
(euros). The charge for works of art
sold at and above €1,000 (euros) and
below €50,000 (euros) is 4%. For
items selling above €50,000 (euros),
charges are calculated on a sliding
scale.
All royalty charges are paid to the
appropriate collecting organisation
and no handling costs or additional
fees are retained by the auctioneer.
Resale royalties are not subject to
VAT.
Please note that the royalty payment
is calculated on the rate of exchange
at the European Central Bank on the
date of the sale.
More information on Droit de Suite
is available at www.dacs.org.uk
Damage and Restoration
Occasionally, when a lot has
suffered extensive damage and/or
restoration it is indicated in the
catalogue. This is mentioned entirely
at our discretion for the benefit of
buyers. Where there is no mention
of damage and/or restoration this
should not be taken to mean that
there is none. It is the buyer’s
responsibility to ensure that the
condition of lots is to their
satisfaction (see our Terms and
Conditions of Sale).
Condition Reports
If potential buyers are unable to
inspect lots in person our specialists
will be happy to prepare detailed
Condition Reports on individual lots
as quickly as possible. These are for
guidance only and all lots are sold
‘as found’ (see our standard Terms
and Conditions of Sale).
Electrical Goods
Lots that were once operated by
mains electricity are bought entirely
at the buyer’s risk. They are offered
for sale for display or historical
purposes and may not comply with
current regulations.
Import/Export
Prospective buyers are advised that
several countries prohibit the
importation of property containing
materials from endangered species,
including but not limited to rhino
horn, ivory, coral and tortoiseshell.
Accordingly, prospective buyers
should familiarize themselves with
all relevant customs regulations
prior to bidding if they intend to
import lots to another country.
It is the buyer’s sole responsibility to
obtain any relevant export or import
licence. The denial of any licence or
any delay in obtaining licences shall
neither justify the recession of any
sale nor any delay in making full
payment for the lot.
CITES
Please be aware that lots marked
with the symbol Y contain material
which may be subject to CITES
regulations when exporting outside
the EU. For more information visit
http://www.defra.gov.uk/ahvla-en/
imports-exports/cites/
Bidding
Please note that all first time
bidders at Lyon & Turnbull will be
asked to supply the following
documents in order to facilitate
registration:
1 – Government issued photo ID
(Passport/ Driving licence)
2 – Proof of address (utility bill/ bank
statement)
You may present these documents in
person or, alternatively, fax or email
copies to us. We may, at our option,
also ask you to provide a bank
reference and/ or deposit.
At the Sale
Potential buyers must register and
collect a bidding number before the
sale begins, and show that number
if successful in purchasing a lot.
Please ensure that the auctioneer
repeats the number correctly when
confirming the sale. If there is any
doubt at this stage as to the
hammer price or buyer it must be
brought to the auctioneer’s attention
immediately. All lots will be invoiced
to the name and address given on
your registration form, which is nontransferable. If you have purchased
a lot you may take your bidding
number to the accounts department
and receive an invoice immediately.
If you have not been successful
please leave the number at the
Registration or Reception desks.
In writing
Bid forms are available at the sale
and/or the back of the catalogue.
These should be submitted in
person, by post, or by fax as soon as
possible prior to the sale and we will
bid on your behalf up to the limit
indicated. In the event of receiving
two identical bids the first one
received will take precedence. All
bids must be received an hour
before the sale. This service entirely
at the bidder’s risk.
By telephone
Bids submitted by telephone must
be confirmed in writing.
Telephone bidding
If you are unable to attend the sale
we can normally arrange for you to
bid on the telephone. This service is
available entirely at our discretion
and at the bidder’s risk. All
telephone bids must be confirmed in
writing, listing the relevant lots and
appropriate number to be called. We
recommend that a covering bid is
also left in the event that we are
unable to make the call. We cannot
guarantee that lines will be
available, or that we will be able to
call you on the day, but will
endeavour to undertake such bids to
the best of our abilities. All bid
requests must be received an hour
before the sale.
Methods of Payment
Goods purchased will not be
released until we have received full
payment.
Bank Transfer
Please find details in any email
invoice we issue or upon request
from our accounts department.
Cash
Cash payments can be made at the
accounts desk during or after a sale.
Credit or Debit Cards
Payment can be made by Visa Debit,
Maestro, Mastercard or Visa Credit
cards. Please note there is a 2%
surcharge on credit card payments
and we do not accept Amex..
Online Payments
We no longer accept card payments
by phone, please use our online
payment service (powered by
Credorax). You will find a link to this
service in any email invoice issue or
you can visit the payments section of
our website.
Cheque
Cheques should be made payable to
Lyon and Turnbull Ltd. We reserve
the right to wait until cheques have
been cleared by our bankers before
releasing bought goods. Cheques
can be cleared prior to sale on
request. Cheques drawn by third
parties cannot be accepted. If paying
by post please include the slip from
your invoice.
Collection
It is the buyer’s responsibility to
ascertain collection procedures,
particularly if the sale is not being
held at our main saleroom.
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LY O N & T U R N B U L L
Order of Sale
Wednesday, 25th March, 2015 at 11am
1-54
55-110
Art Glass
British Ceramics
111-119
Continental Ceramics
120-146
Silver, Jewellery & Plated Wares
147-181
Other Metalwares
182-192
Clocks & Miscellaneous
193-205
Lighting
206-232
Sculpture
233-242
Stained Glass
243-266
Works on Paper, Books & Folios
267-281
Textiles
282-349
Furniture
351-446
19th & 20th Century Pictures (sale commences at 3pm)
IMPORT/EXPORT
Prospective buyers are advised that several countries prohibit
the importation of property containing materials from
endangered species, including but not limited to rhino horn,
ivory, coral and tortoiseshell. Accordingly, prospective buyers
should familiarize themselves with all relevant customs
regulations prior to bidding if they intend to import lots to
another country.
It is the buyer’s sole responsibility to obtain any relevant export
or import licence. The denial of any licence or any delay in
obtaining licences shall neither justify the recession of any sale
nor any delay in making full payment for the lot.
IMPORT OF IVORY INTO THE USA
Please note that there are now revised rules with regards the
import of ivory and items containing ivory into the USA – as the
situation currently stands it is not possible to import any items
containing ivory into the USA.
CONDITION REPORTS
Please note that damage and/or restoration is indicated in the
catalogue at our discretion. We are pleased to provide condition
reports on all lots for those who cannot view in person.
ONLINE CATALOGUE
For colour illustrations of all lots in this sale please consult our
website at www.lyonandturnbull.com
IMAGES
Please note that images are not necessarily to scale.
TELEPHONE BIDDING
Please note that all absentee and telephone bid requests must
be received an hour before the sale.
3
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Art Glass
1
CHRISTOPHER DRESSER (1834-1904) FOR
JAMES COUPER & SON, GLASGOW
‘CLUTHA’ GLASS VASE, CIRCA 1880
of tapering twisted form with broad rim, the
green glass body with milky inclusions
28.5cm high
Literature:
For a similar example see ‘Christopher Dresser: People’s
Designer’ exhibition catalogue by New Century, 2nd 19th June 1993, fig 114
£800-1,200
2 HB640/36
HANNAH MOORE WALTON (1863-1940)
GROUP OF SIX ENAMELLED GLASS
FINGER BOWLS, CIRCA 1900
decorated with fish, frogs, kingfishers,
shrimp, five bear enamelled initials HW (6)
12cm diameter
£500-800
3 HB541/1
JOHN MONCRIEFF LTD., PERTH
MONART ‘PAISLEY PATTERN’ GLASS VASE,
CIRCA 1930
of ovoid form overlaid with swirls in silver and
blue on a red ground, bears paper label VII/ A/ 63
18cm high
£500-700
4 HB541/3
JOHN MONCRIEFF LTD., PERTH
‘MONART’ BALUSTER VASE, CIRCA 1930
with blue and green mottled inclusions
30cm high
£400-600
5 HB536/10
JAMES COUPER & SONS, GLASGOW
‘CLUTHA’ GLASS VASE, CIRCA 1900
of baluster form with a fluted neck, in
dark yellow glass with orange swirls and
bubble inclusions
16.5cm high
£300-400
4
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LY O N & T U R N B U L L
Decorative Arts
6 HB680/7
RENÉ LALIQUE (1860-1945)
RARE ‘RONCES’ FROSTED ELECTRIC
BLUE GLASS VASE, DESIGNED 1921
of tall cylindrical form, moulded with
brambles, etched script and moulded
marks R. LALIQUE
7 HB680/6
RENÉ LALIQUE (1860-1945)
‘RONCES’ CLEAR, FROSTED AND
ANTHRACITE GLASS VASE, DESIGNED
1921
of tall cylindrical form, moulded with
brambles, moulded marks R. LALIQUE
8 HB680/5
RENÉ LALIQUE (1860-1945)
‘RONCES’ CLEAR, FROSTED AND BLUE
STAINED GLASS VASE, DESIGNED 1921
of tall cylindrical form, moulded with
brambles, etched script and moulded
marks R. LALIQUE
23.2cm high
23.2cm high
23.2cm high
£5,000-7,000
£1,500-2,000
£1,000-1,500
17cm high
10 HB680/12
RENÉ LALIQUE (1860-1945)
‘DAHLIA’ CLEAR, FROSTED AND BLACK ENAMEL VASE,
DESIGNED 1923
of flattened ovoid form, script etched mark R. LALIQUE/
FRANCE/ No. 938
£2,500-3,500
12cm high
9 HB680/9
RENÉ LALIQUE (1860-1945)
‘ORMEAUX’, JADE GREEN GLASS VASE, DESIGNED 1926
of ovoid form, moulded with elm leaves, script etched mark R.
LALIQUE/ FRANCE/ No. 984
£2,000-3,000
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LY O N & T U R N B U L L
Decorative Arts
11 HB680/4
RENÉ LALIQUE (1860-1945)
‘MALESHERBES’, CASED JADE GREEN OPALESCENT
GLASS VASE, DESIGNED 1927
of tapered ovoid form, moulded with overlapping leaves,
script etched marks R. LALIQUE/ FRANCE/ No 1074
12 HB680/3
RENÉ LALIQUE (1860-1945)
‘MALESHERBES’, TOPAZ FROSTED GLASS VASE,
DESIGNED 1927
of tapered ovoid form, moulded with overlapping leaves,
script etched marks R. LALIQUE/ FRANCE
23cm high
£2,000-3,000
£4,000-6,000
23.7cm diameter
15 HB680/18
RENÉ LALIQUE (1860-1945)
‘VOLUBILIS’ PALE OPALESCENT GLASS
BOWL, DESIGNED 1921
moulded with convolvulus, wheel etched
mark R. LALIQUE/ FRANCE, script
etches mark No. 383
17 HB680/19
RENÉ LALIQUE (1860-1945)
‘ONDES’ OPALESCENT GLASS PLATE,
DESIGNED 1922
with flared rim, moulded with a waved
design, stencil etched mark R. LALIQUE/
FRANCE
£250-350
21.5cm diameter
25cm diameter
13 HB680/14
RENÉ LALIQUE (1860-1945)
‘POISSONS’ OPALESCENT GLASS
BOWL, DESIGNED 1921
moulded with fish, stencil etched mark
R. LALIQUE/ FRANCE
£300-500
£300-500
14 HB680/16
RENE LALIQUE (1860-1945)
‘COQUILLES’ LARGE OPALESCENT
GLASS BOWL, DESIGNED 1924
moulded with cockle shells, wheel
etched mark R. LALIQUE/ FRANCE,
script etched mark No. 3200
16 HB680/15
RENÉ LALIQUE (1860-1945)
‘ONDES’ OPALESCENT GLASS BOWL,
DESIGNED 1922
moulded with a waved design, stencil
etched mark R. LALIQUE/ FRANCE
24cm diameter
20.3cm diameter
18 HB680/21
RENÉ LALIQUE (1860-1945)
‘JAFFA’ CLEAR AND FROSTED GLASS
PLATE, DESIGNED 1932
moulded with an overlapping leaf
design, stencil etched mark R. LALIQUE/
FRANCE
£400-600
£400-600
31cm diameter
£200-300
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LY O N & T U R N B U L L
Decorative Arts
19 HB680/13
RENÉ LALIQUE (1860-1945)
‘LYS’ CLEAR, FROSTED AND
OPALESCENT GLASS BOWL,
DESIGNED 1924
with four feet moulded as
lilies, wheel etched mark R.
LALIQUE/ FRANCE, script
etched mark No. 382
20 HB680/20
RENÉ LALIQUE (1860-1945)
‘VOLUTES’ OPALESCENT
GLASS PLATE, DESIGNED
1934
moulded with a scrolled
design, stencil etched mark
R. LALIQUE/ FRANCE
23.7cm diameter
£400-600
27cm diameter
£800-1,200
21 HB680/17
RENÉ LALIQUE (1860-1945)
‘DAUPHINS’ OPALESCENT GLASS
BOWL, DESIGNED 1932
moulded as swimming dolphins in the
waves, stencil etched mark R. LALIQUE/
FRANCE
23.3cm diameter
£800-1,200
22 HB680/23
RENÉ LALIQUE (1860-1945)
‘PÉLICAN’ OPALESCENT
GLASS ASHTRAY,
DESIGNED 1931
moulded as a Pelican holding
a fish, stencil etched mark R.
LALIQUE/ FRANCE
23 HB680/24
RENÉ LALIQUE (1860-1945)
‘DINDON’ OPALESCENT
GLASS ASHTRAY,
DESIGNED 1925
moulded as a Turkey, script
etched mark R. LALIQUE/
FRANCE/ No. 287
9cm diameter
9cm diameter
£800-1,200
£300-500
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LY O N & T U R N B U L L
Decorative Arts
24 HB680/1
RENÉ LALIQUE (1860-1945)
‘FORMOSE’, CASED OPALESCENT GLASS
VASE, DESIGNED 1924
of ovoid form, moulded with fish, script etched
marks R. LALIQUE/ FRANCE
25 HB680/2
RENÉ LALIQUE (1860-1945)
‘FORMOSE’, TOPAZ GLASS VASE,
DESIGNED 1924
of ovoid form, moulded with fish,
with traces of original white
staining, script etched marks R.
LALIQUE/ FRANCE/ No. 934
17cm high
£1,800-2,200
17cm high
£1,500-2,500
26 HB680/8
RENÉ LALIQUE (1860-1945)
‘SOUCIS’ COBALT BLUE GLASS VASE,
DESIGNED 1930
the frosted body moulded with marigolds,
with flaring rim, moulded mark R.
LALIQUE, etched script mark FRANCE
18cm high
£5,000-7,000
27 HB680/11
RENÉ LALIQUE (1860-1945)
‘GRAINES’ OPALESCENT
GLASS VASE, DESIGNED 1930
moulded with seeds and with
a tall flaring rim, stencil
etched mark R. LALIQUE/
FRANCE
28 HB680/22
RENÉ LALIQUE (1860-1945)
‘CHAMPIGNY’ A SET OF SIX
GLASSES, DESIGNED 1932
each of tapered cylindrical
form with applied foot, stencil
etched mark R. LALIQUE (6)
19.5cm high
£250-350
£1,500-2,000
8
9cm high
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LY O N & T U R N B U L L
Decorative Arts
29 HB680/10
RENÉ LALIQUE (1860-1945)
‘ARCHERS’ CASED OPALESCENT GLASS VASE,
DESIGNED 1921
of shouldered ovoid form, moulded with archers and
birds in flight, script etched mark R. LALIQUE/ FRANCE/
No. 893
26.5cm high
£8,000-12,000
30 HB5/1
CRISTAL LALIQUE
PAIR OF CLEAR AND FROSTED GLASS
WINE COASTERS, POST 1945
each of circular form, the broad rims
moulded, etched script mark LALIQUE/
FRANCE (2)
14cm diameter
£200-300
31 HB434/1
CRISTAL LALIQUE
COLLECTION OF CLEAR AND FROSTED
GLASS VESSELS, MODERN
comprising TWO VASES, 28cm and
24.5cm high; a SCENT BOTTLE AND
STOPPER, 8cm high; and a FIGURE OF A
BIRD, 7cm high, each with script etched
maker’s marks (4)
32 HB139/4
CRISTAL LALIQUE
‘NEMOURS’ PATTERN FROSTED GLASS
BOWL, POST 1945
with allover moulded floret pattern,
script etched mark LALIQUE/ FRANCE
25.5cm diameter
£200-300
£500-700
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LY O N & T U R N B U L L
Decorative Arts
33 HB312/8
RENÉ LALIQUE (1860-1945)
‘DEUX MOINEAUX DORMANT’
FROSTED GLASS VASE, DESIGNED
of flattened circular form, traces of
original blue staining, moulded
mark to body R. LALIQUE
20.2cm high
£1,000-1,500
34 HB541/6
RENÉ LALIQUE (1860-1945)
‘RAMPILLON’ AMBER GLASS VASE,
DESIGNED 1927
of tapered form with allover decorative
prunts, wheel etched mark R. LALIQUE/
FRANCE
12.5cm high
£800-1,000
35 HB541/7
RENÉ LALIQUE (1860-1945)
‘COQUILLES’ PATTERN OPALESCENT
GLASS LAMP, 1930S
with patinated brass fittings and base,
wheel etched to each ‘shade’ R. LALIQUE/
FRANCE
29cm high
£1,000-1,200
36 HB541/10
RENÉ LALIQUE (1860-1945)
'DEUX CHÈVRES', CLEAR AND FROSTED
GLASS HAND MIRROR, DESIGNED 1919
of circular form, moulded with a pattern
of goats and fruiting vines and with
traces of original sepia staining, indistinct
moulded marks
16.2cm diameter
£500-700
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LY O N & T U R N B U L L
Decorative Arts
37 HA894/7
RENÉ LALIQUE (1860-1945)
‘DOMRÉMY’ FROSTED GLASS VASE,
DESIGNED 1926
of baluster form, moulded with
thistles with indistinct dark green
staining, script etched mark R.
LALIQUE/ FRANCE/ H0/5 979
22cm high
£700-900
39 HA894/10
RENÉ LALIQUE (1860-1945)
‘FOUGÈRES’ FROSTED TOPAZ GLASS VASE,
DESIGNED 1912
of bulbous form, moulded with layered
leaves, script etched mark LALIQUE
38 HA894/9
RENÉ LALIQUE (1860-1945)
‘ALBERT’ TOPAZ GLASS VASE,
DESIGNED 1925
of cylindrical form with twin handles moulded
as birds, wheel etched marks R. LALIQUE/
FRANCE
17.5cm high
£800-1,200
15cm high
£700-900
40 HA894/8
RENÉ LALIQUE (1860-1945)
‘PIRIAC’ FROSTED AND OPAL GLASS VASE,
DESIGNED 1930
converted to a lamp, of fluted form, moulded
with overlapping fish above waves, stencil
etched mark R. LALIQUE/ FRANCE
18cm high
£600-800
41 HB538/4
LALIQUE, FRANCE
‘BAGATELLE’ CLEAR AND FROSTED
GLASS VASE, POST 1945
moulded with birds and foliage, stencil
etched mark LALIQUE/ FRANCE, small
chip to foot rim
42 HB139/5
CRISTAL LALIQUE
‘ELIZABETH’ FROSTED GLASS FOOTED
BOWL, POST 1945
highlighted with gilt, in original box,
script etched mark LALIQUE/ FRANCE
17cm high
£150-250
14cm high
£200-300
11
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LY O N & T U R N B U L L
Decorative Arts
43 HA894/3
DAUM, NANCY
‘MONNAIE DU PAPE’ CAMEO GLASS
VASE, CIRCA 1910
of square form, the mottled orange
glass acid etched with honesty seed
pods, signed DAUM/ NANCY with
Cross of Lorraine, with indistinct
marks to underside
12cm high
£700-900
44 HA894/1
DAUM, NANCY
CAMEO GLASS VASE, CIRCA 1910
of square form, the mottled orange
glass acid etched with sailing ships,
water, and trees, signed DAUM/
NANCY with the Cross of Lorraine
12cm high
£600-800
45 HB312/15
DAUM, FRANCE
PAIR OF CLEAR AND FROSTED GLASS
DISHES, MODERN
each moulded with poppies, etched
maker’s marks (2)
47 HB102/6
ORREFORS, SWEDEN
GREEN OVOID GLASS VASE, DATED
1930
inscribed to base ORREFORS/ 1930/ H.Z.
L/8
21cm diameter
17cm high
£150-250
£100-200
46 HA894/12
QUERTZAL ART GLASS
TWO GLASS LIGHT SHADES,
CIRCA 1910
each with trailing gold iridescent glass
on a white ground, etched marks
QUETZAL (2)
48 HB570/2
KARL WIEDMAN FOR WMF
(WUERTTEMBERGISCHEN
METALLWARENFABRIK)
‘MYRA KRISTAL’ IRIDESCENT GLASS
BOWL, CIRCA 1926
of deep ovoid form with applied foot
£350-450
13cm high
14cm high
15cm high
£100-200
£200-300
£300-500
49 HB624/3
MANNER OF SCHNEIDER
ART NOUVEAU IRIDESCENT GLASS
VASE, CIRCA 1920
of shouldered tapering form, the
textured amber glass with bronze
iridescence within leaf-cast adonised
copper frame, stamped to base 2690
44.5cm high
12
50 HB623/1
ATTRIBUTED TO JAROSLAV BRYCHTA
FOR BIMINI
BLUE GLASS FIGURE OF DIANA AND
HER HOUND, CIRCA 1930
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LY O N & T U R N B U L L
Decorative Arts
51 HB541/8
CHARLES SCHNEIDER (1881-1952)
LARGE METAL MOUNTED GLASS TAZZA,
CIRCA 1925
the shallow mottled red and orange dish raised
on a striped baluster stem and metal foliate base
with glass ‘berries’, etched mark SCHNEIDER
38.5cm diameter, 36cm high
£1,000-1,500
52 HB108/2
GEOFFREY BAXTER (1922-1995) FOR
WHITEFRIARS
WAISTED TEXTURED GLASS VASE, CIRCA 1967
cinnamon colourway, 31.2cm high; and a
‘CUCUMBER’ GLASS VASE, cinnamon
colourway, 28.5cm high (2)
£300-500
53 HB495/1
VITTORIO ZECCHIN (1878-1947) FOR M.V.M.
CAPPELLIN, MURANO
BLUE GLASS TABLE CANDELABRA, CIRCA 1930
with twin branches above a column on spreading
foot, etched marks M.V.M CAPPELLIN/ MURANO
31.5cm high
£300-500
54 HB562/2
ATTRIBUTED TO ALFRED BARBINI,
FOR CENEDESE & CO., MURANO
GLASS BLOCK AQUARIUM,
MID 20TH CENTURY
of curved rectangular outline, with
two brightly coloured fish above
plants and foliage
26cm wide, 18.5cm high, 5cm deep
£300-500
13
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British Ceramics
56 HB540/1
WEMYSS WARE
‘DRAGONFLIES’ PATTERN
EWER, CIRCA 1900
painted and impressed marks
WEMYSS
21.5cm high
£800-1,200
55 SV254/86
WEMYSS WARE
TWO COMMEMORATIVE GOBLETS, DATED 1897
each bearing inscription THE SIXTIETH YEAR OF
QUEEN VICTORIAS REIGN/ 1897, each with
impressed maker’s marks WEMYSS WARE/
R.H.&S. and with retailer’s marks (2)
13.5cm high
Provenance:
The Collection of the Countess of Lanesborough, previously
at Swithland Hall, Leicestershire.
£300-500
57 HB540/2
WEMYSS WARE
‘STRAWBERRIES’ PATTERN LOW
QUAICH, CIRCA 1900
decorated by Edwin Sandlands,
painted and impressed marks
WEMYSS, one handle restored
26cm across
£300-500
58 HB540/3
WEMYSS WARE
SMALL ‘PURPLE PLUMS’
PATTERN LOVING CUP,
CIRCA 1900
impressed mark WEMYSS,
hairline
59 HB540/4
WEMYSS WARE
‘DOG ROSES’ PATTERN PIN
TRAY, CIRCA 1900
decorated by James Sharp,
painted and impressed marks
WEMYSS
60 HB540/9
WEMYSS WARE
‘CHERRIES’ PATTERN SIDE
PLATE, CIRCA 1900
impressed mark WEMYSS
WARE
18.5cm diameter
61 HB540/6
WEMYSS WARE
‘PHEASANTS’ PATTERN MILK
JUG, CIRCA 1900
impressed mark WEMYSS
WARE/ R.H.&S., printed
retailer’s mark
10.5cm high
14.5cm long
£200-300
6.7cm high
£250-350
£200-300
14
£150-250
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LY O N & T U R N B U L L
Decorative Arts
62 HB540/5
WEMYSS WARE
‘PHEASANTS’ CHOCOLATE POT AND
COVER, CIRCA 1900
painted marks WEMYSS WARE,
impressed mark WEMYSS, bears
retailer’s mark
13.5cm high
£300-500
63 HB540/7
WEMYSS WARE
‘DAISIES AND FORGET-ME-NOTS’ PATTERN
GORDON PLATE, CIRCA 1900
impressed mark WEMYSS WARE/ R.H.&S.
21cm diameter
£200-300
64 HB540/8
WEMYSS WARE
‘PURPLE PLUMS’ PATTERN GORDON PLATE,
CIRCA 1900
painted marks WEMYSS/ T. GOODE & CO./
LONDON, impressed mark WEMYSS
20.5cm diameter
£200-300
65 HB540/10
WEMYSS WARE
‘GREENGAGES’ PATTERN
SIDE PLATE, CIRCA 1900
printed retailer’s mark
18.5cm diameter
£300-500
66 HB540/11
WEMYSS WARE (ATTRIB.)
PAIR OF ‘PHEASANTS’
PATTERN COFFEE CANS AND
SAUCERS, CIRCA 1900
painted on Copeland blanks
(4)
£200-300
15
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LY O N & T U R N B U L L
Decorative Arts
67 HB642/6
ELIZABETH MARY WATT
(1886-1954)
GLASGOW STYLE HAND
PAINTED PORCELAIN
BREAKFAST SET, CIRCA 1915
comprising a teapot, sugar
basin, cream jug, cup, saucer,
side plate and toast rack,
painted with stylised fruit &
foliage in shades of purple,
green, sienna, orange, yellow
and black against a cream
ground, each piece with
painted mark EMW (7)
£200-300
68 HB213/1
BOUGH POTTERY, EDINBURGH
TWO CIRCULAR WALL
CHARGERS, 1930S
one decorated by Elizabeth
Amour, with Camellias,
31cm diameter; the other
decorated by Richard Amour,
with Sweetpeas,
31cm diameter, both with
printed and painted maker’s
marks (2)
£300-500
69 HA992/15
JOHN MOYR SMITH (1839-1912) FOR
MINTON’S CHINA WORKS
PAIR OF DUST-PRESSED TILES,
CIRCA 1875
each decorated in the ‘Classical Figures
with Musical Instruments’ series,
moulded maker’s marks (2)
20.3cm square
£100-200
16
70 HB388/7
ATTRIBUTED TO LINTHORPE POTTERY
LARGE FOOTED VASE, CIRCA 1900
the ovoid body with ribbed decoration,
covered in green, yellow and red glazes
66cm high
£300-500
71 HB349/1
GEORGE TINWORTH (1843-1913) FOR
DOULTON LAMBETH
STONEWARE VASE, CIRCA 1880
incised with scrolling foliage, impressed
and incised factory marks, incised
monogram to body GT
31cm high
£250-350
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LY O N & T U R N B U L L
Decorative Arts
73 HB640/34
ALFRED WATERHOUSE (1830-1905)
TERRACOTTA WALL TILE FROM THE
NATURAL HISTORY MUSEUM, LONDON,
CIRCA 1875
modelled as a Pterodactyl, the tile
indistinctly inscribed to the bottom edge
EXTINCT SH***/ 37/ ****
30cm x 21.5cm
£300-500
72 HB640/7
W.T. COPELAND & SONS
GROUP OF 24 ‘MEDIEVAL
OCCUPATIONS’ DUST-PRESSED TILES,
CIRCA 1880
mounted in a pair of brass frames (24)
Panels: 92cm x 32cm, Tiles: 15cm square
£1,000-1,500
74 HB640/37
JOHN MOYR SMITH (1839-1912)
FOR MINTONS
A GROUP OF SIX ‘ANACREON’
PLATES, CIRCA 1877
of seven designs, each with
impressed maker’s marks (6)
25cm diameter
£300-500
17
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LY O N & T U R N B U L L
Decorative Arts
75 HB580/4
MINTON’S SECESSIONIST
LARGE STICK STAND, CIRCA 1900
of cylindrical form, decorated with
poppies, printed and impressed
maker’s marks
57cm high
£500-800
76 HB580/2
MINTON’S SECESSIONIST
LARGE JARDINIERE, CIRCA 1900
decorated with stylised lilies, impressed
factory marks
32cm high
£200-300
77 LT2015/7
MINTON’S CHINA WORKS
PÂTE SÜR PÂTE REDWARE MOON FLASK,
CIRCA 1880
decorated with flowering foliage on a
mottled ground, impressed marks,
14cm high; and a MINTON PÂTE SÜR PÂTE
CIRCULAR JUG, CIRCA 1880, the
decoration reserved on a cobalt blue
ground, impressed marks, 20.5cm high (2)
£200-300
18
78 HB565/1
CHRISTOPHER DRESSER (1834-1904)
FOR MINTON’S CHINA WORKS
DUST-PRESSED TILE, CIRCA 1880
black line printed and enamel decorated
with blue tits resting on grasses against
a white ground, within dot and line
borders, pattern book number 1143
21cm square
£150-200
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LY O N & T U R N B U L L
Decorative Arts
79 HA953/6
WILLIAM DE MORGAN (1839-1917)
PERSIAN CERAMIC BOWL, CIRCA 1890
of deep circular form, decorated by Joe
Juster to the exterior with curled fronds,
flowers and leaves and to the interior
with a circular panel of tulip flowers
within a stellar band, painted mark W DE
MORGAN, FULHAM, JJ
26cm diameter
£1,000-1,500
80 HB312/12
WILLIAM DE MORGAN (1839-1917)
RUBY LUSTRE WALL CHARGER,
CIRCA 1900
decorated with an exotic bird within a
foliate band and decorated to the
reverse with leafy border and concentric
ring design, cracked and repaired
36cm diameter
£300-500
81 HB542/7
WILLIAM DE MORGAN (1839-1917)
CIRCULAR RUBY LUSTRE WALL
PLATE, CIRCA 1880
the broad rim painted with rampant
beasts and foliage, decorated verso
with foliate motifs
82 HA953/5
WILLIAM DE MORGAN (1839-1917)
‘BBB’ 8” CERAMIC TILE,
CIRCA 1890
impressed Sands End mark
21cm square
£300-500
29.5cm diameter
£400-600
19
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LY O N & T U R N B U L L
Decorative Arts
83 HB205/2
LIZZIE WILKINS FOR DELLA ROBBIA POTTERY, BIRKENHEAD
LARGE TERRACOTTA JARDINIERE, DATED 1900
decorated with bands of thistles, shamrocks and roses,
painted marks under base with artist’s monogram LW
84 HB217/2
DELLA ROBBIA POTTERY, BIRKENHEAD
SHOULDERED TAPERING VASE, DATED 1895
decorated with vertical leafy panels, painted maker’s
marks, bears initials A.W.
25cm high, 36cm across
£1,500-2,000
29cm high
£400-600
85 HB217/1
RUTH BARE FOR DELLA ROBBIA
POTTERY, BIRKENHEAD
DOUBLE GOURD SHAPED BOTTLE VASE,
CIRCA 1900
decorated with bands of flowerheads,
incised maker’s marks
24.5cm high
£300-500
23.5cm high
87 HB542/2
CARTER & COMPANY
LARGE CIRCULAR CHARGER,
EARLY 20TH CENTURY
with moulded rim, covered in
a flambé and celadon glaze,
impressed mark C to base
£200-300
43cm diameter
86 HB102/1
RUSKIN POTTERY
CYLINDRICAL VASE,
CIRCA 1905
covered with a purple soufflé
glaze, apparently unmarked
£150-200
20
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LY O N & T U R N B U L L
Decorative Arts
88 HB312/11
MOORCROFT POTTERY FOR
LIBERTY & CO., LONDON
‘TUDRIC’ PEWTER MOUNTED
‘POMEGRANATE’ PATTERN BOWL,
CIRCA 1920
stamped marks TUDRIC/
MOORCROFT/ 01312
25.5cm across
£300-500
89 HB312/9
MOORCROFT POTTERY
‘MOONLIT BLUE’ PATTERN MINIATURE
VASE, CIRCA 1920
of squat baluster form, impressed marks
8cm high
£300-500
90 HB312/10
MOORCROFT POTTERY
‘MOONLIT BLUE’ PATTERN VASE,
CIRCA 1920
of flared cylindrical form, impressed
marks, signed W. MOORCROFT,
minor restoration
21cm high
£400-600
91 HA862/2
MOORCROFT POTTERY
‘CLAREMONT’ PATTERN
BALUSTER VASE, CIRCA 1925
signed in green, with impressed
factory marks
92 HA862/3
MOORCROFT POTTERY
‘CLAREMONT’ PATTERN BOTTLE
VASE, CIRCA 1916
signed in green, with impressed
factory marks
24cm high
32cm high
£800-1,200
£600-800
21
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LY O N & T U R N B U L L
Decorative Arts
93 HA390/1
WILLIAM MOORCROFT
MACINTYRE ‘FLORIAN WARE’ TWIN HANDLED
FOOTED BOWL, CIRCA 1900
decorated with flowers and with gilt embellishment,
printed marks, signed W. MOORCROFT
23.5cm across
£400-600
94 FH326/65
MOORCROFT POTTERY
SHOULDERED ‘POMEGRANATE’ PATTERN
VASE, CIRCA 1935
signed in blue W. MOORCROFT, impressed
factory marks with facsimile signature
33cm high
£600-800
96 HB312/13
GEORGE CARTLIDGE FOR
SAMPSON HANCOCK & SONS
LARGE ‘MORRIS WARE’
VASE, CIRCA 1920
decorated with flowering
stems on a mottled blue
ground, printed marks, signed
GEO. CARTLIDGE
97 HB102/7
POOLE POTTERY
OVOID TWIN HANDLED VASE,
CIRCA 1925
decorated by Ruth Pavely with
a frieze of flowering foliage,
impressed marks, painted
artist’s marks
37cm high
£200-300
£200-300
22
18cm high
95 FH326/62
MOORCROFT POTTERY
RARE ‘POMEGRANATE’ PATTERN TWIN HANDLED
JARDINIÈRE, CIRCA 1920
signed in green W. MOORCROFT, impressed factory
marks
38cm across
£1,000-1,500
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LY O N & T U R N B U L L
Decorative Arts
98 HB538/3
BESWICK POTTERY
BLACK GALLOWAY BULL FIGURE, ISSUED 1962-1969
black gloss glaze with grey muzzle, printed maker’s
marks under hoof (twice) BESWICK/ ENGLAND
19cm long
£700-900
99 HB495/2
CHARLES NOKE (1858-1941) FOR ROYAL
DOULTON
RARE ‘BUNNYKINS’ TEAPOT AND COVER,
LATE 1930S
the teapot formed as a rabbit, detailed with green
floral sprigs, reserved against a shaded brown
ground, printed maker’s marks
11cm high
£500-800
100 HB495/3
BESWICK POTTERY
DUCHESS (WITH FLOWERS), RARE BEATRIX
POTTER FIGURE, MID 20TH CENTURY
printed gilt marks
9.7cm high
£400-600
101 HB562/1
CLARICE CLIFF (1899-1972)
‘SUMMERHOUSE’ PATTERN CONICAL
SUGAR SIFTER, CIRCA 1931
painted in coloured enamels, bears
printed factory marks to base
14cm high
£500-800
23
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LY O N & T U R N B U L L
Decorative Arts
102§ HB529/2
ELIZABETH FRITSCH (B. 1940)
OPTICAL CUP & SAUCER, CIRCA 1998
stoneware, the flattened form with a
geometric cube design in multi-coloured
slip
15.5cm high
Literature:
London, The Fine Art Society 'Elizabeth Fritsch'
12-27 November 2008 , catalogue number 24 is a
similar example.
£4,000-6,000
103 HB315/1
BURMANTOFTS POTTERY, LEEDS
JARDINIÈRE & STAND, CIRCA 1890
the jardinière decorated with swimming
swans, the stand with shell and foliate
decoration, impressed marks
BURMANTOFTS/ FAIENCE/ 2018/
ENGLAND, and with painted marks COL
NO. 63/ 2 (2)
29cm diameter, 90.5cm high
£300-500
103A HB446/17
SUSIE COOPER (1902-1995)
‘BRACKEN’ PATTERN PART DINNER
SERVICE, 1930S
comprising 12 dinner plates; 11 dessert
plates; 12 twin-handled soup dishes and
stands; 13 side plates; 4 serving dishes;
2 vegetable dishes, one with cover;
sauce boat and stand; hors d’oeuvres
wooden tray with 6 oblong dishes,
printed maker’s marks (57)
£200-300
104 HB642/12
PHOEBE STABLER (1879-1955) FOR
ASHTEAD POTTERS LTD.
‘BUSTER GIRL’ POTTERY FIGURE,
DESIGNED 1922
depicting the figure of a young girl
wearing a hat and holding a bunch of
grapes with opaque white glaze
highlighted with muted tones of green,
purple and blue, impressed mark to the
body PHEOBE STABLER, the base
stamped M49 for 1927, ASHTEAD
POTTERS, BCM/ASHTD
19cm high
£200-300
105§ HB102/5
DAVE COHEN
RAKU VESSEL, DATED 1972
overlaid with silvered glaze, incised
artists marks
13cm high
Note:
David Cohen is the former Head of Ceramics at
the Glasgow School of Art (1986-1991). He
specialises in Raku and designs large plate
compositions for corporate and private
commission.
£100-200
24
106 HB102/2
GOLDSCHEIDER WITH MYOTT, SON &
CO., ENGLAND
PAIR OF NOVELTY BOOKENDS,
CIRCA 1930
each modelled as a dog with a ball,
printed maker’s marks (2)
approx. 17cm long
£200-300
107§ HA389/2
LYS HANSEN (B. 1936)
CIRCULAR WALL CHARGER,
DATED 1988
painted and incised with a mask, incised
signature and date verso LYS HANSEN/
88
43cm diameter
£200-300
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LY O N & T U R N B U L L
Decorative Arts
108§ HB529/1
EWAN HENDERSON (1934-2000)
LARGE OPEN BOWL
of tapered form with pale volcanic
textured surface
49cm across
Provenance:
Bought from the artist
£400-600
109§ HA549/2
DAVID ROBERTS (B. 1947)
RAKU VESSEL AND STAND, LATE 20TH CENTURY
the circular vessel with inverted rim on freeform
stand, both with impressed maker’s monogram (2)
36cm across
£300-500
110§ HA544/2
JULIA KIRILLOVA
‘THE THINKING MAN’, DATED 1987
earthenware figure in two parts, signed
under base twice KIRILLOVA and dated
1987
46cm high
£300-500
25
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Page 26
Continental Ceramics
111 HB349/2
FRIEDRICH GOLDSCHEIDER
(1845-1897)
TERRACOTTA FIGURE OF A
BOY, CIRCA 1890
polychrome and gilt
patination, impressed maker’s
marks 1194/61/67
73cm high
£300-500
112 HD520/18
J. MERCADIER FOR
GOLDSCHEIDER, AUSTRIA
TERRACOTTA FIGURE OF A BOY,
CIRCA 1900
modelled as a boy standing by a
sign marked ‘5KM’, in gilt and
brown enamels, raised on a
square plinth, signed J.
MERCADIER, with applied
maker’s marks, incised
REPRODUCTION RESERVEE and
1487/175/8
95cm high
£400-600
113 HB580/6
CONTINENTAL SCHOOL
ART NOUVEAU CERAMIC TRAY,
CIRCA 1910
moulded in relief and painted in colours
with stylised flowers, within white metal
border
56.5cm long
£250-350
114 FE28/3
KARL TUTTER (1883-1969) FOR
HURTSCHENREUTHER
‘SONNENKIND’ PORCELAIN FIGURE,
CIRCA 1920
modelled as a naked female dancer,
bisque fired and raised on a gilt
decorated base, printed factory marks,
bears manufacturer’s paper label
22cm high
£150-250
26
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LY O N & T U R N B U L L
Decorative Arts
115 HB314/2
ÉDOUARD ALEXANDRE DAMMOUSE (1850-1903)
FOR HAVILAND & CO.
LARGE EARTHENWARE JUG, CIRCA 1879
painted with impressionistic flowers on a graduated
ground, incised initials to body E.D., impressed
marks to base H&CO/L/2/1
34cm high
£800-1,200
116 HB635/1
AFTER DESIGNS BY HENRI BREETVELT
FOR GOUDA, ZUID HOLLAND
LARGE EARTHENWARE WALL PLATE,
CIRCA 1925
decorated with stylised flowers and leaves
within a foliate border, in multi-coloured
enamels, with painted marks 1165/35/ ZUIDHOLLAND/ GOUDA / BREETVELT
48cm diameter
£400-600
117 HB541/2
AXEL SALTO (1889-1961)
FOR ROYAL COPENHAGEN, DENMARK
CYLINDRICAL STONEWARE VASE, CIRCA 1960
modelled in the budded style, incised SALTO/ 6161, painted maker’s marks 20564
17cm high
£600-800
27
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LY O N & T U R N B U L L
Decorative Arts
118 HB634/1
KERAMOS, AUSTRIA
LARGE ART DECO CERAMIC FIGURE,
CIRCA 1930
moulded as a naked girl with floral
robe, raised on a plinth, printed
maker’s marks, moulded mark 1863
46cm high
£1,000-1,500
119 HB634/4
JOSEF LORENZL (1892-1950)
FOR GOLDSCHEIDER, VIENNA
FIGURE OF SPANISH LADY, 1930S
incised signature, printed mark
and numbered 5911 104 19
35.5cm high
£1,000-1,500
28
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Page 29
Silver
Jewellery &
Plated Wares
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Page 30
LY O N & T U R N B U L L
Decorative Arts
120 HB632/1
CHRISTOPHER DRESSER (1834-1904)
FOR JAMES DIXON & SONS
ELECTROPLATED THREE PIECE TEA SET, MODEL 2273,
CIRCA 1879
comprising a TEA POT with an ebony handle, 11cm high; a
MILK JUG, 6cm high; and a SUGAR BOWL, 8cm high, all with
facsimile signature C.DRESSER, stamped maker’s marks and
2273, with a registration mark for 25 November 1880 (3)
Literature:
Rudoe, J. 2008 ‘Design and Manufacture: Evidence from the Dixon & Sons
Calculation Books’, The Decorative Arts Society 1850 to the Present:
Christopher Dresser in Context, Journal 29: 66-83.
Sheffield Archives, Accession B12, Dixon costings book 1879, p. 111-113.
Halen, W., ‘Christopher Dresser’, Oxford, 1990, p. 181, pl. 205
30
Note:
This tea service is one of a group of remarkable designs that the
pioneering Victorian designer Christopher Dresser produced for James
Dixon & Sons of Sheffield from 1879-1883. A series of costings books, held
in the archives at Sheffield, reveal that Dresser produced approximately 80
designs for Dixon's, not all of which are thought to have gone into
production. This was possibly due to comparative expense of manufacture,
but also because of the radical nature of his designs. Dresser's interest in
and close understanding of the process of manufacture and the use of
materials are reflected in these books. They show how much each item
produced cost to make in detail, how they were made and, in most cases,
which were designed by Dresser. The entries for this tea service in the
costings book lay out the costs of manufacture and, in some cases, who
was to carry out the work. The cost to manufacture this set was
£2/17s/10d, one of the most expensive in the entire range.
£3,000-5,000
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121 HB632/2
CHRISTOPHER DRESSER (1834-1904) FOR HUKIN & HEATH
ELECTROPLATED TOAST RACK, CIRCA 1880
with fixed dividers on a domed base with bun feet stamped
marks to base H&H/ 2556, 14cm across; also an ELKINGTON’S
ELECTROPLATED CAULDRON SUGAR BOWL, with swing
handle and three strut feet, stamped maker’s marks 5911,
10.5cm diameter (2)
£300-500
122 SV254/305
CHRISTOPHER DRESSER (1834-1904)
FOR HUKIN & HEATH
ELECTROPLATED DOUBLE SWEETMEAT DISH,
CIRCA 1880
the twin cylindrical dished linked by an arched
handle and two pad feet, apparently unmarked
24cm across
Provenance:
The Collection of the Countess of Lanesborough,
previously at Swithland Hall, Leicestershire.
£200-300
123 HB282/1
CHRISTOPHER DRESSER (1834-1904)
FOR HUKIN & HEATH
ELECTROPLATED CRUET, CIRCA 1880
the hexagonal frame with three glass
lozenge-shaped dishes, angular handle,
impressed marks H&H/ DESIGNED BY
DR. C. DRESSER/ 1867
11cm across
£600-800
31
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124 HB507/2
CHRISTOPHER DRESSER (1834-1904)
FOR JAMES DIXON & SONS
ELECTROPLATED KETTLE, CIRCA 1880
of tapered from with hinged cover and applied handle, raised
on characteristic strut feet, stamped marks EP/ JD&S/ 2272/
AM and with facsimile signature CHR. DRESSER
23cm high
Literature:
Rudoe, J. 2008 'Design and Manufacture: Evidence from the Dixon & Sons
Calculation Books', The Decorative Arts Society 1850 to the Present:
Christopher Dresser in Context, Journal 29: 66-83.
Sheffield Archives, Accession B12, Dixon costings book 1879, p. 107 and
Accession B496, Dixon costings book 1881, p. 98
Whiteway, Michael (edit.) 'Shock of the Old: Christopher Dresser's Design
Revolution', London 2004, pp. 152-161 and p.155, pl. 194
32
Note:
This rare and extraordinary electroplated kettle was designed by Christopher
Dresser and produced by James Dixon & Sons of Sheffield from 1879 -1883.
Stamped 2273, the pot relates to Dresser's design for a tea set with the
same serial number which appears in the 1879 costings book, along with the
majority of his radical designs for the firm. In common with other tea
services, a larger version of the teapot appears in the 1881 costings book.
The majority of the designs in these books are not illustrated, with the
exception of those by Dresser, which usually appear as a thumbnail sketch
or photograph however a sketch or photo for the current lot does not appear
to have been made.
£8,000-12,000
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125 HB507/1
CHRISTOPHER DRESSER (1834-1904) FOR HUKIN & HEATH
CUT GLASS AND ETCHED SILVER CLARET JUG, DATED 1886
the silver fluted neck and flat lid etched with demi-lune
borders and citrus fruits, with a scrolled handle above the
mallet shaped cut glass body, hallmarked Hukin & Heath,
Birmingham 1886
21cm high
Literature:
Durant, Stuart “Christopher Dresser,” Academy Editions 1993, p.85
“Christopher Dresser: People’s Designer 1834 - 1904”, exhibition catalogue
by New Century 2nd - 19th June 1999, figures 82 and M-034
Note:
Hukin and Heath first displayed Dresser’s designs in their showrooms in
August 1879. The designs, along with those for James Dixon in Sheffield are
a reflection of the influence of his recent trip to Japan and demonstrate the
designers’ understanding of the process of manufacture, use of materials
and sophistication of line and decoration. The Furniture Gazette of August
23rd 1878 commented “In order that the firm may be recognised by the trade
as reliable in point of design in every article of manufacture…and to render
themselves secure against the inroads of wedding-cake art, Hukin & Heath
have wisely secured the services of one of the past masters of decoration, Dr
Christopher Dresser…(who)…has constantly laboured for many years to
teach…that in order to be inexpensive – not cheap, that is gimcrack – an
article need not be ugly…The great charm about all Dr Dresser’s designs is,
that they start from a new departure…nothing is taken for granted.” The
claret jug offered here was amongst those designs, however it is the only
known example produced by the firm in silver.
£8,000-12,000
33
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126 HB448/1
CHRISTOPHER DRESSER (1834-1904)
FOR HEATH & MIDDLETON
SILVER AND EBONY TEAPOT, DATED 1895
of squat tapered form with an ebony knop finial and double Tau
handle, with a removable infuser, hallmarked Heath &
Middleton, Birmingham 1895
14.5cm high, 26cm long
Literature:
Whiteway, Michael, "Christopher Dresser 1834-1904", Skira 2001, p 88
Dennis, Richard and Jesse, John, "Christopher Dresser 1834-1904: An
exhibition arranged by Richard Dennis and John Jesse", The Fine Art Society
Ltd 1978, p.134.
Note:
Shortly after returning from his trip to Japan, Dresser designed a series of
metalware which were almost entirely without precedent and which ensured
his reputation as a proto-modernist and one of the great talents of 19th
century design. His designs for the London firm of Hukin & Heath were part
34
of this remarkable series and included designs for this teapot, with its
characteristic ebony handle and simple triangular line. Originally this model
was produced by the firm around 1878 as a plated spirit kettle with stand,
examples of which are kept in the collections at the Victoria & Albert
Museum, London; the National Museums, Liverpool and the British
Museum, London.
J.T. Hukin retired in 1881 and in 1886 J.T. Heath continued the partnership
with John Hartsghorne Middleton, forming the company Heath & Middleton.
It is held by repute that in 1895, to celebrate the success of this model,
Heath & Middleton commissioned three solid silver versions of this teapot.
Each of the silversmiths kept one teapot each, with the final piece, offered
here, being presented to Christopher Dresser's wife. It is thought that this
piece was then passed down by descent before being gifted by the family to a
friend in the 1970s.
£10,000-15,000
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127 HB508/1
AFTER CHARLES RENNIE MACKINTOSH,
BY SABATINI, ITALY
WHITE METAL FISH KNIFE AND FORK,
20TH CENTURY
after the cutlery set designed for Charles Rennie
Mackintosh and Margaret Macdonald Mackintosh
in c.1903, with elongated handles and pierced
detail, script etched mark CHARLES RENNIE
MACKINTOSH/ SABATINI/ ITALY, 1/9/8/6 (2)
fork 22.5cm long; knife 23cm long
£200-300
128 HB642/2
CHARLES RENNIE MACKINTOSH
(1868-1928) FOR MISS CRANSTON’S TEA
ROOMS, GLASGOW
ELECTRO-PLATED PRESERVE SPOON,
CIRCA 1900
with circular bowl and slender tapering
stem with trefoil terminal, cast mark MISS
CRANSTON’S
129 HB642/5
LIBERTY & CO., LONDON
IN THE STYLE OF ARCHIBALD KNOX
UNUSUAL ART NOUVEAU SILVER AND
ENAMEL MATCHBOX HOLDER, CIRCA 1903
with stylised Iris flower highlighted in
shades of green and mauve enamel issuing
from entwined Celtic knotwork, hallmarked
Birmingham 1903
15cm long
6cm long
£200-300
£400-600
130 LT2015/5
ARCHIBALD KNOX (1864-1933)
FOR LIBERTY & CO., LONDON
PAIR OF ‘CYMRIC’ SILVER AND
ENAMEL CANDLESTICKS, 1906
each with tapering columns on broad
circular bases inset with enamelled
Celtic knots, drip trays lacking, each
bearing maker’s marks CYMRIC/ L&CO,
hallmarked Birmingham 1906 (2)
16cm high
£800-1,200
35
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Decorative Arts
131 HB200/1
ART NOUVEAU SILVER MOUNTED AND
ENAMEL OAK JEWELLERY BOX, DATED 1904
of shaped rectangular form, with an
embossed silver mounted lid depicting
flowers and enamel panels, opening to reveal
a fitted interior, hallmarked Deakin & Francis
Ltd., Birmingham 1904
27cm wide, 4.5cm high, 13.5cm deep
£400-600
132 HB642/1
ALBERT EDWARD JONES
(1878-1954)
ARTS AND CRAFTS SILVER
TRINKET BOX, DATED 1906
embossed with roses and inscribed
GATHER YE ROSES/ WHILE YE MAY/
OLD TIME IS/ STILL A FLYING,
hallmarked Birmingham 1906
11.7cm across
£200-300
133 HB642/9
OMAR RAMSDEN (1873–1939) &
ALWYN CARR (1872-1940)
ARTS & CRAFTS SILVER JEWEL
BOX, DATED 1907
richly chased and embossed in low
relief with flowerheads and
entwined trailing foliage the sides
with further bands of sinuous
scrolling tendrils with silver-gilt
interior, makers mark: RN&CR,
hallmarked London 1907
11cm wide
£800-1,200
134 HB642/7
THE (NEWCASTLE)
HANDICRAFTS COMPANY
ARTS & CRAFTS SILVER
SUGAR BASIN AND CREAM
JUG, 1914/15
each with applied corded
wirework borders and beaded
spirals, bears makers mark:
NHCo., hallmarked
Birmingham 1914/15 (2)
11.5cm and 10cm diameter
36
Literature:
Peart, Tony and Moat, Neil ‘The Lost
Art-Workers of Tyneside - Richard
George Hatton and The (Newcastle)
Handicrafts Company’, Journal of
the Decorative Arts Society, no 17
(1993)
Note:
See Lyon & Turnbull, Lot 120,
Decorative Arts, 16th April 2014 for
footnote on The (Newcastle)
Handicrafts Company.
£300-500
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135 HA485/1
H. G. MURPHY (1884-1939)
FOR THE FALCON WORKS
SILVER CHALICE CUP, DATED 1937
the ovoid bowl with twin handles,
engraved with the Royal Coat of
Arms, on four ring-turned columns
and domed spreading base, bears
maker’s marks for Henry George
Murphy, hallmarked London 1937,
with Falcon Works mark, 683 grams
22cm wide (across the handles), 22.5cm high
Literature:
Atterbury, Paul and Benjamin, John 'The
Jewellery & Silver of H. G. Murphy: Arts and
Crafts to Art Deco', Woodbridge 2005, 143144
Note:
H.G. Murphy initially produced a series of cup
designs for the Kandahar ski club in the early
1930s. The present cup is hallmarked London
1937, and is engraved with the Royal Coat of
Arms. A smaller version of this cup was also
produced, which appears to have been a
consistent practice for Murphy's designs for
the Kandahar ski club, which was founded by
Sir Arnold Lunn and associate British skiers
in 1924 in Switzerland. By the end of the
1930s the club had achieved international
recognition for downhill and slalom racing,
which were admitted to the Winter Olympic
Games for the first time in 1936.
Compared to Murphy's initial conventional
designs for the club, the present cup has
been described as "more unusual, and more
distinct in its Art Deco form, is the Duke of
Kent Cup for the Kandahar Club. The cluster
column style of the stem seems to echo a
kind of mechanistic modernism but the
source is probably rather different, for among
the Murphy papers is a postcard showing a
medieval Nottinghamshire font with a cluster
column support."
The Duke of Kent cup can be placed within
the context of H.G. Murphy's increasingly
diverse work within a period of the 1930s in
which there was more public attention and
interest in sporting events, boosted by
successes such as the 1936 Berlin Olympics,
which Murphy himself attended.
£4,000-6,000
136 HB541/9
ROBERT EDGAR STONE
(1903-1990)
SILVER PRESENTATION CUP AND
COVER, DATED 1949
of flared tapering form, the pierced
cover with applied scrollwork
decoration and green hardstone
finial, the body with corresponding
applied decoration bearing
inscription TELEVISION/ RADIO/
LITERATURE/ STAGE/ SCREEN
and with dedication PRESENTED
BY/ THE SKETCH/ TO/ ANNETTE
MILLS/ CHOSEN FOR/ HER
OUTSTANDING ACHIEVEMENT/ IN
TELEVISION/ IN 1949, the whole
raised on a green hardstone plinth,
hallmarked London 1949
Note:
Annette Mills is best remembered for being
the partner of the puppet “Muffin”, in the
successful BBC Television children’s series
Muffin the Mule between 1946 and 1955.
She wrote the songs and the music, while
puppeteer Ann Hogarth wrote the scripts.
She made her TV debut in June 1946, when
she first appeared with Muffin the Mule, who
used to clip-clop around on top of a piano,
whilst Mills played a tune. She wrote several
Muffin the Mule songbooks and an
adventure tale about him, as well as making
records.
£800-1,000
24cm high
37
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137 HB642/10
EDWARD SPENCER (1872-1938)
FOR ARTIFICERS’ GUILD
ARTS & CRAFTS HAMMERED SILVER BON BON DISH,
DATED 1929
on four supports cast with roses, the stem with incised
wavy lines and applied corded wirework borders, bears
makers mark AsGdLd, stamped EDWARD SPENCER
DEL, hallmarked London, 1929
10cm diameter
£500-700
138 HB98/1
WMF (WÜRTTEMBERGISCHE
METALLWARENFABRIK)
ELECTROPLATED ‘ECHO’ STRUT MIRROR,
CIRCA 1900
the rectangular shaped frame cast with
sinuous flowering tendrils and an Art
Nouveau maiden with hand cupped to her
ear, enclosing a bevelled mirrored plate,
stamped maker’s marks
37cm x 28cm
£400-600
139 HB512/1
ATTRIBUTED TO WMF (WÜRTTEMBERGISCHE
METALLWARENFABRIK)
ELECTROPLATED JARDINIERE, CIRCA 1906
cast as a shell and surmounted by an Art Nouveau
mermaid and other sea creatures, apparently
unmarked
33cm high
£300-500
38
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140 HB541/12
INDIAN ART DECO
SILVER TEA SERVICE, CIRCA 1930
of architectonic form, comprising TEAPOT, CREAM JUG, AND
SUGAR BOWL, each engraved with a vacant cartouche, the teapot
with green Lucite handles and finials, inscribed under teapot
WITH BEST WISHES FROM M. LANDER (3)
teapot 12cm high
£1,000-1,200
141 HA893/3
JOHAN ERNST, DENMARK
SET OF TWELVE STERLING
SILVER FORKS, EARLY
20TH CENTURY
allover planished decoration,
scrolled and beaded
terminals, stamped marks,
16.9oz (12)
£400-600
142 HB566/1
ALEXANDER RITCHIE
(1856-1941), IONA
CIRCULAR SILVER BROOCH,
DATED 1938
cast with Celtic motifs,
stamped maker’s marks A.R/
IONA/ I.C.A., hallmarked
Birmingham 1938
5cm diameter
£150-250
143 HB642/3
ARTS & CRAFTS
SILVER & ENAMEL PENDANT
NECKLACE, CIRCA 1900
the heart-shaped pendant
decorated with a fish in
polychrome enamel, the
necklace clasp with further
enamel panel, beaded silver
chain
chain 38cm long
£150-250
144 HB562/3
ALEXANDER RITCHIE
(1856-1941), IONA
CIRCULAR SILVER BROOCH,
DATED 1910
cast with a masted ship,
marked A.R./ IONA, and
hallmarked Chester 1910,
2.1cm diameter; together with
a SILVER SPOON, DATED
1934, with a round well and a
cast handle with a Vikingstyle ship above the
inscription IONA, marked
IONA/A.R., hallmarked
Glasgow 1934, 11cm long (2)
£200-300
145 HB218/1
COLLECTION OF ART
NOUVEAU HORN
JEWELLERY,
EARLY 20TH CENTURY
to include A CARVED HORN
DRAGONFLY PENDANT,
CIRCA 1910, ATTRIBUTED TO
ELIZABETH BONTÉ, the
dragonfly carved in relief on a
reticulated bed of reeds, with
three ring loops, signed
indistinctly to verso,
8.8cm long; CARVED HORN
BROOCH BY GEORGES
PIERRE, PARIS, CIRCA 1900,
carved as a bird in flight, with
incised signature GIP,
11.8cm wide; together with a
LACQUERED HORN BROOCH,
of similar design, unsigned,
6.3cm wide; AN ART
NOUVEAU CARVED HORN
BEE BROOCH, CIRCA 1900,
with wings outstretched,
signed P. LUCAS, 7cm wide;
together with an ART
NOUVEAU CARVED HORN
CICADA BROOCH,
CIRCA 1900, with wings
folded, unsigned, 4cm long; a
CARVED HORN BUTTERFLY
SCARF RING, 3.7cm wide; and
a HORN BADGE CARVED
WITH THE LETTER ‘V’ (7)
£300-500
146 HB642/13
ARCHIBALD KNOX
(1864-1933)
FOR LIBERTY & CO., LONDON
‘CYMRIC’ SILVER BELT
BUCKLE, CIRCA 1902
cast with sinuous budding
foliate motifs on a hammered
finish ground, makers mark
L&Co/ CYMRIC/ hallmarked
Birmingham 1902
8.5cm across
£200-300
39
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Other Metalwares
147 HB312/5
LIBERTY & CO., LONDON
‘TUDRIC’ PEWTER AND ENAMEL CARRIAGE
TIMEPIECE/ CLOCK, CIRCA 1900
the single train movement with enamelled dial
and copper chapter ring, enclosed within a
rectangular case cast with stylised ivy, swing
carrying handle, stamped mark ENGLISH
PEWTER/ MADE BY/ LIBERTY & CO/ 0721
11.4cm high
£1,500-2,000
148 HA860/2
ARCHIBALD KNOX (1864-1933)
FOR LIBERTY & CO., LONDON
‘TUDRIC’ PEWTER AND ENAMEL EASEL
CLOCK, CIRCA 1903
the frame of rectangular outline, with scrolling
entrelacs flanking a blue, green and red
enamel dial with Arabic numerals, stamped
marks 0608/ RD. 468015/ TUDRIC
14cm high
£3,000-4,000
149 HB541/11
ARCHIBALD KNOX
(1864-1933) FOR LIBERTY &
CO., LONDON
‘TUDRIC’ PEWTER BULLET
VASE, CIRCA 1900
of tapering form with
hammered finish, with three
applied decorative bracket
supports, stamped marks
‘TUDRIC’/ ENGLISH PEWTER/
LIBERTY & CO/ 0227
23.5cm high
£300-500
40
150 HB312/4
LIBERTY & CO., LONDON
PAIR OF ‘TUDRIC’ PEWTER
VASES, CIRCA 1900
each of waisted form inset
with green stone cabochons
and applied with three ‘s’
shaped handles, stamped
marks TUDRIC/ 030 (2)
151 HB536/12
ARCHIBALD KNOX
(1864-1933) FOR LIBERTY &
CO, LONDON
PEWTER ‘TUDRIC’ INKWELL,
CIRCA 1900
of domed form with applied
foliate motifs, stamped marks
TUDRIC/ 0140
152 HB312/6
LIBERTY & CO., LONDON
‘TUDRIC’ PEWTER MOUNTED
GLASS VASE, CIRCA 1900
the clear class body of
trumpet form, stamped
marks TUDRIC/ D.G. WARE/
2008
18.5cm high
13.5cm across
£150-250
£300-500
£200-300
25.5cm high
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153 HB538/5
ATTRIBUTED TO OLIVER
BAKER FOR LIBERTY & CO.,
LONDON
PEWTER AND ENAMEL
BOWL, CIRCA 1900
with beaten finish, stamped
marks ENGLISH PEWTER/
MADE FOR LIBERTY & CO/
01129
154 HB312/7
ARTS & CRAFTS
PEWTER MANTEL CLOCK,
CIRCA 19120
repoussé decorated with
flowering foliage and set with
Ruskin panels
29cm wide
£150-250
25cm diameter
£300-400
155 HB504/3
SIR ROBERT LORIMER
(1864-1929)
STEEL FIREPLACE SET,
CIRCA 1903
comprising a STAND, with
triangular galleried base,
58cm high; a POKER; ASH
SHOVEL; COAL NIPPERS and
TONGS (4)
Provenance:
Briglands, Rumbling Bridge
£600-800
156 HB388/2
ARTS & CRAFTS
PAIR OF PATINATED COPPER
SCROLLWORK FIRE DOGS, CIRCA 1900
each embellished with beasts and
incised decoration (2)
29.5cm wide, 82cm high, 34cm deep
£700-900
157 HB504/2
SIR ROBERT LORIMER (1864-1929)
STEEL FENDER, CIRCA 1903
of serpentine form, with hinged ends and ball finials
with wrythen supports
72cm wide, 22cm high, 43cm deep
Provenance:
Briglands, Kinross
£1,000-1,500
41
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158 HB640/3
THOMAS JECKYLL
(1827–1881) FOR BARNARD,
BISHOP AND BARNARD
CAST IRON FIRE SURROUND,
CIRCA 1880
cast with Japanese Mon
patterning on a latticed
ground
159 HD523/4
ARTS & CRAFTS
COPPER CHIMNEY HOOD,
CIRCA 1900
of tapering form, with overlapping
riveted serpentine sections and
sheet steel back
76cm wide, 90cm high
£400-600
85cm wide, 147cm high, 39cm deep,
total height 197cm high
£300-500
160 HD523/5
ARTS & CRAFTS
CAST IRON FIRE SURROUND,
CIRCA 1900
the canopy cast with the
inscription ‘EAST WEST,
HOME’S BEST’, above an
open grate with pierced
trivets cast with dragons
91cm wide, 104cm high, 36cm deep
£400-600
42
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161 HB330/1
JOHN PEARSON (FL. 1885 - 1910)
COPPER CANDLE SCONCE, DATED 1895
repoussé decorated with birds and foliage,
the rectangular back plate above a
galleried tray with single candle nozzle,
chased makers marks J.P./ 1895
32cm high
£600-800
162 HB640/39
MANNER OF CHARLES ROBERT ASHBEE
COPPER AND WROUGHT IRON COAL BIN &
COVER, CIRCA 1900
the domed cover, embossed with foliate motifs
and with spiral wirework finial, above a
scrolling strapwork base
45cm diameter, 45cm high
£300-400
163 HB536/11
MANNER OF CHRISTOPHER
DRESSER
BRASS CHAMBER
CANDLESTICK, CIRCA 1880
with circular drip tray and
matchbox holder, raised on
ball feet
15cm across
£200-300
164 HB217/4
ARTS & CRAFTS
CIRCULAR BRASS WALL
CHARGER, CIRCA 1900
the broad rim decorated with
circular bosses, three inset
with Ruskin roundels, the
centre with large Ruskin
roundel, overlaid with pierced
brass panel depicting a flying
duck
165 HB640/32
C.F.A. VOYSEY (1857–1941)
WROUGHT IRON DOOR
LATCH, CIRCA 1900
the curved handle with
thumbpiece latch and heart
shaped terminals
46cm long
166 HA992/11
ARTS & CRAFTS
PAIR COPPER PANELS,
CIRCA 1900
each repoussé decorated with
owls perching on branches,
enclosed within oak frames
(2)
£150-250
panels 17.5cm x 93cm
£300-400
38.5cm diameter
£200-300
43
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167 HB640/43
W. A. S. BENSON, (1854-1924) AND G.M.
HEYWOOD SUMNER (1853–1940)
LOBED COPPER CHARGER, CIRCA 1900
the surface embossed with flowering foliage
by Sumner, stamped maker’s marks W.A.S.
BENSON, with registration number
48cm diameter
£300-500
168 HB640/46
COTSWOLD SCHOOL
PAIR OF STEEL TABLE
CANDELABRA, CIRCA 1900
each with twin curved arms with
pierced galleried drip trays on a
scrolling tripod base, the column
supports with applied leaf
decoration (2)
42cm high
£300-500
169 HB536/14
MARGARET GILMOUR
(SCOTTISH 1860-1942)
BRASS INKWELL, CIRCA 1900
with Celtic knot repoussé
decoration, the hinged lid
enclosing an aperture for a
liner, signed with stamped
monogram
8.5cm high
£200-300
170 HD523/2
SCOTTISH SCHOOL
BRASS CHARGER,
CIRCA 1910
repoussé decorated with
Celtic knotwork and bosses
51cm diameter
£200-300
171 HB436/15
SCOTTISH ARTS & CRAFTS
BRASS WAG AT THE WA’
CLOCK, CIRCA 1920
the hexagonal dial with
repoussé decorated with
Celtic motifs, with brass
covered weights and
corresponding decoration to
the pendulum bob
dial 34cm diameter
£200-300
44
172 HB536/9
GLASGOW STYLE
COPPER MANTEL
TIMEPIECE,
EARLY 20TH CENTURY
the case with hammered
finish, and embossed stylised
rose motif
33cm high
£300-500
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LY O N & T U R N B U L L
Decorative Arts
173 HB580/5
GLASGOW STYLE
LARGE CIRCULAR BRASS
CHARGER, CIRCA 1900
repousse decorated with stylised
plant forms and set with
turquoise enamels, stamped to
edge GLASGOW
42.5cm diameter
£300-500
174 HB640/29
GEORGE LOGAN (1866-1939)
JUGENDSTIL ‘OSIRIS’ PEWTER
BASIN, CIRCA 1900
of octagonal form, the broad rim cast
with stylised seed heads, the facetted
body further cast with plant forms,
cast maker’s marks
43cm diameter
£300-500
175 HB536/18
CONTINENTAL SCHOOL
JUGENDSTIL BRASS MOUNTED
LIQUEUR SET, CIRCA 1900
comprising a glass decanter and six
glassed, each with brass mounts, on a
hammered brass tray (8)
176 HB580/1
AUSTRIAN SECESSION
TWO JUGENDSTIL COPPER AND BRASS
MOUNTED BOXES AND COVERS
each of cylindrical form with brass
mounts (2)
decanter 16cm high
£300-400
33cm and 30cm high
£150-200
45
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LY O N & T U R N B U L L
Decorative Arts
177 HB680/25
ALEXANDER RITCHIE
(1856-1941), IONA
CELTIC CROSS PENDANT AND
CHAIN, EARLY 20TH CENTURY
stamped marks AR/ IONA
6.3cm long
£400-600
178 HB680/26
ALEXANDER RITCHIE
(1856-1941), IONA
CELTIC CROSS PENDANT
AND CHAIN,
EARLY 20TH CENTURY
stamped marks AR/ IONA
6cm long
£400-600
179 HB642/4
ALEXANDER RITCHIE
(1856-1941), IONA
BRASS CIRCULAR DISH,
CIRCA 1920
embossed with a view of Iona
Cathedral and a Dove,
inscribed PEACE TO THEE
IONA within Celtic-style
border of scrolling leaves
15cm diameter
£150-250
181 HB642/8
ATTRIBUTED TO MARGARET GILMOUR
PAIR OF GLASGOW STYLE CANDLESTICKS,
CIRCA 1900
worked in silvered brass with repoussé and chased
Glasgow rose motifs on openwork twin-branched
stems with detachable square-shaped sconces (2)
14cm high
Literature:
Larner, Gerald & Celia, ‘The Glasgow Style’, Edinburgh 1980,
illus.no. 183, for one of a pair of matching candlesticks attributed
to Margaret Gilmour
£200-300
46
180 HB542/1
JOSEF HOFFMANN (1870-1956) FOR WIENER WERKSTÄTTE
PAIR OF BRASS SOLIFLEUR VASES, CIRCA 1906
each of tall slender form with slightly everted and scalloped
rims, raised of spreading circular bases with corresponding
scalloped rims, stamped maker’s marks WIENER
WERKSTATTE/ MADE IN AUSTRIA with artist’s monogram (2)
22.2cm high
Literature:
Die Wiener Werkstätte, 1903-1928. Modernes Kunstgewerbe und sein Weg.
Vienna, Krystall Verlag, 1929, facsimile edition published Munich 1994, where
a single example is illustrated
£2,000-3,000
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Clocks & Miscellaneous
182 HB624/6
FRENCH ART DECO CLOCK GARNITURE,
1930S
the lozenge shaped dial within
rectangular case held aloft by two
patinated spelter figures on a marble
plinth, 41cm high; the clock with
attendant garnitures, 26cm high (3)
£250-350
183 HB624/5
MENNEVILLE, FRANCE
LARGE ART DECO CLOCK, CIRCA 1930
the rectangular dial on a stepped marple
and slate case surmounted by the
patinated spelter figure
63.5cm long, 32cm high, 20.5cm deep
£400-600
184 HB312/14
AESTHETIC MOVEMENT
EBONISED BRACKET CLOCK,
CIRCA 1870
the twin train movement with circular
ceramic dial painted with holly, within
case with corresponding ceramic panels
185 HB388/4
AESTHETIC MOVEMENT
OAK MANTEL CLOCK, CIRCA 1880
the painted ceramic dial enclosed within
carved case
37cm high
£500-700
47cm high
£300-500
47
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LY O N & T U R N B U L L
Decorative Arts
186 HB542/6
ZENITH, LONDON
STAINED OAK WALL CLOCK,
CIRCA 1932
of convex circular form with gilt
chapters and having 18 day Zenith Swiss
movement, applied brass inscription
ZENITH, maker’s marks verso
34cm diameter
£400-600
187 HD510/13
ZENITH, LONDON
OAK WALL CLOCK, CIRCA 1932
of convex circular form with gilt
chapters and having 18 day Zenith Swiss
movement, maker’s marks verso
34cm diameter
£400-600
188 HB344/1
JAEGER LE COULTRE, GENEVA
SWISS GILT-BRASS ‘ATMOS’ CLOCK
the circular dial with applied gilt
chapters and gilt hands, the movement
of typical form signed ATMOS/ JAEGER
LE COULTRE
22cm high
£300-500
48
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LY O N & T U R N B U L L
Decorative Arts
189 HB479/1
ARTS & CRAFTS
EMBROIDERED DEVOTIONAL PANEL,
CIRCA 1900
contained within gilded standing case
with twin doors opening to reveal a
painted and embroidered panel of the
Virgin & Child with attendant angels
with inscription below, signed with
initials to the case E.K. H-T
44cm x 35cm
£400-600
190 HB640/31
MANNER OF JOHN EDNIE
GLASGOW STYLE CARVED AND
STAINED WALNUT BOX, CIRCA 1900
of rectangular form, carved in relief
with an allover design of stylised
flowering plant forms
32cm across
£400-600
191 HB542/5
ATTRIBUTED TO WIENER
WERKSTÄTTE
CARVED WOODEN BOX &
COVER, CIRCA 1910
of circular form with facetted
domed cover and finial
192 HB542/4
ARTS & CRAFTS
PENWORK WORK BOX,
CIRCA 1900
with domed lid, decorated
with an allover design of
flowering waterlilies
22cm diameter
35cm across
£200-300
£150-200
49
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Lighting
193 HB427/1
ART NOUVEAU
PAIR OF SILVERED ELECTROLIERS,
CIRCA 1900
with hammered finish, each with three
scrolling arms suspending frosted glass
shades with leafy bracket supports and
spiral tendril decoration (2)
54cm high, 54cm diameter (including shades)
£300-500
194 HB640/28
AUSTRIAN SCHOOL
JUGENDSTIL BRASS TABLE
LAMP, CIRCA 1900
the domed shade with beaded
fringe, embossed with
hammered panels and set
with cut coloured glass
‘jewels’, raised on a stand
cast with stylised flowering
stems and raised on a marble
plinth
56cm high
£800-1,200
195 HB640/2
MANNER OF WIENER
WERKSTÄTTE
PAINTED STANDARD LAMP,
EARLY 20TH CENTURY
with swollen column on
quadruped base, painted in
yellow and black
145cm high
196 HB640/44
W.A.S. BENSON (1854-1924)
COPPER AND BRASS
STANDARD LAMP,
CIRCA 1900
the ribbed adjustable column
with three scrolling brackets
on four cast feet, with pleated
silk shade
£300-500
162cm high
£800-1,200
50
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LY O N & T U R N B U L L
Decorative Arts
197 HB640/6
ARTS & CRAFTS
COPPER AND BRASS CENTRE
HANGING LIGHT, CIRCA 1900
of circular hoop design, pierced
with moth motifs and supporting
a cream silk curtained shade,
with three curved bracket
supports, each with heart shaped
terminals
198 HA992/5
ARTS & CRAFTS
BRASS CEILING LIGHT,
CIRCA 1900
with three scrolling arms with
beaten leaf decoration,
hanging chains and ceiling
rose, frilled glass shades
49cm wide, 54cm high
£300-500
57cm diameter
£300-500
199 HA992/14
ARTS & CRAFTS
BRASS AND CUT GLASS
HALL LANTERN, CIRCA 1900
the ovoid cut glass shade with
pierced brass mount and
hanging chain
27cm high
200 HB485/1
W.A.S. BENSON (1854-1924)
BRASS TABLE LAMP,
CIRCA 1900
with heart shaped base and
adjustable curved support
with frilled opalescent shade,
stamped maker’s marks
£200-300
26cm high
£300-500
201 HB640/27
ATTRIBUTED TO EILEEN
GRAY FOR JUMO, FRANCE
ART DECO DESK LAMP,
CIRCA 1930
lacquered and chromed metal
41cm high
£300-500
51
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LY O N & T U R N B U L L
Decorative Arts
202 HB481/1
POUL HENNINGSEN (1894-1967) FOR
LOUIS POULSEN, DENMARK
LARGE PAIR OF ‘CHARLOTTENBORG’ PH-6
1/2 LIGHTS, 1960S
each of concentric finned design,
enamelled metal (2)
66cm diameter, 50.75cm high
£1,000-2,000
203 HB536/16
ARTS & CRAFTS
STAINED AND LEADED
GLASS PLAFFONIER,
EARLY 20TH CENTURY
of circular form, worked with
coloured and opalescent
textured glass
47cm diameter
£200-300
52
204 HB485/2
PAINTED OPAQUE GLASS
LAMP SHADE, 1920S
of octagonal outline, painted
with a Dutch landscape scene
205 HB640/4
‘LINOLITE’ DESK LAMP,
1950S
patinated steel, bears maker’s
label
21cm diameter
35cm high
£80-120
£300-500
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Sculpture
206 HB446/39
EVELYN BEALE (1870-1944)
‘CLEPHANE INNES CRAWFORD’, AN
ARTS & CRAFTS PATINATED PLASTER
PANEL, CIRCA 1890
within oak frame, bears label verso with
inscription CLEPHANE INNES
CRAWFORD/ 16TH MARCH 1862/ 20
APRIL 1952/ BY EVELYN BEALE
47.5cm x 44cm
£300-400
207 HB536/4
GILBERT BAYES (1872-1953)
FIVE CAST METAL PLAQUES,
DATED 1900
the larger cast as sea
nymphs, another depicting a
longboat, the other three
depicting coiled fish, all
mounted on a framed panel,
signed on the main plaque,
lower right GILBERT BAYES
1900
208 FF722/5
CONTINENTAL ARTS & CRAFTS
TERRACOTTA WALL PANEL,
LATE 19TH CENTURY
the pointed arch panel with a castellated
border enclosing a relief moulded image of
a medieval queen, her hands joined in
prayer
60cm wide, 102cm high
£400-600
size within frame 36cm x 56cm
£300-500
209 HA953/16
MANNER OF WILLIAM BURGES
PAIR OF CAST IRON WINGED
LIONS, LATE 19TH CENTURY
each seated with one paw raised (2)
31cm high
£300-500
53
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LY O N & T U R N B U L L
Decorative Arts
210 HB642/11
SIEGFRIED SASSOON INTEREST
PAINTED ENAMEL COPPER
PLAQUE BY SIR STEPHEN GATTY,
DATED 1908
depicting of his daughter HESTER
GATTY as a child aged two
walking on a woodland path
within silver tied reeded border
and wood frame. Plaque
inscribed in gilt “ALL BY MINE
SELF”/ HESTER AETAT 2, the
reverse of the enamel signed with
initials SG and inscribed HESTER,
1908, “ALL BY MINE SELF”
Provenance:
Estate of the late George Sassoon,
Lochbuie, Isle of Mull
Note:
Hester Gatty (b. 1901) married Siegried
Sassoon in 1933. Although they
separated after the birth of their son
George they never divorced. Hester died
in 1973, having previously returned to her
family home at Lochbuie on the Isle of
Mull.
£600-800
16cm x 6.5cm
54
211 HB102/8
ARTS & CRAFTS
CARVED OAK ROUNDEL,
CIRCA 1930
depicting St George and the
Dragon
212 HB580/3
AUSTRIAN SCHOOL
BRONZED AND GILDED
PLAQUE, CIRCA 1900
bears inscription SANCTA
VIRGO MARIA
39cm diameter
30.5cm x 23.5cm
£100-200
£500-800
213 HB388/5
CONTINENTAL SCHOOL
TERRACOTTA FIGURE OF A
WINGED IMP, EARLY
20TH CENTURY
overpainted, impressed
maker’s marks
214§ HA146/29
E. ROLAND BEVAN
(1923–1957)
BUST OF ELIZABETH WALL,
CIRCA 1920
marble, raised on a slate
plinth, signed BEVAN
36cm high
41cm total height
£500-700
£400-600
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LY O N & T U R N B U L L
Decorative Arts
215 HA341/2
A. PETRO
ART NOUVEAU BRONZE BUST,
CIRCA 1900
signed in the bronze A. PETRO, also
with foundry marks USINE DE
BRONZES/ R. DEBRAZ/ BRUXELLES
58cm high
£600-800
216 HB536/5
AFTER PETER WYLIE DAVIDSON
WROUGHT IRON WALL PANEL,
20TH CENTURY
embossed and wrought steel, depicting
swallows flying through clouds
90cm across, 55cm high
£400-600
217 HB634/3
ART DECO
PATINATED BRONZE
ALLEGORICAL FIGURE,
CIRCA 1920
cast as a maiden in a
diaphanous robe
20cm high
£300-500
218 HB541/5
JOSEF LORENZL (1892-1950)
BRONZE AND GREEN ONYX
FIGURE AND DISH, 1920S
the ovoid onyx dish
surmounted by a cast figure
of a dancer with silvered
patination, cast marks
LORENZL
43.5cm long, 41cm high
£2,000-3,000
55
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LY O N & T U R N B U L L
Decorative Arts
29cm high
220 HB624/4
PIERRE LE FAGUAYS (1892-1938)
‘LANCEUR AUX JAVELOT’,
PATINATED BRONZE FIGURE, CIRCA 1925
raised on a stepped stone plinth, signed on
the plinth P. LE FAGUAYS, stamped foundry
marks to the base LEVERRIER/ PARIS
£200-300
60cm high
219 HB536/13
ITALIAN SCHOOL
PAIR OF CARVED WOOD FIGURES,
1950S
one depicting a pirate, the other a
farmer, branded marks (2)
£1,000-1,500
221 HB634/2
LEON SALAT (FL. EARLY 20TH CENTURY)
DANCING GIRL PATINATED BRONZE
FIGURE, CIRCA 1925
cast artist’s mark to bronze SALAT, raised
on a turned marble plinth
44cm high
£2,500-3,500
56
222 HB624/2
LIMOUSIN
‘CYMBAL DANCER’, PATINATED
SPELTER FIGURE, 1920S
with applied ivorine cymbals raised
on a tapered stone plinth
223 HB541/4
JOSEF LORENZL (1892-1950)
SILVERED BRONZE FIGURE, 1920S
modelled as a naked dancer, raised
on a stepped onyx base, cast
inscription LORENZL
38cm high
29cm high
£300-500
£600-800
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LY O N & T U R N B U L L
Decorative Arts
224 HB580/8
A. NOTARI
ART DECO PATINATED SPELTER FIGURE OF A
PANTHER, CIRCA 1925
the panther cast with facets and raised on a
black slate and green onyx base, signed A.
NOTARI
33cm long
£500-700
225 HB580/7
R. ROCHARD
ART DECO PATINATED FIGURE OF A
PANTHER, CIRCA 1930
raised on a black slate plinth, signed
to the plinth R. ROCHARD
64.5cm long
£400-600
226Y HB512/3
FERDINAND PREISS (1882-1943)
‘MADONNA’, CARVED IVORY AND PATINATED
BRONZE BUST, CIRCA 1920
signed to the marble plinth F. PREISS
10.5cm high
£1,000-1,500
227Y HB624/1
MARCEL-ANDRÉ BOURAINE (1886-1948)
‘JONGLEUSE’, AN ART DECO BRONZE FIGURAL
TABLE LAMP, CIRCA 1924
cast as a dancer with ivory balls raised on an
alabaster orb shade on a black slate plinth,
signed to the shade BOURAINE, signed to base
A. BOURAINE
53.5cm high
£1,500-2,000
57
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LY O N & T U R N B U L L
Decorative Arts
228§ HA795/9
BENNO SCHOTZ (1891-1984)
JAMES KEIR HARDIE
plaster maquette with bronzed
patination, unsigned
60cm high
Note:
James Keir Hardie (1856-1915) was one of the
main founders of the Labour party. His socialist
ideals and role as a trade unionist saw him stand
for general election in 1892 for West Ham South
which led to his involvement with the
Independent Labour Party a year later.
Throughout his life he championed causes such
as Woman’s Suffrage, independence for the
colonies, and pacifism.
Benno Schotz was commissioned to produce a
bust of Keir Hardie, which was to stand in front of
the council house in old Cumnock. Later casts
were ordered for his constituency in Wales, one
for the House of Commons and one for Glasgow.
Schotz then decided to conceive a small
maquette for a statue of Keir Hardie which was
put forward as a memorial to him in 1957 and
sent to the Labour conference for approval.
However, the maquette was rejected, because
according to Schotz ‘I gave Keir Hardie big hands,
clumsy shoes, an old suit, all the things that
made him look a worker.’
£1,000-1,500
229§ HB429/1
BENNO SCHOTZ (1891-1984)
BUST OF A GIRL
bronze, unsigned and raised on an
ebonised wood plinth
bronze 37cm high
£600-800
61cm high
231§ HD510/14
WILLIAM GEORGE MITCHELL (B. 1925)
ARCHITECTURAL FIBREGLASS PANEL,
CIRCA 1960
framed
232§ HB102/9
T. S. HALLIDAY (1902-1998)
ABSTACT FORM
patinated plaster maquette, incised
signature T S HALLIDAY
£600-800
35cm x 76cm
15.5cm high
£200-300
£100-200
230 HB536/17
HAGENAUER, AUSTRIA
HAMMERED BRASS FIGURE
stamped maker’s marks
58
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Stained Glass
WILLIAM WILSON
William Wilson RSA is one of Scotland’s finest stained glass artists. He
started his career as a map maker before serving an apprenticeship with
James Ballantine & Son in Edinburgh in 1920, opening his own stained
glass studio in 1937. During his career he produced over 300 windows,
for churches, cathedrals and secular buildings all over Scotland
including these examples, installed within the chapel of the Convent of
St. Mary Reparatrice, Elie in 1954 (now demolished).
233§ HB505/2
WILLIAM WILSON (1905-1972)
STAINED AND LEADED GLASS PANEL,
CIRCA 1954
the panel depicting Saint Margaret and bearing
the inscription SANCTA MARGARITA/ ORA PRO
NOBIS, signed with initials in the glass WW
90cm x 48cm
£3,000-5,000
234§ HB505/1
WILLIAM WILSON (1905-1972)
STAINED AND LEADED GLASS PANEL,
CIRCA 1954
the panel depicting a chalice filled with
fruiting vines and barley, and enclosed
within an entwined border
96cm x 53cm
£2,000-3,000
59
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LY O N & T U R N B U L L
Decorative Arts
235
235§ HB393/1
WILLIAM WILSON (1905-1972)
GROUP OF WATERCOLOUR DESIGNS FOR
STAINED GLASS, 1960S
designed for Craigiebuckler Church, Aberdeen
and comprising JEREMIAH, 90.3cm x 59.6cm;
MOSES, 201cm x 61cm; ISAIAH, 197.3cm x
60cm; and EZEKIEL, 336.8cm x 50.7cm (4)
Note:
Craigiebuckler Church had twelve stained glass windows
by Wilson installed between 1961 and 1971
£400-600
236§ HB393/2
WILLIAM WILSON (1905-1972)
TWO WATERCOLOUR DESIGNS FOR STAINED
GLASS, 1960S
inscribed verso MURRAYFIELD, one depicting
the Virgin and Child, inscribed AND THE WORD
WAS MADE FLESH, 207.4cm x 61.6cm; the other
depicting Joseph, kneeling down, inscribed AND
DWELT AMONG US, 209.8cm x 61.4cm (2)
£200-300
236
60
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LY O N & T U R N B U L L
Decorative Arts
237§ HB393/3
WILLIAM WILSON (1905-1972)
TWO WATERCOLOUR DESIGNS FOR
STAINED GLASS, 1960S
one, SAINT COLUMBA and inscribed
SAINT COLUMBA, inscribed verso
MORNINGSIDE,178.7cm x 50.4cm; the
other, SAINT LUKE, inscribed SAINT LUKE
THE BELOVED PHYSICIAN, inscribed verso
STOW, 229.5cm x 50.2cm (2)
£200-300
237
238§ HB393/4
WILLIAM WILSON (1905-1972)
WATERCOLOUR DESIGNS FOR STAINED
GLASS, 1960S
for Kintore Parish Church, inscribed TO
THE HILLS WILL I LIFT MINE EYES, and
inscribed verso KINTORE PARISH
CHURCH (2 LIGHT WINDOW)
334cm x 60cm
£200-300
61
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LY O N & T U R N B U L L
Decorative Arts
239 HB640/11
ERNEST ARCHIBALD TAYLOR
(1874-1951)
OAK FRAMED LEADED GLASS DOOR,
CIRCA 1900
depicting a lady in a full length dress
looking out to a landscape
205cm x 70cm
£500-800
240 HB640/5
GLASGOW STYLE
STAINED AND LEADED GLASS
WINDOW, CIRCA 1900
depicting stylised flowering roses,
within a frame
66cm x 103cm
£200-300
241 HB640/18
ARTS & CRAFTS
CHARCOAL DESIGNS FOR STAINED
GLASS, LATE 19TH CENTURY
one with inscription NATIONAL SILVER
MEDAL 256/ FOR SET, 72cm x 51cm; the
other inscribed PART OF A SET FOR
WHICH A BRONZE MEDAL WAS
AWARDED, 57cm x 43cm (2)
£300-500
62
242 HA953/12
JAMES POWELL & SONS
CARTOON FOR STAINED GLASS,
LATE 19TH CENTURY
depicting Christ and a kneeling figure,
ink and pencil, framed
130cm x 57cm
£200-300
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Page 63
Works on Paper, Books & Folios
243 HB504/9
SIR ROBERT LORIMER (1864-1929) & OTHERS
TWELVE ARCHITECTURAL PLANS FOR ‘BRIGLANDS’,
RUMBLING BRIDGE, 1898-1909
ink and watercolour, various sizes, sold with all faults, not
subject to return (12)
Note:
Originally a small Georgian country house, Briglands was dramatically
extended and enhanced in the late 19th and early 20th century for James
Avon Clyde, the Edinburgh advocate and later judge, Lord Clyde.
£300-500
244 HD510/9
ARCHITECTURAL DRAWING
‘DESIGN FOR SIX COTTAGES’,
1930S
pencil and watercolour
246§ HB429/2
ANNIE FRENCH (1872–1965)
FLORAL GARLAND
ink and watercolour
51cm x 71cm
£200-300
13cm x 4cm
£100-200
245 HD510/10
ARCHITECTURAL DRAWING
‘DESIGN FOR A JUBILEE
PYLON’, DATED 1935-5
pencil drawing, signed S.
CRUICKSHANK, 193*/
ARCHITECTURAL
ASSOCIATION SCHOOL OF
ARCHITECTS/ SESSION 1934-5
97cm x 64cm
247 HB536/8
JESSIE MARION KING
(1875-1949)
GIRL WITH A MANDOLIN
ink on vellum, signed lower
right JESSIE M. KING
14cm x 13cm
£200-300
248 HB623/2
CONSTANCE E. ROWLANDS
(1891-)
“AND THERE STOOD
THE.....FIGURE OF A MAN”
watercolour, signed lower left
C E ROWLANDS
250§ HB339/9
SCOTTIE WILSON
(1888-1972)
‘MOTHS’
watercolour and gouache,
signed lower right SCOTTIE
30.5cm x 22cm
£300-500
33cm x 23.5cm
£400-600
249§ HB536/7
SIR FRANK BRANGWYN
(1867-1956)
FIGURE OF A MAN
pastel, signed lower left with
initials FB
251§ HB339/8
SCOTTIE WILSON
(1888-1972)
‘GREEDIES, WITH BIRDS AND
FISHES’
pencil and coloured crayon,
signed twice SCOTTIE
33cm x 11cm
36cm diameter
£400-600
£300-500
£150-200
63
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LY O N & T U R N B U L L
Decorative Arts
252§ HB339/7
SCOTTIE WILSON
(1888-1972)
‘SWANS’
pencil and coloured crayon,
signed lower right SCOTTIE
51.5cm x 52cm
253 HB495/4
AFTER HENRI TOULOUSELAUTREC
POSTER, ‘NICOLETTE AIME
NICOLAS’
published by Grants of St
James’s
£500-800
76cm x 49cm
£80-120
254§ HA953/9
BERNARD LEACH
(1887-1979)
PAIR OF LITHOGRAPHS
one showing a vase, signed in
pencil BERNARD LEACH/
52/100; the other a charger,
signed in pencil BERNARD
LEACH/ 30/ 200 (2)
each 45cm x 36cm
£200-300
255 HB542/3
CECIL BEATON (1904-1980)
POSTER, ‘CENTENAIRE DE
MONTE-CARLO’
coloured lithograph, 1966,
printed by Monégasque,
Monte-Carlo
61cm x 42cm
£80-120
256 HB484/1
FRENCH SCHOOL
ALBUM OF WALLPAPER
DESIGNS, 1940S/50S
pencil, gouache and
watercolour (approx. 90
examples)
£300-500
257 HB541/14
FRENCH ART DECO
THEATRICAL COSTUME
DESIGN, DATED 1933
pencil gouache and silver
paint, bears inscription SES
AILES/ THÉÂTRE DES
CAPUCINES/ REVIVE “A LA
BONHOURE” DE ROGER
FERRÉOL/ LE 23-12-33
259 HB640/35
WILLIAM MORRIS FOR
MORRIS & CO.
‘FOUR ROLLS OF ORIGINAL
‘MARIGOLD’ PATTERN
WALLPAPER,
DESIGNED 1875
blue colourway, bears
maker’s marks MORRIS &
CO. (4)
41cm x 31cm
each approx. 600cm x
£100-150
51cm (pattern)
£200-300
258 HD510/7
SCOTTISH SCHOOL
PAINTED LINEN PANEL,
EARLY 20TH CENTURY
with stencilled design
depicting three masked
figures including harlequin,
signed with initials J.N
260 HA908/2
THE STUDIO MAGAZINE
VOLUMES 20-51, 55-57
AND 87
bound in 12 volumes, 4to,
plates, illustrations, green
cloth (12)
64cm x 53cm
£200-300
£150-250
64
261 HB650/302A
THE STUDIO
AN ILLUSTRATED MAGAZINE
OF FINE AND APPLIED ART
BOUND MAGAZINES
London: Offices of The Studio,
1893-1918. 4to, volumes 1-73
(in 70 books), including
special summer numbers
1899 and 1901, plates, some
coloured, some lithographed,
mostly contemporary red and
brown cloth (volume 5 in
green cloth), occasional slight
spotting and minor dust
soiling, spines a little faded
and bumped, some leaves
and plates loose, volume 3
lacks ‘The Lay Figure’ section
(70)
£300-500
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LY O N & T U R N B U L L
Decorative Arts
262 HB650/302
263 HB541/13
THE STUDIO
ANTON SEDER (1850-1916)
AN ILLUSTRATED MAGAZINE OF FINE
LITHOGRAPH PORTFOLIO,
AND APPLIED ART BOUND
‘DAS THIER IN DER
MAGAZINES AND YEARBOOKS
DECORATIVEN KUNST’, 1896
London: Offices of The Studio, 1893published by Gerlach &
1908. 4to, volumes 1-44 (in 22 books);
Wiedling and Printed by Ch.
and The Studio special summer
Reisser & M. Werthner,
number 1899 and 1901; and The
containing 29 colour plates
Studio special winter number 1901;
Note:
Anton Seder was the Director of the
and The Studio extra numbers 1897
Kunsthandwerkerschule (School of
and 1898; all with plates, some
Decorative Arts) in Strasburg.
coloured, some lithographed, uniform
£600-800
green cloth gilt with stylised gilt tooled
foliate pattern on spines, bookplates
of Bedford Arts Club, some occasional
light spotting to text and plates,
spines slightly faded, cover of
volumes 39 and 40 soiled; and 263A HB330/2
264 HB248/4
The Studio Yearbook of Applied TALWIN MORRIS (1865-1911)
COLLECTION OF
Art, 1921. 4to., plates, red cloth COLLECTION OF BOOK
PUBLICATIONS ON THE
gilt, Bedford Arts Club
BINDINGS
DECORATIVE ARTS
bookplate to title, occasional
comprising 34 various
INCLUDING ‘THE STUDIO’
spotting; and The Studio. An
volumes: ‘BY-GONE
MAGAZINE
illustrated magazine of fine
GLASGOW’, 1896; ‘THE BOOK
Year-book of decorative art,
and applied art, 1917-1918.
OF GLASGOW CATHEDRAL’,
1907. 4to, 18 plates, original
4to, volumes 70-72, plates,
1898; ‘W.E. GLADSTONE AND
green cloth gilt; [Idem] Yearcontemporary quarter calf gilt, HIS CONTEMPORARIES’,
book of decorative art, 1909.
slight rubbing to spines; and
1898; ‘THE MODERN
4to, 7 (of 8) plates, original
The Studio Yearbook of
CARPENTER AND JOINER
purple cloth gilt; Holme,
Decorative Art, 1922-1932. 4to, AND CABINET MAKER’, 1902;
Charles, editor - E.A. Taylor
10 volumes, lacking volume for ‘THE WORKS OF
Paris past and present.
1930, plates, blue cloth gilt,
SHAKESPEARE’, 1906;
London: The Studio, Ltd.,
some blind stamped with tiled ‘MODERN POWER
1915. 4to, grey cloth gilt;
pattern, bookplates of Bedford GENERATORS’, 1908; ‘THE
Sparrow, W.S., editor The
Arts Club, slight spotting and
POETICAL WORKS OF
British home of to-day...
some fading to covers and
ROBERT BURNS’, 1909 (34)
London: Hodder & Stoughton,
spines; and Several Studio
1904. 4to, red quarter
£400-600
publications in original
morocco; Edis, Robert W.
wrappers, including Modern
Decoration & furniture of
263B§ HB536/2
Book Illustrators and their
town houses. London: C.
EDITH SIMON (1917-2003)
Work (1914); The Studio
Kegan Paul & Co., 1881. 8vo,
TWO PAPER CUT-OUT
Yearbook of Decorative Art...
original blue cloth gilt; and 3
PICTURES,
(1913); The Genius of J.M.W.
others, sold not subject to
LATE 20TH CENTURY
Turner (1903); and 6 others,
return (8)
Both signed and dated; one
some wear and soiling to
1983, 78cm x 60cm; and the
£100-150
wrappers (49)
other 1978, 69cm x 56cm (2)
£300-500
265 HD510/12
JESSIE MARION KING
(1875-1941) (ILLUS.)
‘ALBUM VON BERLIN’
illustrated cover, provenance
Merle E. Taylor; THE CITY OF
THE WEST, pub. T.N. Foulis,
1911; CATALOGUE OF
HAMILTON AND DISTRICT
ARTS AND CRAFTS
EXHIBITION, 1905 and 13
COLOURED PRINTS, AFTER
JESSIE M. KING (qty)
£100-200
266§ HD510/11
DAMIEN HIRST (B. 1965)
‘BEAUTIFUL INSIDE MY
HEAD’
signed printed poster,
inscribed SOTHBY’S LONDON
15-16.09.2008, framed,
83cm 59cm; and a SIGNED
BOOK BY DAMIEN HIRST (2)
£200-300
£100-200
65
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Page 66
Textiles
267 HB640/30
MORRIS & CO.
LARGE SILKWORK
EMBROIDERED PANEL,
CIRCA 1890
worked in coloured threads
with a fruiting tree
67cm x 48.5cm
£500-700
268 HB640/40
MORRIS & CO.
SILKWORK EMBROIDERED
PANEL, CIRCA 1890
worked in coloured threads
with flowering foliage
53cm square
£300-500
269 HB580/9
DENTON HOLME GIRLS GUILD, AFTER
ELLEN WELBY
PAIR OF EMBROIDERED PANELS,
CIRCA 1890
inscribed SONG and POETRY, each
bears inscription verso MISS DAVIDSON/
DENTON HOLME GIRL’S GUILD (2)
82cm x 31cm
£200-300
66
270 HB580/10
ARTS & CRAFTS
‘VESTA’, FRAMED EMBROIDERY,
DATED 1900
bears embroidered inscription VESTA/
MS/ 1900 and paper label verso M.E.F.S.
63cm x 21.5cm
£200-300
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LY O N & T U R N B U L L
Decorative Arts
271 SV254/75C
ARTS & CRAFTS
CREWELWORK PANEL, CIRCA 1930
worked in coloured wools on a linen
ground with typical tree and bird
pattern, signed in the wool G.
LANESBOROUGH
243cm x 174cm
Provenance:
The Collection of the Countess of
Lanesborough, previously at Swithland Hall,
Leicestershire.
Note:
‘G. Lanesborough’ is likely to have been
Grace Lilian (née Abdy), Countess of
Lanesborough (1887-1983), and the second
wife of the 8th Earl.
£400-600
272 HB388/3
ARTS & CRAFTS
WOOL MILLEFIORI TAPESTRY,
EARLY 20TH CENTURY
worked with a design of birds
and flowering plants on a green
ground
358cm x 151cm
£800-1,200
67
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LY O N & T U R N B U L L
Decorative Arts
273 HB468/3
WOOL TAPESTRY PANEL,
CIRCA 1925
worked as a deer drinking from a
stream in a stylised landscape,
70cm x 67cm; also a SARDINIAN
WOOL EMBROIDERED PANEL,
CIRCA 1925, lattice design in
coloured threads, bears Morton
Sundour Museum & Library printed
label, Number 878/ Case 1/ Shelf 3,
86cm x 50cm (2)
£300-500
275 HB640/21
MANNER OF ROBERT
STEWART
WOVEN WOOL HANGING,
1950S
depicting abstracted figures
and plants
276 HB534/3
JOHN PIPER (1903-1992)
FOR SANDERSON
PAIR OF ‘STONES OF BATH’
PATTERN PRINTED GLAZED
CHINTZ CURTAINS
277 HB534/1
C.F.A. VOYSEY
‘THE ROSE PATTERN’
CARPET FRAGMENT,
CIRCA 1900
500cm (gathered to
24cm x 39cm
77cm x 170m
250cm) x 190cm
£200-300
£200-300
£200-300
Note:
Probably sold as a large carpet via
Liberty & Co., London, circa 1900
68
274 HD523/3
GLASGOW SCHOOL
EMBROIDERED PANEL,
CIRCA 1900
worked as stylised roses on
an unbleached linen ground,
within an oak frame
80cm x 225cm
£100-200
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LY O N & T U R N B U L L
Decorative Arts
278 HB468/4
FRIEDLINDE DI COLBERTALDO
FOR EDINBURGH WEAVERS
TWO NEAR PAIRS OF 'ONDA NERO' PATTERN
CURTAINS, DESIGNED 1956
Jaquard woven cotton, rayon and rayon tuffle, one pair
225cm x 214cm and 210cm x 230cm, the other 102cm x
138cm and 110cm x 143cm together with a SINGLE
CURTAIN, 101cm x 130cm and three pelmets (8)
£300-500
279 HB536/3
TEMPLETONS, GLASGOW
ART DECO WOOL CARPET,
CIRCA 1930
of allover geometric abstract
design
320cm x 220cm
£500-700
280 HB468/5
HUMPHREY SPENDER (1910-2005) FOR
EDINBURGH WEAVERS
PAIR OF ‘MINSTER’ PATTERN
CURTAINS, DESIGNED 1957
screen printed cotton satin (2)
281 HB316/1
IRISH ARTS & CRAFTS
WOOL RUG, CIRCA 1920
with entwined Celtic border enclosing a
central decorative panel
58cm x 159cm
£200-300
145cm x 89cm
£100-200
69
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Page 70
Furniture
282Y HB633/23
H. OGDEN, MANCHESTER
EBONISED WOOD AND
AMBOYNA INLAID ETRUSCAN
REVIVAL CABINET,
CIRCA 1870
with ivory and parcel gilt
embellishments, the back
with central mirror and inlaid
panels with column pacers,
above a corresponding base
with central mirror back door
enclosed by two doors with
carved hardwood panels,
plinth base, stamped to the
right hand door H. OGDEN/
MANCHESTER
179cm wide, 165cm high,
48cm deep
£4,000-6,000
283 HB640/25
ATTRIBUTED TO BRUCE
TALBERT
OAK FRAMED SETTEE,
CIRCA 1880
the back and seat upholstered
in Edinburgh Weavers fabric,
with two matching loose
cushions, the frame with
spindle galley to the back and
open arms with turned and
gilded uprights
£800-1,200
70
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LY O N & T U R N B U L L
Decorative Arts
284 HB640/8
GOTHIC REVIVAL
PAIR OF STAINED OAK
LIBRARY FOLIO STANDS,
CIRCA 1900
each with slatted sides,
supported by moulded
uprights with anthemion
finials
66cm long, 97cm high, 66cm wide
£800-1,200
285 HB640/14
MANNER OF GABRIEL VIARDOT
FRENCH ‘JAPONISME’ INLAID
WALNUT ETAGERE,
LATE 19TH CENTURY
each tier incised and inlaid with
mother of pearl and depicting
flowering butterflies on scrolled
supports, each tier with a
pierced geometric frieze on
tapered legs with paw feet
286 HA593/1
GOTHIC STYLE
STAINED WOOD DOUBLE
BED, CONTEMPORARY
with lancet arched head and
foot board, 221.5cm long,
154cm high, 203.5cm wide;
and a PAIR OF MATCHING
BEDSIDE TABLES,
54cm wide, 71cm high,
36.5cm deep (3)
75cm wide, 91cm high, 50cm deep
£300-500
£600-800
91cm diameter, 71cm high
288 HB510/7
AESTHETIC MOVEMENT
EBONISED LOW SIDE CHAIR,
CIRCA 1870
with gilt incised decoration, the
upholstered seat raised on arched
supports
289 HD510/5
GOTHIC REVIVAL
OAK OCCASIONAL TABLE,
LATE 19TH CENTURY
with an octagonal top above the pierced
apron and lower tier, raised on tapered
legs
£400-600
£200-300
41.5cm deep, 72.5cm high
287 HB640/15
MANNER OF E.W. GODWIN
OAK CENTRE TABLE, CIRCA 1880
the octagonal top above four herm
supports with tapering legs, enclosing a
lower tier and terminating in paw feet
£150-250
71
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LY O N & T U R N B U L L
Decorative Arts
290 HB74/1
CHARLES RENNIE MACKINTOSH (1868-1928) FOR
MISS CRANSTON’S WILLOW TEAROOMS
EBONISED OAK ‘LADDER BACK’ CHAIR,
CIRCA 1903
the high back with thirteen gently bowed
rectangular horizontal splats above original rush
covered drop-in seat, raised above square section
legs, joined by five cylindrical stretchers
104.7cm high, 45.5cm wide, 38.5cm deep
Provenance:
Miss Cranston’s Willow Street Tea Rooms, Glasgow, Scotland
Private Collection, Glasgow
Literature:
Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete
Furniture Drawings & Interior Designs’, Moffatt 2009, pp 150165, illus. 1908.8 and in situ at 1903 C;D; E; F; J; H & I
Note:
Mackintosh had produced versions of the traditional
ladderback chair before, first for David Gauld in 1893 and
then as a bedroom chair at Windyhill in 1901. This
understated and deceptively simple design of 1903, for Miss
Cranston’s new Willow Tearooms in Sauchiehall Street, is his
most successful treatment of this vernacular form. The dark
wood against the pale walls and tablecloths of the tearoom
interiors accentuating the striking lines of this one of
Mackintosh’s most recognisable chairs.
£10,000-15,000
73
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LY O N & T U R N B U L L
Decorative Arts
291 HB428/1
CHARLES RENNIE
MACKINTOSH (1868-1928)
PAIR OF STAINED OAK
DINING CHAIRS, CIRCA 1911
each with tall rectangular
slat-filled back above original
drop-in seat with horsehair
cover, and deep seat rails,
raised on square legs linked
by side stretchers (2)
47cm wide, 100.5cm high, approx.
46cm deep
Provenance:
William Douglas Esq., Glasgow
Benno Schotz Esq., Glasgow
Jack Coia Esq., Glasgow and by
descent
74
Literature:
Billcliffe, Roger ‘Charles Rennie
Mackintosh: The Complete
Furniture, Furniture Drawings and
Interior Designs’, Moffatt 2009, p.
213, see footnote to no. 1910.12.25
Cotton, Bernard D. ‘Scottish
Vernacular Furniture’, London 2008,
pp. 172-177, plates 296-298
Note:
In 1911, when these chairs were
made, Charles Rennie Mackintosh
was in the last phase of creativity as
an architect and designer in
Glasgow, before he and his wife
Margaret Macdonald Mackintosh
moved to Walberswick in Suffolk.
During that year he was
commissioned by Miss Cranston to
provide designs for the temporary
White Cockade tearoom at the
Glasgow Exhibition. He also
produced redesigns of furniture and
interior decorations for The Chinese
Room and designed a new room,
The Cloister Room, both for Miss
Cranston’s Ingram Street Tearooms.
At the same time he worked on a
series of furniture designs for his
friend, the decorator William
Davidson, who worked from
premises in West George Street and
was employed on various projects by
Mackintosh including Hous’hill, Miss
Cranston’s home, in 1904. Amongst
the furniture designed for Davidson
was a set of six oak dining chairs, of
which this pair forms part. The
chairs are stained dark and
designed in the brander back style,
so called in Scotland because of
their backs’ resemblance to the
brander iron or gridiron used over
the fire to cook meat or to toast
oatcakes. The origins of the brander
back date to the late 18th century or
earlier. The simple concept of
vertical back slats was used on
chairs in one interpretation or
another for all levels of society
throughout Scotland until the
second half of the 19th century
when it fell out of fashion.
Mackintosh’s genius was that he
had the ability to make something
new out of tradition, as these
deceptively simple chairs
demonstrate. In common with, for
example, his interpretations of
ladder back chairs in various
manifestations; Mackintosh has
designed his own version of this
vernacular chair. The back, typically
squat, has been elongated, and the
number of slats doubled from a
characteristic four to eight. He has
further accentuated the vertical
character of the chair by omitting
the cross-stretchers, normally found
to the front and rear.
£10,000-15,000
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LY O N & T U R N B U L L
Decorative Arts
292 FD278/5
CHARLES RENNIE MACKINTOSH (1868-1928)
PAINTED FIRE SURROUND, CIRCA 1903-4
the projecting top above tapering and moulded
jambs, enclosing a frieze with chamfered bird
motif and decorated with a simple concave oval
device, overpainted
94cm x 126cm
Literature:
University of Glasgow ‘Mackintosh Architecture’ project at
mackintosh-architecture.gla.ac.uk
Provenance:
1, Dunira Street, Comrie.
Note:
In 1903 designs for a shop, flat and offices at 1, Dunira
Street were commissioned from Honeyman, Keppie and
Mackintosh by a Peter Macpherson, who had bought the site
after a fire. By late July 1903 Macpherson’s solicitor, John
Mitchell, was in touch with Mackintosh about rebuilding the
premises and a surviving series of letters from Mitchell to
Mackintosh document the project.
The flat was purchased and renovated by the Landmark
Trust in 1985 and the shop in 1986. The current lot, probably
originally from a smaller bedroom, was removed at an
earlier date. In common with the remaining fire surrounds in
the flat the accompanying cast iron fire grate is an off the
shelf commercial model, often used by Mackintosh in these
instances.
£3,000-5,000
293 HB470/1
CHARLES RENNIE MACKINTOSH (1868-1928)
BEECH HIGH STOOL, CIRCA 1894
the circular seat raised above three turned legs
linked by stretchers
32.5cm diameter, 69cm high
Literature:
Billcliffe, Roger, ‘Charles Rennie Mackintosh: The Complete
Furniture Drawings & Interior Designs’, Moffatt 2009, page 32,
illus. D1894-96.1
Note:
Made for Queen Margaret Medical College, Glasgow, the
treatment of the stretchers appear to echo those of the domino
table designed by Mackintosh in 1898 for the Argyle Street Tea
Rooms.
£500-700
76
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LY O N & T U R N B U L L
Decorative Arts
294 HB640/45
MORRIS & CO.
MAHOGANY FRAMED EMBROIDERED
FIRE SCREEN, CIRCA 1900
the silkwork panel enclosed by frame
with fretwork panel below on trestle
ends linked by a turned stretcher
62cm wide, 85cm high, 29cm deep
£400-600
295 HB640/13
MORRIS & CO.
MAHOGANY CENTRE TABLE,
CIRCA 1900
the rectangular top with canted
angles raised above a plain apron on
facetted and tapered legs, stamped
maker’s marks
75.5cm wide, 74.5cm high, 61cm deep
£300-500
296 HB536/1
JOSEPH MARIA OLBRICH
(1867-1908)
MAHOGANY SIDE CHAIR,
CIRCA 1900
the tall slender back filled with
vertical and horizontal uprights
above a drop in seat on square
tapered legs linked by stretchers
296A HA540/6
MANNER OF SIR FRANK BRANGWYN FOR
MESSRS. NORMAN AND STACEY
SET OF EIGHT WALNUT DINING CHAIRS,
CIRCA 1903
including two carvers, each with slatted backs
centred with a carved rose to the top rail, above
drop in seats and square legs linked by stretchers,
bear retailer's marks (8)
£600-800
Literature:
Konody, P.G. ‘The Work of An Unprofessional Designer –
Mr Frank Brangwyn’s Furniture’, 1903, for a set of dining chairs
of the same design with inlaid rather than carved top rails.
£600-800
77
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LY O N & T U R N B U L L
Decorative Arts
297 HB640/19
AFTER GEORGE WALTON FOR
WILLIAM BIRCH, HIGH WYCOMBE
OAK ‘ABINGWOOD’ ARMCHAIR,
CIRCA 1910
with tapering back with heart
shaped piercing enclosed by broad
curved arms and upholstered seat
raised on square tapering legs
joined by stretchers
£800-1,200
298 HB640/24
GEORGE WALTON (1867-1933)
INLAID OAK DRESSING CHEST,
CIRCA 1900
the oval swing mirror with turned
tapering uprights above a rectangular
top and chequer inlaid front panel
with two drawers to the sides, above
two long drawers below, raised on
facetted and tapered legs
101cm wide, 169cm high, 53cm deep
£1,500-2,000
299 HB640/9
GLASGOW SCHOOL
OAK DINING/ LIBRARY TABLE,
CIRCA 1900
the rectangular top above an arched
apron with pierced and scrollcarved cartouches, raised on
tapered legs linked by stretchers
184cm long, 77.5cm high, 92cm deep
£1,200-1,800
78
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LY O N & T U R N B U L L
Decorative Arts
300 HB640/20
GLASGOW STYLE
PATINATED BEECH DISPLAY CABINET ON
STAND, CIRCA 1900
of rectangular section, the cornice with
pointed mouldings above an astragal glazed
sides and single door, enclosing later
adjustable glass shelves on stand with
square tapering legs
74cm wide, 169cm high, 57cm deep
£1,000-1,500
301 HB640/1
ERNEST ARCHIBALD TAYLOR
(1874-1951)
EBONISED SECRETAIRE, CIRCA 1900
the sloping fall with hinged
compartment above two drawers with
silvered ring handles and a slide, the
base with three tiers linked by square
supports
56cm wide, 46cm deep, 93.5cm deep
£800-1,200
79
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LY O N & T U R N B U L L
Decorative Arts
302 HB75/5
ART NOUVEAU
MAHOGANY INLAID DISPLAY CABINET,
CIRCA 1910
the pierced surmount above a single glazed
door with peacock feather fret decoration
enclosing a shelved interior and enclosed by
open shelves with mirrored backs and with
two cupboard doors below, the whole raised
on square tapered legs
142cm wide, 213cm high, 41cm deep
£800-1,200
303 HB640/12
ATTRIBUTED TO J.S. HENRY,
LONDON
ART NOUVEAU MAHOGANY
AND MARQUETRY INLAID
CENTRE TABLE, CIRCA 1900
the circular top above tapered
legs linked by horizontal
stretchers with corresponding
inlaid roundels
76cm diameter, 73cm high
£500-800
80
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Decorative Arts
304 HA978/1
ART NOUVEAU
INLAID MAHOGANY THREE PIECE BEDROOM SUITE,
CIRCA 1900
comprising a WARDROBE, with a central mirror door
flanked by two doors and three drawers, the whole inlaid
with stylised plant forms and raised on bracket feet,
173cm wide, 207cm high, 52cm deep; a DRESSING
TABLE, with a circular swing mirror above two jewellery
drawers, two short over two long drawers, and turned
legs, 115cm wide, 168cm high, 52cm deep; and a
matching MARBLE TOP WASHSTAND, 110cm wide,
88cm high, 51cm deep (3)
£800-1,200
81
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LY O N & T U R N B U L L
Decorative Arts
305 HA541/1
ATTRIBUTED TO A.H. MCINTOSH & CO. LTD., KIRKCALDY
MAHOGANY ART NOUVEAU BEDROOM SUITE, CIRCA 1900
comprising a WARDROBE, the arched cornice above and carved frieze
above two panelled doors with three drawers below, flanked by
mirrored doors on a base with two drawers, elaborate steel hinges,
190cm wide, 232cm high, 61cm deep; a WASHSTAND, with
corresponding decoration, 121cm wide, 77cm high, 55cm deep; and a
MATCHING BEDSIDE TABLE, 52cm wide, 77cm high, 39cm deep, each
with drop handles with cast maker’s marks L&C (3)
£600-800
306 HB310/1
ART NOUVEAU
SET OF SIX OAK DINING CHAIRS,
DATED 1908
the back rails with entwined floral
motifs above curved slats and close
nailed leather seats, raised on square
tapered legs, stamped registration
marks for 1908 (6)
£500-700
82
307 HB102/4
ARTS & CRAFTS
CARVED OAK TABLE BOOKSHELF,
CIRCA 1900
the ends carved with stylised pelicans
48cm wide, 26cm high, 16cm deep
£200-300
308 HB640/22
ARTS & CRAFTS
OAK TUB CHAIR, CIRCA 1900
the curved top rail with five plank
supports above a drop in seat on
rectangular section legs linked by
stretchers
£100-200
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LY O N & T U R N B U L L
Decorative Arts
309 HA358/1
SHAPLAND & PETTER, BARNSTAPLE
PAINTED BEDROOM SUITE, CIRCA 1900
comprising a WARDROBE, the moulded cornice above arched
open shelf and two doors, each inset with embossed copper
panels of Glasgow Style roses, the base with single drawer,
stamped mark R214/118, 151cm wide, 213.5cm high,
60cm deep; a WASHSTAND, with tiled splashback above two
drawers over two cupboards, stamped mark R214/82,
102cm wide, 138cm high, 47cm deep; and a MATCHING SIDE
CABINET/ CHEST, with single frieze drawer above two short
and one long recessed drawer, stamped marks R214/82,
102.5cm wide, 92cm high, 52cm deep (3)
Literature:
Bennett, Daryl ‘Shapland & Petter Ltd.of Barnstaple’, pub. Barnstaple
2005, p.52, illus. pl. 4.27
£1,000-1,500
83
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Decorative Arts
310 HB480/1
ART NOUVEAU
INLAID MAPLE WASHSTAND,
CIRCA 1900
with tiled top and upstand above two
drawers raised on square tapered legs
linked by stretchers
103cm wide, 128cm high, 54cm deep
£300-500
311 HA952/1
ATTRIBUTED TO ARTHUR SIMPSON OF
KENDAL
COPPER BOUND OAK PLANTER,
CIRCA 1900
of square tapering form, the serpentine rim
above pierced pine cone and foliate carved
motifs to each side, raised on crossed strut
supports
52cm wide, 56cm high
£400-600
84
312 HB580/11
LIBERTY & CO., LONDON
MAHOGANY OVERMANTEL,
CIRCA 1900
with two open shelves with
bracket supports, and a
framed print depicting a
Dutch scene, bears ivorine
maker’s label
313 HB622/1
ARTS & CRAFTS
SMALL LEATHER COVERED &
BRASS MOUNTED TABLE
CABINET, CIRCA 1900
with twin doors tooled with
stylised plant forms, the
decorative brass hinges with
flower and foliate designs
132cm wide, 79cm high
44cm wide, 46cm high, 28cm deep
£200-300
£400-600
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LY O N & T U R N B U L L
Decorative Arts
314 HB640/41
ATTRIBUTED TO SIR ROBERT
LORIMER
ARTS & CRAFTS OAK FRAMED
EMBROIDERED FIRE SCREEN,
CIRCA 1900
the frame surmounted by the
carved figures of two falcons
raised on tapered columns with
scrolled feet and enclosing a
framed wool tapestry panel
depicting the Stuart coat of arms
Note:
The tapestry shows the shield of King
James I of England, Scotland, France
and Ireland from 24 March, 1603. It
continued to be used by his
successors, Charles I, Charles II and
James II until 11 December 1688
when the last named abdicated and 23
December 1688 was formally deposed
by Parliament. The shield is
surrounded by the garter and
surmounted by a crown, although the
crown on this example is not a typical
representation of either the Scottish
or St Edwards Crown, which are
normally shown.
96cm wide, 105cm high, 24cm deep
£2,000-3,000
315 HA857/1
SCOTTISH ARTS & CRAFTS
OAK-FRAMED EMBROIDERED FIRE SURROUND,
CIRCA 1900
of rectangular outline with projecting dentil cornice
and rectangular frame enclosing a crewelwork wool
panel worked with flowering foliage on a cream
ground and surrounding aperture for a fireplace
119cm wide
£600-800
316 HA992/2
LEEDS FIRCLAY COMPANY
PAIR OF STONEWARE JARDINIÈRES AND STANDS, CIRCA 1900
the tapering square section stand supporting ovoid, shouldered bowl
cast in low relief with stylised foliage panels, covered in an oatmeal
glaze impressed marks, minor repair to foot rim (2)
93cm high
£1,000-1,500
85
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LY O N & T U R N B U L L
Decorative Arts
317 HB640/10
ARTHUR ROMNEY GREEN
(1872-1945)
SET OF SIX OAK TUB
ARMCHAIRS, CIRCA 1920
each with curved top rails and
turned spindle-filled backs on
leather panelled seats and
tapered legs linked by
stretchers (6)
£1,000-1,500
318 HB640/17
AMBROSE HEAL (1872-1959) FOR
HEAL& SONS, LONDON
OAK DINING TABLE, CIRCA 1930
the circular top on square legs with
cross supports
122cm diameter, 69cm high
£700-900
319 HB640/23
HEAL & SON, LONDON
OAK BEDROOM CHAIR, CIRCA 1920
with broad horizontal bar back above
rush seat on square legs linked by
stretchers
319A HA540/4
ATTRIBUTED TO DANIEL COTTIER
EBONISED SIDE TABLE, CIRCA 1870
the rectangular top above a single frieze
drawer on boldly turned legs linked by
stretchers
320 HB640/38
MANNER OF EDGAR WOOD
ART DECO WALL MIRROR, CIRCA 1930
of rectangular outline, the geometric
moulded frame patinated in red and
silver
£100-200
73cm wide, 72cm high, 47cm deep
62cm x 43cm
£200-300
£300-500
86
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LY O N & T U R N B U L L
Decorative Arts
321 HB371/1
EDWARD BARNSLEY (1900-1987)
WALNUT DISPLAY CABINET,
LATE 20TH CENTURY
of serpentine form with boxwood stringing,
the central glazed panel enclosed by two
side doors and with shelved interior, the
whole above two panelled doors on slender
bracket feet
322 HB371/8
EDWARD BARNSLEY (1900-1987)
WALNUT COFFEE TABLE,
LATE 20TH CENTURY
the rectangular top above square
tapered legs and a slatted
undertier
180cm long, 51cm high, 22cm deep
£300-500
83.5cm wide, 192.5cm high, 37cm deep
£1,500-2,000
323 HB371/11
EDWARD BARNSLEY (1900-1987)
PAIR OF WALL MOUNTED WALNUT
DEMI-LUNE CONSOLE TABLES,
LATE 20TH CENTURY
the semi-circular tops decorated to
the rim with leather strips with gilt
star tooling, above three curved
bracket supports with corresponding
decoration, each stamped
BARNSLEY (2)
324 HB371/1A
EDWARD BARNSLEY (1900-1987)
WALNUT DISPLAY CABINET,
LATE 20TH CENTURY
of serpentine form with boxwood stringing,
the central glazed panel enclosed by two
side doors and with shelved interior, the
whole above two panelled doors on slender
bracket feet
83.5cm wide, 192.5cm high, 37cm deep
£1,500-2,000
76cm wide, 41cm high, 31cm deep
£200-300
87
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LY O N & T U R N B U L L
Decorative Arts
325 HB371/2
EDWARD BARNSLEY (1900-1987)
WALNUT CHEST OF DRAWERS,
LATE 20TH CENTURY
with boxwood stringing, with two short over
three long graduated drawers
85cm wide, 92cm high, 53cm deep
£2,000-3,000
326 HB371/4
EDWARD BARNSLEY (1900-1987)
WALNUT SIDEBOARD,
LATE 20TH CENTURY
of bowed form with boxwood stringing and
ledge back, with three drawers, two fitted
for cutlery, above a bowed stretcher and
square moulded legs, stamped to drawer
BARNSLEY
168.5cm wide, 89cm high. 52cm deep
£2,000-3,000
327 HD522/1
FRENCH SCHOOL
METAL LIBRARY TABLE,
EARLY 20TH CENTURY
with circular inset leather top, above a
scrollwork foliate frieze raised on
square tapered legs with fluted
decoration and with corresponding
brackets
139cm diameter, 65cm high
£800-1,200
88
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LY O N & T U R N B U L L
Decorative Arts
328Y SV509/6
ATTRIBUTED TO LIBERTY & CO., LONDON
ARTS & CRAFTS ROSEWOOD, EBONY AND IVORY
INLAID ‘THEBES’ STOOL, CIRCA 1900
the slatted dished seat inlaid with ebony and ivory
above square supports lined by stretchers with
spindle supports
31.5cm wide, 30cm high, 28.5cm deep
£2,000-3,000
329 HB371/5
HANS WEGNER (1914-2007)
FOR JOHANNES HANSEN, DENMARK
PAIR OF ‘THE CHAIR’ TEAK ARMCHAIRS,
DESIGNED 1949
each with rattan seats, branded mark
JOHANNES HANSEN, COPENHAGEN,
DENMARK (2)
£600-800
330A HA588/1
AFTER LE CORBUSIER
'GRAND CONFORT' THREE-SEAT SOFA,
MODERN, DESIGNED 1929
with tan leather cushions and chromium
plated frame
330 HB435/1
EERO SAARINEN (1910-1961)
FOR KNOLL INTERNATIONAL
CIRCULAR MARBLE TOP
‘TULIP’ TABLE, DESIGNED
1956
raised on a tapered and
enamelled aluminium base
225cm wide
£800-1,200
120cm diameter, 72cm high
330B HA588/2
AFTER LE CORBUSIER
'GRAND CONFORT' THREE-SEAT SOFA,
MODERN, DESIGNED 1929
with tan leather cushions and chromium
plated frame
£600-800
225cm wide
£600-800
89
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LY O N & T U R N B U L L
Decorative Arts
331Y HD516/1
JOHANNES ANDERSEN (1890–1980)
FOR ULDUM MØBELFABRIK
SET OF SIX ‘JULIANE’ MODEL ROSEWOOD
CHAIRS, DESIGNED 1965
each with curved open backs with single
splats raised above wool upholstered seats
on tapered legs (6)
Note:
Sold in compliance with CITES regulations, with (nontransferable) Transaction Specific Certificate no.
532817/01
£600-800
332Y HD510/3
FRANCE & SON, DENMARK
ROSEWOOD TWO TIER
DRINKS TROLLEY, 1960S
with turned supports and
handles
66cm wide, 68cm high, 42cm deep
Note:
Sold in compliance with CITES
regulations, with (non-transferable)
Transaction Specific Certificate no.
532818/03
£200-300
334Y HD510/1
DANISH SCHOOL
FOUR ROSEWOOD FRAMED
DINING CHAIRS, CIRCA 1960
each with hinged leather
backs and leather slung seats
with brass decorative fixings,
raised on turned legs (4)
Note:
Sold in compliance with CITES
regulations, with (non-transferable)
Transaction Specific Certificate no.
532818/02
£200-300
333Y FG893/5
DANISH SCHOOL
PAIR OF SMALL ROSEWOOD
BOW FRONT CHESTS,
CIRCA 1960
each with five graduated
drawers on turned legs (2)
60cm wide, 78cm high, 32cm deep
Note:
Sold in compliance with CITES
regulations, with (non-transferable)
Transaction Specific Certificate no.
529930/01
£300-500
90
335 HD510/6
ALDO TURA
ITALIAN LACQUERED WOOD
AND BRASS WALL MOUNTED
COAT HOOKS, 1960S
the rectangular back board
with transfer prints of the
seasons
80cm wide, 25cm high
£200-300
336Y HD510/2
ROBERT HERITAGE (B. 1927)
FOR ARCHIE SHINE LTD.
ROSEWOOD AND WALNUT
EXTENDING DINING TABLE,
1960S
of tapering rectangular
outline, with turned and
tapered legs, with a single
leaf
212cm long, 73cm high, 89cm deep
Note:
Sold in compliance with CITES
regulations, with (non-transferable)
Transaction Specific Certificate no.
532818/01
£400-600
337 HD510/15
NILS JORGEN HAUGESEN
(1936-2013) FOR BENT
KROGH
FOUR X-LINE CHAIRS,
DESIGNED 1977
steel rod and perforated steel
plate (4)
£150-250
338 HD513/1
MANNER OF HANS WEGNER
MAHOGANY WINDSOR TYPE
CHAIR, 20TH CENTURY
with a slatted back and arms
above a close nailed
upholstered panel raised on
turned tapering legs linked by
stretchers
£200-300
339Y HA827/2
ROBERT HERITAGE (B. 1927)
FOR ARCHIE SHINE LTD.
ROSEWOOD SIDE CABINET,
1960S
the rectangular top with twin
doors enclosing adjustable
shelves, raised on square legs
102cm wide, 76cm high, 45cm deep
£200-300
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LY O N & T U R N B U L L
Decorative Arts
340Y HA827/3
ROBERT HERITAGE (B. 1927)
FOR ARCHIE SHINE LTD.
ROSEWOOD DINING SUITE, 1960S
comprising a DINING TABLE, with
single leaf and pedestal supports,
237cm long, 73cm high, 91.5cm deep;
and a SET OF EIGHT DINING CHAIRS,
including two carvers, each with
slatted backs and turned tapered
legs united by stretchers (9)
£500-800
341 HD510/4
ATTRIBUTED TO FONTANA
ARTE
WALL MIRROR, 1980S
the rectangular blue mirrored
glass panel mounted with six
lights and overlaid with a
circular mirrored panel
342 HD523/1
MANNER OF ROBIN NANCE
OAK COFFEE TABLE, 1970S
the rectangular top inset with
stoneware tiles, some with
stylised silhouettes of leaves,
and raised on tapering
splayed legs
343 HA588/23
ROBERT MATTHEWS
HARDWOOD PLAN CHEST,
CIRCA 1960
with rectangular top, above
metal frame enclosing five
long drawers
68cm x 90cm
109cm long, 39cm high, 39cm deep
£200-300
£300-500
£200-300
122cm wide 82cm high 91cm deep
343A HA588/16
WILLY RIZZO FOR SABOT,
ITALY
BROWN LAMINATED COFFEE
TABLE, 1970S
the galleried rectangular top
with chrome bound rounded
angles raised on a plinth
130cm long, 80cm deep, 28cm high
£200-300
91
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LY O N & T U R N B U L L
Decorative Arts
344 HB640/16
ALVAR AALTO (1898-1976)
FOR ARTEK
BIRCH 907 COFFEE TABLE,
CIRCA 1930
the circular two tier top on
curved rectangular section ply
supports
345 HB640/42
ALVAR AALTO (1898-1976)
FOR ARTEK
BIRCH CENTRE TABLE,
1930S
the circular top raised on
curved rectangular section
legs
63cm diameter, 57cm high
125cm diameter, 61cm high
£300-500
£300-500
346 LT2015/19
JORGE FERRARI-HARDOY
(1914-1977)
PAIR OF ‘BUTTERFLY’
CHAIRS, DESIGNED 1938
probably manufactured by
Knoll International, steel rod
with leather slings (2)
347 HA549/1
TIM STEAD (1952-2000)
ELM SIDE CABINET,
LATE 20TH CENTURY
enhanced with gold wood filler,
the freeform top above two
drawers with two cupboards
below enclosing a fixed shelf
£800-1200
105cm wide, 91.5cm high, 58cm deep
£800-1,200
348 HB388/1
POST MODERNIST
EBONISED AND
CHERRYWOOD LIBRARY
TABLE, CIRCA 1985
with sloped book rest, above
open shelves supported by
turned columns and bracket
feet
349 LT2015/19
CHROMIUM PLATED STEEL
FRAMED LEATHER SOFA,
1960S
comprising four conjoined
sections
216cm long
£200-300
100.5cm wide, 90cm high,
44cm deep
£200-300
92
350
No lot
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Page 93
Fine Furniture & Works of Art
Wednesday, 22nd April, 2015
33 Broughton Place, Edinburgh EH1 3RR
MASSIMILLIANO SOLDANI-BENZI (1656-1740)
GANYMEDE AND THE EAGLE
Bronze
38.5cm wide
Estimate upon request
Enquiries
Douglas Girton
Tel: +44 (0)131 557 8844
douglas.girton@lyonandturnbull.com
Theodora Burrell
Tel: +44 (0)131 557 8844
theo.burrell@lyonandturnbull.com
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Page 94
Scottish Paintings & Sculpture
Thursday, 4th June, 2015
33 Broughton Place, Edinburgh EH1 3RR
Enquiries
Nick Curnow
Tel: +44 (0)131 557 8844
nick.curnow@lyonandturnbull.com
GEORGE HENRY R.A., R.S.A.,
R.S.W. (SCOTTISH 1858-1943)
ROUND THE MULBERRY BUSH
Signed and dated 1890,
oil on canvas
Charlotte Riordan
Tel: +44 (0)131 557 8844
charlotte.riordan@lyonandturnbull.com
w w w. lyo n a n d t u r n b u l l . co m
£15,000-20,000
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Page 95
19th & 20th Century Pictures
Sale 432A
Wednesday, 25th March at 3pm
351 HA800/134
NICHOLAS POCOCK
(BRITISH 1740-1821)
FRIGATE ENTERING
PORTSMOUTH HARBOUR
Watercolour
25.5cm x 38cm (10in x 15in)
Provenance:
Denston Hall, Suffolk
£400-600
352 HA800/135
FOLLOWER OF ANTOINE
SCHRANZ
(MALTESE 1769-1839)
MAN O’ WAR OFF THE COAST
Watercolour
38cm x 55cm (15in x 21.5in)
Provenance:
Denston Hall, Suffolk
£500-800
95
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LY O N & T U R N B U L L
19th & 20th Century Pictures
353 HB126/1
19TH CENTURY BRITISH
SCHOOL
CASTLE BY THE LOCH
Oil on canvas
62cm x 75.5cm (24.5in x 29.75in)
£600-800
354 HA899/1
JAMES HERON
(SCOTTISH 1873-1919)
ON THE SHORES OF LOCH
FYNE
Signed and dated 1897, oil on
canvas
49.5cm x 100.5cm (19.5in x 39.5in)
£600-800
355§ HB288/1
JOHN PATRICK DOWNIE
(SCOTTISH 1871-1945)
ON THE LUGGIE
Signed and dated 1906, oil on
canvas
39cm x 49cm (15.25in x 19.25in)
£300-500
96
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LY O N & T U R N B U L L
19th & 20th Century Pictures
356 HB323/1
THOMAS AUSTEN BROWN
(BRITISH 1859-1924)
THE MILKMAID
Oil on panel
19cm x 24.5cm (7.5in x 9.75in)
£600-800
357 HB297/3
BIRGER SANDZEN
(AMERICAN 1871-1954)
THE FRIENDLY LAKE
Signed in plate and to margin,
lithograph
20.5cm x 26cm (8in x 10.25in)
£300-500
358 HB333/2
JAMES COUTTS MICHIE
A.R.S.A.
(SCOTTISH 1859-1919)
LOCH TAY SUNSET
Signed, oil on canvas
24cm x 39cm (9.5in x 15.25in)
£600-800
97
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LY O N & T U R N B U L L
19th & 20th Century Pictures
359 HB386/6
19TH CENTURY
CONTINENTAL SCHOOL
THE SUFFERING CHRIST
Initialled ‘AR’ and dated 1890,
gouache on paper laid on
board
89cm x 71cm (35in x 28in)
£600-800
360 HB478/1
ATTRIBUTED TO GEORGE
PAUL CHALMERS
(BRITISH 1833-1878)
FIRE-SIDE
Oil on canvas
39cm x 28cm (15.25in x 11in)
£400-600
98
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LY O N & T U R N B U L L
19th & 20th Century Pictures
361 HB498/1
GEORGE BLACKIE STICKS
(BRITISH 1843-1938)
LANDSCAPE
Signed and dated 1891, oil on
canvas
44.5cm x 36.5cm (17.5in x 14.5in)
£600-800
362 HB51/1
JAMES HOLLAND
(BRITISH 1799-1870)
RECOLLECTIONS OF VENICE
Signed with monogram and
dated 1850, signed and
inscribed with title verso, oil
on board
45cm x 34cm (17.75in x 13.5in)
£1,000-1,500
99
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LY O N & T U R N B U L L
19th & 20th Century Pictures
363 HA204/1
JOHN BLAIR
(SCOTTISH 1850-1934)
LARGO, 1909
Signed, titled and dated,
watercolour
53cm x 73.5cm (21in x 29in)
£500-700
364 HB99/3
DAVID WEST
(BRITISH 1868-1936)
SINGLE SHIP AT SEA
Signed, watercolour
25.5cm x 37cm (10in x 14.5in)
£500-700
365 HB478/2
JOHN TERRIS
(BRITISH 1865-1914)
HARBOUR
Signed, oil on canvas
22cm x 27.5cm (8.5in x 10.75in)
£400-600
100
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LY O N & T U R N B U L L
19th & 20th Century Pictures
366 SV484/51
SAM BOUGH
(SCOTTISH 1822-1878)
A BORDER STRONGHOLD
Signed and dated 1873,
watercolour
33.5cm x 51cm (13.25in x 20in)
Provenance:
Ian MacNicol Fine Art
£400-600
367 SV408/71
HENRY JOHN YEEND-KING
(BRITISH 1855–1924)
A PASTORAL
Signed, signed and inscribed
with title verso, oil on board
26cm x 36cm (10.25in x 14.25in)
£400-600
368 HA661/1
JOHN COPLAND
(SCOTTISH 1854-1929)
THE MONKS MILL
Signed and dated 1914,
inscribed with title, old
exhibition label verso, oil on
canvas
49cm x 59cm (19.25in x 23.25in)
Exhibited:
The Society of Scottish Artists, 1919
£500-700
101
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Page 102
LY O N & T U R N B U L L
19th & 20th Century Pictures
369§ FH172/1
WILLIAM MILLER FRAZER
R.S.A. (SCOTTISH 1864-1961)
IN THE MEADOW,
PRESTON MILL
Signed and dated 1896, oil on
canvas
61cm x 91cm (24in x 36in)
£1,000-1,500
370 FE191/556
JOHN CRAWFORD WINTOUR
A.R.S.A.
(SCOTTISH 1825-1882)
THE GOSSIPS
Signed and dated 1846, oil on
canvas
46cm x 61cm (18in x 24in)
£600-800
102
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LY O N & T U R N B U L L
19th & 20th Century Pictures
371§ FG412/5
GRAHAM SUTHERLAND O.M.
(BRITISH 1903-1980)
WARNING CAMP
Signed, etching
13cm x 15cm (5in x 6in)
Provenance:
William J Macaulay Collection, 1979,
no.49
£500-700
372§ HA543/3
JAMES MCINTOSH PATRICK
R.S.A. (SCOTTISH 1907-1998)
EDZELL CASTLE, 1930
Signed and dated ‘30,
pen and ink
20cm x 28cm (8in x 11in)
and another, a pair (2)
£600-800
103
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LY O N & T U R N B U L L
19th & 20th Century Pictures
373§ HB297/2
JEHAN DALY
(BRITISH 1918-2001)
PORTRAIT OF JOAN
NICHOLSON
Inscriped verso ‘Title: Mrs
Roger Nicholson, by J. Daly,’
oil on canvas
49.5cm x 39.5cm (19.5in x 15.5in)
£400-600
374§ HB15/1
JAMES COWIE
(SCOTTISH 1856-1966)
STUDY OF A WOMAN BY A
LAKE
Oil on canvas
13cm x 10cm (5in x 4in)
Provenance:
The artist's studio
Exhibited:
The Scottish Gallery, Edinburgh
Note:
This work is likely to be a study of
the artist's wife
£400-600
104
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LY O N & T U R N B U L L
19th & 20th Century Pictures
375§ HA666/3
TERENCE LOUDON
(BRITISH c. 1900-1949)
CHRISTMAS ROSES,
FEBRUARY 1945
Signed, oil on canvas
40cm x 30cm (15.75in x 11.75in)
£500-700
376 HA710/27
KATE WYLIE
(BRITISH 1877-1941)
VASE WITH RED FLOWERS
Signed, oil on canvas
49cm x 34cm (19.25in x 13.25in)
£400-600
105
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LY O N & T U R N B U L L
19th & 20th Century Pictures
377§ HB337/2
JOAN RENTON R.S.W.
(BRITISH b. 1935)
SUMMER FLOWERS
Signed, watercolour
50cm x 37cm (19.75in x 14.5in)
£400-600
378§ HB337/1
BRENDA LENAGHAN R.S.A.
(SCOTTISH b. 1941)
COUPLE RECLINING
Signed, gouache
19.5cm x 19.5cm (7.75in x 7.75in)
379§ HB337/3
CHRISTIAN WHARTON
(BRITISH b. 1937)
REFLECTIONS
Signed, watercolour on
textured paper
72cm x 53.5cm (28.25in x 21in)
£250-350
106
£300-500
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LY O N & T U R N B U L L
19th & 20th Century Pictures
380§ SV369/9
ROBERTA A. DEIGHTON
(SCOTTISH CONTEMPORARY)
AYRSHIRE FARMHOUSE
Signed, oil on board
29cm x 36.5cm (11.5in x 14.5in)
£200-400
381§ HA784/1
DAVID DONALDSON
(SCOTTISH 1916-1996)
MOUNTAIN TENT
Signed, pastel
23.5cm x 23.5cm (9.25in x 9.25in)
£500-700
382§ HA710/32
JAMES MACKINTOSH
PATRICK R.S.A.
(SCOTTISH 1907-1998)
NEAR SIDI BU SAID, TUNISIA
Signed and dated 1943,
watercolour
24cm x 30cm (9.5in x 11.75in)
£500-700
107
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LY O N & T U R N B U L L
19th & 20th Century Pictures
383§ HA146/75
JAMES MCBEY
(SCOTTISH 1883-1959)
GLENGOULANDIE
Signed and dated ‘12 July
1929,’ watercolour
31cm x 49cm (12in x 19.25in)
Exhibited:
Alex Reid of Lefevre
£400-600
384§ HA543/2
JAMES MCBEY
(SCOTTISH 1883-1959)
ALBERT
Signed and numbered ‘XXXI’
to margin, etching
16.5cm x 25.5cm (6.5in x 10in)
£600-800
108
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LY O N & T U R N B U L L
19th & 20th Century Pictures
385§ HA543/6
TIM ARMSTRONG
(CONTEMPORARY BRITISH)
PENTAGRAM WITH SYMBOLS
Signed, titled, dated (1975)
and numbered to margin
(3/8), screenprint
78.5cm x 65cm (31in x 25.5in)
£250-350
386§ HA543/5
TIM ARMSTRONG
(CONTEMPORARY BRITISH)
IMAGES OF LUXURY AND
PRUDENCE FROM THE ROSE
WINDOW OF NOTRE-DAME,
PARIS
Signed, titled, dated (1974-5)
and numbered (18/26) on
mount, screenprint, irregular
geometric shape.
76cm x 59.5cm (30in x 23.25in)
£250-350
109
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LY O N & T U R N B U L L
19th & 20th Century Pictures
387§ HB510/20
PETER HOWSON O.B.E.
(SCOTTISH b. 1958)
MARTYR
Signed and dated 2003, pastel
on brown paper
39.5cm x 29cm (15.5in x 11.5in)
£600-800
388§ HB510/19
PETER HOWSON O.B.E.
(SCOTTISH b. 1958)
DUCKS
Signed and dated 2002, pastel
on blue-grey paper
22cm x 29cm (8.74in x 11.5in)
£600-800
110
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LY O N & T U R N B U L L
19th & 20th Century Pictures
389§ SV509/9
THOMAS ELDER DICKSON
P.P.S.S.A., F.R.S.E.
(BRITISH 1899-1975)
HARBOUR HOUSES
Signed, oil on canvasboard
47cm x 60cm (18.5in x 23.75in)
£400-600
390§ HB483/1
JAMES HAWKINS
(BRITISH b. 1954)
BEINN EIGHE FROM COLIN,
1996
Signed, inscribed verso with
title and artists’ studio
address, acrylic
28.5cm x 41cm (11.25in x 16in)
£600-800
391§ HB51/2
STEPHANIE DEES
(BRITISH b. 1974)
MONTGOMERY STREET
Mixed media on paper
74cm x 97.5cm (29.5in x 38.5in)
£500-700
111
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LY O N & T U R N B U L L
19th & 20th Century Pictures
392§ SV509/14
HERBERT DAVIS RICHTER
(BRITISH 1874-1955)
FLOWERS IN A BLUE VASE
Signed, oil on canvas
75cm x 61cm (29.5in x 24.25in)
£1,000-1,500
393§ SV509/31
HERBERT DAVIS RICHTER
(BRITISH 1874-1955)
INTERIOR
Signed, oil on canvas
62cm x 74.5cm (24.5in x 9.25in)
£800-1,200
112
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LY O N & T U R N B U L L
19th & 20th Century Pictures
3954 HA818/1
AFTER MATTHEW WILLIAM
PETERS (BRITISH 1742-1814)
PORTRAIT OF A LADY IN A
LACE BONNET WITH WHITE
MUFFLER
Oval, oil on canvas, unframed
75cm x 63.5cm (29.5in x 25in)
£500-700
395 HA918/2
JULIUS JACOB THE ELDER,
AFTER RAPHAEL
ST. JOHN FROM RAPHAEL’S
‘THE MADONNA OF THE
MEADOW’
Signed J. Jacob, indistinctly
inscribed, pastel, oval
28cm x 23cm (11in x 9in)
£150-200
396
No lot
113
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LY O N & T U R N B U L L
19th & 20th Century Pictures
397 SV484/39
JUN RUYTEN
(BELGIAN 1813-1881)
ANTWERP
Signed, oil on board
17.5cm x 22cm (6.75in x 8.75in)
Provenance:
Ian MacNicol Fine Art, Glasgow
£400-600
398 HA710/26
JAMES CAMPBELL NOBLE
(SCOTTISH 1845-1913)
QUIET HARBOUR
Signed, oil on canvas
38.5cm x 54cm (15.25in x 21.25in)
£600-800
399 HB333/1
LUDWIG SCHELL
(GERMAN 1833-1912)
HONIGSEE
Signed, titled label verso, oil
on panel
20cm x 25.5cm (8in x 10in)
£800-1,200
114
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LY O N & T U R N B U L L
19th & 20th Century Pictures
400 HB46/2
GEORGE LESLIE HUNTER
(SCOTTISH 1877-1931)
PORTRAIT, THOUGHT TO BE
OF DR T.J. HONEYMAN
Pen, ink and coloured crayons
15cm x 9cm (6in x 3.5in)
Provenance:
Dr T.J. Honeyman
Exhibited:
William Hardie Gallery, Glasgow
£600-800
401§ HB195/1
SIR WILLIAM RUSSELL
FLINT (SCOTTISH 1880-1969)
GALATAE: AN ESSAY ON
SURREALISM
Signed and titled, inscribed
with personal message verso,
watercolour
17cm x 12cm (6.75in x 4.75in)
£800-1,200
115
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LY O N & T U R N B U L L
19th & 20th Century Pictures
402 15421/1
DUNCAN CAMERON
(BRITISH 1837-1916)
HARVEST AT SCOONIEBURN
Signed, oil on canvas
29cm x 43cm (11.5in x 17in)
£600-800
403§ HB123/8
WILLIAM MILLER FRAZER
R.S.A. (SCOTTISH 1864-1961)
DUCKS ON A RIVER BANK
Signed, oil on board
36cm x 46cm (14in x 18in)
£600-800
404 HB99/4
JAMES WATTERSTON
HERALD
(BRITISH 1859-1914)
COTTAGE AMONGST THE
TREES
Signed, pastel on grey paper
18.5cm x 23cm (7.25in x 9in)
£400-600
116
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LY O N & T U R N B U L L
19th & 20th Century Pictures
405 HA543/4
ANDERS ZORN
(SWEDISH 1860-1920)
EN DALKARL (LAVARD
ANDERS), 1916
Signed to margin, etching
17.5cm x 12.5cm (7in x 5in)
£800-1,200
406 FA223/2
GEORGE MANSON
(SCOTTISH 1850-1876)
THE MORNING MEAL
Inscribed with artist, title and
date ‘1850’ verso, pencil and
watercolour
25cm x 17cm (10in x 7in)
£400-600
407 HA4/7
SIR JAMES LAWTON
WINGATE P.R.S.A.
(SCOTTISH 1846-1924)
BOATS BY THE SEA
Signed and dated ‘17/7/81,’ oil
on canvas
29cm x 19cm (11.5in x 7.5in)
£500-700
117
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LY O N & T U R N B U L L
19th & 20th Century Pictures
408§ HB99/2
ROBERT MACAULAY
STEVENSON
(SCOTTISH 1854-1952)
BIRCH TREES
Signed, various old exhibition
labels verso, watercolour
60cm x 29.5cm (23.5in x 11.5in)
£500-700
409 HA146/61
ATTRIBUTED TO JOSEPH
CRAWHALL
(BRITISH 1861-1913)
HUNTSMAN
Signed, watercolour on
canvas
20cm x 15cm (8in x 6in)
£1,000-1,500
118
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LY O N & T U R N B U L L
19th & 20th Century Pictures
410
411
413
412
412§ HA146/4A
SIR MUIRHEAD BONE
(SCOTTISH 1876-1953)
SELF PORTRAIT OF THE
ARTIST, IN A HAT
Signed and dated ‘08 in plate,
signed to margin, drypoint
413§ HA146/20A
SIR MUIRHEAD BONE
(SCOTTISH 1876-1953)
AYR PRISON
Signed and inscribed ‘My
Proof’ to margin, drypoint
13cm x 26.5cm (5.25in x 10.5in)
411§ HA146/58
SIR MUIRHEAD BONE
(SCOTTISH 1876-1953)
SCHOOL HOUSE DOOR,
RUGBY
Signed and indistinctly
labelled, pencil on paper
£100-200
25.5cm x 18.5cm (10in x 7.25in)
16.5cm x 14cm (6.5in x 5.5in)
£100-200
£300-500
£200-300
410§ HA146/21A
SIR MUIRHEAD BONE
(SCOTTISH 1876-1953)
OLD JAIL, GLASGOW
Signed and numbered ‘No. 23’
to margin, drypoint
14.5cm x 19.5cm (5.75in x 7.75in)
119
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LY O N & T U R N B U L L
19th & 20th Century Pictures
414 HD513/3
19TH CENTURY BRITISH
SCHOOL
CHEPSTOWE CASTLE
Oil on canvas
75cm x 116cm (29.5in x 45.75in)
£500-700
415§ HD513/4
JOHN BARNS-GRAHAM
(20TH CENTURY SCOTTISH)
WINTER LANDSCAPE
Oil on card
44cm x 57.5cm (17.25in x 22.5in)
£400-600
416 HA710/31
SCHOOL OF ALEXANDER
NAYSMYTH
RIVER LANDSCAPE
Oil on canvas
24.5cm x 34.5cm (9.75in x 13.5in)
£400-600
120
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LY O N & T U R N B U L L
19th & 20th Century Pictures
417 HA640/14
WILLIAM SAMUEL HOWITT
(BRITISH c. 1765-1822)
THE GANGES BREAKING ITS
BANKS WITH FIGURES
SPEARING FISH
Signed, pen and ink and
watercolour
29cm x 43cm (11.5in x 17in)
Provenance:
The Late Lyndsay Bradfer-Lawrence
£600-800
418 HA800/141
FOLLOWER OF FRANCIS
NICHOLSON
RIVER LANDSCAPE WITH
WATERFALL AND CASTLE
Watercolour
66cm x 99cm (26in x 39in)
Provenance:
Denston Hall, Suffolk
£300-500
419 HA998/4
20TH CENTURY SCOTTISH
SCHOOL
CASTLE ON A CLIFF
Initialled ‘R.H.T.’, oil on board
29.5cm x 35cm (11.5in x 13.75in)
£400-600
121
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LY O N & T U R N B U L L
19th & 20th Century Pictures
420§ SV484/48
JEAN COMMERE
(FRENCH 1920-1986)
VIBRATIONS
Oil on canvas
36cm x 59cm (14.25in x 23.25in)
Provenance:
Ian MacNicol Fine Art
Exhibited:
Alexander Reid & Lefevre, 1961
£400-600
421§ SV408/56
ALEXANDER ALLAN
(BRITISH 1914-1972)
RUGGED LANDSCAPE
Signed and dated 1958, mixed
media on paper
29cm x 49cm (11.4in x 19.75in)
£400-600
422 HB478/3
JOHN MUNNOCH
(BRITISH 1879-1915)
WEST COAST SHORE
Signed and indistinctly dated,
oil on canvas laid on board
24cm x 34cm (9.5in x 13.25in)
£800-1,200
122
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LY O N & T U R N B U L L
19th & 20th Century Pictures
423§ HB143/1
FELICE GIORDANO
(ITALIAN 1880-1964)
NAPLES FROM MERGELLINA
Signed, inscribed on a label
verso, oil on canvas
51cm x 122cm (24in x 48in)
£1,200-1,400
424§ HB205/1
SAMUEL JOHN LAMORNA
BIRCH (BRITISH 1869-1955)
BY THE RIVER
Signed, watercolour with
bodycolour
53.5cm x 73.5cm (21in x 29in)
Note:
The figure in the background is
thought to be Lamorna Birch's
daughter
£1,500-2,500
123
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LY O N & T U R N B U L L
19th & 20th Century Pictures
425 HB297/1
JOHANNES FLINTOE
(DANISH 1787-1870)
VORINGFOSSEN WATERFALL,
NORWAY
Signed and dated 1822,
inscribed ‘Voring-Fos i Bergns
Stift’, pen and ink and
watercolour,
15.5cm x 11cm (6in x 4.5in)
£500-700
426 FA223/11
MANNER OF ARTHUR
MELVILLE
GITANA DANCING GIRL,
GRANADA ‘90
Inscribed with artist and title
verso, oil on canvas
32.5cm x 21cm (12.75in x 8.25in)
427 SV509/7
JAMES STARK
(BRITISH 1794-1859)
A WOODY LANDSCAPE
Watercolour
24cm x 17cm (9.5in x 6.75in)
£500-700
124
£700-900
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LY O N & T U R N B U L L
19th & 20th Century Pictures
428 FE191/557
SAM BOUGH R.S.A.
(SCOTTISH 1822-1878)
NEAR LOCH LOMOND
Signed and dated 1874,
watercolour
34cm x 49cm (13.5in x 19.25in)
£400-600
429§ HA92/1
JOHN MURRAY THOMSON
R.S.A., R.S.W., P.S.S.A.
(SCOTTISH 1885-1974)
THE WHITE DRAKE
Signed, oil on canvas
51cm x 76cm (20in x 30in)
£400-600
430 HA710/7
ROBERT HOPE R.S.A.
(SCOTTISH 1869-1936)
SUMMER PASTURES
Signed, oil on canvas
41cm x 51cm (16in x 20in)
£500-700
125
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LY O N & T U R N B U L L
19th & 20th Century Pictures
431 HA668/27
JOSEPH D. HENDERSON
(20TH CENTURY BRITISH)
THE CLOUDS, MALTA
Signed, oil on board
28.5cm x 33.5cm (11.25in x 13.25in)
£300-500
432§ HB430/5
SIR WILLIAM RUSSELL FLINT
(SCOTTISH 1880-1969)
LANDSCAPE
Signed, watercolour
11cm x 24.5cm (4.25in x 9.25in)
£400-600
433 HB436/12
ARTHUR MACDONALD
(SCOTTISH 20TH CENTURY)
HARBOUR SCENE, FIFE
Signed, oil on board
44.5cm x 49.5cm (17.5in x 19.5in)
£700-900
126
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LY O N & T U R N B U L L
19th & 20th Century Pictures
434 FA223/12
STUART PARK
(BRITISH 1862-1933)
ROSES
Signed, oil on board
58.5cm x 64cm (23in x 25.25in)
£1,000-1,500
435§ HB99/7
CHARLES JACQUE
(FRENCH 1879-1959)
SHEEP HERDERS
Signed, oil on canvas
61cm x 76cm (24in x 30in)
£500-700
127
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LY O N & T U R N B U L L
19th & 20th Century Pictures
436 HB140/1
ATTRIBUTED TO CORNELIUS
KRIEGHOFF
(CANADIAN 1815-1872)
STUDY OF A NATIVE
AMERICAN IN A BLANKET
Oil on card
13cm x 11cm (5.125in x 4.25in)
£300-500
437§ HB49/1
PHILIP NAVIASKY
(BRITISH 1894-1982)
PORTRAIT OF A YOUNG GIRL
Oil on board
54cm x 43cm (21.25in x 17in)
£500-700
128
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LY O N & T U R N B U L L
19th & 20th Century Pictures
438§ HB487/1
SIR MUIRHEAD BONE
(SCOTTISH 1876-1953)
THE PROMENADE
Signed, indistinctly inscribed,
pastel
28cm x 37.5cm (11in x 14.75in)
£600-800
439 HB386/5
FOLLOWER OF FRANSCISCO
GUARDI (18TH CENTURY
ITALIAN SCHOOL)
AN ITALIAN CAPRICCIO
Oil on canvas laid on panel,
oval
29cm x 23cm (11.5in x 9in)
and another by the same
hand, a pair (2)
£300-500
440
No lot
129
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LY O N & T U R N B U L L
19th & 20th Century Pictures
441 HB206/1
CORNELIUS WESTERBEEK
JUNIOR (DUTCH 1873-1917)
A PASTORAL SCENE
Signed, oil on canvas
20.5cm x 32cm (8in x 12.5in)
£400-600
442§ HA959/1
FRANK H. MASON
(BRITISH 1875-1965)
OFF ARDROSSAN
Signed, watercolour
19.5cm x 45.4cm (7.25in x 18in)
£400-600
443§ HA598/19
HENRY JOHN LINTOTT R.S.A.
(SCOTTISH 1877-1965)
A WOODLAND SCENE
Signed and dated 1919, oil on
canvas
66cm x 86cm (26in x 34in)
£500-700
130
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LY O N & T U R N B U L L
19th & 20th Century Pictures
444 HA710/28
ROBERT WEIR ALLAN
(BRITISH 1851-1942)
RETURNING FROM THE
SEA-SIDE
Signed, watercolour
27cm x 44cm (10.5in x 17.25in)
£600-800
445 HA710/29
SAM BOUGH
(BRITISH 1822-1878)
LOCH-SIDE
Signed and dated 1878,
watercolour
29cm x 44cm (11.5in x 17.25in)
£500-700
446 HA710/30
SAM BOUGH
(BRITISH 1822-1878)
HUNTER IN THE LANDSCAPE
Signed and indistinctly dated,
watercolour on buff paper
18.5cm x 23.5cm (7.75in x 9.25in)
£200-300
END OF SALE
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LY O N & T U R N B U L L
Index
Cataloguing Terms
Allan, A., 421
Allan, R.W., 444
Armstrong, T., 385, 386
Flint, Sir W.R., 401, 432
Flintoe, J., 425
Frazer, W.M., 369, 393
Barns-Graham, J., 415
Birch, S.J., 424
Blair, J., 363
Bone, Sir M., 410-413, 438
Bough, S., 366, 428, 445, 446
British School, 353, 396, 414
Brown, T.A., 356
Giordang, F., 423
Guardi, F., follower of, 439
Cameron, D., 402
Chalmers, G.P., attributed to,
360
Commere, J., 420
Continental School, 359
Copland, J., 368
Cowie, J., 374
Crawhall, J., attributed to, 409
Hawkins, J., 390
Henderson, J.D., 431
Herald, J.W., 404
Heron, J., 354
Holland, J., 362
Hope, R., 430
Howitt, W.S., 417
Howson, P., 387, 388
Hunter, G.L., 400
Macdonald, A., 433
Manson, G., 406
Mason, F.H., 442
McBey, J., 383, 384
Melville, A., manner of, 426
Michie, J.C., 358
Munnoch, J., 422
Naviasky, P., 437
Naysmyth, A., school of, 416
Nicholson, F., follower of, 418
Noble, J.C., 398
Park, S., 434
Patrick, J.M., 372, 392
Pocock, N., 351
Terris, J., 365
Thomson, J.M., 429
West, D., 364
Westerbeek, C. Jnr., 441
Wharton, C., 379
William, M., after, 394
Wingate, Sir J.L., 407
Wintour, J.C., 370
Wylie, K., 376
Yeend-King, H.J., 367
Zorn, A., 405
Jacob, J., The Elder, after
Raphael, 395
Jacque, C., 435
Renton, J., 377
Richter, H.D., 392, 393
Ruyten, J., 397
Daly, J., 373
Dees, S., 391
Deighton, R.A., 380
Dickson, T.E., 389
Dondaldson, D., 381
Downie, J.P., 355
Krieghoff, C., attributed to,
436
Sandzen, B., 357
Schell, L., 399
Schranz, A., follower of, 352
Scottish School, 419
Stark, J., 427
Stevenson, R.M., 408
The following expressions with
their accompanying
explanations are used by Lyon &
Turnbull as standard
cataloguing practice. Our use of
these expressions does not take
account of the condition of the
lot or the extent of any
restoration.
Name(s) or Recognised
Designation of an Artist without
any Qualification
In our opinion a work by the
artist
Buyers are recommended to
inspect the property
themselves. Written condition
reports are usually available on
request.
Studio of ... / Workshop of ...
In our opinion a work executed
in the studio or workshop of the
artist, possible under his
supervision
Lenaghan, B., 378
Lintott, H.J., 443
Loudon, T., 375
Attributed to...
In our opinion probably a work
by the artist in whole or in part.
Circle of ...
In our opinion a work of the
period of the artist and showing
his influence.
Follower of ...
In our opinion a work executed
in the artist’s style but not
necessarily by a pupil.
Manner of ...
In our opinion a work executed
in the artist’s style but of a later
date
After ...
In our opinion a copy (of any
date) of a work of the artist.
132
Sticks, G.B., 361
Sutherland, G., 371
Signed ... /
Dated ... /
Inscribed ... /
In our opinion the work has
been signed/dated/inscribed by
the artist.
Bears
Signature ... /
Date ... /
Inscription ... /
In our opinion the
signature/date/inscription
appears to be by a hand other
than that of the artist.
Dimensions are given height
before width.
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CONDITIONS OF SALE
SELLERS
1. DEFINITIONS
In these Conditions of Sale (Sellers):
“Auctioneer” means Lyon & Turnbull Ltd
or its authorised auctioneer, as
appropriate;
“Buyer“ is the person who makes the
highest possible bid or offer accepted by
the auctioneer, and/or such person’s
principal where bidding as agent;
“Buyer‘s Premium” is the commission
payable by the Buyer on the Hammer
Price at the rates set out in the Sale
Catalogue Guide to Prospective Buyers
and an amount in respect of applicable
VAT;
“Hammer Price” is the highest bid
accepted by the auctioneer by the fall of
the hammer or in the case of a postauction sale, the agreed sale price;
“Item” means each and every item
consigned for sale following express
written agreement between Lyon &
Turnbull and the Seller;
“Lot“ means each Item offered for sale
by Lyon & Turnbull;
“Lower Estimate” means the low
estimate provided by Lyon & Turnbull to
the Seller in relation to each Item, or in
relation to any Item which Lyon &
Turnbull holds on behalf of the Seller;
“Lyon & Turnbull” means the company
which has its registered office at 33
Broughton Place, Edinburgh, EHI 3RR
registered in Scotland No. 191166
“Net Sale Proceeds” are the Hammer
Price, less commissions and other
charges, of the Lot sold, to the extent
received by Lyon & Turnbull in cleared
funds;
“Proposed Sale” means the intended
sale through which the items will be
sold on
“Purchase Price” is the Hammer Price
and applicable Buyer‘s Premium;
“Reserve” means the lowest price below
which an item cannot be sold;
“Upper Estimate” means the high
estimate provided by Lyon & Turnbull to
the Seller in relation to each Item, or in
relation to any Item which Lyon &
Turnbull holds on behalf of the Seller;
“Terms of consignment” means the
stipulated terms and rates of
commission on which the Auctioneer
accepts instructions from Sellers or
their agents;
“You”, “Your” means the seller
“Us”, “Our”, “We” etc refers to Lyon &
Turnbull Ltd
The singular includes the plural and
vice versa as appropriate.
2. WARRANTY OF TITLE AND
AVAILABILITY
The Seller warrants:(a) that you are the true owner of the
property consigned or are properly
authorised by the true owner to consign
it for sale and are able to transfer good
and marketable title to the property free
from any third party claims.
(b) that all requirements have been
complied with, legal or otherwise,
relating to any export or import of the
property consigned, all duties and taxes
in respect of the export or import of the
lot have (unless agreed in writing with
us) been paid and, so far as you and any
principal for whom they are acting in
relation to the lot are aware, all third
parties have complied with such
requirements in the past.
(c) that you have provided Lyon &
Turnbull with any and all information
concerning the item’s provenance or
any concerns expressed by third
parties concerning its ownership,
condition, authenticity, attribution, and
export or import history; and
(d) Unless the Seller advises Lyon &
Turnbull in writing to the contrary on
delivery of the item to Lyon & Turnbull,
there are no restrictions on Lyon &
Turnbull rights to reproduce
photographs or other images of the
item in connection with the sale or any
other marketing which will be done in
accordance with good taste and
decency.
3. PREPARATION FOR SALE
(a) Lyon & Turnbull shall decide the
way in which a lot may be included in
the sale, how any lot is described and
illustrated in the catalogue or any
report, and the marketing, promotion,
date, place and conduct of the sale.
(b) Lyon & Turnbull will instruct,
consult with, and rely on, any outside
experts or restorers, agents or other
third parties, and carry out such other
due diligence, inquiries, research or
tests in relation to the property or its
provenance, either before the
Proposed Sale as it may deem
appropriate in its reasonable discretion.
(c) Any oral or written estimate or
evaluation or report provided by Lyon
& Turnbull is a genuinely held opinion
only. It may not be relied on as a
prediction of the selling price or value of
the Item, and may in Lyon & Turnbull’s
absolute discretion be revised from
time to time.
illustrations will be borne by the Seller ,
unless agreed otherwise prior. The
copyright in respect of such illustrations
shall be the property of us, the
auctioneers, as is the text of the
catalogue.
6. RESERVES
(a) You are entitled to place, prior to the
auction, a reserve on any lot consigned,
being the minimum hammer price at
which that lot may be sold. Reserves
must be reasonable and we may decline
to offer goods which in our opinion
would be subject to an unreasonably
high reserve.
(b) Firm reserves may be no greater
than lower pre-sale estimate level.
(c) A reserve once set cannot be
changed except with our agreement.
(d) You may not bid or instruct or permit
any other person to bid on your behalf
on your own property. If the Seller
breaches this prohibition, Lyon &
Turnbull may treat the Seller as bound
as Seller and as Buyer but without
the benefit of Lyon & Turnbull
Authenticity Guarantee or the reserve,
and/or pursue other remedies.
(e) We may sell lots below the reserve
provided we account to you for the same
sale proceeds as you would have
received had the reserve been the
hammer price.
7. LOSS & DAMAGE WARRANTY
(a) Subject to condition 7(c) below Lyon
& Turnbull will assume liability for loss
or damage to an item, commencing at
the time that item is taken into physical
control and possession by Lyon &
Turnbull and ceasing on the earliest
date of;
(i) when risk passes to the Buyer of the
lot following its sale;
(d) The Seller acknowledges that
attribution of Items is a matter of
opinion and not of fact, and is
dependent upon (amongst other things)
information provided by the Seller, the
condition of the property, the degree of
research, examination or testing that is
possible or practical in the
circumstances, and the status of
generally accepted expert opinion at the
time of cataloguing
(ii) for unsold lots, when the lot is
released to the Seller, or, within 3
months of the sale;or
4. TERMS OF SALE
(c) If any loss or damage should occur
to the lot during the period identified in
paragraphs (a) above, Lyon & Turnbull’s
liability to compensate the Seller in
respect of that loss shall be restricted to
a maximum of the upper estimate, or
actual loss incurred, whichever is lower.
This compensation will be subject to a
deduction of a 1.5% loss & warranty fee
(subject to VAT).
The Seller acknowledges that lots are
sold subject to these Conditions and on
the Terms of Consignment as notified to
the consignor at the time of the entry of
the lot.
5. STANDARD SELLER FEES AND
CHARGES (Subject to VAT)
(1) Commission: 15% is charged on the
selling price of each lot, (subject to a
minimum charge of £30). Loss and
damage warranty: 1.5% on value of lots
sold. Photography: min charge £30.
Online Listing: £10 per lot.
(2) Transport: Items for sale must be
consigned to the sale room by any
stated deadline and at your expense. We
may be able to assist you with this
process. When organised on the
Seller’s behalf the provision of transport
will be contracted to third parties. Fees
for transport will be deducted at the
initial settlement.
(3) Illustrations: The cost of any
(iii) 6 months from the date of delivery to
Lyon & Turnbull for items still in the
possession of Lyon & Turnbull but not
consigned for sale (unless part of a
long-term storage agreement).
(b) Lyon & Turnbull shall charge a loss
and damage warranty fee of 1.5% of the
hammer price, plus VAT.
8. UNSOLD ITEMS
(1) If an item is unsold it may, with your
consent, be re-offered at a future sale.
Where in our opinion an item is not
suitable for a future sale we may either
request (a) you collect such items from
the saleroom promptly on being so
informed. We shall be entitled to charge
you for storage costs, charges shall be
made at a reasonable daily rate; or (b)
suggest that the item be transferred to
a secondary saleroom for sale without
reserve. All transferred lots will be sold
for the best price on the day, this may
not bear any reflection on the item’s
original estimate. Lyon & Turnbull are
not liable for any items (whether it be
selling price or loss & damage) when
transferred.
(2) Aftersales: We reserve the right to
accept an after-auction offer on a lot on
behalf of the seller, at the agreed
reserve price or above, for up to 48
hours after the original auction. In
which case the same charges will be
payable as if such lots had been sold at
auction and so far as appropriate these
Conditions apply.
9. LOT WITHDRAWAL
If a Seller wishes to withdraw a lot
organised for sale, a withdrawal fee will
apply;
(a) if withdrawn over 28 working days
prior to the sale, this will be charged at
10% of the mid estimate along with any
ancillary charges incurred (such as
photography), all subject to VAT at the
current rate.
(b) if withdrawn within 28 working days
of the sale, this will be charged at 20%
of the mid estimate along with any
ancillary charges incurred (such as
photography), all subject to VAT at the
current rate.
(c) Lyon & Turnbull may withdraw a lot
from the proposed sale without any
liability if:
(i) Lyon & Turnbull reasonably believes
that there is any doubt as to the lot‘s
authenticity or attribution; or
(ii) it reasonably doubts the accuracy of
any of the Seller’s warranties; or
(iii) the Seller breaches any provisions of
the Conditions of Sale in any material
respect; or
(iv) the lot suffers from loss or damage
so that it is not in the state in which it
was when Lyon & Turnbull took delivery
of it.
(d) if an item is withdrawn from sale
under Condition 9(c) (i), or (iv), the Seller
shall not be charged a withdrawal fee
and the item shall be returned to the
Seller or dealt with pursuant to Clause
8, as the Seller decides.
10. AUTHORITY TO DEDUCT
COMMISSION AND EXPENSES AND
RETAIN PREMIUM AND INTEREST.
The Seller authorises us to deduct
commission at the stated rate, and all
expenses incurred for your account
from the hammer price, and consents to
our right to retain beneficially the
premium paid by the Buyer in
accordance with these Conditions of
Sale and any interest earned on the sale
proceeds until the date of settlement.
11. NON-PAYMENT BY THE BUYER
(a) Lyon & Turnbull will, where it
considers appropriate, take reasonable
steps to investigate the ability of bidders
to pay for lots and will use reasonable
endeavours, in consultation with the
Seller, to enforce payment of the
Hammer Price by any Buyer.
(b) Lyon & Turnbull, in consultation with
the Seller, will decide whether to pursue
any of the remedies available to it,
including those set out in Condition 10
of the Condition of Sale (Buyers)
including the right to cancel the sale
and return the property to the Seller.
Lyon & Turnbull will inform the Seller of
any action which it contemplates taking
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against the Buyer.
(c) lf the Seller elects to take action
against any Buyer on its own behalf
Lyon & Turnbull will provide the Seller
with such assistance as may be
reasonably necessary to pursue that
action.
(d) The Seller hereby agrees to inform
Lyon & Turnbull of any action which it
chooses to take against the Buyer to
enforce payment of the amount due to
the Seller.
(e) In the event that a Buyer fails to pay
for a lot in accordance with the
Conditions of Sale for Buyers, that lot
will be treated in the same way as an
unsold or collected lot.
12. SETTLEMENT PAYMENTS
Subject to full payment by the Buyer,
payment of the net proceeds of sale due
to you will be made over to you 28
working days following a sale. Provided
we have received cleared funds.
Payment will be made by cheque or
BACS (if requested).
13. SALE BY PRIVATE TREATY
(a) The same Conditions of Sale (Sellers)
shall apply to sales by private treaty.
(b) Private treaty sales made under
these Conditions are deemed to be
sales by auction and subject to our
agreed charges for Sellers and Buyers.
15:22
Page 134
(c) Lyon & Turnbull undertakes to
inform the Seller of any offers it
receives in relation to an item prior to
any Proposed Sale, excluding the
normal method of commission bids.
(d) For the purposes of a private treaty
sale, if a lot is sold in any other
currency than Sterling, the exchange
rate is to be taken on the date of sale.
14. THIRD PARTY LIABILITY
All members of the public on our
premises are there at their own risk and
must note the lay-out of the
accommodation and security
arrangements. Accordingly neither the
auctioneer nor our employees or agents
shall incur liability for death or personal
injury (except as required by law by
reason of our negligence) or similarly
for the safety of the property of persons
visiting prior to or at a sale.
15. GENERAL
(a) We shall have the right at our
discretion, to refuse admission to our
premises or attendance at our auctions
by any person.
(b) Any notice to any Buyer, Seller,
bidder or viewer may be given by email,
or if not available then first class mail,
in which case it shall be deemed to have
been received by the addressee 48
hours after posting.
(c) Notices to Lyon & Turnbull should be
in writing and addressed to Nick
Curnow at 33 Broughton Place,
Edinburgh EH1 3RR, quoting the
reference number specified at the
beginning of the sale catalogue.
(d) Should any provision of these
Conditions of Sale be held
unenforceable for any reason, the
remaining provisions shall remain in full
force and effect.
(e) These Conditions of Sale are not
assignable by either party without the
other’s prior written consent, but are
binding on the seller’s successor and
representatives. No act, omission or
delay by Lyon & Turnbull shall be
deemed a waiver or release of any of its
rights.
(f) The contract between the parties may
be varied by the parties by agreement
and in writing.
16. AGENCY
Lyon & Turnbull acts as agent solely for
and in the interests of the Seller. We do
not act for Buyers in this role and does
not give advice to Buyers. When Lyon &
Turnbull make a statement about a lot it
is doing so on behalf of the Seller of the
lot.
The Auctioneer normally acts as agent
only and disclaims any responsibility for
default by Sellers or Buyers.
17. DATA PROTECTION
In connection with the management and
operation of our business and the
marketing and supply of Lyon &
Turnbull’s services, or as required by
law, we may ask the Seller to provide
personal information about themselves
or obtain information about the Seller
from third parties (e.g. credit
information). Lyon & Turnbull will not
give out personal information except as
may be required by law.
If you would like further information on
Lyon & Turnbull policies on personal
data, or to make corrections to your
information, please contact us on +44
(0)131 557 8844.
18. LAW AND JURISDICTION
(a) Governing Law: These Conditions of
Sale and all aspects of all matters,
transactions or disputes to which they
relate or apply shall be governed by, and
interpreted in accordance with, Scots
law
(b) Jurisdiction: The Seller agrees that
the Courts of Scotland are to have
exclusive jurisdiction to settle all
disputes arising in connection with all
aspects of all matters or transactions to
which these Conditions of Sale relate or
apply.
BUYERS
CONDITIONS OF SALE (Buyers)
The Auctioneer carries on business with
bidders, Buyers and all those present in
the auction room prior to, or in connection
with, a sale on the following General
Conditions and on such other terms,
conditions and notices as may be referred
to herein..
1. DEFINITIONS
In these Conditions of Sale (Buyers):
"Auctioneer" means Lyon & Turnbull Ltd
or its authorised auctioneer, as
appropriate;
"Hammer price" means the level of
bidding reached (at or above any reserve)
when the Auctioneer brings down the
hammer;
"Lot" means each Item offered for sale by
Lyon & Turnbull;
"Purchase Price" is the Hammer Price
and applicable Buyer's Premium;
"Reserve" means the lowest price below
which an item cannot be sold;
"Total amount due" means the hammer
price in respect of the lot sold together
with any premium, Value Added Tax or
other taxes chargeable and any additional
charges payable by a defaulting Buyer
under these Conditions;
“You”, “Your” means the Buyer
“Us”, “Our”, “We” etc. refers to Lyon &
Turnbull Ltd
The singular includes the plural and vice
versa as appropriate.
only and disclaims any responsibility for
default by Sellers or Buyers.
3. BIDDING PROCEDURES AND THE
BUYER
(a) Bidders are required to register their
particulars before bidding and to satisfy
any security and credit references or
arrangements before entering the auction
room to view or bid;
(b) The maker of the highest bid accepted
by the Auctioneer conducting the sale
shall be the Buyer and any dispute shall
be settled at the Auctioneer's absolute
discretion.
(c) Once made, no bid may be withdrawn.
(d) Our right to bid on behalf of Sellers is
expressly reserved up to the amount of any
reserve.
(e) The right to refuse any bid is also
reserved.
(f) Commission Bids: While prospective
Buyers are strongly advised to attend the
auction and are always responsible for any
decision to bid for a particular lot and
shall be assumed to have carefully
inspected and satisfied themselves as to
its condition we shall, if so instructed,
clearly and in writing execute bids on their
behalf. Neither the Auctioneer nor our
employees nor agents shall be responsible
for any failure to do so. Where two or more
commission bids at the same level are
recorded we reserve the right in our
absolute discretion to prefer the first bid
so made.
2. AGENCY
Lyon & Turnbull acts as agent solely for
and in the interests of the Seller. We do
not act for Buyers in this role and does not
give advice to Buyers. When Lyon &
Turnbull make a statement about a lot it is
doing so on behalf of the Seller of the lot.
(g) Telephone Bids: If a prospective Buyer
makes arrangements with us prior to the
commencement of the sale we will use
reasonable efforts to contact them to
enable them to participate in bidding by
telephone. We do not accept liability for
failure to do so or for errors and
omissions in connections.
The Auctioneer normally acts as agent
(h) Online Bidding: We will use reasonable
134
efforts to carry out online bids and do not
accept liability for equipment failure,
inability to access the internet or software
malfunctions related to execution of online
bids/ live bidding.
4. INCREMENTS
Bidding increments shall be at the
Auctioneer's sole discretion.
5. THE PURCHASE PRICE
For each lot purchased a Buyer's
Premium of 25% is payable on the first
£50,000 of the hammer price, 20%
thereafter. VAT at the appropriate rate is
charged on the Buyer's Premium. No VAT
is payable on the hammer price or
premium for printed books or unframed
maps bought at auction.
Live online bidding is subject to an
additional 3% premium (charged by the
live bidding service provider Invaluable).
This additional premium is subject to VAT
at the appropriate rate as above.
6. VALUE ADDED TAX
Value Added Tax is charged at the
appropriate rate prevailing by law at the
date of sale and is payable by Buyers of
relevant lots.
(1) Lots affixed with (†): Value Added Tax
on the hammer price is imposed by law on
all items affixed with a dagger (†). This
imposition of VAT maybe because the
Seller is registered for VAT within the
European Union and is not operating
under a Margin Scheme.
(2) Lots affixed with (*): A reduced rate of
Value Added Tax on the hammer price of
5% is payable. This indicates that a lot
has been imported from outwith the
European Union. This reduced rate is
applicable to Antique items.
(3) Lots affixed with [Ω]: Standard rate of
Value Added Tax on the hammer price and
premium is payable. This applies to items
that have been imported from outwith the
European Union and do not fall within the
reduced rate category outlined above.
7. DROIT de SUITE
This symbol § indicates works which may
be subject to the Droit de Suite or Artist's
Resale Right, which took effect in the
United Kingdom on 14th February 2006.
We are required to collect a royalty
payment for all qualifying works of art.
Under new legislation which came into
effect on 1st January 2012 this applies to
living artists and artists who have died in
the last 70 years. This royalty will be
charged to the Buyer on the hammer price
and in addition to the Buyer’s premium. It
will not apply to works where the hammer
price is less than €1,000 (euros). The
charge for works of art sold at and above
€1,000 (euros) and below €50,000 (euros)
is 4%. For items selling above €50,000
(euros), charges are calculated on a
sliding scale. All royalty charges are paid
to the Design and Artists Copyright Society
(‘DACS’) and no handling costs or
additional fees are retained by the
auctioneer. Resale royalties are not
subject to VAT. Please note that the royalty
payment is calculated on the rate of
exchange at the European Central Bank
on the date of the sale. More information
on Droit de Suite is available at
www.dacs.org.uk.
8. PAYMENT
(1) Within 7 days of a lot being sold you
will:
(a) Pay to us the total amount due in cash
or by such other method as is agreed by
us. We accept cash, bank transfer (details
on request), debit cards and Visa or
MasterCard credit cards. We do not accept
American Express.
(b) Please note there is a surcharge of 2%
when using credit cards.
(c) Please note that under The Money
Laundering Regulations 2007 we cannot
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accept cash payments over ¤15,000
(euros).
purpose until the debt due is
satisfied.satisfied.
(2) Any payments by you to us may be
applied by us towards any sums owing by
you to us howsoever incurred and without
agreement by you or your agent, whether
express or implied..
11. DESCRIPTIONS AND CONDITION
9. TITLE AND COLLECTION OF
PURCHASES
(1) The ownership of any lots purchased
shall not pass to you until you have made
payment in full to us of the total amount
due.
(2) You shall at your own risk and expense
take away any lots that you have
purchased and paid for not later than 7
working days following the day of the
auction or upon the clearance of any
cheque used for payment whichever is
later. We can provide you with a list of
shippers. However, we will not be
responsible for the acts or omissions of
carriers or packers whether or not
recommended by us.
(3) No purchase can be claimed or
removed until it has been paid for.
(4) It is the Buyer’s responsibility to
ascertain collection procedures,
particularly if the sale is not being held at
our main sale room and the potential
storage charges for lots not collected by
the appropriate time.
(5) Export of goods: Buyers intending to
export goods should ascertain (a) whether
an export licence is required and (b)
whether there is any specific prohibition
on importing goods of that character, e.g.
items that may contain prohibited
materials such as ivory or rhino horn. It
is the buyer’s sole responsibility to obtain
any relevant export or import licence. The
denial of any licence or any delay in
obtaining licences shall neither justify the
recession of any sale not any delay in
making full payment for the lot.
10. REMEDIES FOR NON·PAYMENT OR
FAILURE TO COLLECT PURCHASES
(1) If any lot is not paid for in full and taken
away in accordance with these Conditions
or if there is any other breach of these
Conditions, we, as agent for the Sellers
and on their behalf, shall at our absolute
discretion and without prejudice to any
other rights we may have, be entitled to
exercise one or more of the following
rights and remedies:
(a) to proceed against you for damages for
breach of contract;
(b) to rescind the contract for sale of that
lot and/or any other lots sold by us to you;
(c) to resell the lot (by auction or private
treaty) in which case you shall be
responsible for any resulting deficiency in
the total amount due (after crediting any
part payment and adding any resale costs).
(d) to remove, store and insure the lot in
the case of storage, either at our premises
or elsewhere and to recover from you all
costs incurred in respect thereof;
(e) to charge interest at a rate not
exceeding 1.5% per month above the
current base rate on all sums outstanding
for more than 7 working days after the
sale;
(f) to retain that or any other lot sold to you
until you pay the total amount due;
(g) to reject or ignore bids from you or
your agent at future auctions or to impose
conditions before any such bids shall be
accepted;
(h) to apply any proceeds of sale of other
lots due or which become due to you
towards the settlement of the total amount
due by you and to exercise a lien over any
of your property in our possession for any
(1) Whilst we seek to describe lots
accurately, it may be impractical for us to
carry out exhaustive due diligence on each
lot. Prospective Buyers are given ample
opportunities to view and inspect before
any sale and they (and any independent
experts on their behalf) must satisfy
themselves as to the accuracy of any
description applied to a lot. Prospective
Buyers also bid on the understanding that,
inevitably, representations or statements
by us as to authorship, genuineness,
origin, date, age, provenance, condition or
estimated selling price involve matters of
opinion. We undertake that any such
opinion shall be honestly and reasonably
held and only accept liability for opinions
given negligently or fraudulently. Subject
to the foregoing neither we the auctioneer
or our employees or agents accept liability
for the correctness of such opinions and
no warranties, whether relating to
description, condition or quality of lots,
express, implied or statutory, are given.
Please note that photographs/images
provided may not be fully representative of
the condition of the lot and should not be
relied upon as indicative of the overall
condition of the lot.
(2) Condition reports: Condition reports
are provided on our website or upon
request. The absence of a report does not
imply that a lot is without imperfections.
Large numbers of such requests are
received shortly before each sale and
department specialists and administration
will endeavor to respond to all requests
although we offer no guarantee. Any
statement in relation to the lot is merely
an expression of opinion of the Seller or
Lyon & Turnbull and should not be relied
upon as an inducement to bid on the lot.
Lots are available for inspection prior to
the sale and you are strongly advised to
examine any lot in which you are
interested prior to the sale. Our condition
reports are not prepared by professional
conservators, restorers or engineers. Our
condition report does not form any
contract between Lyon & Turnbull and the
Buyer. The Condition Reports do not affect
the Seller’s obligations in any way.
(3) Estimates: Estimates are placed on
each lot to help Buyers gauge the sums
involved for the purchase of a particular
lot. Estimates do not include the Buyer’s
Premium or VAT. Estimates are a matter
of opinion and prepared in advance.
Estimates may be subject to change and
are for guidance only and should not be
relied upon.
(4) Catalogue Alterations: Lot descriptions
and estimates are prepared in advance of
the sale and may be subject to change.
Any alterations will be announced on the
catalogue alteration sheet, made available
prior to the sale. It is the responsibility of
the Buyer to make themselves aware to
any alterations which may have occurred.
(5) Electrical Goods: are sold as “works of
art” only and if bought for use must be
checked over for compliance with safety
regulations by a qualified electrician first.
Use of such goods is entirely at the risk of
the Buyer and no warranties as to safety
of the goods are given.
(6) Upholstered items: are sold as “works
of art” only and if bought for use must be
checked over for compliance with current
safety regulation. Use of such goods is
entirely at the risk of the Buyer and no
warranties as to safety of the goods are
given. Lyon & Turnbull provide no
guarantee as to the originality of any
wood/material contained within the item.
(7) Special terms may be used in
catalogue descriptions of particular
classes of items (Books, Jewellery,
Paintings, Guns, Firearms etc.) in which
case the descriptions must be interpreted
in accordance with any glossary appearing
in the catalogue. These notices and terms
will also form part of our terms and
conditions of sales.
12. BOOKS, CLOCKS & WATCHES
(1) Books-Collation: If on collation any
NAMED item in the sale catalogue proves
defective, in text or illustration the Buyer
may reject the lot provided he returns it
within 21 days of the sale stating the
defect in writing. This, however, shall not
apply in the case of unnamed items,
periodicals, autographed letters, music
M.M.S., maps, drawings NOR in respect of
damage to bindings, stains, foxing,
marginal worm holes or other defects not
affecting the completeness of the text NOR
in respect of Defects mentioned in the
catalogue, or at the time of sale, NOR in
respect of lots sold for less than £300.
(2) Clocks & Watches: All lots are sold “as
seen”, and the absence of any reference to
the condition of a clock or watch does not
imply the lot is in good condition and
without defects, repairs or restorations.
Most clocks and watches will have been
repaired during their normal lifetime and
may now incorporate additional/newer
parts. Furthermore, Lyon & Turnbull
makes no representation or warranty that
any clock or watch is in working order. As
clocks and watches often contain fine and
complex mechanisms, Buyers should be
aware that a general service, change of
battery or further repair work, for which
the Buyer is solely responsible, may be
necessary. Buyers should also be aware
that Lyon & Turnbull cannot guarantee a
watch will remain waterproof if the back is
removed. Buyers should be aware that the
importing watches such as Rolex, Frank
Muller and Corum into the United States is
highly restricted. These watches cannot be
shipped to the USA and only imported
personally.
13. CITES
Please be aware that all lots marked with
the symbol Y are subject to CITES
regulations when exporting these items
outside the EU. These regulations may be
found at http://www.defra.gov.uk/ahvla-en/
imports-exports/cites/
Lyon & Turnbull accepts no liability for any
lots which may be subject to CITES but
have not be identified as such.
14. SALE BY PRIVATE TREATY
(a) The same Conditions of Sale (Buyers)
shall apply to sales by private treaty.
(b) Private treaty sales made under these
Conditions are deemed to be sales by
auction and subject to our agreed charges
for Sellers and Buyers.
(c) Lyon & Turnbull undertakes to inform
the Seller of any offers it receives in
relation to an item prior to any Proposed
Sale, excluding the normal method of
commission bids.
(d) For the purposes of a private treaty
sale, if a lot is sold in any other currency
than Sterling, the exchange rate is to be
taken on the date of sale.
15. THIRD PARTY LIABILITY
All members of the public on our
premises are there at their own risk and
must note the lay-out of the
accommodation, safety and security
arrangements. Accordingly, neither the
Auctioneer nor our employees or agents
shall incur liability for death or personal
injury or similarly for the safety of the
property of persons visiting prior to, during
or after a sale.
16. GENERAL
(a) We shall have the right at our
discretion, to refuse admission to our
premises or attendance at our auctions by
any person.
(b) Any notice to any Buyer, Seller, bidder
or viewer may be given by email if not
available then first class mail in which
case it shall be deemed to have been
received by the addressee 48 hours after
posting.
(c) Notices to Lyon & Turnbull should be in
writing and addressed to Nick Curnow at
33 Broughton Place, Edinburgh EH1 3RR,
quoting the reference number specified at
the beginning of the sale catalogue.
(d) Should any provision of these
Conditions of Sale be held unenforceable
for any reason, the remaining provisions
shall remain in full force and effect.
(e) These Conditions of Sale are not
assignable by either party without the
other's prior written consent. No act,
omission or delay by Lyon & Turnbull shall
be deemed a waiver or release of any of its
rights.
(f) The contract between the parties may
be varied by the parties by agreement and
in writing.
17. DATA PROTECTION
In connection with the management and
operation of our business and the
marketing and supply of Lyon & Turnbull's
services, or as required by law, we may
ask the Buyer to provide personal
information about themselves or obtain
information about the Buyer from third
parties (e.g. credit information). Lyon &
Turnbull will not give out personal
information except as may be required by
law.
If you would like further information on
Lyon & Turnbull policies on personal data,
or to make corrections to your
information, please contact us on
+44 (0)131 557 8844..
The Buyer hereby agrees to the release by
Lyon & Turnbull of the Buyer’s name and
contact details to the seller or the seller’s
solicitor in the event of any dispute
between Lyon & Turnbull and the Buyer
and/or Lyon & Turnbull and the Seller.
Lyon & Turnbull will give prior written
notice of the release of any such details to
the Seller of the Seller’s solicitor.
18. FORCE MAJEURE
Lyon & Turnbull shall be under no liability
if they shall be unable to carry out any
provision of the Contract of Sale for any
reason beyond their control including
(without limiting the foregoing) an act of
God, legislation, war, fire, flood, drought,
failure of power supply, lock-out, strike or
other action taken by employees in
contemplation or furtherance of a dispute
or owing to any inability to procure
materials required for the performance of
the contract.
19. LAW AND JURISDICTION
(a) Governing Law: These Conditions of
Sale and all aspects of all matters,
transactions or disputes to which they
relate or apply shall be governed by, and
interpreted in accordance with, Scots law
(b) Jurisdiction: The Buyer agrees that the
Courts of Scotland are to have exclusive
jurisdiction to settle all disputes arising in
connection with all aspects of all matters
or transactions to which these Conditions
of Sale relate or apply.
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Board of Directors
Specialist Departments
Chairman
Sir Angus Grossart
Pictures, Watercolours and
Prints
Nick Curnow
Charlotte Riordan
Emily Johnston (London)
Carly Shearer
Vice Chairmen
Paul Roberts
Nick Curnow
Managing Director
Gavin Strang
International Director
Lee Young
Directors
Campbell Armour
Trevor Kyle
John Mackie
Mhairi McFadden
Associate Director
Alex Dove
33 Broughton Place, Edinburgh
EH1 3RR
Tel +44 (0)131 557 8844
Fax +44 (0)131 557 8668
Furniture, Clocks and
Works of Art
Douglas Girton
John Mackie
Theo Burrell
Asian Works of Art
Lee Young
Anna Westin (consultant)
Sara Pierdominici
Rugs and Carpets
Gavin Strang
Jewellery, Silver,
Coins and Medals
Trevor Kyle
Ruth Davis
182 Bath Street, Glasgow
G2 4HG
Tel +44 (0)141 333 1992
Fax +44 (0)141 332 8240
email: info@lyonandturnbull.com
www.lyonandturnbull.com
w w w. lyo n a n d t u r n b u l l . co m
Decorative Arts and Design
John Mackie
Theo Burrell
European Ceramics and Glass
Douglas Girton
John Mackie
Rare Books, Maps, Manuscripts
and Photographs
Simon Vickers
Cathy Marsden
Arms and Armour
Colin Fraser
John Batty (consultant)
Business Development
Paul Roberts
Ian Peter MacDonald
Lindsey Michie
James McNaught
Steven Moore
John Sibbald
John Thomson
Tessa Thomson
78 Pall Mall, London
SW1Y 5ES
Tel +44 (0)20 7930 9115
Fax +44 (0)20 7930 7274
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Waverley Station
Parking
Multi-storey car parking is
available at Greenside Place
and in the St. James Centre;
five minutes walk from the
saleroom.
St Andrew Square
T
York Place Tram Station
Lyon & Turnbull saleroom
Local Deliveries
A&S Pert Removals.
Tel. +44 (0)7876 343520.
Thistle Removals
Tel: +44 (0)7836 774712
Email:
thistleremovals@hotmail.co.uk
New Leaf Removals
Tel: +44 (0)7999 926261
Email:
info@newleafremovals.co.uk
Packing and Shipping
Please note that we do not pack
or ship items. The following
suggested carriers will be able
to arrange packing and
shipping; please contact them
directly to receive a quote. You
may wish to contact an
alternative courier.
Smaller items & Pictures
Mailboxes Etc
44/46 Morningside Road
Edinburgh EH10 4BF
Tel: +44 (0)131 556 6226
Fax: +44 (0)131 652 3673
Email:
edinburgh@mbescotland.com
Furniture and larger items
Constantine
Constantine House
North Caldeen Road
Coatbridge
North Lanarkshire ML5 4EF
Tel: +44(0)1236 750055
Fax: +44(0)1236 750077
E-mail:
enquiries@constantinemoving.com
A Van Man Transport
Unit 5, Benridge Park
Holyrood Close,
Creekmoor
Poole, Dorset BH17 7BD
Tel: +44 (0)1202 600 012
Fax: +44 (0)1202 600 206
Email: office@avmt.co.uk
Aardvark Art Services Ltd
Birks Farm, Ballam Road
Lytham, Lancashire FY8 4NL
Tel: +44 (0)1253 794673
Fax: +44 (0)1253 730580
Email:
info@aardvarkartservices.com
Arrangements for Sold Lots
All bought items will be held
free of charge at Broughton
Place until the Friday
following the sale.
Thereafter lots will be
removed to store in Edinburgh
and a charge incurred.
Administration fee:
£20 + VAT
Storage charges per lot per
day are:
Large Items
£5 inc. insurance + VAT
Small Items
£2.50 inc. insurance + VAT
Catering
Refreshments will be
available at the saleroom on
view days and day of sale.
© Lyon and Turnbull Ltd. 2015. All rights reserved. No part of this
publication may be reproduced, stored in a retrieval system or
transmitted by any form or by any means without the prior written
permission of Lyon and Turnbull Ltd.
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LYON & TURNBULL AUCTIONEERS EDINBURGH
78 Pall Mall, London
SW1Y 5ES
Tel +44 (0)20 7930 9115
Fax +44 (0)20 7930 9629
25TH MARCH, 2015
email. info@lyonandturnbull.com
www.lyonandturnbull.com
182 Bath Street, Glasgow
G2 4HG
Tel +44 (0)141 333 1992
Fax +44 (0)141 332 8240
DECORATIVE ARTS AND 19TH & 20TH CENTURY PICTURES
33 Broughton Place, Edinburgh
EH1 3RR
Tel +44 (0)131 557 8844
Fax +44 (0)131 557 8668
Decorative Arts: Design from 1860
including 19th & 20th Century Pictures
Wednesday, 25th March, 2015
33 Broughton Place
Edinburgh