Modern and Contemporary Art and Visual Studies 2014 ASHGATE
Modern and Contemporary Art and Visual Studies 2014 www.ashgate.com/art ASHGATE Modern and Contemporary Art and Visual Studies 2015 Do you have a book proposal? Margaret Michniewicz, Publisher mmichiewicz@ashgate.com Visit www.ashgate.com/authors for information about submitting a proposal. Pricing and Contents Prices and publication dates shown in this catalogue are correct at press time (October 2014), but are subject to change without notice. Details of forthcoming titles are necessarily provisional. Review Copies Across the World with the Johnsons Visual Culture and American Empire in the Twentieth Century Prue Ahrens and Fiona Paisley, both at Griffith University, Australia and Lamont Lindstrom, University of Tulsa, USA EMPIRES AND THE MAKING OF THE MODERN WORLD, 1650–2000 During the interwar period Osa and Martin Johnson became famous for their films that brought exotic and far-off locations to the American cinema. Before the advent of mass tourism and television, their films played a major part in providing the means by which large audiences in the US and beyond became familiar with distant and ‘wild’ places across the world. Taking the celebrity of the Johnsons as its case study, this book investigates the influence of these new forms of visual culture, showing how they created their own version of America’s imperial drama. Bringing together research in the fields of film and politics – including gender and empire, historical anthropology, photography and visual studies – this book provides a comprehensive evaluation of the Johnsons, their work and its impact. Includes 44 b&w illustrations October 2013 Hardback 248 pages 978-1-4094-2329-4 £65.00 $109.95 www.ashgate.com/isbn/9781409423294 For review copies of titles in this catalogue, contact Jackie Bressanelli Email: jbressanelli@ashgatepublishing.com Addiction and British Visual Culture, 1751–1919 Please state the name of the publication in which the review will be published. Wasted Looks For journals published in North and South America, contact This book investigates and problematizes the long-held belief that addiction is legible from the body, thus positioning visual images as unreliable sources in attempts to identify alcoholics and drug addicts. Examining paintings, graphic satire, photographs, advertisements and architectural sites, Skelly explores such issues as ongoing anxieties about maternal drinking; the punishment and confinement of addicted individuals; the mobility of female alcoholics through the streets and spaces of nineteenth-century London; and soldiers’ use of addictive substances such as cocaine and tobacco to cope with traumatic memories following the First World War. Julia Skelly, Concordia University, Canada Eleazer Durfee Email: edurfee@ashgate.com How to Order UK and Rest of World Online: www.ashgate.com Telephone: +44 (0)1235 827730 Email: ashgate@bookpoint.co.uk Includes 33 b&w illustrations North and South America Online: March 2014 Hardback www.ashgate.com Telephone: +1 800 535 9544 Email: 200 pages 978-1-4094-3556-3 www.ashgate.com/isbn/9781409435563 orders@ashgate.com Mail to: Ashgate Publishing Company PO Box 2225 Williston, VT 05495-2225 USA Cover illustration: Armando Pizzinato, A Specter is Haunting Europe. © Peggy Guggenheim Collection. Alinari / Art Resource, New York. Featured in b/w inside Painting, Politics, and the New Front of Cold War Italy. www.ashgate.com/art £60.00 $109.95 Modern and Contemporary Art and Visual Studies Architecture and the Historical Imagination The Art and Thought of John La Farge Eugène-Emmanuel Viollet-le-Duc, 1814–1879 Picturing Authenticity in Gilded Age America Martin Bressani, McGill University, Canada Katie Kresser, Seattle Pacific University, USA ‘This is a magnum opus, in more than one sense of the term. An important work, the product of vast research and dedicated scholarship, Bressani’s biographical study is a timely contribution not only to architectural studies but also to the field of historical culture in general. Through tracing Viollet-le-Duc’s achievement in relation to the broad transition from Romanticism to Modernity, Bressani succeeds in bringing out his wider significance as an artist and thinker, and as a major figure in French Romanticism.’ Stephen Bann, Bristol University, UK The Art and Thought of John La Farge offers an unprecedented portrait of one of the most celebrated artists of the Gilded Age and opens a window onto nineteenth-century American culture. The book reveals how the work of John La Farge contributed to a rich philosophical dialogue concerning the trustworthiness of human perception. In his struggle against a ‘common truth’ of iconic symbols presented by a new mass visual culture, La Farge developed a subversive approach to visual representation that focused attention not on the artwork itself, but on the complex, real encounter of artist, subject and medium from which the artwork came. The importance of Eugène-Emmanuel Viollet-le-Duc (1814–1879) within modern architecture cannot be overstated. Key theoretician of modernism, renowned restoration architect, medieval archaeologist and champion of Gothic revivalism, he also published some of the most influential texts in the history of modern architecture. Martin Bressani expertly traces Viollet-le-Duc’s complex intellectual development, showing how restoration, in all its layered meaning, shaped his outlook. Through his life journey, we follow the route by which the technological subject was born out of nineteenth-century historicism. 624 pages 978-0-7546-3340-2 978-1-4724-4088-4 978-1-4724-4089-1 July 2013 Hardback 236 pages 978-1-4094-2615-8 £60.00 $104.95 www.ashgate.com/isbn/9781409426158 The Art Book Tradition in Twentieth-Century Europe Edited by Kathryn Brown, Tilburg University, The Netherlands Includes 86 colour and 64 b&w illustrations May 2014 Hardback ebook PDF ebook ePUB Includes 8 colour and 61 b&w illustrations £65.00 $109.95 www.ashgate.com/isbn/9780754633402 The Art and Politics of Asger Jorn The Avant-Garde Won’t Give Up Karen Kurczynski, University of Massachusetts, Amherst, USA Situating the Danish artist Asger Jorn’s work in an international, post-World War II context, Karen Kurczynski offers an account of the essential phases of this prolific artist’s career, and addresses his works in various media alongside his extensive writings and collaborations. The study reframes our understanding of the 1950s, and foregrounds the idea that the sensory address of art and its complex relationship to popular media can have a direct social and political impact. Exploring various ways in which a range of twentiethcentury European artists and writers challenged the boundary between visual and linguistic expression in the content, production and physical form of books, these essays challenge the roles played by visual and bodily sensation in recent histories of literary modernism. The collection argues that examples of the art book tradition both test and celebrate vision, while contextualizing it among other sensory experiences. Includes 23 b&w illustrations October 2013 Hardback 212 pages 978-1-4094-2065-1 £60.00 $109.95 www.ashgate.com/isbn/9781409420651 Includes 16 colour and 52 b&w illustrations September 2014 Hardback 292 pages 978-1-4094-3197-8 £65.00 $109.95 www.ashgate.com/isbn/9781409431978 Order online at www.ashgate.com/art and receive a 10% discount 2 Modern and Contemporary Art and Visual Studies Series www.ashgate.com/studiesinsurrealism ASHGATE STUDIES IN SURREALISM Reading Claude Cahun’s Disavowals Jennifer L. Shaw, Sonoma State University, USA Series Editor: Gavin Parkinson, Courtauld Institute of Art, UK Ashgate Studies in Surrealism serves as a forum for the most significant areas of inquiry into Surrealism. Active since 2009, the series aims to build on the most incisive recent research on Surrealism in academic writing and exhibition display. Books published so far in the series have expanded and added to Surrealism’s various lines of inquiry, examining Surrealism’s intersections with philosophical, social, artistic, and literary themes. 246 pages 978-1-4094-0787-4 £60.00 $104.95 www.ashgate.com/isbn/9781409407874 Edited by Anna Dezeuze, Ecole Supérieure d’Art et de Design Marseille-Méditerranée, France and Julia Kelly, University of Hull, UK Taking its name and its departure point from the 1933 Surrealist photographs of Brassaï and Dalí, Found Sculpture and Photography from Surrealism to Contemporary Art brings a unique Surrealist inflection to the rethinking of the sculptural object. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found. Includes 40 b&w illustrations 216 pages 978-1-4094-0000-4 Includes 63 b&w illustrations December 2013 Hardback Found Sculpture and Photography from Surrealism to Contemporary Art April 2013 Hardback The first monograph on a groundbreaking Surrealist masterpiece, Reading Claude Cahun’s Disavowals offers a comprehensive account of Cahun’s most important published work, Aveux non avenus (Disavowals). This study pays careful attention to the complex interrelationship between the photomontages and writings of Aveux non avenus, and explores how Cahun’s work calls into question both the dominant culture of interwar France and the avant-garde of the era. £60.00 $104.95 www.ashgate.com/isbn/9781409400004 Surrealism and Photography in Czechoslovakia On the Needles of Days Krzysztof Fijalkowski, Norwich University of the Arts, UK, Michael Richardson, Centre for Cultural Studies, Goldsmiths’ College, University of London, UK and Ian Walker, University of Wales, UK Surrealism and Photography in Czechoslovakia sheds much-needed light on the location of the single greatest concentration of Surrealist photography – the Czech Republic – and examines the culture and tradition of Surrealist photography that has taken root and flourished there. This volume explores a rich and important artistic output, from 1934 to the present, very little of which has been seen outside of the Czech Republic. Includes 72 b&w illustrations August 2013 Hardback Ludics in Surrealist Theatre and Beyond 214 pages 978-1-4094-0628-0 £60.00 $104.95 www.ashgate.com/isbn/9781409406280 Vassiliki Rapti, Harvard University, USA This study reconsiders Surrealist theatre specifically from the perspective of ludics – a poetics of play and games – an ideal approach to the Surrealists, whose games blur the boundaries between the ‘playful’ and the ‘serious.’ Beginning with the Surrealists’ ‘one-into-another’ game and its illustration of Breton’s ludic dramatic theory, Rapti examines the traces of this kind of game in the works of a wide variety of Surrealist and Post-Surrealist playwrights and stage directors. Includes 10 b&w illustrations April 2013 Hardback ebook PDF ebook ePUB 210 pages 978-1-4094-2906-7 978-1-4724-1226-3 978-1-4724-1227-0 £60.00 $104.95 www.ashgate.com/isbn/9781409429067 3 Modern and Contemporary Art and Visual Studies 2014 ASHGATE Modern and Contemporary Art and Visual Studies The Art of the Sister Chapel British Art in the Nuclear Age Exemplary Women, Visionary Creators, and Feminist Collaboration Edited by Catherine Jolivette, Missouri State University, USA Andrew D. Hottle, Rowan University, USA BRITISH ART: HISTORIES AND INTERPRETATIONS SINCE 1700 ‘In Sister Chapel, Andrew Hottle rescues from scholarly neglect a major collaborative project of the Feminist Art Movement. Embodying the feminist concept of nonhierarchical “sisterhood,” thirteen women artists created a stylistically diverse yet cohesive circular environment of female heroes, from a feminine-form “God” to Betty Friedan and Bella Abzug. Deliberately alluding to the Sistine Chapel, they subtly mocked that icon of masculinist theology and challenged its values from the new perspectives of feminism. Hottle’s richly detailed text provides an invaluable historical record, with fascinating exchanges among artists and organizers and energetic documentation of every planning stage of this groundbreaking project.’ Norma Broude and Mary D. Garrard, editors of The Power of Feminist Art ‘A wonderfully diverse and wide-ranging book that significantly increases our understanding of the complex role of art, artists, imagery and popular culture in the nuclear age.’ Jonathan Hogg, Lecturer, The University of Liverpool, UK The Sister Chapel (1974–78) was an important collaborative installation that materialized at the height of the women’s art movement. It consisted of an eighteen-foot ceiling that hung above eleven canvases – each depicting the figure of a heroic woman – portrayed by distinguished New York painters. Based on previously-unpublished archival material, this study details the fascinating history of The Sister Chapel, its constituent paintings, and its ambitious creators. Includes 16 colour and 51 b&w illustrations Includes 16 colour and 156 b&w illustrations June 2014 Hardback 334 pages 978-1-4724-2139-5 £75.00 $129.95 www.ashgate.com/isbn/9781472421395 Biography, Identity and the Modern Interior Edited by Anne Massey, Middlesex University, UK and Penny Sparke, Kingston University, UK Through a series of case studies from the mid-eighteenth century to the start of the twenty-first, this collection of essays considers the historical insights that ethno/auto/ biographical investigations into the lives of individuals, groups and interiors can offer design and architectural historians. Established scholars and emerging researchers shed light on the methodological issues that arise from the use of these sources to explore the history of the interior as a site in which everyday life is experienced and performed, and the ways in which contemporary architects and interior designers draw on personal and collective histories in their practice. Rooted in the study of objects, this book addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to researchers in a variety of fields including European history, politics, design history, anthropology, and media. November 2014 Hardback 306 pages 978-1-4724-1276-8 £70.00 $119.95 www.ashgate.com/isbn/9781472412768 The Concept of the ‘Master’ in Art Education in Britain and Ireland, 1770 to the Present Edited by Matthew C. Potter, Northumbria University, UK A novel investigation into art pedagogy and constructions of national identities in Britain and Ireland, this collection explores the student-master relationship in case studies ranging chronologically from 1770 to 2013, and geographically over the national art schools of England, Ireland, Scotland and Wales. Essays explore the manner in which the Old Masters were deployed in education; fueled the individual genius of art teachers and students; were used as a rhetorical tool for promoting cultural projects in the core and periphery of the British Isles; and united as well as divided opinions in response to changing expectations in discourse on art and education. Includes 26 b&w illustrations October 2013 Hardback 312 pages 978-1-4094-3555-6 £70.00 $124.95 www.ashgate.com/isbn/9781409435556 Includes 35 b&w illustrations October 2013 Hardback 234 pages 978-1-4094-3944-8 £60.00 $104.95 www.ashgate.com/isbn/9781409439448 Order online at www.ashgate.com/art and receive a 10% discount 4 Modern and Contemporary Art and Visual Studies Contemporary Art About Architecture Dictionary of Visual Discourse A Dialectical Lexicon of Terms A Strange Utility Barry Sandywell, University of York, UK Edited by Isabelle Loring Wallace, University of Georgia, USA and Nora Wendl, Portland State University, USA Exploring the languages and cultures of visual studies and offering a theoretical introduction to the many languages of visual discourse, this substantial dictionary explains the foundations of current theoretical and academic discourse, and the different forms of visual culture in everyday life. It is essential reading for students in visual studies, the sociology of visual culture, cultural and media studies, philosophy, art history and theory, design, film and communication studies. Contemporary Art About Architecture is the first to take up its topic in a sustained and explicit manner and the first to advance the idea that contemporary art increasingly functions as a form of architectural history, theory and analysis. It examines a diverse group of artists – including Iñigo Manglano-Ovalle, Matthew Barney, Monika Sosnowska, Pipo Nguyen-duy, Paul Pfeiffer and Mies van der Rohe – in conjunction with the vernacular, canonical, and fantastical structures engaged by their work. Includes 16 colour and 69 b&w illustrations May 2013 Hardback 368 pages 978-1-4094-3286-9 £75.00 $129.95 March 2011 Hardback ebook PDF ebook ePUB 722 pages 978-1-4094-0188-9 978-1-4094-0189-6 978-1-4094-8662-6 £125.00 $225.00 www.ashgate.com/isbn/9781409401889 www.ashgate.com/isbn/9781409432869 Exhibiting Outside the Academy, Salon and Biennial, 1775–1999 Darwin and Theories of Aesthetics and Cultural History Alternative Venues for Display Edited by Barbara Larson, University of West Florida, USA and Sabine Flach, School of the Visual Arts, USA Edited by Andrew Graciano, University of South Carolina, USA Darwin and Theories of Aesthetics and Cultural History is a significant contribution to the fields of theory, Darwin studies, and cultural history. This collection of eight essays is the first volume to address, from the point of view of art and literary historians, Darwin’s intersections with aesthetic theories and cultural histories from the eighteenth century to the present day. Among the philosophers of art influenced by Darwinian evolution and considered in this collection are Alois Riegl, Ruskin, and Aby Warburg. This stimulating collection ranges in content from essays on the influence of eighteenth-century aesthetic theory on Darwin and nineteenth-century debates circulating around beauty to the study of evolutionary models in contemporary art. In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little sustained interest in the histories of alternative exhibitions. The present volume contextualizes eleven case studies to advance overarching themes among alternative exhibitions from the late-eighteenth century to the late-twentieth century. These include the issue of control in the relationship between artist and curator, and the relationship of alternative exhibitions to the dominant modes, display structures and cultural ideology. January 2013 Hardback 188 pages 978-1-4094-4870-9 Includes 22 colour and 28 b&w illustrations February 2015 Hardback Includes 20 b&w illustrations £60.00 $104.95 308 pages 978-1-4724-2827-1 £70.00 $119.95 www.ashgate.com/isbn/9781472428271 www.ashgate.com/isbn/9781409448709 Defining Digital Humanities A Reader Edited by Melissa Terras, Julianne Nyhan and Edward Vanhoutte This reader brings together the essential readings that have emerged in Digital Humanities. It provides a historical overview of how the term ‘Humanities Computing’ developed into the term ‘Digital Humanities’, and highlights core readings which explore the meaning, scope, and implementation of the field. December 2013 Paperback Hardback ebook PDF ebook ePUB 330 pages 978-1-4094-6963-6 978-1-4094-6962-9 978-1-4094-6964-3 978-1-4094-6965-0 £25.00 £70.00 $44.95 $119.95 www.ashgate.com/isbn/9781409469636 5 Modern and Contemporary Art and Visual Studies 2014 ASHGATE Modern and Contemporary Art and Visual Studies Eye hEar The Visual in Music Giorgio Armani Simon Shaw-Miller, University of Bristol, UK Empire of the Senses A YANKEE BOOK PEDDLER US CORE TITLE FOR 2014 AND UK CORE TITLE FOR 2013 John Potvin, Concordia University, Canada Eye hEar The Visual in Music employs the concept of the visual in proximate relation to music, producing a tension: ‘is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.’ Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music’s multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Includes 8 colour, 40 b&w illustrations and 3 music examples November 2013 Hardback 232 pages 978-1-4094-2644-8 £60.00 $104.95 www.ashgate.com/isbn/9781409426448 Envisaging the Sea as Social Space Edited by Tricia Cusack Before the eighteenth century, the ocean was regarded as a repulsive and chaotic deep. Despite reinvention as a zone of wonder and pleasure, it continued to be viewed in the West and elsewhere as ‘uninhabited’, empty space. This collection, spanning the eighteenth century to the present, recasts the ocean as ‘social space’, with particular reference to visual representations. This engaging and erudite volume will interest a range of scholars in humanities and social sciences, including art and cultural historians, cultural geographers, and historians of empire, travel, and tourism. Includes 16 colour and 29 b&w illustrations 302 pages 978-1-4094-6568-3 www.ashgate.com/isbn/9781409465683 Includes 183 b&w illustrations January 2013 Hardback 410 pages 978-1-4094-0668-6 £70.00 $119.95 www.ashgate.com/isbn/9781409406686 Gordon Matta-Clark’s Conical Intersect Sculpture, Space, and the Cultural Value of Urban Imagery Peter Muir, Associate Lecturer, Open University, UK Framing the Ocean, 1700 to the Present April 2014 Hardback The first monograph to do so, Giorgio Armani: Empire of the Senses examines the visual, material, phenomenological, spatial, discursive, and economic culture of Giorgio Armani and his lifestyle empire. The book explores how Armani’s designs and decisions provide a surface on and through which to mediate acts of translation: from East to West; from fashion to art; from one gendered identity to another; and from two-dimensional image to three-dimensional object. £70.00 $119.95 In this in-depth analysis, Peter Muir argues that Gordon Matta-Clark’s Conical Intersect (1975) is emblematic of Henri Lefebvre’s understanding of art’s function in relation to urban space. By engaging with Lefebvre’s theory in conjunction with the perspectives of other writers, such as Michel de Certeau, Jacques Derrida, and George Bataille, the book elicits a story that presents the artwork’s significance, origins and legacies. Muir argues that Conical Intersect is much more than an ‘artistic hole.’ Due to its location at Plateau Beaubourg in Paris, it is simultaneously an object of art and an instrument of social critique. Includes 10 b&w illustrations May 2014 Hardback 198 pages 978-1-4724-1173-0 £60.00 $109.95 www.ashgate.com/isbn/9781472411730 Heidegger and the Work of Art History Edited by Amanda Boetzkes, University of Guelph, Canada and Aron Vinegar, University of Exeter, UK Heidegger and the Work of Art History explores the impact and future possibilities of Heidegger’s philosophy for art history and visual culture in the 21st century. Scholars from the fields of art history, visual and material studies, design, philosophy, aesthetics and new media pursue diverse lines of thinking that have departed from Heidegger’s work in order to foster compelling new accounts of works of art and their historicity. Includes 12 colour and 33 b&w illustrations March 2014 Hardback 374 pages 978-1-4094-5613-1 £75.00 $134.95 www.ashgate.com/isbn/9781409456131 Order online at www.ashgate.com/art and receive a 10% discount 6 Modern and Contemporary Art and Visual Studies Series www.ashgate.com/hmcc THE HISTORIES OF MATERIAL CULTURE AND COLLECTING, 1700–1950 Series Editor: Michael Yonan, University of Missouri-Columbia, USA The series seeks to illuminate the intersections between material culture studies, art history, and the history of collecting. It takes as its starting point the idea that objects both contributed to the formation of knowledge in the past and likewise contribute to our understanding of the past today. The human relationship to objects has proven a rich field of scholarly inquiry, with much recent scholarship either anthropological or sociological rather than art historical in perspective. Underpinning this series is the idea that the physical nature of objects contributes substantially to their social meanings, and therefore that the visual, tactile, and sensual dimensions of objects are critical to their interpretation. The series publishes interdisciplinary and comparative research on objects that addresses one or more of these perspectives and includes monographs, thematic studies, and edited volumes of essays. Craft, Community and the Material Culture of Place and Politics, 19th-20th Century Textiles, Fashion, and Design Reform in Austria-Hungary Before the First World War Edited by Janice Helland, Queen’s University, Canada, Beverly Lemire, University of Alberta, Canada and Alena Buis, Queen’s University, Canada Principles of Dress With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls’ Friendly Society of twentieth-century England. The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented. Includes 46 b&w illustrations February 2014 Hardback 246 pages 978-1-4094-6207-1 £60.00 $104.95 Rebecca Houze, Northern Illinois University, USA ‘This is a beautifully written, wide-ranging study of the central role that textiles, fashion and costume played in the cultural history of the Habsburg Empire of the late-nineteenth and early twentieth centuries.’ Julie M. Johnson, University of Texas at San Antonio Filling a critical gap in Vienna 1900 studies, this book offers a new reading of fin-de-siècle culture in the AustroHungarian Monarchy by looking at the preoccupation with embroidery, fabrics, clothing, and fashion. The author resurrects lesser known critics, practitioners, and curators, while also discussing the textile interests of better known figures. Spanning the 50-year life of the Dual Monarchy, this study uncovers new territory in art history, insists on the crucial place of women within modernism, and broadens the cultural history of Habsburg Central Europe. Includes 78 color and 109 b&w illustrations www.ashgate.com/isbn/9781409462071 January 2015 Hardback 454 pages 978-1-4094-3668-3 Hooked Rugs www.ashgate.com/isbn/9781409436683 £85.00 $149.95 Encounters in American Modern Art, Craft and Design Cynthia Fowler, Emmanuel College, USA Through a close look at the history of the modernist hooked rug, this book raises important questions about the broader history of American modernism in the first half of the twentieth century. Although hooked rugs are not generally associated with the avant-garde, this study demonstrates that they were a significant part of the artistic production of many artists engaged in modernist experimentation. Includes 17 colour and 38 b&w illustrations September 2013 Hardback 226 pages 978-1-4094-2614-1 £60.00 $104.95 www.ashgate.com/isbn/9781409426141 7 Modern and Contemporary Art and Visual Studies 2014 ASHGATE Modern and Contemporary Art and Visual Studies The Image of Christ in Modern Art Richard Harries, Professor Lord Harries of Pentregarth The Image of Christ in Modern Art explores the challenges, presented by the radical and rapid changes of artistic style in the 20th century, to artists who wished to relate to traditional Christian imagery. In this highly illustrated book, Richard Harries looks at artists associated with the birth of modernism, such as Epstein and Rouault, as well as those with a highly distinctive understanding of religion such as Chagall and Stanley Spencer. Through a beautiful range of images and insightful text, Harries suggests that the modern movement in art has turned out to be a friend not a foe of Christian art, and that which is visual can in some way indicate the transcendent. Includes 82 colour illustrations October 2013 Paperback Hardback ebook PDF ebook ePUB 186 pages 978-1-4094-6382-5 978-1-4094-6381-8 978-1-4094-6383-2 978-1-4094-6384-9 £19.99 £60.00 $39.95 $104.95 Manet, Wagner, and the Musical Culture of Their Time Therese Dolan, Temple University, USA CLASSIFIED AS ‘RESEARCH ESSENTIAL’ BY BAKER & TAYLOR YBP LIBRARY SERVICES A YANKEE BOOK PEDDLER UK CORE TITLE FOR 2013 In the first full-length book dedicated to the study of Edouard Manet and music, Therese Dolan explores the influence of Wagner’s controversial Tannhäuser on Manet’s Music in the Tuileries, widely considered to be the first modernist work of art. Incorporating studies of the major artistic, literary, and musical figures of nineteenth-century France, it represents an important contribution to an understanding of French culture in the third quarter of the nineteenth century. Includes 4 colour and 84 b&w illustrations October 2013 Hardback 288 pages 978-1-4094-4670-5 £65.00 $109.95 www.ashgate.com/isbn/9781409463825 www.ashgate.com/isbn/9781409446705 Landscape Imagery, Politics, and Identity in a Divided Germany, 1968–1989 Max Klinger and Wilhelmine Culture Catherine Wilkins, Edison State College, USA Landscape Imagery, Politics and Identity in a Divided Germany, 1968–1989 explores the communicative relationship between German landscape painting and the viewing public that developed in the wake of the student revolutions of the late 1960s. The book demonstrates that, contrary to some historical thinking, more similarities than differences characterized the sociopolitical concerns of East and West Germans during the late Cold War Era, and that it was these shared issues that were reflected in the revival of the Romantic painting genre. Includes 19 colour and 4 b&w illustrations December 2013 Hardback 280 pages 978-1-4094-4998-0 www.ashgate.com/isbn/9781409449980 £65.00 $109.95 On the Threshold of German Modernism Marsha Morton, Pratt Institute, USA ‘Morton’s text, the first, major English-language study on Klinger, is a triumph. This invaluable resource on Wilhelmine visual culture explores the intersections between Klinger and German Romantic literary theory, Darwinism, the unconscious, and criminality. Her wide-ranging, historicallygrounded interdisciplinary approach is a vital addition to the field and will ignite further research on this complex and endlessly fascinating artist.’ Jay A. Clarke, Manton Curator of Prints, Drawings, and Photographs at the Clark In this book, the first full-length study of its kind in English, Marsha Morton argues that no artist represented the shift from tradition to innovation in the Wilhelmine Empire (1870s–1880s) more compellingly than Max Klinger. Morton makes an interdisciplinary examination of Klinger’s early prints and drawings within the context of Wilhelmine transformations, coming to the conclusion that the artist’s work revealed the psychological and biological underpinnings of modern rational man whose drives and passions undermined bourgeois constructions of society. Includes 141 b&w illustrations August 2014 Hardback 434 pages 978-1-4094-6758-8 £80.00 $139.95 www.ashgate.com/isbn/9781409467588 Order online at www.ashgate.com/art and receive a 10% discount 8 Modern and Contemporary Art and Visual Studies Series www.ashgate.com/sah STUDIES IN ART HISTORIOGRAPHY Series Editors Richard Woodfield, University of Birmingham, UK The aim of this series is to support and promote the study of the history and practice of art historical writing focussing on its institutional and conceptual foundations, from the past to the present day in all areas and all periods. Besides addressing the major innovators of the past it also encourages re-thinking ways in which the subject may be written in the future. It welcomes contributions from young and established scholars and is aimed at building an expanded audience for what has hitherto been a much specialised topic of investigation. Alois Riegl in Vienna 1875–1905 An Institutional Biography Diana Reynolds Cordileone, Point Loma Nazarene University, USA Diana Cordileone applies standard methods of cultural and intellectual history for close readings of Riegl’s published texts, several of which are still unavailable in English. Using archival and other primary sources this study also illuminates the institutional conflicts and imperatives that shaped Riegl’s oeuvre. The result is a multi-layered philosophical, cultural and institutional history of this art historian’s work of the fin-de-siècle that demonstrates his close relationship to several of the significant actors in Vienna at the end of the nineteenth century. Includes 19 b&w illustrations February 2014 326 pages Hardback 978-1-4094-6665-9 £70.00 $119.95 www.ashgate.com/isbn/9781409466659 The Expressionist Turn in Art History A Critical Anthology Edited by Kimberly A. Smith, Southwestern University, USA During the period in which Expressionist artists were active in central Europe, art historians were producing texts which were characterized as ‘expressionist’, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies. This anthology offers a cross-section of noteworthy art history texts written 1912–1933 that have been described as expressionist, along with commentaries by an international group of scholars. Together they offer a productive lens through which to re-examine the practice and theory of early twentieth-century art history. A Theory of the Tache in Nineteenth-Century Painting Øystein Sjåstad, University of Oslo, Norway Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet’s and the Impressionists’ rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cézanne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist’s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. Includes 20 b&w illustrations July 2014 Hardback 190 pages 978-1-4724-2944-5 £60.00 $109.95 www.ashgate.com/isbn/9781472429445 Vladimir Markov and Russian Primitivism A Charter for the Avant-Garde Jeremy Howard, University of St Andrews, UK, Irena Bužinska, Latvian National Museum of Art, Latvia and Z.S. Strother, Columbia University, USA This volume introduces the Latvian artist and champion of artistic change in early twentieth-century Russia, Voldemars Matvejs (Vladimir Markov), as a pioneering art photographer and assembles for the first time five of his most important essays. This book challenges hardening narratives of primitivism by reexamining the enthusiasm for world art in the early modern period from the perspective of Russia rather than Western Europe. The book will appeal to students of modernism, orientalism, ‘primitivism,’ historiography, African art, and the history of the photography of sculpture. Includes 75 b&w illustrations and 2 line drawings February 2015 Hardback ebook PDF ebook ePUB 274 pages 978-1-4724-3974-1 978-1-4724-3975-8 978-1-4724-3976-5 £65.00 $109.95 www.ashgate.com/isbn/9781472439741 Includes 35 b&w illustrations November 2014 Hardback 374 pages 978-1-4094-4999-7 £75.00 $129.95 www.ashgate.com/isbn/9781409449997 9 Modern and Contemporary Art and Visual Studies 2014 ASHGATE Modern and Contemporary Art and Visual Studies Mikhail Larionov and the Cultural Politics of Late Imperial Russia Sarah Warren, Purchase College, USA In the turbulent atmosphere of early twentieth-century Tsarist Russia, avant-garde artists took advantage of a newly pluralistic culture in order to challenge orthodoxies of form as well as social prohibitions. Very few did this as effectively, or to as broad an audience, as Mikhail Larionov. This groundbreaking study examines the complete range of his work (painting, book illustration, performance, and curatorial work), and demonstrates that Larionov was taking part in a broader cultural conversation that arose out of fundamental challenges to autocratic rule. Includes 8 colour and 24 b&w illustrations April 2013 Hardback 214 pages 978-1-4094-4200-4 £60.00 $104.95 www.ashgate.com/isbn/9781409442004 Modernism on Stage The Ballets Russes and the Parisian Avant-Garde Juliet Bellow, American University, USA Modernism on Stage restores the Ballets Russes to its central role in the Parisian art world of the 1910s and 1920s, and includes close readings of ballets designed by Picasso, Delaunay, Matisse, and de Chirico. Dance is brought to bear upon modernist art history as more than a source of imagery, but as part of the avant-garde’s articulation of the idea of a total work of art. Includes 18 colour and 68 b&w illustrations February 2013 Hardback 314 pages 978-1-4094-0911-3 www.ashgate.com/isbn/9781409409113 £70.00 $119.95 Series www.ashgate.com/subjectobject SUBJECT/OBJECT: NEW STUDIES IN SCULPTURE Series Editors: Published in association with the Henry Moore Institute, Leeds, UK; Commissioning Editor: Penelope Curtis, Tate Britain; Henry Moore Institute Editor: Jon Wood We have become familiar with the notion that sculpture has moved into the ‘expanded field’, but this field has remained remarkably faithful to defining sculpture on its own terms. Sculpture can be distinct, but it is rarely autonomous. This series provides a forum for the publication and stimulation of new research examining sculpture’s relationship with the world around it, with other disciplines and with other material contexts. Sculpture and the Vitrine Edited by John C. Welchman, University of California, USA Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton’s Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and raises key questions about the nature and implications of vitrinous space. Includes 100 b&w illustrations August 2013 Hardback 304 pages 978-1-4094-3527-3 £70.00 $119.95 www.ashgate.com/isbn/9781409435273 Sculpture and Touch Edited by Peter Dent, University of Bristol, UK This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals who are working in disciplines beyond art history. The collection brings together a diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum, and from the phenomenology of touch in philosophy to the findings of scientific study. Includes 56 b&w illustrations August 2014 Hardback 254 pages 978-1-4094-1231-1 £55.00 $99.95 www.ashgate.com/isbn/9781409412311 Order online at www.ashgate.com/art and receive a 10% discount 10 Modern and Contemporary Art and Visual Studies Painting, Politics, and the New Front of Cold War Italy The Rise and Fall of American Art, 1940s–1980s Adrian R. Duran, University of Nebraska-Omaha, USA A Geopolitics of Western Art Worlds The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists’ group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era – realism vs. abstraction, Communism vs. democracy, conformism vs. freedom – have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944–50. Catherine Dossin, Purdue University, USA Includes 37 b&w illustrations February 2015 Hardback February 2014 Hardback 196 pages 978-1-4094-2691-2 £60.00 $104.95 www.ashgate.com/isbn/9781409426912 Impeccably researched and richly detailed, this book addresses the issue of translation between visual arts and landscape design in the 50-year career of American painter and environmental artist Patricia Johanson. Exploring the artist’s search for an “art of the real” as a member of the postwar New York art world, it demonstrates that visual translation cannot be understood solely through the works of art, instead attention must be paid to the process of creation. This book is an insightful attempt to confront a crucial question in the history of art through the work of a contemporary artist. £65.00 $109.95 www.ashgate.com/isbn/9781472411716 ‘At once historically grounded and theoretically sophisticated, this book offers new approaches to modernism’s paradigmatic “rival sisters.”’ Juliet Bellow, American University, USA Introducing the concept of music and painting as ‘rival sisters’ during the nineteenth century, this interdisciplinary collection explores the productive exchange – from rivalry to inspiration to collaboration – between the two media in the age of Romanticism and Modernism. The volume traces the relationship between art and music, from the opposing claims for superiority of the early nineteenth century, to the emergence of the concept of synesthesia around 1900. Includes 8 colour and 79 b&w illustrations Includes 64 colour and 48 b&w illustrations www.ashgate.com/isbn/9781409435440 298 pages 978-1-4724-1171-6 Edited by James H. Rubin, State University of New York at Stony Brook, USA and Olivia Mattis, Humanities Institute at Stony Brook, USA Xin Wu, College of William & Mary, USA 334 pages 978-1-4094-3544-0 Includes 22 b&w illustrations Rival Sisters, Art and Music at the Birth of Modernism, 1815–1915 Patricia Johanson and the Re-Invention of Public Environmental Art, 1958–2010 March 2013 Hardback This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds – a story that spans two continents, forty years, and hundreds of actors. £70.00 $119.95 December 2014 Hardback 390 pages 978-1-4094-2070-5 £75.00 $129.95 www.ashgate.com/isbn/9781409420705 Scale in Contemporary Sculpture Enlargement, Miniaturisation and the Life-Size Rachel Wells, Newcastle University, UK The first book to devote serious attention to questions of scale in contemporary sculpture, this study considers the phenomenon within the interlinked cultural and sociohistorical framework of the legacies of postmodern theory and the growth of global capitalism. In particular, the book traces the impact of postmodern theory on concepts of measurement and exaggeration, and analyses the relationship between this philosophy and the sculptural trend that has developed since the early 1990s. Includes 60 colour illustrations January 2013 Hardback 282 pages 978-1-4094-3194-7 £65.00 $109.95 www.ashgate.com/isbn/9781409431947 11 Modern and Contemporary Art and Visual Studies 2014 ASHGATE Modern and Contemporary Art and Visual Studies Scotland, CEMA and the Arts Council, 1919-1967 Sir John Soane’s Influence on Architecture from 1791 Background, Politics and Visual Art Policy A Continuing Legacy Euan McArthur, University of Dundee, UK Oliver Bradbury As a case study of the relationship between arts and cultural policy and nationalism, this book examines the overlooked significance of Scotland in the development of British arts policy and institutions. Euan McArthur provides a clear account of the background to and evolution of the Council for the Encouragement of Music and the Arts (CEMA) and the Arts Council of Great Britain (ACGB) in Scotland up to the formation of the Scottish Arts Council (SAC) in 1967. ‘This brilliant and thoroughly researched book successfully challenges the widely held belief of architectural historians that Soane did not have a major or significant influence on his contemporaries or successors. Our view of Soane will thus be transformed by Bradbury’s detailed and fresh account of 19th- and 20th-century architecture.’ David Watkin, University of Cambridge, UK May 2013 Hardback ebook PDF ebook ePUB 240 pages 978-1-4094-3160-2 978-1-4094-6508-9 978-1-4094-6509-6 £60.00 $109.95 Includes 270 b&w illustrations www.ashgate.com/isbn/9781409431602 March 2015 Hardback Sculpting Doughboys Jennifer Wingate, St Francis College, USA Redressing the neglect of World War I memorials in art history scholarship, this volume shows why sculptures of ‘doughboys’ (US soldiers during World War I) were in such demand during the 1920s, and how their functions and meanings have evolved. Jennifer Wingate recovers and interprets the circumstances of the doughboy sculptures’ creation, and offers a new perspective on the complex culture of interwar America and on present-day commemorative practices. Includes 50 b&w illustrations 244 pages 978-1-4094-0655-6 www.ashgate.com/isbn/9781409406556 552 pages 978-1-4724-0910-2 £85.00 $149.95 www.ashgate.com/isbn/9781472409102 Memory, Gender, and Taste in America’s World War I Memorials July 2013 Hardback Through examinations of internationally-renowned architects, Bradbury demonstrates that Sir John Soane’s influence has been truly international in the pre-Modern era, reaching throughout the British Isles and beyond to North America and even colonial Australia. £60.00 $104.95 The Urban Department Store in America, 1850–1930 Louisa Iarocci, University of Washington, USA Between the mid nineteenth century and the 1930s, the urban department store arose as a built artifact and as a social institution in the United States. While the physical building type is the foundation of this comprehensive architectural study, Iarocci reaches beyond the analysis of the brick and mortar to reconsider how the ‘spaces of selling’ were culturally-produced spaces, as well as the product of interrelated economic, social, technological and aesthetic forces. Includes 94 b&w illustrations December 2014 Hardback 258 pages 978-1-4094-4743-6 £65.00 $109.95 www.ashgate.com/isbn/9781409447436 The Uses of Excess in Visual and Material Culture, 1600–2010 Edited by Julia Skelly, Concordia University, Canada Although the idea of excess has often been used to degrade, many of the essays in this collection demonstrate how it has also been used as a strategy for self-fashioning and empowerment, particularly by women and queer subjects. This volume examines a range of material – including ceramics, paintings, caricatures, interior design and theatrical performances – in various global contexts. Each case study sheds new light on how excess has been perceived and constructed, revealing how beliefs about excess have changed over time. Includes 4 colour and 41 b&w illustrations August 2014 Hardback 326 pages 978-1-4094-4237-0 £70.00 $124.95 www.ashgate.com/isbn/9781409442370 Order online at www.ashgate.com/art and receive a 10% discount 12 Modern and Contemporary Art and Visual Studies Visual Merchandising The Image of Selling Edited by Louisa Iarocci, University of Washington, USA Firmly situated at the crossroads of visual culture and consumerism, this essay collection examines visual merchandising as the art and business of selling, seeking to overcome traditional scholarly ambivalence that celebrates the spectacle but denies the agenda of consumerism. The volume considers strategies in the representation and presentation of retail goods, in terms of the visual interaction that occurs between the commodity and the consumer. Includes 63 b&w illustrations June 2013 Hardback 270 pages 978-1-4094-2697-4 Visualizing Haiti in U.S. Culture, 1910–1950 Lindsay J. Twa, Augustana College, Sioux Falls, USA From the 1910s until the 1950s the Caribbean nation of Haiti drew the attention of many U.S. literary and artistic luminaries, yet while significant studies have been published on Haiti’s history, none analyze visual representations with any depth. This book argues that choosing Haiti as subject matter was a highly charged decision by American artists to use their artwork to engage racial, social, and political issues. Twa scrutinizes photographs, illustrations, paintings, and theatre as well as textual and archival sources. Includes 16 colour and 54 b&w illustrations £65.00 $109.95 www.ashgate.com/isbn/9781409426974 May 2014 Hardback 322 pages 978-1-4094-4672-9 £70.00 $119.95 www.ashgate.com/isbn/9781409446729 Visual Propaganda, Exhibitions, and the Spanish Civil War William Reid Dick, Sculptor Miriam M. Basilio, New York University, USA Dennis Wardleworth Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. The book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies. William Reid Dick (1878–1961) was one of a generation of British sculptors air-brushed out of art history by the modernist critics of the late twentieth century. This longoverdue monograph adds to the recent revival of interest in this group of forgotten sculptors, by describing the life and work of arguably the leading figure of the group in unprecedented depth. The study draws upon a wealth of previously unpublished material, including over 2000 letters, and press cuttings and photographs in the Tate Archive, as well as letters and photographs held by Reid Dick’s family. The first monograph on Reid Dick since 1945, the book also includes images of over 40 of his works and a listing of over 200 works identified by the author. Includes 20 colour and 51 b&w illustrations January 2014 Hardback 340 pages 978-1-4094-6481-5 www.ashgate.com/isbn/9781409464815 Includes 50 b&w illustrations April 2013 Hardback 230 pages 978-1-4094-3971-4 £60.00 $109.95 www.ashgate.com/isbn/9781409439714 £70.00 $119.95 World Art and the Legacies of Colonial Violence Edited by Daniel J. Rycroft, University of East Anglia, UK How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativity and historical/curatorial interpretation? World Art and the Legacies of Colonial Violence – comprised of ten essays by an international roster of art historians, curators, and anthropologists – forges innovative approaches to post-colonial studies, Indigenous studies, critical heritage studies, and the new museology. This volume probes the degree to which global histories of conflict, coercion and occupation have shaped art historical approaches to intercultural knowledge and representation. Includes 43 b&w illustrations November 2013 Hardback 280 pages 978-1-4094-5588-2 £65.00 $119.95 www.ashgate.com/isbn/9781409455882 13 Modern and Contemporary Art and Visual Studies 2014 ASHGATE Also of Interest from Lund Humphries The Bay Area School Californian Artists from the 1940s, 1950s and 1960s Thomas Williams with a foreword by Michael Peppiatt ‘Part history, part catalogue of selected works indicative of the Bay Area School’s anti-style, this is a handsome, engaging and beautifully illustrated book that reminds us that Abstract Expressionism, not unlike the Beats, was always a national rather than a provincial phenomenon.’ TLS Tracing the development of Abstract Expressionism and the counter-blast of Figurative art on the West Coast of America during a decisive period, this important publication marks a milestone in the ongoing understanding of the post-war art scene in the United States. 240 pages 978-1-84822-123-9 £35.00 $70.00 www.lundhumphries.com/isbn/9781848221239 September 2014 Hardback Set 1272 pages 978-1-84822-126-0 £170.00 $295.00 www.lundhumphries.com/isbn/9781848221260 Max Weber: An American Cubist in Paris and London, 1905–15 A Century of Israeli Art Yigal Zalmona A Century of Israeli Art presents the story of modern Israel’s visual culture, beginning with the pre-state years of Zionist art in the early 20th century and extending to the present day, as a new generation of Israeli artists rises to international prominence in the 21st century. Author Yigal Zalmona describes the many ways in which Israel’s art has been influenced by its social and political history, surveying the early days of the Bezalel School, founded in 1906 in the spirit of the Arts and Crafts movement; Land-of-Israel art during an era of nationbuilding; the pre-eminence of international modernism and Lyrical Abstraction after 1948; social-activist and conceptual art in the 1970s; and the recent embrace of photography and video. Edited by Sarah MacDougall, with texts by Percy North, Anna Gruetzner Robins, Nancy Ireson, Pamela Roberts and Lionel Kelly Russian-American émigré Max Weber (1881–1961) was one of the most influential Modernists in America in the early 20th century. For the first time, this book examines Weber in a European context, highlighting his crucial role in the cross-cultural dialogue between Paris and London and his important influence on the British avant-garde. Featuring a number of little-known illustrations and comprehensive, scholarly endmatter, Max Weber: An American Cubist in Paris and London, 1905–15 is an essential reference work for all those interested in the development and dialogues of artistic Modernism. Includes 64 colour and 33 b&w illustrations Includes 350 colour and 50 b&w illustrations 512 pages 978-1-84822-127-7 Hans Hofmann (1880–1966) was a pivotal figure in Abstract Expressionism and stands as one of the most important characters of post-war American art. This ground-breaking, three-volumed catalogue raisonné of paintings, which has been painstakingly researched over sixteen years, is both an invaluable scholarly resource and a celebration of Hofmann’s remarkable artistic achievements. LUND HUMPHRIES LUND HUMPHRIES June 2013 Hardback Edited by Suzi Villiger, Contributing Editors: Stacey Gershon, Juliana D. Kreinik, Jessie Sentivan & Helen Vong; Consulting Editor: Ani Boyajian; Contributing Essay Editor: Karen Wilkin; Essays: J. Kreinik, Paul Moorhouse, Peter Morrin, Marcelle Polednik & K. Wilkin Includes 1622 colour and 78 b&w illustrations Includes 166 colour and 21 b&w illustrations May 2013 Hardback Hans Hofmann Catalogue Raisonné of Paintings £45.00 $80.00 www.lundhumphries.com/isbn/9781848221277 July 2014 Hardback 200 pages 978-1-84822-163-5 £40.00 $70.00 www.lundhumphries.com/isbn/9781848221635 LUND HUMPHRIES LUND HUMPHRIES Eduardo Paolozzi Judith Collins Artist Eduardo Paolozzi (1924–2005) was a unique cultural figure. His varied yet instantly recognisable work chronicles the significant changes in British art from the austere 1950s to the post-post-modern late 1990s. This highly illustrated and visually exciting book provides the first comprehensive overview of the career of a major, prolific and complex artist, exploring Paolozzi’s work from all periods and across all media: collage, sculpture, printmaking, ceramics, tapestry and film. Includes 180 colour and 80 b&w illustrations October 2014 Hardback 304 pages 978-1-84822-131-4 £45.00 $90.00 www.lundhumphries.com/isbn/9781848221314 LUND HUMPHRIES Order online at www.ashgate.com/art and receive a 10% discount 14 More than 4000 Ashgate books are now available as ebooks in both ePDF and ePUB formats, with many new titles added each month. Whether you are a library or an individual we hope that the diverse array of partners we work with will enable you to enjoy our books in the format of your choice and in the way you want to access them. 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