A series of dialogues How to Collaborate? 10–11 October 2014 HOW TO COLLABORATE? A series of dialogues on 10 and 11 October 2014 Five dialogues entertained between two researchers who meet up at - is that so? How to Collaborate? - before agreeing or disagreeing) and a - when it comes to collaborate by talking 3 DIALOGUE PARTNERS - Public Sphere by Performance Parallel Slalom: Lexicon of Nonaligned Poetics Score Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance - Danse Guerre and Spatial Confessions - Margarita Tsomou Assemblies and Participation: Urban Publics and Performance Representation of the Many 4 Manfred Füllsack Networking Networks: Origins, Applications, Experiments Leben ohne zu arbeiten? Zur Sozialtheorie des Grundeinkommens Life without labour? On social theories on basic income Zuviel Wissen? Zur Wertschätzung von Arbeit und Wissen in der Moderne Too much knowledge? On the valuation of labour and knowledge in modernity Arbeit Work/Labour Klaus Mainzer - - - 5 International Journal of Bifurcation and Chaos in Applied Sciences and Engineering Advanced Science Letters KantStudies Nicolas Y Galeazzi discourses through artistic research and articulates them in instal- GASTSTUBE°performance n@work EMANUELLE Transnational Art Commons ment [a.pass] - advanced performance and scenography studies in Nikolaus Gansterer - Drawing a Hypothesis and Working in Vienna II Moving Patterns action Living Sonar Festival Trichtlinnburg Architecture of InterHard Rock Walzer Wrong time, The Stone Road Potential Dialogues Wrong place Structures Sound Escapes Story behold. Story be told Mifan - - Credits: Thomas Martius Maria Lind together with a curatorial team ran a programme which involved - What if: Art on the Verge of Architecture and Design Curating with Light Luggage and Collected Newsletter Taking the Matter into Common Hands: Collaborative Practices in Contemporary Art European Cultural Policies 2015 The Greenroom: Reconsidering the Documentary and Contemporary Art recent co-edited publications are Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios and Performing the Curatorial: With and Beyond Art Selected Maria Lind Writing Lisa Robertson Kootenay School of Writing Revolution: A Reader Debbie: An Epic The Weather and Lisa The Men Nilling Cinema of the Present Occasional Works and - Credits: Thomas Martius Igor Dobricic - Table Talks - - A History of Dance Peter Pleyer - their choreographies and improvisations have been staged internati- choreographing books - - Visible Undercurrent RESPONDENTS / AUDITORS Guests Diego Agulló - CUE CUE has occurred in The Mischievous Mission called: Dangerous Dances. Ash Bulayev - i-MAP - - Alice Chauchat - togethering Anke Hoffmann - Doing No(thing) F-Word called RealismusStudio tainment Resolution 1-3 The blind spot Happy Believers in a Iconoclash, Future Cinema or Ctrlspace Political Interventions Subverting Disambiguities Christine Standfest - Bettina Vismann - e A Future Archeology in–visible inter–actions in Grain Vapor Ray: Textures of the Anthropocene - Siegmar Zacharias tre International Festival: The Thea- - Fellows at the IRC Interweaving Performance Cultures Sruti Bala - - Narges Hashempour - dissertation entitled Traditional and Modern: Iranian Theatre Culture and Gender Performance Kuan-wu Lin - - Chetana Nagavajara - Auf der Suche nach einer grenzüberschreitenden Wissenschaftskultur In Search of a transnational Scholarly Culture Nanako Nakajima Aging Body in Dance - - - - David Savran Breaking the Rules Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class nographs Theater für Alle? Partizipation von Postmigranten am Beispiel der Bühnen der Stadt Köln Das Theater Thomas Bernhard zwischen Artaud und Brecht: Der Ignorant und der Wahnsinnige Theater und Migration Theaterpädagogik am Theater. Kontexte und Konzepte von Theatervermittlung Stephen Wilmer Theatre, Society and the Nation: Staging American Identities Philosophy and Criticism Interrogating Antigone in Postmodern Native American Perfor- mance and Representation National Theatres in a Changing Europe (Palgrave Macmillan, 2008), Writing and Rewriting National Theatre Histories Philosophical, Political and Performative Strategies Deleuze and Beckett - Directors and Staff of the IRC Interweaving Performance Cultures Erika Fischer-Lichte - - Most recent publications: The Politics of Interweaving Performance Cultures: Beyond Postcolonialism Global Ibsen. Performing Multiple Modernities Christel Weiler Cultural Exchange in the Theatre Global Ibsen. Performing Multiple Modernities Helen Follert Holger Hartung Torsten Jost - Die Aufführung. Diskurs – Macht – Analyse The Politics of Interweaving Performance Cultures: Beyond Postcolonialism - Helene Röhnsch - Florian Thamer - FATSA/KOINA: Athen CURATORS Silke Bake - - - - On Hospitality performance platform. body affects - A Future Archeology - Audience and communities? Between policies, marketing and true desires - Peter Stamer - incubator Ten Notes on Dramaturgy Queens Drama - The Path Of Money For Your Eyes Only A Future Archeology 26 Letters to Deleuze How to Collaborate? A series of dialogues at the IRC ‚Interweaving Performance Cultures’ Friday, 10 October 2014 11 a.m. Open doors (refreshments, snacks) 12 p.m. Welcome by Erika Fischer-Lichte, Christel Weiler, Silke Bake, and Peter Stamer 12.30 p.m. Dialogue A Bojana Cveji & Margarita Tsomou 1.30 p.m. Discussion 2 p.m. Lunch Break 3 p.m. Dialogue B Manfred Füllsack & Klaus Mainzer 4 p.m. Discussion 4.30 p.m. Coffee & Biscuits 5 p.m. Dialogue C Nicolas Y Galeazzi & Nikolaus Gansterer 6 p.m. Discussion 6.30 – 8 p.m. Wrap-up & Drinks Saturday, 11 October 2014 11 a.m. Open doors (refreshments) 12 p.m. Dialogue D Maria Lind & Lisa Robertson 1 p.m. Discussion 1.30 p.m. Lunch Break 2.30 p.m. Dialogue E Igor Dobricic & Peter Pleyer 3.30 p.m. Discussion 4 – 6.30 p.m. Final Discussion & Drinks